KPop Club Night Events 2025

See you on the dance-floor!

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‘Doctor X’ – Japan’s Longest-Running Medical Drama

In the world of Japanese dramas, few series have carved a legacy as bold and enduring as ‘Doctor‑X’. Since its debut in 2012, this medical drama has captivated viewers with its fierce protagonist, gripping surgical scenes, and unapologetic critique of hospital bureaucracy. While Japanese dramas often go unnoticed in global conversations dominated by K-dramas, ‘Doctor‑X’ has consistently delivered top-tier ratings, iconic catchphrases, and a loyal fanbase that stretches across continents.

The Unstoppable Dr. Daimon

At the heart of ‘Doctor‑X’ is Michiko Daimon, portrayed by the acclaimed actress Ryōko Yonekura. Daimon isn’t your typical white-coated heroine. She’s a freelance surgeon who floats from one university hospital to another, armed with unmatched surgical skills. She is known for her sharp tongue and the “I never fail.” signature line. What sets her apart isn’t just her talent—it’s her refusal to conform. She scoffs at authority, rolls her eyes at pompous hospital directors, and walks away from political games without a second thought. In a world where hierarchy is everything, Daimon dares to be different.

A Legacy of Excellence

‘Doctor‑X’ first aired in October 2012 on TV Asahi. Over the course of seven seasons and multiple specials, it consistently dominated prime-time slots, peaking at over 23% average viewership in Season 2—an impressive feat in Japan’s competitive TV landscape. Each season brings a new hospital, a fresh batch of enemies, and even more impossible surgeries. The formula is familiar, yet somehow never gets stale—thanks to Daimon’s larger-than-life persona and the biting satire that threads through each episode. Despite its episodic format, the show manages to touch on serious issues: medical ethics, corruption, and the rigid structures of Japan’s healthcare system. But it does so with flair, humor, and a touch of rebellion.

Where Can You Watch It?

Finding ‘Doctor‑X’ with English subtitles can be tricky, but not impossible. Seasons 1–4 are available with English subtitles in select regions on Amazon Prime Video. You can watch it on Netflix Japan using reliable VPNs. For later seasons, season 5 to 7, fans often turn to unofficial sites like kissasian.

Why It’s Still Worth Watching in 2025

Even though the latest season aired in 2021, ‘Doctor‑X’ feels timeless. Its themes—standing up against corruption, protecting life at all costs, and owning your power—still resonate deeply. And Ryōko Yonekura’s magnetic performance keeps the series fresh, even a decade after its debut. In an era where medical dramas often revolve around romantic subplots or tragic deaths, ‘Doctor‑X’ dares to be different. There’s little to no romance. No tragic backstory to make us pity the lead. Just a brilliant woman, doing what she does best—saving lives and defying expectations.

Final Thoughts

‘Doctor‑X’ is more than a medical drama—it’s a cultural phenomenon. With its strong feminist lead, satirical edge, and consistent quality, it’s no surprise it remains one of Japan’s most successful TV exports. For J-drama fans or curious newcomers looking to try something bold, smart, and a little bit rebellious, ‘Doctor‑X’ is a must-watch.

—-Karen Mwenda

#DoctorX #RyokoYonekura #Jdrama #Japanesedrama #kcrush #mustwatch #strongfemaledoctor #kcrushamerica #kissasian

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LISTEN HERE

Flagship artist, JEON SOMI, makes her comeback after 11 months with her brand new single “EXTRA.” Putting aside her bubbly “high teen girl” image, JEON SOMI is taking on a more thought-provoking concept, marking a bold new step in her artistic journey. Watch HERE and listen HERE.

‘EXTRA’ is a dance track that captures the feeling of being just outside someone’s gaze – standing on the edge, watching from the sidelines. Personifying the feeling of being an extra in a movie – drifting through scenes without ever being fully seen – the track captures a sense of confusion and contradiction. JEON SOMI channels these complex emotions in ‘EXTRA’ through a polished new-disco sound, layered with a catchy hook, sleek melodies, and an infectious groove. With this release, she opens a new chapter – showcasing a deeper emotional range and a more refined sense of expression.

Set against a minimal yet striking soundscape, JEON SOMI’s effortlessly laid-back vocals heighten the track’s atmosphere. She portrays the moment of breaking free from the role of an extra – stepping forward and claiming the spotlight – with disarming honesty and assured confidence.

“EXTRA” is written by JEON SOMI, TEDDY and Vince along with 조윤경, 황유빈(XYXX), Alna Hofmeyr, Josh Allen and Shae Jacobs. The track is produced by VITALS and Shae Jacobs.

Photo Credit: THEBLACKLABEL

Follow JEON SOMI:

INSTAGRAM | TIKTOK | FACEBOOK | TWITTER

About JEON SOMI

Born as Ennik Somi Douma in 2001 in Ontario, Canada, JEON SOMI grew up in Seoul, South Korea. After several commercial ventures, JEON SOMI ultimately became known after winning Produce 101, a South Korean TV singing competition, and subsequently became part of the project girl group I.O.I. After winning first place on Korean reality singing competition Produce 101, the young musician joined THEBLACKLABEL and began her musical partnership with producer TEDDY. 

JEON SOMI released her first full-length album “XOXO” with the single “Dumb Dumb” achieving 20M views in just 2 days and breaking into the Billboard 200. Her second single, also titled “XOXO” has surpassed 100M views in less than a month and cemented JEON SOMI as one of the top solo female artists of this generation. In Summer 2023, she released her brand-new EP entitled “GAME PLAN” along with the music video for “Fast Forward” which has amassed over 80M views and was the #1 Trending Music Videos Worldwide for 3 days.

Currently just 24 years young, JEON SOMI has garnered the attention of major global brands such as Prada, Louis Vuitton, L’OReal, The North Face & Lacoste while also producing her own line of makeup products called, ‘GLYF‘.

About THEBLACKLABEL:

THEBLACKLABEL is a South Korean entertainment company, record label, and creative agency founded by TEDDY in 2016 and home to acts such as TAEYANG, JEON SOMI, ROSÉ, MEOVV and Vince.

#JeonSomi #TheBlackLabel #TEDDY #EXTRA #JeonSomiEXTRA #kcrush #dance #disco #partystyle #Vince #XXYX #kpop #kidol #newsingle #Alna #producedbyVITAL #kcrushamerica #kcrushmagazine #hallyu #koreanpop #kpopindustry #EXTRAMV

Netflix’s K-Pop Demon Hunters, released June 20, 2025, is topping streaming charts and music playlists worldwide. Mashing K-pop spectacle with supernatural fantasy, this animated phenomenon claims the #1 spot in over 40 countries and has fans spellbound by its visuals, choreography, and emotional depth. This film redefines K-pop fantasy, blending sleek K-pop aesthetics, high-stakes fantasy, and powerful music into a cultural phenomenon

Plot & Story

Set in a neon-soaked, myth-infused Korea, the film follows the dazzling K-pop girl group balancing sold-out performances with secret demon-slaying missions. Their singing’s sonic energy fuels the mystical “Honmoon” barrier, protecting humanity from the demon-king Gwi Ma. But peace shatters when the sinister rival boy band Saja Boys, led by demon-turned-idol Jinu, begins siphoning fan energy – threatening to collapse the barrier.

Creative Team

K-Pop Demon Hunters is directed by Maggie Kang and Chris Appelhans, and the screenplay by Kang, Appelhans, Danya Jimenez, and Hannah McMechan. The film fuses anime-inspired visuals and Korean heritage. Sony Pictures Imageworks took over the animation part, bringing neon stage lights, stylized action, and folkloric touches to life.

The voice cast, featuring mainly talented Korean-Americans, is as star-studded as the concept. Arden Cho (Rumi) is a singer, model, and actress (Teen Wolf TV series and Netflix’s Ingrid Yun). May Hong is a model and actress (Tale of the City drama). Ji-young Yoo (Zoey) is a model and actress (Until Dawn film). EJAE is a singer-songwriter and record producer. Audrey Nuna is an R&B singer and rapper. Rei Ami is a singer-songwriter and rapper. Rising K-drama star Ahn Hyo Seop plays Jinu, with vocals by Andrew Choi – a singer and composer under SM Entertainment.

The soundtrack—featuring hits like “Golden,” “Takedown” (by TWICE’s Jeongyeon, Jihyo & Chaeyoung), and “How It’s Done”—is produced by industry giants Teddy Park, Jenna Andrews, and THEBLACKLABEL, rivaling real-world K-pop releases.

Audience response

With cliffhangers hinting at Rumi and Jinu’s romantic history and Saja Boys’ true origins, fans are already demanding a K-Pop Demon Hunters 2. Rumors of collaborations with reputable groups like BTS are heating up, with creators teasing exciting future crossovers. This musical adventure isn’t just a film – it’s a franchise in the making.

—-Karen Mwenda

#KPopDemonHunters #DemonHunters #KPop #NetflixKPopDemonHunters #KoreanPop #Hallyu #KFantasy #kpopidol #kcrush #kcrushamerica #kcrushmagazine #Rumi #Jinu #SajaBoys #Kfranchiseinthemaking #globalcharts #KPopDemonHunterscharting #GoldenTWICE #TakedownTWICE #TeddyPark #JennaAndrews #THEBLACKLABE #SonyAnimation #Sony #ArdenCho #kculture #kfashion #AhnHyoSeop

Becoming the First Idol Group Composed of All Chinese Members to Chart with Consecutive Hit Singles 

Credit: A2O Entertainment

Super Star girl group, A2O MAY, continues to impress critics as their newest single “BOSS” makes Mediabase’s Top 40 list. Landing at No. 35, it marks the highest placement ever achieved by a Chinese girl group and sets the record for the highest female Chinese artist in the U.S. Top 40 radio. A2O MAY is now the first group with all Chinese members to have two songs on the Top 40 list, further cementing them as international trailblazers in the music industry. “BOSS” has earned the group the highest charting of any Chinese girl group in Top 40 history, surpassing their breakout single “Under My Skin,” which peaked at No.39. This milestone marks two consecutive charting singles for the group, making A2O MAY the first-ever girl group with all Chinese members to achieve this feat on U.S. Top 40 radio — a groundbreaking moment in global pop history.

The Mediabase Top 40 chart, based on actual airplay data from over 180 major radio stations across the United States and Canada, serves as a key indicator of mainstream popularity. A2O MAY’s hit singles continue to resonate with North American audiences, a rare and impressive feat for a newly debuted girl group.

A2O MAY continues to soar as “BOSS” reaches over 30 million views on YouTube, establishing A2O MAY as beloved global artists worldwide. Alongside their success abroad, “BOSS” also excited domestic audiences, charting at No. 1 on QQ Music, one of China’s premier streaming platforms.

Guided by renowned producer Soo Man LEE, A2O MAY blends multicultural backgrounds and bilingual fluency in Chinese and English, positioning themselves as a pioneering voice of a new era in global pop culture. As representatives of the newly launched Zalpha Pop genre, a fusion of Gen Z/Alpha storytelling, CHENYU, SHIJIE, QUCHANG, MICHE, and KAT bring an authentic and boundary-breaking energy to every stage they step onto.

A2O MAY are coming off their first U.S. live performance at the KIIS FM Wango Tango Festival last month.  They made a huge splash as they performed alongside top global artists, including Doja Cat, David Guetta, Meghan Trainor, and Gwen Stefani. As A2O MAY’s success story continues to unfold, they are not just breaking new ground as a rising global act; they are shaping the landscape of the international music industry.

ABOUT A2O MAY

A2O MAY (AY-TWO-OH-MAY) is the first official girl group launched under A2O Entertainment, making their debut on December 20, 2024. The group is composed of five talented members — CHENYU (17), SHIJIE (17), QUCHANG (17), MICHE (20), and KAT (20) — who were selected from A2O Rookies’ HTG division. Hailing from Shanghai, Suzhou, and Hawaii, A2O MAY is a multicultural, bilingual group fluent in Chinese and English, representing a new generation of global idols. Each member brings a unique artistic identity shaped by passions such as fashion styling, piano, visual art, songwriting, and performance. A2O MAY is the first group to embody Zalpha Pop, a genre and cultural movement created by renowned producer Soo Man LEE, aimed at blending the emotional authenticity and storytelling of Gen Z and Gen Alpha. Their debut single, “Under My Skin,” captures this vision with a rhythmic, synth-driven sound and introspective tone, offering a powerful glimpse into the future of youth-driven global music. As pioneers of A2O’s artist ecosystem, A2O MAY continues to connect with fans worldwide through digital-first content, dynamic visuals, and an open, evolving narrative of growth, self-expression, and creativity.

More than a name, A2O MAY signals the beginning of a cultural shift. Inspired by the season of full bloom and sharing its sound with the Chinese character 美 (Mei), meaning “beauty,” the name reflects not only outer elegance but inner strength — the quiet power behind every transformation. More than artists, they are a bridge — connecting culture to culture, generation to generation, heart to heart. Step into the world of A2O MAY. The future begins in May’s full bloom.

Follow A2O MAY

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#A2OMAY  #A2OEntertainment #Chinesegirlgroup #BOSSbyA2Omay #kcrush #CPop #Kpop #MediabaseTop40RadioChart #topchart #Chenyu #SHIJIE #QUCHANG #MICHE #KAT #kcrushamerica #kcrushmagazine #SooManLEE #ZalphaPop #GenZ

Between 2008 and 2012, K-pop saw the rise of powerful girl groups that not only topped domestic charts but also helped fuel the global Hallyu wave. Here are the top 10 K-pop powerhouse girl groups from that golden era who skyrocketed K-pop’s global influence.

1. 2NE1

2NE1, who debuted in 2009, revolutionized K-pop with their fierce, independent image and genre-blending music. Hits like “I Am the Best” and “Fire” earned them international fame, Billboard chart records, and massive influence on fashion and pop culture solidifying their status as K-pop legends.

2. Davichi

Though not your typical idol group, Davichi are known for their powerful ballads and emotional vocals. The duo band, which debuted in 2008, are known for hit songs like “8282” and” Don’t Say Goodbye”, which dominated Korean digital charts and became karaoke staples.

3. 4Minute

Known for their edgy concepts, 4Minute – who debuted on 2009 – brought hits like “Hot Issue” and “Crazy” that topped charts and appeared on Billboard’s World Digital Song Sales chart. This cementing their global fanbase revealing their edgy, powerful style to international audiences. 4Minute disbanded in 2016.

4. EXID

After the 2012 debut, EXID rose to fame after a fancam of member Hani went viral, boosting the “Up & Down” track onto the Billboard World Digital Songs chart and making them a household name worldwide.

5. AOA

AOA, who debuted in 2013, combined band and dance group concepts before finding major success with hits like “Miniskirt” and “Like a Cat” found their way onto the Billboard World Digital Song Sales chart, highlighting their rising international popularity.

6. T-ARA

T-ARA, who debuted in 2009, created timeless hits like “Roly-Poly” and ‘Bo Peep Bo Peep”, achieving huge popularity in Korea, Japan, and China. “Bo Peep Bo Peep” topped the Billboard Japan Hot 100, showing their massive influence across Asia.

7. Crayon Pop

Following their 2012 debut, Crayon Pop achieved the global sensation status soon after debut and appeared on international charts while earning attention from international media. Crayon Pop’s “Bar Bar Bar” became a global viral hit and entered the Billboard World Digital Song Sales chart, thanks to its catchy hook and quirky choreography.

8. f(x)

Having debuted in 2009, f(x)’s experimental sound brought critical acclaim, with albums like ‘Pink Tape’ reigning in international charts. f(x)’s album ‘Red Light’ reached No. 1 on the Billboard World Albums chart, proving their global critical acclaim.

9. SISTAR (2010)

After their 2010 debut, these queens of summer – SISTAR – delivered hits like “Alone” and “Loving U”, which quicky gained them local and international fame. SISTAR’s “Give It to Me” appeared on Billboard’s K-pop Hot 100, cementing their reign as summer queens.

10. Miss A

After the 2010 debut, Miss A smashed records with their debut single coupled with their unique style helped them chart internationally and lead the K-pop wave. Miss A’s “Goodbye Baby” made it onto the Billboard World Digital Song Sales chart, showing their wide-reaching appeal.

—-Karen Mwenda

#2008to2012Top10GirlKPopGroups #kcrush #MissA #SISTAR #kpop #kpopidol #kpopmusic #kpopgirlgroups #fx #CrayonPop #koreanpop #hallyu #kcrushamerica #kcrushmagazine #TARA #AOA #Korea #kpopwave #EXID #4Minute #Davichi #2NE1 #MissAGoodbyeBaby #SISTARGiveItToMe #SISTARAlone #fxpinktape #fxRedLight

By a Whiskey-Loving Explorer with a Passport and a Curious Palate

The 2025 Seoul International Wine & Spirits Expo (SIWSE) once again delivered a dazzling showcase of flavors, culture, and craft from across the globe. Held at the ever-bustling Starfield COEX Exhibition Center, this annual event is a mecca for both seasoned connoisseurs and curious tasters eager to sip something new.

As a U.S.-based whiskey enthusiast (and self-proclaimed flavor adventurer), I make it a point to attend this Expo whenever I’m in town. It’s not just about the drinks—though, let’s be honest, the drinks are fantastic—it’s about discovering brands you can’t find at your local shop, and connecting with fellow lovers of spirits from Korea and beyond.

The Layout: A Delicious Maze

This year’s venue was as sprawling and tempting as ever. With international vendors pouring out samples of wine, whiskey, sake, and everything in between, the Expo had all the buzz of a bustling street market—with a far higher ABV. My only gripe? The whiskey booths weren’t grouped together, which meant I had to trek across the hall, often distracted by stunning displays and delicious side stops. (Spoiler: I did not resist them all.)

Coolhappytash drinking a sample of Arizwell’s The Rhythm Hangover Drink

Let’s Talk Whiskey

Now, I’m not a whiskey sommelier, nor do I pretend to be. I’m just someone who appreciates a well-crafted bottle and the stories behind each label. Normally, I reach for Crown Royal Vanilla or Buchanan’s Deluxe—either on the rocks or in a highball with ginger ale. But the Expo gave me a chance to explore beyond the familiar. And friends, let me tell you—it was worth every step (and every sip).

Here are my standout discoveries:

🥃 The Busker (Ireland) – Smooth, Easy, and Friendly

This was a great intro for anyone new to whiskey. The Busker’s range was approachable, with subtle flavors that didn’t overpower. Each pour was smooth on its own, yet versatile enough to mix if needed. It’s a solid Irish whiskey with just enough depth to keep things interesting—but never intimidating.

Vibe: Laid-back starter whiskey

Price: Very affordable

Great for: New drinkers or casual gatherings

🔗 thebusker.com

🥃 Bankhall (UK) – Smooth Sophistication with a Fresh Twist

Bankhall made an impression with its single malt aged in bourbon casks—first served to me as a highball (1-2-2 ratio), then neat. Smooth, confident, and surprisingly balanced for such a young brand (launched in 2023), it immediately reminded me of my big brother—cool, composed, and just the right amount of bold.

Vibe: Confident and charming

Price: Reasonable for the quality

Great for: Gifting or sipping with someone you respect

🔗 bankhallwhisky.com

🥃 Goldcock Peated (Czech Republic) – For the Refined and Ready

Yes, the name caught my eye. But the taste kept me intrigued. The Goldcock Peated, with an ABV of 45%, delivered smoky, robust flavors meant to be savored solo. I did get to sniff the elusive Goldcock 20—a limited release aged 20 years with only 100 bottles in Korea. A dream for another day. Until then, the Peated is my mature, earthy go-to.

Vibe: Grown-up, no-nonsense richness

Price: Peated: mid-range / 20-Year: luxury splurge

Great for: Whiskey purists and smoke lovers

🔗 goldcock.cz

🥃 Fly Supreme (Scotland) – Sleek Bottle, Bold Soul

Don’t let the modern bottle fool you—this Blended Scotch delivers old-school complexity. I picked up warm notes of chocolatey toffee, while my friend raved about a spicier citrus finish. The rebranding clearly worked; we saw plenty of younger adults queuing up for a taste.

Vibe: Stylish outside, deep inside

Price: Budget-friendly

Great for: Curious newcomers looking for a mature taste

🔍 (Available online)

🥃 Natterjack (Ireland) – Bold, Spirited, and Cola-Worthy

Bold without being too sweet, Natterjack was a surprise for me. While it doesn’t have the vanilla or caramel notes I typically gravitate toward, I still appreciated its warmth. I’d mix it with cola, but it’s worthy of sipping too.

Vibe: Bold and energetic

Price: Super affordable

Great for: Whiskey with a cola twist

🔗 natterjack.com

(Pro tip: Don’t pack it in your carry-on… RIP to my bottle that didn’t make it past security.)

Honorable Mentions (aka The “Not Whiskey, But Wow” Club)

🖤 Shanky’s Whip – A thick Irish whiskey liqueur with rich, creamy notes. Over vanilla ice cream? Game changer.

🔗 shankyswhip.com

🍶 Kuroobi Yuyu Sake – Clean, crisp, and almost refreshing. I’m still thinking about it.

🔗 fukumitsuya.co.jp

🍐 Magpie Pear Wine (South Korea) – Made from 40% native mountain pears. Light, elegant, and undeniably Korean. A perfect tribute to local craftsmanship.

Final Sip: Why You Should Go Next Year

The SIWSE is far more than a booze bazaar. It’s a cultural tasting menu, an international mixer, and a celebration of craftsmanship all in one. Whether you’re a whiskey loyalist, a wine wanderer, or just curious about what the world is drinking—this Expo deserves a spot on your calendar.

Until next year—cheers to bold flavors, curious spirits, and stories shared over a glass. 🥂

Additional highlights https://photos.app.goo.gl/rSpRQNWk5kYjyrAw5

—- CoolHappyTash

#2025SeoulInternationalWineandSpiritsExpo #SIWSE #Korea #kcrush #wine #whisky #spirits #kculture #glassofwine #TheBusker #Irland #BankhallfromUK #Bankhall #GoldcockPeatedCzechRepublic #CzechRepublic #FlySupreme #Scotland #NetterJackIrland #NatterJack #ShankysWhipIrishwhiskey #KuroobiYuYuSakeJapan #MagpiePearWine #KoreanMagpiePearWine #kcrushamerica #kcrushmagazine #wineandspiritscoverage #koreaexpomediacoverage

Thank you for the opportunity to talk about Lemiti U and this very personal project. Below are the responses to your interview questions:

1. Can you introduce Lemiti U & the story behind its formation?

Lemiti U was born from the creative urge to imagine a girl group I would personally like to be part of. At first, it was just for fun, but then I had to admit it was a childhood dream I couldn’t fulfill through traditional means. The idea was simple: to create LEMITI as a way to give voice to the songs I write.

2. How would you describe Lemiti U’s musical color and style?

Lemiti U is experimental, but strongly rooted in K-pop/pop. I try to create samples in DAWs based on what I’m feeling or consuming at the moment. Technically, nothing amazing — and generative AI never captures 100% of what I want to express. But maybe that tension is part of the sound.

3. Lemiti U’s debut album, IT IS POLEMIC, introduced the group to the world. What themes were you aiming to convey and how did you decide on the musical direction?

With IT IS POLEMIC, I wanted to start a conversation about what’s considered “real” in music and entertainment. I tried to evoke emotion in the lyrics — especially in “Generic Duh” — but I’m not sure it came through as I intended. One interpretation could be the erasure of our essence in order to fit into what’s already established — though nothing is set in stone.

4. From the members’ facial expressions to their stage presence, everything feels so real. How did you design the group to evoke such an emotional and lifelike experience?

The emotional foundation of Lemiti U began with storytelling — I personally love writing. Each member has a personality and a fictional emotional universe. I see them as characters in a narrative. The visual prompts come afterward, shaped by those stories.

5. “BUBBLEGUM” is one of Lemiti U’s latest Japanese singles. How do you approach cultural authenticity when creating content for different audiences?

I was heavily inspired by groups like TWICE for this type of track. It was a real challenge to use translators for Japanese — and even for Korean — since English is my second language, and I’m only slightly familiar with Korean, almost not at all with Japanese. Still, I try to approach each language and culture with care.

6. What does success look like for a fully AI group like Lemiti U?

Personally, that’s not really what I’m aiming for. LEMITI already has a small audience, and that’s more than enough for me. I create and use generative AI as a way to have fun and explore creatively. As for my art, I’d love to be recognized for songwriting, and have the chance to study music more deeply.

7. How has Lemiti U’s concept and sound evolved since the very beginning? Were there any surprising creative shifts along the way?

Absolutely. The group started with more of a pop industry critique aesthetic, but as I developed their inner stories, I shifted toward making songs that expressed how I feel — and how I wish people would hear the music I’d like to create in the future.

8. How do you imagine Lemiti U’s next comeback or project pushing the boundaries of virtual idols and K-pop?

I started building a lore in “Back In Black,” continued it in “Twenty Four Hours” — a collab with singer, producer, and songwriter Nikky Nagori — and now it’s evolving with “INVU,” part of the Japanese EP Me To Me. The idea is to expand this fictional universe with each release. 

9. What is the biggest misconception people have about AI-generated music groups, and how do you want to change that narrative?

Many people think virtual groups are here to replace human art. I strongly disagree. As things stand, AI still generates repetitive concepts and ideas. Only human beings can create something truly authentic. AI might help — but always in a supporting role.

10. Any upcoming Lemiti U projects that fans should look forward to?

Yes! A new English mini-single called Never There is coming — probably this June. It’s a very personal and special track for me.

11. With AI groups becoming more popular globally, how do you see the future of K-pop and virtual idols evolving over the next 5 to 10 years?

I honestly don’t know what could surprise me anymore — maybe hologram-based concerts? If Lemiti U ever becomes truly big and I’m in a good position, I’d love to hold real auditions for real idols. I’d turn CheMisTry Labels — currently a fictional agency — into the opportunity I never had, for people with real dreams and something to share with the world.

12. What would be Lemiti U’s message to their fans?

Thank you for bringing me closer to my dream, even indirectly. Even if it’s just a few of you — that’s already more than enough for me.

—-Karen Mwenda

#LemitiU #kcrushinterview #CheMis #Aigroups #popularKpop #kpop #kpopmusic #hologram #kcrush #Korean #hologrambasedconcerts #virtualidols #kcrushamerica #kcrushmagazine #NeverThereEnglishMiniSingle #idol #NikkyNakori #INVU #BUBBLEGUM #ITISPOLEMIC #createsamplesinDAWs

Is there any singular moment in our lives that is ever truly without meaning? In his debut feature film Ulysses, Japanese filmmaker Uwagawa Hikari seeks to find this out through seemingly random improvised sequence of events and discussions between a mother and her 8 year-old son, an impromptu Christmas dinner party, a San Sebastián cathedral, and a the traditional Japanese ancestral ritual to bid farewell to a loved one.

Much like its literary namesake “Ulysses” the 1922 novel by Irish author James Joyce, Uwagawa’s interpretation is comprised of a series of brief glimpses in the lives of people he grew to know while attending film school in Spain. In Madrid, Spain, there’s Aliftina, a woman who though married, has become a single mother to her son Dimitri due to her husband’s years long absence. When told by her that his father has gone off to make a fortune for them, Dimitri with the unvarnished wisdom of a child, responds by telling his mother not to expect only good things in life because life is unpredictable. Leading her to ponder that perhaps her son sees and understands more than she thinks.

At a small gathering in their apartment to celebrate Christmas, two of Aliftina’s friends begin to dance arm-in-arm with each other. The two men show a sense of joy in enjoying this brief moment of spontaneous intimacy that creates a bubble of respite from whatever uncertainty may exist outside the walls of the small apartment. Uwagawa’s method of filmmaking gives these completely improvisational sequences and those that follow it in the 74 minute film a sort of “fly on the wall” perspective in the vein of an observational documentary.

At a non-descript park in San Sebastián, a woman, Enaitz and her acquaintance Ichii, drive aimlessly through rain soaked streets discussing the ways people have to push through their own personal comfort zones to make friends. Later, on a sunny day they sit on a park bench in a nondescript playground sharing a book written in Spanish that they translate to each other in English and Japanese. It’s at this juncture in Ulysses, that Uwagawa’s journey to becoming more sure of himself as a filmmaker begins to make headway.

In the candlelit cavernous interior of a Spanish cathedral, the camera pulls back and follows Ichii making his way through the wooden pews, like a spectre watching a hero enter into a new stage of an adventure. Cinematographers Avery Duncan and Keisuke Sekino do a beautiful job of giving more visual depth and this sequence shows how they themselves grow along with Uwagawa in the creative process.

In Japan, an elderly lady and her daughter make preparations to perform Obon to honor the passing of their husband and father. They talk about various memories they shared as a family. Moments that took time to create but pass by as quickly as the moment in which their spoken passes. And into the frame comes an unknown man with shoulder length black hair who continues the preparation process, and unless you’ve seen his picture you won’t know that it’s Uwagawa himself who’s taken himself from the relative anonymity of working behind the screen into his own on-screen narrative. The author has become the subject. And thus begins another chapter in Ulysses’s story.

Premiering in the International Competition program of the 2025 Jeonju International Film Festival, Ulysses began as Uwagawa waiting to experiment with his filmmaking style and wanting to see where a story with no defined script could go. Out of this curiosity came a film where a filmmaker unintentionally learns his limitations and observes his own evolution from someone feeling like an outsider, to figuring out that the art of crafting a film provides unexpected opportunities for insights and interpretations of the small individual moments that make up the human experience. Including his own.

In my interview with Hikaru we spoke of how Hikaru’s struggles to fit in at film school in Spain created unexpected challenges in him figuring out the language of filmmaking in both a literal and metaphorical sense, how using the unique sentence structure of Japanese Haiku inspired his first ever short film which serendipitously ended up being the template upon which he would build the narrative structure of Ulysses and ultimately his confidence as a director.

Carolyn Hinds
Freelance Film Critic, Journalist, Podcaster & YouTuber
African American Film Critics Association Member, Tomatometer-Approved Critic
Host & Producer Carolyn Talks…, and So Here’s What Happened! Podcast
Bylines at Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

#JeonjuIFF2025 #kcrushinterview #Ulysses #UwagawaHikaru #filmmaker #JapaneseFilmmaker #Irishauthor #JamesJoyce #filmschoolinSpain #kcrushamerica #kcrushmagazine #kcrushvideointerview #filmfestival #documentory #nodefinedscript

WICKED PERFORMANCE VIDEO (VER. A – MOVIESET) WATCH HERE

WICKED PERFORMANCE VIDEO (VER. B – BASEMENT) WATCH HERE

LISTEN HERE

THEBLACKLABEL‘s breakout co-ed group, ALLDAY PROJECT, hit #1 on YouTube’s Worldwide Trending chart just days after releasing their debut music video “FAMOUS.” One week later, they’re back with the title track “WICKED” – alongside two performance videos that build on the global buzz they’ve sparked as a rapidly rising force on the international stage. Watch both performance videos HERE and HERE. Listen to the single album HERE.

With an experimental beat that seamlessly fuses Brazilian Funk, Trap, R&B, and Drill, “WICKED” gives each member of ALLDAY PROJECT the space to express their individuality with unapologetic freedom. The term “Wicked”—an ironic expression meaning “incredible” or “awesome”—repeats as the hook, anchoring the track’s addictive rhythm. Fueled by explosive performances from ANNIE, TARZZAN, BAILEY, WOOCHAN, and YOUNGSEO and layered over cutting-edge production, the track delivers both sonic intensity and visual exhilaration.

“WICKED” was written by all members of ALLDAY PROJECT—TARZZAN, WOOCHAN, ANNIE, YOUNGSEO, and BAILEY—alongside Vince and global hitmakers Theron Thomas, Tommy “TB Hits” Brown, Amanda Ratchford, and Courtlin Jabrae Edwards. The track is produced by Dominsuk and 24 from THEBLACKLABEL.

ALLDAY PROJECT emerges as a groundbreaking new act under THEBLACKLABEL,

uniting a collective of highly anticipated multi-hyphenate artists who have already built strong reputations in rap, singing, choreography, and fashion. With a bold creative vision and genre-defying approach, the members of ALLDAY PROJECT are actively involved in the production of their music, visuals, and performances. The group has garnered widespread attention for challenging convention and holds the rare distinction of being one of the few co-ed groups in the modern era and the first under THEBLACKLABEL. Founded by mega-producer Teddy Park (a.k.a. TEDDY), THEBLACKLABEL’s roster includes MEOVV, JEON SOMI, Vince, BIGBANG‘s TAEYANG, and BLACKPINK‘s ROSÉ.

Upon the release of “FAMOUS,” the music video went viral—topping YouTube’s trending music and video charts in Korea, reaching No.1 on YouTube’s global trending list, and placing fourth on China’s QQ Music video chart. These achievements have positioned the group as an emerging presence in the global music scene, with the video surpassing 14 million views on YouTube views in just one week.

Listen to The Debut Single FAMOUS, which includes the title track “WICKED” – HERE

(From left: BAILEY, TARZZAN, YOUNGSEO, WOOCHAN, ANNIE)

Photo Credit: THEBLACKLABEL

FOLLOW ALLDAY PROJECT

TikTok | Instagram | X | Threads | YouTube | Facebook

About ALLDAY PROJECT:

ALLDAY PROJECT — comprised of ANNIE, TARZZAN, BAILEY, WOOCHAN, and YOUNGSEO — unites five artists, each with a distinct origin story. From dance prodigy to rap phenom to fashion trailblazer, they were among the most talked-about pre-debut talents of their generation, and now stand at the forefront of a new era. Together, they push the boundaries of creative expression, challenge convention, and deliver something entirely new and unprecedented. With sophisticated music, daring visuals, and powerful performance – much of which they write and choreograph themselves – ALLDAY PROJECT transcends labels and defies expectations. They don’t fit into a box – because no title can define what’s never been experienced before. Welcome to ALLDAY PROJECT.

About THEBLACKLABEL:

THEBLACKLABEL is a South Korean entertainment company, record label, and creative agency founded by TEDDY in 2016 and home to acts such as TAEYANG, JEON SOMI, ROSÉ, MEOVV and Vince.

#ALLDAYPROJECT #ANNIE #TARZZAN #BAILEY #WOOCHAN #YOUNGSEO #kcrush #khiphop #kpop #TEDDY #THEBLACKLABEL #kcrushamerica #kcrushmagazine #WICKED #FAMOUS #topofcharts #newcoedgroup #coed #wenotevenfamous #kidol #Korea #kfashion

On June 21, 2025, BTS’s SUGA officially concluded his military service after serving as a social service agent due to a prior shoulder injury. Although his final working day was June 18, his formal discharge occurred on June 21 following accrued leave.

Shortly after his discharge, Suga shared a warm, handwritten note on Weverse addressed to the ARMY. He echoed his love for ARMY expressing deep gratitude to fans for their patience. The global star also apologized for disappointing them following last year’s DUI incident pledging to repay fans’ love in future endeavors.

SUGA’s discharge marks the end of BTS’s long-awaited military hiatus and the full reunion of all seven members. Although HYBE has not outlined specific plans, industry insiders expect a group comeback—potentially in the first quarter of 2026. Although there was no public ceremony for SUGA, fans worldwide showered the star with welcome back support. Excitement is high as BTS embarks on their next chapter as fans eagerly await what’s next!

—-Karen Mwenda

#BTSSUGA #BTS #SUGA #completesmilitaryservice #SUGALettertoARMY #SUGALettertoFans #kcrush #kpop #kidol #pop #BTSnextchapter #HYBE #BIGHITEntertainment #Koreanmilitaryservice #BTSComeback #hiatusends #kcrushamerica #kcrushmagazine #BTS7memberKoreanboygroup #Billboardwinners #BillboardchartBTS #Weverse

K-pop’s global titan BTS is officially aiming for a full‑group comeback in March 2026.

According to insiders, BTS is rumored to make a group comeback in 2026. The follows the final member, Suga, scheduled to complete his mandatory military service on June 21, 2025. While HYBE has yet to specify an exact release date, the comeback is rumored for mid‑March, strategically timed around TXT’s return to avoid scheduling conflicts. ENHYPEN 2026 comeback is also rumored to be pushed earlier.

HYBE CFO, Lee Kyung Joon, also hinted that a 2026 return was likely during a precious shareholder meeting.  The CFO underscored the need for space to allow members to recharge and fully develop their creative vision. Industry insiders also reveal that BTS is collaborating with top‑tier producers to craft a comeback worthy of global impact. There’s buzz around a potential pre‑release single or special project ahead of the full album launch.

In the meantime, Jin is keeping ARMY engaged with his solo fan‑concert tour, “Run Seokjin EP. Tour,” running from June through August across Japan, the U.S., the U.K., and the Netherlands. As all BTS members reunite and studio work ramps up, anticipation is reaching fever pitch as fans are already planning countdowns to 2026.

HYBE’s CEO emphasized during their shareholder meeting that the group needs time to “reflect and recharge” while collaborating with “top-tier producers” to rebuild chemistry and deliver a powerful message

—-Karen Mwenda

#BTS #BTSReturn #kcrush #BTSReunion #BTSMilitaryRelease #kpop #koreanculture #kpopidol #BTSfandom #RM #JHOPE #SUGA #JIMIN #V #JIN #JUNGKOOK #BIGHIT #HYBE #BTSJourney #kcrushamerica #kcrushmagazine #BTSPostMilitaryComeback #BTSWhat2025CouldLookLike #BTS2026Return #2026BTSReturn #koreanpop #TXTReturnNoConflict #timetobuildchemistry

BTS’s return in 2025 isn’t just about music – it’s a cultural moment set to reshape the global pop scene once again. As the countdown begins for BTS’s long-awaited full group comeback in 2025, ARMYs are buzzing with excitement. After a carefully staggered enlistment plan beginning in late 2022, all seven members will soon reunite – stronger, more seasoned, and artistically evolved.

Where Have They Been?

Jin, the eldest, enlisted in December 2022 and was discharged in June 2024. After the discharge, Jin released the ‘Happy’ and ‘Echo’ Eps. He also appeared in varies variety and talk shows.

J-Hope joined in April 2023 and was discharged in October 2024. Before enlistment, he released the critically acclaimed “Jack In The Box” and performed at Lollapalooza 2022. Post-service, he dropped “HOPE ON THE STREET VOL.1” in 2024 and launched a dance docuseries under the same name. J-Hope also released the “Sweet Dreams’ and ‘Mona Lisa” singles.

Suga started his alternative service in September 2023 as a public service worker due to a previous shoulder injury. Before enlisting, he held a solo world tour as Agust D, following his “D-Day” album. Suga, the last BTS member serving his mandatory military service, is slated for release in June 21.

RM, Jimin, V, and Jungkook enlisted together in December 2023 and were released this month, June 10 & 11. Each member released solo projects before enlisting – RM’s “Indigo”, Jimin’s “FACE”, V’s “Layover”, and Jungkook’s global hit album “GOLDEN”, which included performances on major U.S. shows and charted worldwide.

Comeback & Musical Direction Theories

Fans speculate that BTS’s post-military return will be deeply reflective, genre-fused album, reflecting their solo growth.  Some believe they may revisit the emotional depth of “Spring Day”, while also pushing bold, new themes of growth, healing, and brotherhood.

Given the success of solo albums like “D-Day” (Suga) and “Jack In The Box” (J-Hope), the group comeback might fuse each member’s evolved artistry. Industry insiders speculate BTS is preparing for a late 2025 or early 2026 group comeback, possibly paired with a global stadium tour.

ARMY also anticipates an emotional reunion anniversary-style concert jammed with fan-dedicated tracks and a documentary chronicling their journey through hiatus, military service, and reunion.

—-Karen Mwenda

#BTS #BTSReturn #kcrush #BTSReunion #BTSMilitaryRelease #kpop #koreanculture #kpopidol #BTSfandom #RM #JHOPE #SUGA #JIMIN #V #JIN #JUNGKOOK #BIGHIT #HYBE #BTSJourney #kcrushamerica #kcrushmagazine #BTSPostMilitaryComeback #BTSWhat2025CouldLookLike

K-pop has swept across the globe – and Latin America is no exception. From SHINee’s 2014 tour to Stray Kids’ upcoming 2025 stadium shows, Korean idols have been building a passionate fanbase in Central and South America. Over the past decade, artists like BTS, Super Junior, ATEEZ, and Dreamcatcher have performed in cities like Mexico City, Santiago, and São Paulo, making K-pop a permanent fixture in the region’s music scene.

Latin America’s K-pop scene has evolved from niche to mainstream. With fanbases only growing, the next decade promises even more record-breaking concerts – and unforgettable memories.

—-Karen Mwend

#KPopArtistsWhoHavePerformedInCentralSouthAmerica #ATEEZ #StrayKids #kcrush #kpop #kidol #KARD #Yugyeom #NCTDream #Taemin #EXO #Seventeen #Sunmi #Momoland #Dreamcatcher #kcrushamerica #kcrushmagazine #TWICE Everglow #Got7 #SHINee #MonstaX #Mexico #Lima #Santiago #Rio #Bogota #PuertoRico #BuenosAires #koreanculture #koreanfashion #Hallyu #kpopconcertsinCentralSouthAmerica

WATCH HERE

PRE-ORDER THE DEBUT SINGLE FAMOUS HERE

Today marks the arrival of the electrifying debut music video for “FAMOUS“, the striking first release from the buzzed-about coed group ALLDAY PROJECT. Featuring five genre-defying members — ANNIE, TARZZAN, BAILEY, WOOCHAN, and YOUNGSEO — ALLDAY PROJECT boldly stakes their claim with undeniable style and energy in this sleek, high-impact video, charged with a futuristic edge. Watch HERE and pre-order the debut single “FAMOUS” HERE.

ALLDAY PROJECT emerges as a groundbreaking new act under THEBLACKLABEL,

uniting a collective of highly anticipated multi-hyphenate artists who have already built strong reputations in rap, singing, choreography, and fashion. With a bold creative vision and genre-defying approach, the members of ALLDAY PROJECT are actively involved in the production of their music, visuals, and performances. The group has garnered widespread attention for challenging convention and holds the rare distinction of being one of the few co-ed groups in the modern era and the first under THEBLACKLABEL.

Founded by mega-producer Teddy Park (a.k.a. TEDDY), THEBLACKLABEL’s roster includes MEOVV, JEON SOMI, Vince, BIGBANG‘s TAEYANG, and BLACKPINK‘s ROSÉ.

“FAMOUS” is a proper introduction to ALLDAY PROJECT that truly embodies the group’s attitude and identity. With witty lyrics that capture their confident, tongue-in-cheek ambition — as they say, “but we ain’t even famous” — the song channels each member’s unique persona and energy. Driven by a danceable beat built on heavy synth bass and edgy guitar riffs, the track layers dynamic rap flows and addictive hooks. “FAMOUS” was written by members TARZZAN, WOOCHAN and YOUNGSEO alongside TEDDY, Vince, Claudia Valentina, Zikai, Norib and produced by Jumpa, 24, Dominsuk and Vince.

Pre-save the THE DEBUT SINGLE FAMOUS out on 6/23 at 5AM EST – HERE

(Clockwise from top left: WOOCHAN, YOUNGSEO, BAILEY, TARZZAN, ANNIE)

Download hi-res photo HERE

Photo Credit: THEBLACKLABEL

FOLLOW ALLDAY PROJECT

TikTok | Instagram | X | Threads | YouTube | Facebook

About ALLDAY PROJECT:

ALLDAY PROJECT — comprised of ANNIE, TARZZAN, BAILEY, WOOCHAN, and YOUNGSEO — unites five artists, each with a distinct origin story. From dance prodigy to rap phenom to fashion trailblazer, they were among the most talked-about pre-debut talents of their generation, and now stand at the forefront of a new era. Together, they push the boundaries of creative expression, challenge convention, and deliver something entirely new and unprecedented. With sophisticated music, daring visuals, and powerful performance – much of which they write and choreograph themselves – ALLDAY PROJECT transcends labels and defies expectations. They don’t fit into a box – because no title can define what’s never been experienced before. Welcome to ALLDAY PROJECT.

About THEBLACKLABEL:

THEBLACKLABEL is a South Korean entertainment company, record label, and creative agency founded by TEDDY in 2016 and home to acts such as TAEYANG, JEON SOMI, ROSÉ, MEOVV and Vince.

#THEBLACKLABEL #ALLDAYPROJECT #kcrush #ANNIE #TARZZAN #BAILEY #WOOCHAN #YOUNGSEO #kpop #danceprodigy #rapphenom #rap #fashiontrailblazer #pre-debut #kcrushamerica #newsingle#kcrushmagazine #choreographthemselves #COEDGROUP #Kfashion #FAMOUSbyALLDAYPROJECT #Korea #TEDDY #Koreanentertainment #pop #koreanpop #kpop #Vince #ClaudiaValentina #Zikai #Norib #producedbyJumpa #24 #Dominsuk #highimpact #newkpoptalent #newkoreancoedgroup

Global music icon and cultural trailblazer G-DRAGON has officially unveiled the North American and European legs of his highly anticipated 2025 world tour. With Galaxy Corporation as the global promoters, and Infinite Prospects Entertainment as the local promoter, the tour will bring G-DRAGON’s most visionary live experience yet to major cities including Los Angeles, Las Vegas, Newark, and Paris.

Returning to the stage after 8 years, G-DRAGON promises a multisensory performance that redefines the limits of live artistry, blending music, fashion, digital innovation, and storytelling in a way only he can deliver. The Korean leg of the tour sold out immediately upon release with all 60,000 seats selling out in seconds. With his latest chart-topping album and record-breaking ticket sales, the icon has reached an unprecedented level of influence – surpassing his own legacy – he’s bolder and more impactful than ever before. The theme of the tour is a call for personal self-discovery and self-overcoming. Fans can expect never-before-heard music, custom stage visuals, and exclusive merchandise. The superstar recently gave a glimpse of his upcoming show at the Head in The Clouds Festival where over 36,000 fans were the first to witness the tour’s bold vision.

As the leader of the legendary group BIGBANG, G-DRAGON was instrumental in catapulting K-pop onto the international stage with hits like “Fantastic Baby” and “BANG BANG BANG.“. Widely known as the “King of K-pop,” his solo career has also redefined creative boundaries and topped international charts with albums like “Heartbreaker” and “One of a Kind.” He’s collaborated with some of today’s biggest names, such as Missy Elliott, Diplo, Skrillex, and more. G-DRAGON’s influence extends beyond music into high fashion, visual arts, and philanthropy, where he continues to shape contemporary culture. His distinctive persona has earned him a dedicated fanbase worldwide, and over the years, he has cemented his position as a cultural phenomenon.

Following the release of his third studio album Übermensch, G-DRAGON has reaffirmed his position as one of Asia’s most influential and commercially successful artists. The album debuted at No. 1 across South Korea, Japan, and China, allowing him to become the first K-pop male artist in 2025 to exceed 200 million digital points on South Korea’s Circle Chart, marking a career high in commercial reception. Praised for its bold fusion of experimental production and introspective lyricism, this album signals a mature evolution in his artistry. In tandem with his world tour, his latest album marks his highest streaming debut globally, emphasizing his unmatched cultural impact and enduring relevance in a rapidly evolving industry.

The G-DRAGON 2025 WORLD TOUR [Übermensch] kicked off in Seoul and has made stops in Tokyo, Bulacan, Osaka and Macau. The tour will be heading next to Sydney, Melbourne, Taipei, Kuala Lumpur, Jakarta, Bangkok, and Hong Kong, before heading stateside on August 22.

The G-DRAGON Official Membership Pre-sale will begin on Wednesday, June 25 at 10AM local time and run through Thursday, June 26 at 9:59AM local time. Public on-sale will begin on Friday, June 27 at 10AM local time. Please visit the official ticketing site for more information. Tickets will be available via g-dragontour.com.

G-DRAGON 2025 WORLD TOUR [Übermensch] Tour Dates:

*All dates and cities below are subject to change.* 

North America

Friday, August 22 – Prudential Center (Newark)

Sunday, August 31 – T-Mobile Arena (Las Vegas)

Friday, September 5 – Crypto.com Arena (Los Angeles)

Europe

Saturday, September 20 – Paris La Défense Arena (Paris)

(Photo credit: ⓒ GALAXY CORPORATION)

About G-DRAGON

G-DRAGON, born Kwon Ji-Yong, has been a prominent figure in global music and K-Pop since the age of 13. His solo career highlights include the albums Heartbreaker, One of a Kind, and COUP D’ETAT, which all topped Korea’s Gaon Chart. As a member of BIGBANG, achieving similar success with the album Remember, and many of the group’s releases in Japan were certified Gold. Amassing over 2 billion career streams and collaborated with artists like Diplo, Baauer, Missy Elliott, Boys Noize, Sky Ferreira, Taeyang, and Skrillex. He won World’s Best Album at the 2014 World Music Awards and has been featured in Elle Korea, Harper’s Bazaar Korea, Vogue Korea, Hypebeast, and more. G-DRAGON also made a name for himself in the fashion world with his brand PEACEMINUSONE, collaborations with Chanel, Nike, and BMW, and recognition as a top art collector. Recently, he launched a perfume in collaboration with Frédéric Malle and the charity foundation JUSPEACE to combat drug abuse.

Follow G-DRAGON on social media:

Instagram: @xxxibgdrgn

YouTube: @xxxibgdrgn

Twitter/X: @IBGDRN

Facebook: @gdragon

Official Tour Website: https://g-dragontour.com/

Official Fan Community: https://gdragon.ai/

#GDRAGON #GDRAGONWorldTour2025 #GDRAGONInTheUS2025 #kcrush #kpopidol #kpop #pop #tour #kcrushmagazine #kcrushamerica #worldtour2025 #GDRAGONBIGBANG #BIGBANG #GDRAGON2025 #LosAngelesGDRAGON #LasVegasGDRAGON #Newark #Paris #ÜBERMENSCH #koreanpop #koreanfashion

From gritty lyricism to turbo-charged beats, SC4F has quickly carved out his name in Korea’s rising underground hip-hop scene. Known for his high-octane “Twin Turbo” series and dynamic collaborations with MADII, SC4F continues to push sonic and creative boundaries. With each release, he delivers a unique blend of raw emotion, rhythm, and streetwise storytelling. As he rides the momentum of Twin Turbo Vol. 2.5, including standout tracks like “Silhouette” and “Afterparty,” we caught up with the artist to talk about his journey, inspirations, and what drives the engine behind his powerful sound.

1. Can you share the story behind your stage name, “SC4F” and what inspired you to pursue a career in hip-hop, of all other music genres?

Hello, nice to meet you! I’m SC4F, a hip-hop artist from South Korea.

There is no particularly significance behind my stage name. It’s simply roots from a scarf, a common accessory. I’ve always been drawn to scarves because they’re fashionable, stylish, and elegant. I’ve also always admired characters in various manga and creative works – especially Japanese anime- who wear scarves. So, I removed the “r” from “scarf” and replaced the ‘a’ with a “4,” which resulted in my current stage name.

I chose hip-hop is because when I was young, my older sister – four years older than me – had a ringtone from Korean rapper Tiger JK. From then on, I became interested in hip-hop music and developed a love for the culture as a fan. Later on, when I was a regular college student wondering what I wanted to do in society, I thought about trying hip-hop music, and that’s how I ended up here.

2. Your latest “Silhouette” and “애프터파티 (Afterparty)” tracks, from ‘Twin Turbo Vol. 2.5’ EP, have had fans elated from their addictive rap and rhythm. How did these two masterpieces come to be?

“Silhouette” track is a beat by producer WIZFIT. I wanted to create a song centered around a guitar riff, so I requested him to produce the beat. After receiving the beat, I composed the melody and lyrics. I recorded the hook and bridge sections with my own voice and asked my colleague MADII to sing them. The result turned out better than expected, which was a pleasant memory.

“Afterparty” track was handled by a producer ROCK. I tried to capture the various emotions felt at clubs or party venues, and asked him to create a beat that evoked the feel of old music from the 90s. The song’s outro is very long and fades out at the end but those parts were intentionally designed to feel like the songs that used to play on my dad’s car radio when I was a kid.

3. If your rap flow was an animal, what animal would it be and why?

That’s a very interesting question. I’ve never thought about it before, but if I had to imagine it, I would say I try to rap like a cat that can fit into any kind of container or box. I strive to design my flow to fit perfectly into any situation, like a cat trying to squeeze into a narrow space!

4. You went viral for your first ‘Twin Turbo’ series and are now in Vol. 2.5. What inspired the ‘Twin Turbo’ concept, and how has it evolved through Vol.1 to Vol.2.5?

The name “Twin Turbo” was given to us by my fellow rapper LIL GIMCHI. Since MADII and I were doing the album with two voices and two hearts, we thought it was a good name.

Vol. 1 was like the debut album, released shortly after we started. So, it has a lot of rough and bold energy good for such a season. Vol. 1.5, released just two months after Vol. 1, was an extension of Vol. 1.

Vol.2 was created after MADII’s military enlistment was confirmed. Since MADII’s enlistment meant we wouldn’t be able to perform together for nearly two years, it was an album that felt like a temporary farewell, though not an eternal one. That’s why it has a lot of sad and emotional tones.

Of all Twin Turbo series, Vol. 2.5 album took the longest to craft. It therefore features many musical experiments that were not attempted in previous albums, with each track intentionally designed to be diverse in terms of genre and theme. Efforts were made to ensure that listening to the entire album would not become monotonous or tedious.

5. Your “Back on a Stu” track, comeback after ‘Twin Turbo Vol. 1’ EP, set the bar even higher. What inspired this masterpiece, and what keeps you going in this competitive hip-hop industry?

“Back on a Stu” wasn’t a track I put that much effort into or thought much about; it was more of a freestyle track, so there’s pretty much little to say. My secret to continuously thriving in the hip-hop industry is simply because I love this work. After all, when you love something and find it interesting, you do it without anyone telling you to do so, and keep doing it even when told not to.

6. If you could design your own merch line, what would be the first item you’d drop?

If I could design merchandise, I’d want to create earphones or headphones. Earphones or headphones designed to make listeners enjoy whichever created album.

7. You’ve done several collaborations with MADI. How did you two meet, and what’s the music creation process like compared to when working alone as a single artist?

MADII and I were classmates in the first year of middle school. We’ve been close since then and hanged out often. When I was in college and thinking of what to do, I decided to become a rapper. But I thought it would be too lonely and difficult if I did it alone. At the time, MADII was also interested in the same thing, so we had a lot of discussions and ended up working together.

Making music together is twice as fun than working alone, but sometimes it’s also twice as hard. However, we always enjoy what we do.

8. If you were not in the music industry, what else would you be doing?

I studied design in high school, so I think I would either be continuing down that path or trying to make money through social media or YouTube.

9. “SOCAR” track is another mesmerizing piece from the latest ‘Twin Turbo Vol. 2.5’ EP. What story or vibe did you want to express through the song?

SOCAR is a car rental service company in Korea. Typically, new drivers who don’t own a car yet often rent cars through SOCAR for drives. I created the song based on my experience renting a SOCAR and driving it around a year after getting my license. I thought of the ambience of hanging out with friends on a good weather day.

10. What’s one fun fact about you that your fans might not know?

Hmm… An interesting fact about me is that I am not good at cooking, at all. But I recently started thinking I should start trying. So lately, I’ve been trying various things. I’m not very good at it, but I’m trying my best to make it tasty. Now that I’ve said it, it doesn’t seem very interesting…

11. What’s one lesson you’ve learned throughout your career, and where do you see your music evolving in the next few years?

The biggest lesson I’ve learned through music is that people are all so different. You can’t please everyone, and even if everyone listens to the same thing, they feel it differently. So, I think you have to create something that you yourself can enjoy and be satisfied with. In the future, I hope my music will develop not only in terms of skill but also in terms of reaching the ears of many more people. This doesn’t mean aiming for mainstream music, but as mentioned earlier, sharing my appeal with people of various perspectives and tastes.

12. What would you like to say to your fans?

All I can think to say is thank you. From the moment I started making music, released it, to when a single soul listened to it, I realized that every part of my life is no longer just my own. I always commit to doing my best and working hard for the fans who always listen to my songs and support me. Oh! And we’re planning to release a new album in July, so please continue supporting us! Please spread the word as well. Thank you for always showering us with love, both I (SC4F) and my fellow artist MADII.

—-Karen Mwenda

스카프(SC4F)와의 인터뷰

거친 서정성부터 “Turbo”로 충전된 비트까지, SC4F는 한국의 떠오르는 언더그라운드 힙합 씬에서 빠르게 자신의 이름을 드러냈습니다. 고옥탄 “Twin Turbo” 시리즈와 MADII와의 역동적인 협업으로 유명한 SC4F는 음향적이고 창의적인 경계를 계속 허물고 있습니다. 그는 매번 음악을 공개할 때마다 원초적인 감정, 리듬, 그리고 거리적인 스토리텔링을 독특하게 조화시킵니다. “Silhouette”와 “Afterparty” 같은 대표곡이 담긴 Twin Turbo Vol. 2.5의 여세를 몰아가는 가운데, 우리는 아티스트 SCAF를 만나 그의 음악 여정과 영감, 그리고 풍부한 사운드를 움직이게 하는 원동력에 대해 이야기 나누었습니다.

1. “SC4F”이라는 예명에 담긴 이야기를 들려주실 수 있나요? 그리고 다른 음악 장르 중에서도 힙합을 선택하게 된 계기는 무엇인가요?

안녕하세요 반갑습니다! 한국에서 힙합음악을 하고 있는 스카프(SC4F)라고 합니다.

제 예명의 뜻은 큰 의미가 있지는 않아요. 흔히 볼 수 있는 악세서리인 scarf에서 따온 이름입니다. 패셔너블 하기도 하고 멋있고 근사한 악세서리이기도 하고 여러가지 만화나 창작물 속에서 특히 일본 애니메이션 등에서 스카프를 두르고 있는 캐릭터들을 좋아했어요. 그래서 scarf 에서 r을 빼고 a를 4로 표기를 하게 된게 지금의 제 예명입니다.

힙합을 선택하게 된 이유는 저의 4살 많은 친누나가 어렸을 때 휴대폰 컬러링이 한국 래퍼 타이거JK 의 곡이었어요. 그 때부터 힙합을 알게 되고 힙합 음악에 관심이 생겼고 팬으로서 그 문화에 사랑을 가지게 되었습니다. 그러다가 평범한 대학생이던 제가 사회에서 무얼 할까 고민을 할 때 힙합음악을 해볼까 싶어서 하다가 여기까지 오게 되었습니다.

2. 최신 EP Twin Turbo Vol. 2.5에 수록된 “Silhouette”와 “애프터파티 (Afterparty)”는 중독성 있는 랩과 리듬으로 팬들을 열광하게 만들었습니다. 이 두 곡은 어떻게 탄생하게 되었나요?

실루엣이라는 곡은 WIZFIT이라는 프로듀서의 비트에요. 기타 리프가 메인인 곡을 만들고 싶어서 그 친구에게 비트 제작을 의뢰했고 비트를 받고나서 멜로디와 가사를 만들게 되었습니다. 훅과 브릿지 등을 제 목소리로 녹음을 하고 그걸 제 동료인 마디(MADII)에게 불러달라고 했는데 생각보다 더 잘 나와서 좋았던 기억이 있네요.

애프터파티는 ROCK 이라는 프로듀서가 담당해줬습니다. 클럽이나 파티장소에서 느끼는 여러가지 감정들을 담아내려고 노력했고 90년대 즈음의 옛날 음악 느낌이 나도록 비트를 제작해달라고 얘기했죠. 노래의 아웃트로가 굉장히 길고 페이드 아웃이 되면서 끝나는데 그런 부분들이 어렸을 적 아빠 차의 라디오에서 흘러나왔던 노래들처럼 느껴지게 의도한 부분들입니다.

3. 만약 당신의 랩 플로우가 동물이라면, 어떤 동물일까요? 그리고 그 이유는 무엇인가요?

굉장히 재밌는 질문이네요. 한번도 생각해본 적은 없지만 한번 떠올려본다면 어떤 형태의 통이나 박스안에도 잘 들어가는 고양이처럼 랩을 하려고 노력합니다. 적재적소에 잘 들어맞게 플로우를 디자인하려고 노력해요. 비좁은 틈에 들어가려고 하는 고양이처럼!

4. 첫 번째 Twin Turbo 시리즈로 입소문을 타며 주목을 받으셨고, 이제는 2.5까지 출시되었습니다. Twin Turbo라는 콘셉트는 어떻게 탄생하게 되었고, Vol.1부터 Vol.2.5까지 어떤 식으로 진화해 왔는지 궁금합니다.

Twin Turbo 라는 이름은 저의 동료 래퍼 LIL GIMCHI가 지어줬어요. 저와 마디(MADII) 둘이서 서로 두개의 목소리와 심장으로 굴려가는 앨범이기 때문에 좋은 이름이라고 생각했어요.

Vol.1은 아무래도 데뷔앨범과도 같은 시작한지 얼마 안된 시점의 앨범이라 그 당시에만 보여줄 수 있는 거칠고 당찬 에너지가 많은 앨범입니다. Vol 1.5는 Vol.1을 발매하고 두 달이 안된 시점에서 냈기 때문에 Vol.1의 연장선 같은 앨범입니다.

Vol.2는 마디(MADII) 군입대가 확정되고 만든 앨범입니다. 마디(MADII)가 입대를 하면 2년 가까이 둘이서 활동을 할 수 없기에 영원한 끝은 아니지만 약간의 작별인사 같은 앨범이었어요. 그래서 그런지 슬프고 감성적인 무드가 많습니다.

Vol.2.5는 정말 오랜만에 만든 Twin Turbo 시리즈입니다. 그래서 이전 앨범들에서 하지 않았던 다양한 음악적 시도들을 많이 했고 각각의 트랙들이 장르적으로나 주제적으로나 다채롭게 느껴지게 의도했습니다. 그래서 앨범을 통으로 다 들었을 때 최대한 질리거나 물리지 않도록 노력했어요.

5. ‘Twin Turbo Vol. 1’에 이어 컴백한 “Back on a Stu”는 랩의 한층 더 높은 기준을 세웠습니다. 이 곡은 어떤 계기로 만들어졌고, 경쟁이 치열한 힙합 업계에서 계속 활동할 수 있는 비결은 무엇인가요?

Back on a stu는 사실 별로 공들이거나 여러 생각을 하고 만든 트랙은 아니고 그냥 프리스타일에 가까운 트랙이 었어서 그 곡에 대한 얘기는 크게 할건 없어요. 계속 힙합업계에서 활동할 수 있는 비결이라면 정말 단순하고 일차원적으로 이 일이 좋아압니다. 원래 자기가 좋아하고 재밌있는 일은 시키지 않아도 하고 하지 말라고 해도 하게 되는 법이잖아요.

6. 직접 머천다이즈 라인을 디자인할 수 있다면, 가장 먼저 출시하고 싶은 아이템은 무엇인가요?

제가 머천다이즈를 디자인할 수 있다면 저는 이어폰이나 헤드셋을 만들고 싶어요. 어떤 앨범을 만들고 그 앨범을 훨씬 더 흥미롭게 들을 수 있게끔 사운드가 세팅 된 그런 이어폰이나 헤드셋이요.

7. MADI와 여러 차례 협업을 하셨죠. 두 사람은 어떻게 만났고, 혼자 작업할 때와 비교했을 때 음악 제작 과정은 어떤가요?

저와 마디(MADII)는 중학교 1학년 때 같은 반 친구였어요. 그 때 부터 친해서 자주 놀다가 제가 대학교가서 뭐할지 고민할 때 래퍼가 되기로 마음먹었고 혼자 하기는 너무 외롭고 힘들것 같아서 당시에 비슷한 분야에 관심이 많았던 마디(MADII)와 얘기를 많이 하게 되면서 같이 하게 되었습니다.

혼자 작업할 때보다 함께 음악을 만들면 재미도 두배가 되고 때로는 수고도 두배가 돼서 힘들 때도 있어요. 하지만 늘 즐기면서 하고 있습니다.

8. 음악 활동을 하지 않았다면, 어떤 일을 하고 있었을 것 같나요?

저는 고등학교때 디자인을 배웠었는데, 그 길을 그대로 가고 있거나 아니면 SNS나 유튜브 같은 걸 활용해서 돈을 벌려고 했을 것 같아요.

9. ‘Twin Turbo Vol. 2.5’의 또 다른 매혹적인 트랙인 “SOCAR”는 어떤 이야기나 분위기를 담고 싶으셨나요?

SOCAR는 한국의 자동차 대여 서비스 회사입니다. 보통 아직 차가 없는 초보면허 운전자들이 주로 SOCAR를 통해 차를 빌려서 드라이브를 많이 하는데, 제가 면허 단지 이제 1년쯤이 됐을 때 SOCAR를 빌리고 운전했던 경험을 살려서 곡을 만들었습니다. 날씨 좋은 날 친구들과 떠나는 분위기를 생각했어요.

10. 팬들이 모르는 당신에 대한 재미있는 사실 한 가지는 무엇인가요?

음… 저에 대한 재밌는 사실이라고 한다면..제가 원래 요리를 아예 못했는데 최근에 요리를 좀 해 봐야겠다는 생각을 하게 됐어요. 그래서 요즘에 이것저것 해보고 있습니다. 잘은 못 하지만 나름 맛있게 만들려고 노력해요. 말하고 나니 별로 재미있지는 않네요..

11. 음악 활동을 하면서 배운 가장 큰 교훈은 무엇인가요? 그리고 앞으로 몇 년 안에 당신의 음악이 어떤 방향으로 발전하길 바라시나요?

음악을 하면서 배운 큰 교훈은 정말 사람들은 다 다르다는 걸 많이 느껴요. 모두를 만족시킬 수 없고 모두 각 같은 걸 듣고 봐도 다르게 느끼기 때문에, 결국 자기 자신이 만족하고 즐길 수 있는 무언가를 만들어야 한다고 생각해요. 앞으로 제 음악이 발전하길 바라는 부분은 실력도 물론 더 늘어가겠지만 훨씬 더 많은 사람들의 귀 속에 저희 음악이 들릴 수 있도록 발전시키고 싶습니다. 대중적인 음악을 지향한다는 뜻은 아니고, 아까 말한 여러가지 관점과 입맛을 가진 사람들에게 저희의 매력을 알려야 하겠죠.

12. 마지막으로 팬들에게 한 말씀 부탁드립니다.

언제나 고맙다는 말 밖에 떠오르지가 않아요. 제가 음악을 시작하고 그 음악을 발매하고 그 음악을 들어주는 사람들이 한명이라도 생긴 그 시점 이후부터는 제 삶의 모든 부분이 저만의 것이 아니라고 생각해요. 항상 들어주고 응원해주는 팬분들을 위해 최선을 다하고 열심히 해야겠다는 다짐을 많이 하는 것 같아요. 아 그리고 곧 7월에 새 앨범을 낼 것 같은데 앞으로도 많이 관심 가져주세요! 소문도 많이 내주시구요. 저희 스카프(SC4F) & 마디(MADII)라는 아티스트를 사랑해주셔서 늘 감사합니다.

—-Karen Mwenda

#KCrushInterviewWithSc4F #SC4F #hiphop #koreanhiphop #TigerJK #MADII #kcrush #indie #kmusic #idol #WIZFIT #AfterParty #Silhouette #TwinTurboVol2point5EP #rapandrhythm #rap #kcrushmagazine #kcrushamerica #ProducerROCK #guitarriff #BackonaStutrack #SOCARtrack #SOCARKoreanCarRentalService #newalbumJuly2025

Kdramas have continued to evolve, and the 4^th generation – spanning from around 2018 to 2023- brought its fresh storytelling, standout acting, and unforgettable soundtracks. The era introduced bold themes and global stars. Here are 22 of the best 4^th generation K-dramas that captured hearts and screens across the world.

1. Destined With You

A civil servant uncovers a cursed book and an unexpected romance with a lawyer. A mystery, fate, and forbidden love collide in this magical slow-burn fantasy drama.

2. Behind Your Touch

A veterinarian with psychic powers teams up with a detective in a small town. This quirky mystery blends supernatural comedy with unexpected emotional depth.

3. Strong Girl Nam-soon

A girl with superhuman strength returns to Korea to find her birth parents. An action, crime, and laughter come together in this fun female-led adventure.

4. Crash Course in Romance

A former athlete and a star math tutor fall into an unlikely romance. This heartfelt story mixes slice-of-life struggles with sweet chemistry.

5. Bloodhounds

Two young boxers get caught in a dangerous loan shark underworld. A full of action, loyalty, and intensity, this drama is a gripping underdog story.

6. Weak Hero Class 1

A quiet top student uses strategy to fight bullies in a violent school. A raw and emotional, it’s a survival story wrapped in brutal realism.

7. Alchemy of Souls

A powerful soul is trapped in a weak body in a magical world. A fantasy, romance, and stunning lore define this epic two-part saga.

8. Unlock My Boss

A tech CEO gets trapped in a smartphone, and a jobless man finds it. In this drama, tech meets fantasy in this humorous and heartfelt underdog tale.

9. Business Proposal

An office worker pretends to be her friend on a blind date – only to meet her boss. This workplace rom-com is full of laughs, heart-flutters, and lovable side characters.

10. Vincenzo

A Korean-Italian mafia consigliere returns to Korea for revenge. A stylish, darkly funny, and intense, this crime drama has a cult following.

11. Hometown Cha-Cha-Cha

A city dentist opens a clinic in a seaside village and meets the local handyman. This feel-good romance captures healing, humor, and small-town charm.

12. True Beauty

A girl masters makeup to hide her appearance and finds unexpected love. A high school rom-com that explores beauty standards, identity, and growth.

13. The Uncanny Counter

Demon hunters disguised as noodle shop workers fight evil spirits. An action-packed and emotional, this supernatural team drama is full of heart.

14. It’s Okay to Not Be Okay

A caregiver and a troubled author confront their traumatic pasts together. A visually stunning and deeply emotional, this healing drama is unforgettable.

15. Tale of the Nine Tailed

A nine-tailed fox protects humans while searching for his reincarnated lover. This fantasy romance blends mythology, action, and past-life love.

16. Mr. Queen

A modern-day chef’s soul ends up in the body of a Joseon queen. A hilarious, sharp, and full of twists, it’s a time-travel period comedy like no other.

17. Hospital Playlist

Five doctors and lifelong friends navigate work, love, and music. A heartwarming and slice-of-life, this medical drama is comfort food for the soul.

18. Crash Landing on You

A South Korean heiress crash-lands in North Korea and meets a soldier. Their forbidden love story is emotional, romantic, and culturally rich.

19. Angel’s Last Mission: Love

A mischievous angel must help a blind ballerina find love to return to heaven. A fantasy, tragedy, and romance intertwine in this moving love story.

20. Her Private Life

A professional art curator hides her obsession with a K-pop idol. A funny, steamy romance that explores identity and fangirl culture.

21. The Secret Life of My Secretary

A cold-hearted boss softens after losing his ability to recognize faces. This rom-com blends corporate life, memory twists, and a heartwarming love story.

22. Romance Is a Bonus Book

A single mom lies about her credentials to land a job at a publishing house. This is a slow-burn noona romance that celebrates second chances in life and love.

—-Karen Mwenda

#22Best4thGenerationKDramas #kcrush #koreandrama #kdrama #kpop #hallyu #koreanculture #HerPrivateLife #RomanceIsABonusBook #TheSecretLifeOfMySecretary #AngelsLastMissionLove #CrashLandingOnYou #MrQueen #HospitalPlaylist #TailOfTheNineTailed #ItsOkNotToBeOK #TheUncannyCounter #HometownChaChaCha #Vincenzo #TrueBeauty #kcrushmagazine #kcrushamerica #BusinessProposal #UnlockMyBoss #AlchemyofSoul #Bloodhounds #WeakHeroClass1 #CrashCourseInRomance #StrongGirlNamSoon #BehindYourTouch #DestineWithYou #action #drama #kbeauty #kfashion #koreanactors #koreanactresses #fantasy #comedy #melodrama #hallyu #lifeandlove

Dream Con logo, DreamCon.com

Dream Con 2025 came to my hometown, Houston, Texas, from May 30th to June 1st. It is the largest and fastest growing Black-owned anime and gaming convention in the United States where Blerds can celebrate and indulge in their love for anime, cosplaying, gaming, sports, film, music, pop culture and more. I consider it a blessing to have partaken in that moment of Black joy dripping in Black Excellence. I walked away from Dream Con with something I never expected to encounter: healing. That’s probably the last thing you expected me to say, right?

I’ve been to other music, anime, and cultural conventions before, but this was my first Blerd convention. It wasn’t the dizzying levels of creativity that went into each cosplay outfit surrounding me at every turn. Nor was it the many spontaneous dance breaks in the middle of the convention halls that managed to tear down the shell protecting my closely guarded secret. The thing that created heaven for me was the feeling of absolute acceptance that washed over me from the moment I stepped through the doors of George R. Brown Convention Center. The atmosphere was so electrifying that I had to take a moment to breathe as my eyes soaked in wave after wave of smiling, happy Black people admiring one another and interacting freely as nerds. For three days, I traversed through the convention halls across three floors engaging in as many activities as time would allow. By the time I plopped down in my car at the end of day three, all of the guards I previously had up had been thoroughly thrashed. I had found my tribe. More importantly, I had received the permission that it’s OK to be a Blerd that my inner child always so desperately craved.

Why is this important?

Blerd is simply a unisex term used to describe Black people who are also nerds. We share the same appreciation and adoration for our chosen topics as anyone else. Similar to other nerd communities, that appreciation and adoration can sometimes also be a source of hurt for us. Moreover, that pain often comes from the people closest to us. When I was young, living in a Black community, being a nerd was fine, but only smart nerds were truly accepted since that usually produced positive rewards. I have always loved watching animation and was even interested in cosplaying at one time. However, being a nerd that enjoys dressing up as a cartoon character or even watching cartoons past a certain age was deemed childish and weird. Like most people, the last thing I wanted to be described as was weird. Added to that, things like anime and cosplaying were shunned in many Black communities because it wasn’t considered a “Black thing” to do. And this doesn’t even include how utterly unwelcoming many nerd communities have always been towards Blerds. Life was hard enough. I wasn’t going to add to it just because I liked cartoons. It was just easier to hide my interests deep in my heart rather than face ridicule from family, friends, and even strangers. Attending Dream Con was basically me finally allowing myself to acknowledge this love publically. Being able to do so without having to explain my interests, deny a desire to be some other race, or accept being “othered” in some way was like releasing a boulder from my chest. No one cared whether or not I only wore an anime shirt but didn’t cosplay. They were just happy to be there, doing their thing. No one noticed that my head was on a swivel, absolutely enamored by all of the amazing cosplay units because they were doing the same thing. No one questioned my Blackness just because I purchased a cute anime license plate cover for my car. They were in line too. Even when I walked to my car at the end of each night, no strangers pointed or whispered. The crowd just hummed with the same excitement I felt for what we saw and hopedo see again. I didn’t feel like I needed to change anything about myself to fit in. I just automatically belonged in whatever way I arrived.

Artwork display at Dream Con 202; Houston Tx

The convention was packed to the brim with all maner of fans. Everyone seemed so happy to be a part of the event. Attendees ranged from every age, shape, size, skin tone, and gender. Friends and family members cosplayed characters together. Some joined in the fun by wearing their favorite anime, gaming, or comic related merchandise like I did. I had to know if this feeling was unique to me or if others had also experienced something similar. So I asked a few people how they feltl about the convention and if it is important to the Blerd community. The overwhelming response was without a doubt, “YES!” One gentleman said, “This convention gives us a home, a place of warmth free from judgement. It allows us to explore our creativity freely without the restrictions others place on us.” I could not have worded it better. And it is evident that RDCWorld, the founders of Dream Con, understood this need deeply as they planned the convention.

Dream Con, +Dream Con 2024 Official Recap Video

There was a lively mix of panels and activities that ranged from fun and entertaining themes such as live manga readings and Q&A sessions with authors like LA West to topics impacting Blerd professionals like Martian Blueberry’s “Breaking Boundaries in Animation: A Conversation with Martian Blueberry.” Each day presented opportunities to engage in a variety of activities, no matter your interest. There were tabletop games, video game tournaments with amazing cash prizes, volleyball and other sports events that attendees could sign up for, anime and gaming meetups, and even K-pop activities like “From Seoul to Shonen: The Ultimate K-Drama & Anime Showdown” and a K-pop random dance. I also cannot forget to mention the plethora of stars that dropped in to share in the fun including Megan Thee Stallion, Tony Weaver, Jr, and Carl Jones .

There were so many activities and panels that specifically celebrated, supported, and encouraged Blackness and nerdom in a positive way, that it was practically impossible to walk out without a change of attitude. Do most conventions have great content and activities? Yes (well, at least the ones I have attended). But I have never felt a connection to other attendees like I felt at Dream Con. I have never felt seen or even welcomed quite the same. I encourage everyone to experience Dream Con or one similar in the future. Particularly other Blerds that are struggling with community or personal acceptance. While the event is obviously meant to be fun, it unquestionably delivers on building the community through education, acceptance and respect. It’s an event that can heal your inner child while enjoying what you love.

Dream Con 2025 Attendees participating in painting a custom art piece, Houston, Tx

By the way, here are some of the amazing panels and activities I dropped in on. This is just a drop in the bucket. I also spent a lot of time connecting with colleagues and making new friends. I encourage you to check out Dream Con’s website to learn more about this year’s event. You won’t want to miss next year!

• POWER AND CREATIVITY: Building Brand That Moves Culture with Megan Thee Stallion
• Black People Know Things Trivia
• Black in Tech
• Who Wants to be a K-pop Millionaire
• Cosplay Contest
• Xbox Takeover Panel
• Gaming Arena (I played virtual and arcade games)
• Writer’s Block: Novel, Poets, Screenwriters and More Mixer (speaker: Tony Weaver Jr)

CoolHappyTash

#DreamCon #HoustonTexas #MeganTheeStallion #panels #kcrush #cosplay #XboxTakeoverpanel #BlackinTech #Anime #Manga #TonyWeaverJr #writersblock #screenwriterspanel #kpopdance #kdrama #speakers #CarlJones #kcrushmagazine #kcrushamerica #RDCWorld #Blerd(nerd)community #nerd #GeorgeRBrownConventionCenter

As K-pop soars across the globe, Vietnam is taking center stage as one of the countries with most K-pop performances. From EXO to BIGBANG, here is a list of K-pop artists who have performed in Vietnam.

—-Karen Mwenda

#kpopartistswhohaveperformedinVietnam #kcrush #Vietnam #kpop #kpopcondert #EXO #EpikHigh #kpopidol #SuperJunior #kcrushamerica #kcrushmagazine #WINNER #RedVelvet #Ailee #ParkBom #LeeHyori #BIGBANG #BabyMonster #2NE1 #Vietnamperformance #kcrusharticle #topentertainment

PUNCH was once at the forefront of the entertainment industry, making waves with their powerful performances and unique sound. Known for their emotionally charged ballads and dynamic collaborations, PUNCH built a reputation for producing hit after hit. But as the years have passed, fans have been left wondering: Where is PUNCH now?

PUNCH’s Legacy of Hits

PUNCH first gained widespread recognition with OSTs for popular K-dramas such as ‘Goblin’ and ‘Hotel Del Luna’. Her soulful voice became synonymous with unforgettable moments in K-drama history. Songs like “Stay With Me” (with Chanyeol) and “Done For Me” solidified her status as one of Korea’s top vocalists.

PUNCH’s Latest Releases, Collaborations, and OSTs

Despite maintaining a lower profile, PUNCH continues to captivate listeners with new music. Recently, she has released singles that showcase her evolving style, blending R&B, ballad, and indie influences. PUNCH’s latest release is the “I Hope the Painful Memories Weren’t Love” track in February, 2025.

PUNCH has also collaborated with various artists, including rappers and fellow vocalists, further expanding her musical reach. PUNCH’s latest collaboration is “White Christmas” (ft. Lee Boram & Yebin) in 2024. Additionally, PUNCH’s voice remains a staple in K-drama soundtracks, with her latest OST contributions featuring in popular series, continuing to evoke deep emotions among fans. PUNCH’s latest OST is ‘Good Partner’ K-drama’s “Beautiful” OST and ‘Nothing Uncovered’ K-drama’s “Run Far Away” in 2024.

PUNCH’s Musical Evolution

PUNCH’s recent releases reflect a more mature and introspective sound while maintaining the emotional depth that has defined her career. Through collaborations with both rising and established artists, she has continued to stay relevant in the ever-evolving music industry. Her ability to adapt and experiment with different genres has solidified her as a versatile and enduring artist.

PUNCH’s Life Beyond the Spotlight

Beyond music, PUNCH has been engaging with fans through social media, occasionally sharing glimpses of her creative process and personal life. While she has not been as active in mainstream promotions, she remains a respected figure in the industry, with her older tracks still charting on digital platforms.

What’s Next for PUNCH?

While PUNCH has not officially announced any upcoming albums or major projects, fans continue to anticipate her next move. Given her history of surprise releases, it would not be unexpected for her to drop new music when least expected. Industry insiders speculate that she may explore new genres or even international collaborations in the near future.

Final Thoughts

PUNCH may not be in the headlines as frequently as before, but her impact on the K-pop and K-drama OST scene remains undeniable. Whether she’s preparing for a major comeback or quietly shaping the industry behind the scenes, one thing is certain—PUNCH’s music continues to resonate with fans worldwide.

—-Karen Mwenda

#PUNCH #wherearetheynow #kcrush #kdramaOST #IHopeThePainfulMemoriesWerentLove #newtrack #kdrama #OST #StayWithMe #DoneForMe #kcrushmagaizne #kcrushamerica #NothingUndercovered #RunFarAway #kpop