League of Legends: Wild Rift Celebrates 5-Year Anniversary with Special Musical Collaboration with aespa’s NINGNING

What You Need to Know:

Wild Rift marks five years since its global launch with in-game events, new content, and a music collaboration celebrating the evolution of both the game and its players.
“Miss This Life,“ performed by NINGNING of K-pop group aespa, is an upbeat, electro-pop track that parallels a player’s journey from college life to adulthood—reflecting both personal growth and the enduring stories of Wild Rift‘s champions.
The song will debut in-game and across major streaming platforms as part of the anniversary celebration, with a music video highlighting memorable champion moments and fan nostalgia.
Nidalee, the iconic huntress from League of Legends, makes her Wild Rift debut today, adding a dynamic new jungle experience for players.
Fan-favorite game mode, AAARAM, receives an update today with pro player-inspired Augments.
Wild Rounds: SMASH, Wild Rift’s grassroots competitive series, continues to grow—spanning over 20 regions and thousands of players worldwide, reflecting the game’s vibrant and expanding community ecosystem. The next installment will take place in Vietnam from November 14-16.

Quote from David Xu, Executive Producer of Wild Rift:
“Five years in, Wild Rift has become more than a mobile MOBA—it’s a place where players’ stories grow alongside their favorite champions and their epic outplays. NINGNING’s ‘Miss This Life’ captures that shared sense of nostalgia and progress perfectly, capturing the energy and emotion of endless discovery, and anticipation of what is to come —just like Wild Rift players have done over these five amazing years.”

ABOUT RIOT GAMES

Riot Games was founded in 2006 to develop, publish, and support the most player-focused games in the world. In 2009, Riot released its debut title, League of Legends, which has gone on to be one of the most-played PC games in the world. In the years that followed, Riot released VALORANT, Teamfight Tactics, Legends of Runeterra, and League of Legends: Wild Rift. Riot’s titles have led to the creation of some of the most-watched and widely recognized esports in the world, culminating in events like the League of Legends World Championship and VALORANT Champions Tour (VCT), which are watched by millions of fans each year. Riot has also expanded its IP through multimedia projects across music, comic books, board games, and Arcane, its Emmy-winning animated series.

ABOUT WILD RIFT

League of Legends: Wild Rift is a mobile strategy and action game, developed by Riot Games. Wild Rift brings the classic MOBA gameplay of League of Legends to mobile devices, with fresh controls and a streamlined feel designed for touchscreens. Players of every level can team up with friends, find their favorite champion, and go for big plays in the 5v5 battle to destroy the enemy base—free-to-play anytime, anywhere.

Critically acclaimed and topping mobile app stores across the world, Wild Rift promises to bring the magic of League to new audiences worldwide. Players will have a brand-new portal into the universe of Runeterra, a highly competitive experience, Riot Games’ chart-topping music, beloved and visually refreshed champions, and a broad and deep community of creators.

Learn more at wildrift.leagueoflegends.com, and follow @wildrift on Twitter and @playwildrift on Instagram.

ABOUT NINGNING

NINGNING made her debut in November 2020 as the member of the global girl group aespa. Known for her unique tone and expressive vocals, she has helped shape the group’s musical identity and captivates audiences with her strong yet emotional performances.

aespa, a combination of “ae”, which stands for “Avatar and Experience” and “aspect” meaning “two-sideness”, symbolizes “meeting of another self and experiencing a new world” and they have achieved million-seller status for seven consecutive releases and continues to affirm their global influence, earning “Group of the Year” at Billboard Women in Music 2025 and embarking on their third world tour, meeting fans around the world.

#aespa #NINGNING #kcrush #WILDRIFT #LeagueofLegends #RiotGames #playwildrift #DavidXu #gaming #videogames #kcrushamerica #kcrushmagazine #MOBAgameplay #newgame #VALORANT #newgame

(Credit: A2O Entertainment)

The next-gen global girl group, A2O MAY, makes a bold return with their first EP, “PAPARAZZI ARRIVE” releasing today on all digital streaming platforms. The 14-track release not only introduces A2O Entertainment’s original genre, “Zalpha Pop”—a fusion of Gen Z and Gen Alpha influences—but also showcases the group’s versatility through a dynamic mix of pre-debut songs, unit performances, and solo tracks. Earlier this year, the quintet captured international attention as the first Chinese idol group to perform at iHeartRadio’s renowned Wango Tango festival, marking both their U.S. stage debut and a simultaneous American television appearance on KTLA.

The debut EP PAPARAZZI ARRIVE is anchored by its title track, PAPARAZZI ARRIVE, a bold showcase of A2O MAY’s “Zalpha Pop.” Built on a striking siren-like synth riff and dubstep-inspired electro beats, the song delivers a message of confidence and ambition through the group’s dynamic vocals. The project also includes their pre-debut single “Under My Skin (A2O),” the bass-driven “B.B.B,” the performance-focused “BOSS,” and the soulful R&B track “MELODY,” reflecting the group’s versatility and musical range.

The release further highlights individual members through solo and unit tracks. MICHE & KAT present “SWEAT,” a Latin-inspired song available in both English and Spanish; CHENYU delivers emotional depth in “Someone You Loved;” QUCHANG showcases her powerful range in “Black Sheep;” and SHIJIE adds smooth R&B flair with “Trip.” To extend their global reach, the title track also appears in English and Chinese versions, positioning A2O MAY as a rising force with international ambitions.

Buy/Stream “PAPARAZZI ARRIVE” : [LINK HERE]

Watch “PAPARAZZI ARRIVE” : [LINK HERE]

In just a few short months, A2O MAY has broken records and defied expectations in the U.S. Their pre-debut single “Under My Skin” made them the first Chinese group to enter the U.S. Top 40 Radio Chart, where it remained for two consecutive weeks. Their official debut single, “BOSS,” has now charted five consecutive weeks – rising from #35 to #32 – marking their second U.S. Top 40 entry and the highest charting placement in history by a Chinese girl group. The track has also amassed over 30 million views across Weibo and YouTube, fueled by the viral Jump Rope Dance featured in its chorus. Released this past August, “B.B.B” topped the Daily New Songs Chart on China’s largest music platform, QQ Music, and earned A2O MAY the “Rookie Group of the Year ” award at the 2025 Weibo Music Awards, marking significant achievements for the group. With growing traction across both Asia and North America, A2O MAY is fast emerging as a leading powerhouse in global pop.

Backed by K-pop pioneer Soo Man LEE and launched under A2O Entertainment, A2O MAY is the first group to embody “Zalpha Pop”—a genre blending Gen Z emotions and Gen Alpha’s creativity. Their music fuses futuristic production with emotionally resonant storytelling, creating cultural bridges through sound and style. Highlighting their unprecedented debut, the group attended the star-studded Amazon Studios’ “Lee Soo Man: King of K-Pop” premiere in Los Angeles, the feature documentary chronicling the enthralling life of a bold visionary. The red carpet sparkled with icons including Girls’ Generation members and Taemin from SHINee, sharing the spotlight with the rising group primed for global dominance.

ABOUT A2O MAY

A2O MAY (AY-TWO-OH-MAY) is the first official girl group launched under A2O Entertainment, making their debut on December 20, 2024. The group is composed of five talented members — CHENYU (17), SHIJIE (18), QUCHANG (18), MICHE (20), and KAT (20) — who were selected from A2O Rookies’ HTG division. Hailing from Shanghai, Suzhou, and Hawaii, A2O MAY is a multicultural, bilingual group fluent in Chinese and English, representing a new generation of global idols. Each member brings a unique artistic identity shaped by passions such as fashion styling, piano, visual art, songwriting, and performance. A2O MAY is the first group to embody Zalpha Pop, a genre and cultural movement created by renowned producer Soo Man LEE, aimed at blending the emotional authenticity and storytelling of Gen Z and Gen Alpha. Their debut single, “Under My Skin,” captures this vision with a rhythmic, synth-driven sound and introspective tone, offering a powerful glimpse into the future of youth-driven global music. As pioneers of A2O’s artist ecosystem, A2O MAY continues to connect with fans worldwide through digital-first content, dynamic visuals, and an open, evolving narrative of growth, self-expression, and creativity.

More than a name, A2O MAY signals the beginning of a cultural shift. Inspired by the season of full bloom and sharing its sound with the Chinese character 美 (Mei), meaning “beauty,” the name reflects not only outer elegance but inner strength — the quiet power behind every transformation. More than artists, they are a bridge — connecting culture to culture, generation to generation, heart to heart. Step into the world of A2O MAY. The future begins in May’s full bloom.

#A20MAY #A20Entertainment #CHENYU #SHIJIE #QUCHANG #MICHE #KAT #kcrush #jpop #ZALPHAPOP #PAPARAZZIARRIVE #newmusic #newdebutEP #Shanghai #Suzhou # Hawaii #BOSS #BBB #kcrushamerica #kcrushmagazine #UnderMySkin #Japan

The votes are in, the decisions have been made, and the time has come! Welcome to the official announcement of the winners for the 2024 KCrush America Music Awards!

2024 brought us another great K-Pop year, with artists pushing creative boundaries, breaking global records, and delivering unforgettable music. From the explosive debuts of monster rookies to the history-making comebacks of established legends, this past year was one for the ages. The KCrush America Music Awards are here to celebrate the very best of the best, as chosen by the fans.

A huge congratulations to all the nominees and a special round of applause for our 2024 winners!

Thank you to everyone who participated and voted in this year’s awards. It’s the passion of fans like you that makes the K-Pop community so incredible.

Were you surprised by any of the results? Did your favorite artists win? Let us know your thoughts in the comments below! Don’t forget to like this video and subscribe to our channel for more exclusive K-Pop content!

#KCrushAwards2024 #KCrushAmericaMusicAwards #KPopAwards #KPop #KPopWinners #KCrush #ArtistOfTheYear #SongOfTheYear #AlbumOfTheYear #KPop2024 #Congratulations

LISTEN HERE | WATCH HERE

Courtesy of THEBLACKLABEL

After expanding their musical universe with their debut EP album, MY EYES OPEN VVIDE, multinational girl group MEOVV return with the fiery banger “BURNING UP,” out now via THEBLACKLABEL / Capitol Records. Powered by soulful vocals and a pounding beat, the new single embodies blazing passion and relentless determination — capturing MEOVV’s message of fearlessness. Listen HERE and watch the accompanying official music video HERE.

“BURNING UP” was co-written by MEOVV members GAWON and NARIN alongside a cast of top-tier THEBLACKLABEL talent and international hitmakers including the label’s founder/mega-producer Teddy “TEDDY” Park, Malachiii, Teal Douville, Billy Walsh, Jesse Bluu, Zikai, 24, Vince, and Lento. Producers include TEDDY, Malachiii, 24, and Teal Douville. The epic dance cut kicks off with a Jersey club beat and a living rhythm made up of inhales and exhales. The pulsating synth lifts the group higher as they chant: “It’s like a wildfire, I’mma stay right by ya / Come take me up higher / Let it, let it, let it, let it burn.”

The “BURNING UP” video transfers that all sweltering intensity to the screen as MEOVV brings the heat wherever they go. The girls step out of flaming vehicles, set off sprinkler systems during a spicy food challenge, attempt to cool down in front of a massive fan, and dance under the spray of a fire truck. But nothing can extinguish MEOVV’s searing drive to keep pushing forward without a moment’s doubt.

The new single follows a string of milestones for MEOVV. Most recently, the group was added to the hotly tipped Fall 2025 Emerging Artists list from PEOPLE, who proclaimed, “K-Pop fan or not, MEOVV will be your latest obsession.” In August, the girls made their stunning live U.S. debut at KCON LA. The month before, they released their inaugural Japanese single, “ME ME ME,” in partnership with cosmetic brand KAO. And, of course, May brought the highly anticipated MY EYES OPEN VVIDE, a six-track EP that freely breaks down barriers between genres, moods, languages, and vocal styles — delivering an intimate yet expansive sound that captures MEOVV’s core duality: at times razor sharp, at others effortlessly smooth.

Overseen by TEDDY (BIGBANG, G-Dragon, 2NE1, BLACKPINK), MY EYES OPEN VVIDE is a sonic coming-of-age story that traces MEOVV’s journey as they open their eyes to the world, break down boundaries, and begin actualizing their dreams — as the world, in turn, opens its eyes to them. The EP launched the dynamic, rock-tinged pop epic “DROP TOP” and the laidback R&B track “LIT RIGHT NOW.” It also includes the Brazilian-funk-inspired resilience anthem “HANDS UP” — which earned MEOVV their first-ever music show win on Mnet’s M Countdown, a major milestone for any rookie group — alongside vulnerable pop/R&B song “TOXIC” and “BODY,” a rowdy, dance-inducing hit that doubled as a warning to would-be haters or rivals. Rounding out MY EYES OPEN VVIDE is MEOVV’s bold debut single “MEOW,” a body-banging explosion that roared onto Billboard’s World Digital Song Sales chart at No. 10.

Hailing from South Korea, the US, and Japan, MEOVV’s lineup includes SOOIN, GAWON, ANNA, NARIN, and ELLA — five stars who possess both uniquely compelling identities and an indestructible bond. After playing an integral role in shaping some of K-pop’s most iconic acts over the past couple decades, TEDDY hand-picked the members of MEOVV — his first girl group since debuting BLACKPINK — and is directing all facets of the creative and production. MEOVV launched in September 2024 and, a mere three months later, won “Favorite Rising Artist” at the 2024 MAMA Awards, Asia’s most prestigious music award show.

MEOVV has since earned a slew of critical acclaim from, among other outlets, Teen Vogue, PAPER, Hypebae, The Hollywood Reporter, Elite Daily, UPROXX, Clash, and Billboard, who raved, “MEOVV leaped onto the K-pop scene by showcasing a promising range and bold artistry set to claw out a legacy all their own.” With “BURNING UP,” MEOVV makes clear that the raging fires they’ve set around the globe so far are only the beginning.

(From left: GAWON, ANNA, ELLA, NARIN, SOOIN)

Courtesy of: THEBLACKLABEL

FOLLOW MEOVV

About MEOVV:

Fierce, feverishly buzzing, and fabulously chic, MEOVV are clawing their way to the top of K-pop’s new generation. Pronounced “meow,” the multinational quintet — SOOIN, GAWON, ANNA, NARIN, and ELLA — is the debut girl group from THEBLACKLABEL, creatively led by label founder/mega-producer Teddy “TEDDY” Park (BIGBANG, G-Dragon, 2NE1, BLACKPINK).

MEOVV have lived up to that lineage from their first single, “MEOW,” a bilingual pop anthem that earned 5.1M global streams on week one, roared onto Billboard’s World Digital Song Sales chart (No. 10), and whose video logged over 10 million YouTube views in 48 hours. Then came “BODY” — a warning to rivals complete with signature cat-claw choreo — and the R&B-infused “TOXIC,” revealing the group’s emotional side and incredible vocal range. Just three months after their debut, MEOVV displayed stage presence beyond their years at 2024’s MAMA Awards in Osaka, and took home the award for “Favorite Rising Artist.”

Standing for “My Eyes Open Wide,” MEOVV embodies the dynamism and authenticity of young stars in control of their artistry. The group’s members (who are already racking up writing credits) hail from South Korea, the US, and Japan, and possess both unique identities and an indestructible bond. Together they present a duality that’s at times razor sharp, at others effortlessly smooth, while they break down barriers and actualize their dreams. Armed with sweetly savage charms, MEOVV is pointedly yet softly piercing through hearts.

About THEBLACKLABEL:

THEBLACKLABEL is a South Korean entertainment company, record label, and creative agency founded by TEDDY in 2016 and home to acts such as TAEYANG, JEON SOMI, ROSÉ, ALLDAY PROJECT, and Vince.

#MEOVV #THEBLACKLABEL #THEBURNING #newsinglebyMEOVV #kcrush #GAWON #ANNA #ELLA #NARIN #SOOIN #kpop #kcrushamerica #kcrushmagazine #SouthKorea #popmusic #hallyu #multinationalgirlgroup #kpopgirlgroup #MyEyesOpenWide #RnB #TEDDY #TeddyPark #KAOcosmeticbrand #Malachiii #TealDouville #BillyWalsh #JesseBluu #Zikai #24 #Vince #Lento #girlgroup #kpopmusic #kpopindustry #kpopchoreo #kpopdance #kpopidol

Oh, to be an artist who’s lost the will to create! What trials the creative process can be when you possess more passion than you do money.

In his latest film (well at the time of writing this anyway) I Fell In Love with a Z Grade Director in Brooklyn, which had its world premiere at the 2025 Fantasia International Film Festival in competition in the Cheval Noir program, writer and director Kenichi Ugana takes his characters, Jack (Estevan Muñoz) a passionate young Native Brooklynite rookie filmmaker who believes he’s on the cusp of greatness, his very small and intrepid film crew, and famous Japanese actress Shina, played by Ui Mihara (We Were Aliens, Hide From the Rain), who’s lost her zeal for acting and wallet, on a chaotic journey through New York city streets and the slightly unhinged process of making a horror film with no budget.

Similarly to his previous film, 2024’s The Gesuidouz, I Fell In Love with a Z Grade Director in Brooklyn, provides a behind the scenes look into what the unpredictable, chaotic, and emotionally exhausting journey artists fully committed to their process is like. But unlike The Gesquidouz which is about a punk rock band now finding their path to stardom in Japan, I Fell In Love with a Z Grade Director in Brooklyn, centres around Shina, a young woman a veteran to the entertainment industry in her mid-twenties who having begun her career as a baby has spent more time in the spotlight than most performers decades older.

Becoming disillusioned with the film world, people’s lack of interest in her as an actress and perhaps feeling underestimated, she walks out of an interview with a journalist who hasn’t seen her film, quits her agency, and makes the spontaneous decision to head to New York with her boyfriend Ren (Katsunari Nakagawa).

Once in The Big Apple, Shina decides to take a walk along the Brooklyn Bridge because that’s the thing to do to truly feel the drama of the moment. When they stop to take a break, Ren asks her exactly what the plan is. Where does she intend to go, and more specifically where does she see their relationship going and what he is to her. When she can’t give a proper answer, Ren comes to the conclusion that the same way Shina feels unappreciated as an actress, he feels unappreciated by her and breaks up with her on the spot. It’s only after she’s spent some time lost in thought trying to figure out exactly what happened, that Shina realises she has no phone, money, or her passport because she had given them to Ren to hold and he had unintentionally walked off with them.

Alone, confused, perhaps heartbroken but definitely broke, and with no way to contact or communicate with anyone, Shina wanders through the night along the unfamiliar streets till she ends up at a bar decorated in punk rock paraphernalia. After a humorous exchange filled with miscommunication and misconceptions with the owner and patrons, She leaves and ends up having a comically sad drunken breakdown in the middle of the sidewalk, and here enters Jack.

Rather than being an altruistic chivalrous saviour determined to help this damsel in clear distress, Jack sees Shina’s emotional display as a sign of her theatrical star potential and future lead of his ghost love story. Through gesticulations and awkward use of a translation app Jak invites Shina back to his apartment for rest and a change of clothes. Somehow they come to an agreement for Shina to star in his ultra low budget horror about an unrelenting ghost haunting her former boyfriend, and thus begins Shina’s funny, endearing and inspiring foray into the American indie film world.

With the long-suffering help of Jack’s crew comprised of sound engineer Cassio (Madeline Barbush), cinematographer TJ (Lisa Carangdan-Sweeny), production assistant Ricky (Jordan Dallam), and lead actor Chip (Stephen Solomon), they stumble their way along despite multiple production setbacks, Jack’s own emotional breakdowns filled with verbose exclamations of his passion for the art of filmmaking and storytelling, and the occasional visit to the aforementioned bar. With each shaky step of progress Shina’s love for acting and self-confidence are gradually reawakened.

One of Ugana’s strong suits as a filmmaker is getting his performers to shine as brightly as they can not with grandiose monologues filled with overly complicated dialogue and sweeping soundscapes, but with the simplest backdrops, giving the actors the space to simply have fun, embrace the moment and trust the process, and that comes through in I Fell in Love with a Z Grade Director in Brooklyn with both Estevan and Ui.

Estevan clearly revelled at embracing the heightened emotions of Jack’s enthusiasm and blossoming feelings for Shina, and Ui’s own experience as a non-English speaker provided the authenticity needed to make Shina’s revelations that acting can be fun and rewarding even amidst her charming fish-out-of-water bewilderment caused by the language barrier and new environment, that perhaps an actor fluent in English may not have had.

Utilizing a similar guerilla style filmmaking to what Jack does within the film, Ugana’s directing methods offers a sense of levity that allows the film to be both comical with the more absurd scenes such as when Ui’s ghost haunts Chip, the beleaguered object of her obsession, and serious when addressing topics such as Shina questioning where her life is headed. and Jack’s moments of insecurity and doubt at becoming successful at the craft he dedicates so much to.

Ugana himself clearly had a blast making what could be called an a-typical New York love story but still pays homage to many of the hallmarks of the genre such as the grand dramatic declarations of love in a sunny park–which hilariously culminates in probably one of the bloodiest fake blood single take scenes in recent film history–while staying true to his Japanese horror film roots and inspirations. There are references to classics like The Grudge (2004), and I’m pretty sure One Cut of the Dead, the 2017 mockumentary by Shin’ichirô Ueda which also utilizes the ‘film within a film’ narrative style, and his own personal love of punk music.

In my interview with Ugana and Ui, who won the Outstanding Performance Award at Fantasia, we discussed the film being a discussion on what, falling out of love with your passion, how Ui’s own real life career almost mirrors Shina’s, and language barriers being an inspiration rather than a hindrance to the creative process.

Interpretation for the interview was conducted by Alexe Frédéric Migneault.

Carolyn Hinds
Freelance Film Critic, Journalist, Podcaster & YouTuber
African American Film Critics Association Member, Tomatometer-Approved Critic
Host & Producer Carolyn Talks…, and So Here’s What Happened! Podcast
Bylines at Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

#FantasiaIFF2025 #IFellInLovewithaZGradeDirectorinBrooklyn #FilmmakerKenichiUgana #kcrush #filmfestival #ActressUiMihara #Japanesefilm #OutstandingPerformanceAward #StephenSolomon #LisaCarangdanSweeny #MadelineBarbush #kcrushamerica #kcrushmagazine #internationalfilmfestival #theatricalstarpotential #KatsunariNakagawa #NewYork #Brooklyn #punkmusic

Courtesy of KFestHouston on Instagram

Did you know that there are well over a dozen Korean interest festivals across the United States annually? It’s certainly a positive tradition and something that contributed to my growing interest in South Korean culture. This is why returning to the 16th annual Korean Festival presented by Kroger in Houston October 11 – 12, 2025, after nearly a decade felt like stepping into a familiar rhythm that’s pulsing with the same energy that first drew me to it between 2013 and 2015.

Once a modest community gathering tucked into the Houston Community College parking lot, the festival has thrived in the heart of downtown at Discovery Green. In those earlier years of my K-pop excitement, it was one of my favorite local events because it was a chance to immerse myself in Korean culture without boarding a plane to Los Angeles or New York for KCON. It was where I connected with other K-pop fans and friends, practiced the Korean I’d learned at the Korean Education Center, and watched the Hallyu Wave swell through Houston’s diverse cultural scene.

Back then, Korean pop culture was often labeled a “phenomenon.” Today, it’s simply part of the global entertainment landscape. The festival reflects this evolution perfectly — not just through music, but in an inclusive and welcoming atmosphere, multigenerational audience, and positive cultural exchange.

A Legacy of Connection

Organized by the Korean-American Society of Houston (KASH), the festival began in 2009 as a community-driven effort to unify Houston’s Korean population and introduce Korean culture to greater Houston. Now recognized as one of the region’s most anticipated multicultural celebrations, attendees journey far and wide to get in on the fun. Given that Texas is the country’s second largest state by both population and land, getting from one side of it to the Gulf Coast is a journey enough for some! KASH’s mission, and subsequently that of the festival, is:

To raise cultural awareness by sharing the delights of Korean heritage.
To promote community growth through involvement and youth leadership.
To bridge communities by collaborating with local organizations and individuals across Houston.

That dedication is evident in every booth, every performance, and every crowd member dancing along and enjoying the good energy. Especially exciting was the acknowledgement of attendees with different needs such as designating the first two hours on October 12 for attendees with different sensory needs and incorporating ASL interpreters. These conscious contributions is the type of togetherness that’s championed in the Korean proverb, “백지장도 맞들면 낫다,”(baekjijango matdeulmyon natda) – “even lifting a white sheet of paper is better together,” which can be compared to saying that the more effort put in on something, the easier it is for everyone.

Courtesy of KFestHouston on Instagram

The 2025 Lineup

This year’s two-day event continues the standard of highlighting Korea’s cultural duality of innovation and tradition in perfect harmony. There is something for the traditionalists and something for the noobs alike.

Speaking of newbies, I was unfamiliar with the headliner group of October 11, K-pop boy band Withus (위더스). The four-member group made their debut November 17, 2020, and made this event their U.S. debut performance! The gentlemen brought colorful choreography (and costuming) as they started their set with their 2021 song, “DOKKEBI; Ground,”and the mics were on! Fourth generation idols are known for complex choreography that could challenge the vocal performance but Withus delivered exactly what fans crave: sleek energy, audience engagement, and polished stage presence. They were especially charismatic during their fan engagement, speaking in Korean, English and a little bit of Spanish to entertain the fans!

Solo artist Hohyun, a returning performer, kept the crowd energized and created a new fan out of a group standing near me. His repeat appearance speaks to the relationships this event has built over time between artists, organizers, and fans who return year after year.

On the traditional side, Samulnori NEWDOT and Eolssu Hanmadong ground the weekend in Korea’s deep-rooted musical and performative traditions. I am a big fan of traditional South Korean music and deeply enjoyed the rhythmic power of the percussion and the colorful, coordinated performances. Unfamiliar attendees learned firsthand that Korean artistry has always been vibrant, long before K-pop became all the rage.

Courtesy of KFestHouston on Instagram

The Sights, Sounds, and Spirit of Discovery Green

Beyond the stage, the festival’s atmosphere captures the essence of cultural exchange. The scent from the food tents, the sounds of laughter and multilingual conversations, and the sounds of K-pop from eras gone by rang through the park. Even my best friend and I were shouting fan chants at the top of our lungs when we heard the chorus of the TVXQ’s legendary song, “Mirotic”! However, compared to my memory of past years, there wasn’t enough music. The event had its main stage and a side stage farther into the park but there wasn’t the overwhelming flooding of sounds like I recalled. Sunday was especially less noisy. It could have been because there was another festival sharing the grounds or that noise ordinances had changed, but I wanted more.

Nonetheless, returning after ten years feels like a full-circle moment. The festival’s expansion, its broader audience, and its intergenerational reach all point to a new era of cultural awareness — one where Korean culture is not just appreciated for its popular appeal, but embraced as part of Houston’s identity. It doesn’t just celebrate Korean culture – it celebrates connection between the past and present, between all of South Korea and Houston, Texas, and between the fans who first fell in love with the Hallyu wave and those discovering it today.

Ashley Borjon, Host & Historian

Ashley is a content creator, educator, and public speaker. As an authority on the Hallyu phenomenon, she has collaborated on projects and events with various domestic and international companies and brands as a music historian. As the host of An Album a Day, she leads an English-language podcast promoting commentary on South Korean pop music. Learn more about her at https://www.a3daypodcast.com

#KoreanFestivalHouston #kfesttx #kcrush #Koreanculture #hallyufestival #KoreanAmericanSocietyofHouston #kcrushamerica #kcrushmagazine #Houston #TexasAsianFestival #Koreantradition #Samulnori #NEWDOT #EolssuHanmadong #Hohyon #WITHUS

From the 11th of September to the 19th, aspiring, new, and veteran filmmakers from all across B, and all areas of world gathered in Denpasar, Bali for the very successful 11th Minikino Film Week (MFW) Bali International Short Film Festival.

Since 2002 film lovers of all ages, back grounds, and creative disciplines have gathered to combine their time, energy, and impressive efforts to create a festival that not only celebrates short films of every genre, narrative styles and art forms imaginable—truly, I saw animation styles there I’d never seen before on screen—but also serves to educate attendees about what it takes to make a film.

Lead by festival director Edo Wulian, program director Fransiska Prihadi, and I Made Suarbawa director of the Traveling Cinema Program, Minikino is a unique film festival that anyone lucky enough to attend that will remind you what it is that makes the medium of film such an enthralling magical experience to observe, but also remind and reveal how exhausting and challenging it can be to just even start the process of making a film.

At the opening ceremony held at the Dharma Negara Alaya cultural centre, the very first film shown was the 9 minute Canadian short Blitzmuzik written by Martin Amlot and Pier-Philippe Chevigny, and directed by Amiot about two soldiers from opposing sides, who upon finding themselves stranded in a house riddled with the scars of war, are left with nothing but the dust covered musical instruments inside when they run out of bullets.

What made Blitzmuzik an interesting choice to start the festival wasn’t only it’s anti-war message—especially resonate in our current global political climate with the genocides in Palestine, Sudan, and Congo, and the anti-corruption revolutions happening in Indonesia, Malaysia, and Myanmar, the latter countries from which filmmakers were in attendance—it was the demonstration of Audio Description for the blind and visually impaired and Closed Captioning in native Balinese and Indonesian languages, which members of the Minikino team also do themselves.

Before the presentation of the film, the lead Minikino Audio Visual Technician spoke briefly about what goes into doing AD for a film and their collaborations with the Blind and otherwise disabled community to ensure the best theatrical film experience possible for anyone wishing to take part.

There was also a screening of the Kornico Museum, a special cross-cultural multinational children’s workshop initiated by Minikino (Indonesia), SESIFF (South Korea), and Bogoshorts (Colombia) organizations.

The program, now in its 3rd year, culminated in a screening of the stop-motion animated film created by the young participants, and presentation of certificates and awards to those able to attend the festival in person. These segments of the opening ceremony and many others throughout the festival’s run, demonstrated how dedicated the team at Minikino are to providing a truly inclusive environment for local Balinese audiences as well as international visitors.

Throughout the festival various panels, discussions, and interactive events such as Roast Your Shorts-an open session where festival programmers, journalists, and film critics such as myself gave helpful feedback on some of the films directly to the filmmakers like director Coralie Wantanabe Prosper and actress Rei Wantabe of Kotowari, and alemberg Moa Ang producer of the Filipino short Water Sports.

There were walks through Denpasar neighbourhoods, parks where indigenous music competitions were being held, picnics, children’s art workshops and special screenings, and of course post-screening Q&As.

While attending Minikino Film Week, I had the pleasure of speaking to many people about their work, interests, and film and festival industry in their respective countries, among them were Matt Lloyd’s film programmer and festival director of the Glasgow Short Film Festival who also served as a member of the National Jury Board, and award-winning Irish-Canadian multi-disciplinary artist and filmmaker Holly Márie Parnel, whose short films Cabbage (2023) and Hole in the Stone (2025) inspired by her personal life, environment and community, were selected for the Bali-Glasgow Filmmaker Exchange. Joining the exchange program was Indonesian director Haris Yuliyanto with his short Fish, Please (Pelabuhan Berkabut) co-written with Jovan Ardiansyah.

During my discussion with Fransiska, Matt and Holly, they spoke about the collaboration between the two film festivals, how the national and international film and festival industries have changed from their perspectives, and what inspires each of them to keep making art and connections through film.

For a full list of festival award winners, visit the official Minikino Film Week 11 awards page at minikino.org/filmweek/mfw11-award-winners.

*Editorial note: Due to unavoidable circumstances some sections of the interview audio are slightly distorted, and please excuse my hands.

#MinikinoFilmWeek11 #KcrushIntervewWithFransiskaPrihadi #MattLloyd #HollyMarieParnell #kcrush #kcrushmagazine #kcrushamerica #Asianfilm #filminterview #GlasgowShortFilmFestival #DenpasarBali #newfilm #Bali #BaliInternationalShortFilmFestival #filmmakers #Indonesia #SouthAsia #EastAsia #Europe #theAmericas

Embark on an epic journey through five of the most compelling historical K-dramas. These popular series blend intense political drama and sweeping romance with fresh fantasy elements like time-travel. Prepare to be captivated by the fate of kings, queens, spies, and lovers whose struggles echo across the Joseon Dynasty with these historical kdramas.

1. Bon Appétit, Your Majesty

The series follows Yeon Ji Yeong, a South Korean French cuisine chef at the peak of her modern career, who unexpectedly time-slips back to the Joseon Dynasty during a solar eclipse. She finds herself in the royal court, where she is eventually appointed as a palace chef. She must cook for King Yi Heon, a young monarch known as a ruthless tyrant with an impeccable, demanding palate. Ji Yeong uses her innovative modern French techniques, blended with traditional Joseon ingredients, to survive palace politics and gradually earns the King’s trust. The drama is a fusion of culinary arts, palace intrigue, and a developing romance between the modern chef and the misunderstood king.

2. The Queen Who Crowns

This drama chronicles the fiery life journey of Queen Wongyeong, an intelligent and ambitious daughter of a prestigious noble family. She marries Yi Bang Won (later King Taejong, the third ruler of Joseon) and works fiercely as a “King Maker,” helping him navigate the complex political landscape and seize the throne from his half-brother. However, after Yi Bang Won ascends to power and becomes King, he begins to take multiple concubines and betrays the family and love he shared with Wongyeong. The series depicts the delicate balance of power, the escalating tension, and the ego clashes between the royal couple as they struggle to manage the state and their own fraught relationship.

3. Mr. Queen

Jang Bong Hwan, a modern-day male head chef at the Blue House (the Korean presidential residence), finds himself in trouble and nearly drowns in a swimming pool. When he wakes up, his soul has been transplanted into the body of Queen Cheorin in the Joseon Dynasty, just a day before her wedding to the reigning monarch, King Cheoljong. Trapped as the Queen, the chef must navigate the treacherous, corrupt world of 19th-century palace politics, which are ruled by the powerful Andong Kim clan. While trying to find a way back to his own time and body, he discovers that King Cheoljong is not the gentle puppet he appears to be, but a king secretly plotting against his political opponents, leading to a reluctant and chaotic romance.

4. Captivating the King

The story is a fictional historical drama set in the Joseon era. It centers on the cruel love story between King Yi In, a miserable monarch who is plagued by a sense of emptiness and is constantly in danger from political power struggles, and Kang Hee Soo, a beautiful and enigmatic baduk (Go board game) player. Hee Soo initially disguises herself as a man to become a spy, intending to approach the King to extract information and seek revenge for a past event. However, as she spends time with King Yi In, she unexpectedly finds herself genuinely falling in love with him, forcing her to confront the true motives behind her mission.

5. My Dearest

Set against the tragic backdrop of the Qing Invasion of Joseon in the 17th century, the series follows the intertwined fate of two main characters. Lee Jang Hyun is a mysterious nobleman who chooses not to marry or commit to anything, harboring a dark and complex past. He unexpectedly meets Yoo Gil Chae, a high-spirited, independent noblewoman who dreams of a romantic love she’s only read about. As the war breaks out and the country plunges into chaos and suffering, Jang Hyun and Gil Chae’s relationship deepens through shared hardships, tragedy, and long separations. The series depicts their epic, years-long struggle to survive the war’s consequences and find their way back to each other amidst a nation in turmoil.

—-Karen Mwenda

#5BestHistoricalKdramas #kcrush #BonAppétitYourMajesty #JoseonDynasty #TheQueenWhoCrowns #MrQueen #kdrama #hallyu #MyDearest #kcrushamerica #kcrushmagazine #kdramahistoricalkdramas #koreandrama #CaptivatingTheKing

Remember the global phenomenon that was Descendants of the Sun (DOTS)? Six years after its explosive 2016 run, this military-romance K-drama captivated millions with its high-stakes action, witty banter, and undeniable chemistry between its leads. Set in the fictional war-torn country of Uruk, DOTS launched its stars into unparalleled international fame. But where have our beloved Captain Yoo Si Jin, Doctor Kang Mo Yeon, and the rest of the Alpha Team been since their tours of duty ended? Let’s catch up with the main cast who stole our hearts.

1. Song Joong Ki

Song Joong Ki played the charismatic Captain Yoo Si Jin. After Descendants of the Sun, Joong Ki continued his reign as a top Hallyu star. He reunited with his co-star Song Hye Kyo, marrying her in 2017, though they later divorced in 2019. Professionally, he chose diverse and challenging roles, starring in the sci-fi blockbuster film Space Sweepers (2021) and leading the critically acclaimed drama Vincenzo (2021), where he played a charming Italian-Korean mafia consigliere. Most recently, he achieved immense success with Reborn Rich (2022), a fantasy-revenge drama that became one of the highest-rated cable dramas in Korean history. Song Joong Ki remains a powerhouse, constantly reinventing himself, a fact that is cemented by his skills in Hopeless (2023) and My Name Is Loh Kiwan (2024) films. In January 2023, Song Joong Ki announced his marriage to British actress Katy Louise Saunders and that they were expecting their first child. The couple welcomed a son in June 2023 followed by a daughter in November 2024. Song Joong Ki remains a major star but has largely kept his second marriage and family life private, contrasting with his first marriage.

2. Song Hye Kyo

Song Hye Kyo played Song Joong Ki’s on-screen love interest, the brilliant Dr. Kang Mo Yeon. Following Descendants of the Sun and her marriage to Song Joong Ki, Hye Kyo has continued to cement her status as a fashion icon and an acting veteran. She made a powerful return to the small screen with the melodrama Encounter (2018-2019) alongside Park Bo Gum. Following the divorce with Song Hye Kyo in 2021, Song Hye Kyo retreated somewhat from the public eye regarding her dating life. She resulted to focusing on her professional career. Her most notable recent work is the chilling revenge thriller The Glory (2022-2023), where she shed her usual romantic image to portray a victim of school violence seeking meticulous retribution. The drama was a massive hit for Netflix, showcasing her incredible range and proving her enduring star power. Song Hye Kyo is also expected to appear in the Dark Nuns film scheduled for release in 2025.

3. Jin Goo

Jin Goo played Sergeant Major Seo Dae Young. His stoic loyalty and heartfelt romance with Yoon Myeong Joo were a fan-favorite storyline. After Descendants of the Sun, Jin Goo diversified his roles, appearing in dramas like Untouchable (2017) and Legal High (2019). He also explored more gritty and action-oriented roles in films such as One Line (2017) and The Witch: Part 2. The Other One (2022). While perhaps not in as many leading roles as the Song-Song couple, Jin Goo consistently delivers strong, memorable performances, maintaining a steady and respected career in the industry. Jin Goo has also been cast in other projects including You’re Precious to Me (2021), A Superior Day (2022), Shadow Detective (2022), and The Auditors (2024). Jin Goo was already a married man before Descendants of the Sun aired. He married his non-celebrity girlfriend on September 21, 2014. The couple welcomed their first child, a baby boy, in June 2015m and a second child, a baby girl, in November 2016. Jin Goo maintains a very private family life and rarely discusses his wife or children in the media, choosing to focus public attention entirely on his professional acting projects.

4. Kim Ji Won

Kim Ji Won played the fierce and beloved Lieutenant Yoon Myeong Joo. Her “Goo-Won” couple storyline was as popular as the main lead’s (“Song-Song” couple storyline). After Descendants of the Sun, Kim Ji Won continued her ascent as a leading lady. She starred in the highly successful office drama Fight for My Way (2017) alongside Park Seo Joon, solidifying her romantic comedy credentials. She then took on a more complex role in the fantasy-historical drama Arthdal Chronicles (2019). Her most recent triumph was the slice-of-life drama My Liberation Notes (2022), where she received widespread critical acclaim for her nuanced portrayal of a woman seeking meaning and liberation from a mundane life. She is currently starring in the hit romantic comedy Queen of Tears (2024), proving her versatility and sustained popularity. Kim Ji Won has maintained a strictly professional image since her debut. There has been no confirmed public relationship or dating scandal throughout her career.

The main cast of Descendants of the Sun have certainly not rested on their laurels. Each actor has meticulously built upon their Descendants of the Sun fame, choosing diverse projects that highlight their evolving talents. Their journeys continue to captivate audiences worldwide, proving that their star power was anything but a temporary deployment.

—-Karen Mwenda

#DescendantsoftheSun #QueenofTears #KimJiWon #JinGoo #TheAuditors #kcrush #kdrama #SongHyeKyo #hallyu #TheGlory #DarkNun #SongJoongKi #koreanactor #koreanactress #kcrushamerica #kcrushmagazine #korea #koreanfashion #koreanculture #koreastopactors #koreastopactress #koreandrama #wherearetheynow

(Photo Credit: ABS-CBN Music)

Listen to “First Luv” HERE

Watch “First Luv” MV HERE

Chart-topping girl group, BINI, releases their radiant new single, “First Luv,” now available on all streaming platforms via ABS-CBN. Following a year of sold-out arena shows, international collaborations, and growing global recognition, this vibrant release solidifies BINI’s rise as one of the new generation’s global pop acts. They made history this month as the first Filipino group to be confirmed on the lineup for Coachella Valley Music & Arts Festival in 2026 alongside superstars Sabrina Carpenter, Justin Bieber, and Karol G. The inclusion of performing at their first-ever U.S. music festival marks a major step towards worldwide recognition.

The newest single takes center stage as a radiant, feel-good anthem that captures the magic of young love and the rush of butterflies that come with it. Following the success of their hit, “Shagidi,” which trended #1 in the Philippines and sparked a viral dance challenge that has generated millions of views across TikTok and YouTube, the track further solidified BINI’s reputation as a cultural force and rising name in global pop. Infused with pop elements and a touch of island rhythm, “First Luv,” delivers pure sunshine in audio form. Switching seamlessly between Tagalog and English, the lyrics paint a vivid picture of youthful romance, the exhilarating moments, and the thrill of wondering if someone special feels the same way.

BINI has added several major milestones to their growing international profile. In February 2025, they launched the “BINIverse World Tour” with a historic sold-out concert at the Philippines Arena in Bulacan, becoming the first Filipino act to achieve a solo sell-out in the world’s largest indoor venue with 50,000 capacity. The tour spanned Asia, Europe, and North America, with stops in Dubai, London, and multiple U.S. and Canadian cities. BINIverse, which released this past February, marked a milestone that expanded their reach and cemented their standing on the global stage.

Their recognition has grown steadily, with BINI named one of Spotify’s Breakout Artists of 2024, the only Filipino act on the list, and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know.” The group also collaborated with Spanish-Mexican singer BELINDA (11.2 million monthly Spotify listeners) on Blink Twice (Dos Veces Remix), marking the first collaboration between a Mexican artist and a Filipino group. Most recently, BINI earned three nominations at Brazil’s 2025 BreakTudo Awards and won “Female Group of the Year” at the 2025 Jupiter Music Awards, further solidifying their growing global presence.

Alongside these significant milestones, BINI became the first Filipino pop group to perform at KCON Los Angeles, the world’s largest Korean culture and music festival, captivating global audiences. They have also earned major accolades including MTV EMA’s Best Asia Act and continue to live up to their title as the Philippines’ ‘Nation’s Girl Group.’ As they enter their new era of music, the octet stands at the forefront of Filipino pop music’s international breakthrough, bringing Filipino music to bigger stages and broader audiences worldwide.

(Photo credit: ABS-CBN Music)

Listen to “First Luv” HERE

Watch “First Luv” MV HERE

About BINI

BINI is an eight-member Filipino girl group (Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena) redefining global pop with their radiant sound and powerhouse performances. Crowned the Philippines’ “Nation’s Girl Group,” they have achieved a string of historic milestones, from becoming the first Filipino act to sell out the 50,000-seat Philippine Arena with their BINIverse World Tour, to making history as the first Filipino group confirmed on the lineup of Coachella 2026 alongside international stars Sabrina Carpenter, Justin Bieber, and Karol G. With over 1 billion global streams, BINI has delivered viral hits like Shagidi, which trended #1 in the Philippines and sparked a dance craze across TikTok and YouTube, as well as fan favorites Blink Twice and Cherry On Top. Their collaboration with Spanish-Mexican star Belinda on Blink Twice (Dos Veces Remix) marked the first-ever partnership between a Mexican and Filipino pop act. Recognized as one of Spotify’s Breakout Artists of 2024 and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know,” the group has also earned major accolades including three nominations at Brazil’s 2025 BreakTudo Awards and winning “Female Group of the Year” at the 2025 Jupiter Music Awards.

From stages across Dubai, London, the U.S., and Canada, to appearances at KCON Los Angeles, BINI continues to captivate audiences worldwide. With honors including MTV EMA’s Best Asia Act and growing recognition in Billboard and GRAMMY features, they are at the forefront of the global rise of Filipino pop, bringing their music to bigger stages and broader audiences than ever before.

#BINI #CoachellaLineup #FIRSTLUVBINInewsingle #BlinkTwice #CherryOnTop #Filipinogirlgroup #Aiah #Colet #Maloi #Gwen #Stacey #Mikha #Jhoanna #Sheena #eightmemberFilipinogirlgroup #PPop #newmusic #kcrush #kcrushamerica #kcrushmagazine #FemaleGroupoftheYear #2025JupiterMusicAwards #PhilippinesNationsGirlGroup #hallyu #kcrushbringingeasttothewest #kcrushsince2014 #pidol #Asia

School settings in Korean dramas have always provided the perfect stage for youthful romance, intense rivalry, and thought-provoking social commentary. Over the years, several titles have captured both domestic and global audiences, blending coming-of-age stories with issues that resonate deeply among students everywhere. From heart-fluttering romance to survival against social hierarchies, here are five of the best school K-dramas that stand out for their unique storytelling.

1. True Beauty (2020)

Based on a popular webtoon, “True Beauty” follows Lim Ju Kyung, a high school student who hides her insecurities behind flawless makeup skills. While she is admired at school for her looks, she constantly fears her bare face being exposed. Things take a turn when she meets Lee Su Ho and Han Seo Jun, two classmates who slowly uncover her real self. More than a romance, the series highlights self-acceptance and the struggles of teenage identity in a beauty-obsessed society.

2. Study Group (2023)

“Study Group” tells the story of Gamin, a boy passionate about studying, who forms a study group not just for academics but also as a shield against the bullies that dominate his school. What begins as a safe space for learning transforms into a tight-knit circle where students band together for survival. This action-packed series mixes gritty fight scenes with the hope of achieving academic dreams, showcasing how determination and friendship can overcome violence.

3. Undercover High School (2023)

In “Undercover High School”, Jung Hae Seong is a National Intelligence Service field agent who infiltrates a high school to uncover crimes and corruption hidden beneath everyday student life. Posing as a student, he faces the same challenges as teenagers while chasing justice. The drama cleverly combines undercover police work with the intensity of adolescent struggles, drawing viewers into a story where double lives blur the lines between authority and youth.

4. Weak Hero Class 2 (2025)

The sequel follows Yeon Si Eun as he transfers to Eunjang High School, where he faces a powerful school gang called the Union. With the help of new friends, he uses strategy and resilience to fight back against systemic bullying and violence. The drama expands on the dark, realistic themes of survival and friendship introduced in the first season.

5. Hierarchy (2024)

Set in Jooshin High School, an elite institution that admits only the top 0.01% of society, Hierarchy unravels the dynamics of power, wealth, and status. New student Kang Ha challenges the system, uncovering secrets and sparking conflicts among the privileged. With its mix of romance, mystery, and social critique, the drama explores how inequality seeps into education and shapes the destiny of the young.

Conclusion

From lighthearted romance to dark explorations of youth struggles, these five K-dramas prove that the school genre continues to thrive. Each story not only entertains but also mirrors the challenges and dreams of students worldwide.

—-Karen Mwenda

#5BestSchoolKDramas #kcrush #TrueBeauty #StudyGroup #UndercoverHighSchool #kdrama #koreandrama #kpop #hallyu #WeakHeroClass2 #Hierarchy #kcrushamerica #kcrushmagazine #koreankdrama #koreanactor #koreanactress #kculture

CORTIS is a newly debuted 5-member K-pop boy group under BigHit Music (HYBE) that launched with the pre-single “GO!” and officially debuted on August 18, 2025, with the digital single “What You Want.” The group name — short for “Color Outside the Lines” — signals a creative manifesto: pushing past genre limits and embracing member-led artistry. Marketed as a team of self-driven creators, the five members are credited with contributing to songwriting, choreography, and visuals, and their sound mixes experimental pop, hip-hop, and electronic elements to position CORTIS as a fresh, boundary-pushing act in the modern K-pop scene.

1. Martin (마틴)

Martin is a Korean-Canadian and the leader of CORTIS. Standing out with his tall height of around 190 cm (6.2 feet), Martin is fluent in both Korean and English and carries an ENFP personality type. Even pre-debut, he had credits on songs for groups like TXT. Within CORTIS, Martin is known as the creative core, contributing to songwriting, choreography, and overall direction. Despite being one of the younger members, he is rising to be a well-respected leader.

2. James (제임스)

James is the oldest member and has Chinese roots. He was formerly part of the pre-debut lineup Trainee A. Known as the group’s main dancer, James is recognized for his powerful stage presence and athletic discipline as well as an active as a rapper and vocalist. His background reportedly includes taekwondo and hockey, which sharpened his performance skills. As the most experienced in age and training, he provides stability and maturity to the group dynamic.

3. Juhoon (주훈)

Juhoon began his career as a child model before transitioning into idol training. Within CORTIS, he holds roles as both rapper and vocalist. Juhoon has been praised for his striking visuals and strong stage charisma, balancing youthful energy with a sense of professionalism. Juhoon also helped with the group’s songs including “What You Want” and “JoyRide”

4. Seong Hyeon (성현)

Seong Hyeon is the group’s main vocalist, but also raps and dances, showing versatility across performance areas. Trained since around 2021, Seong Hyeon has spent several years honing his craft and is credited with songwriting on CORTIS tracks such as “What You Want.” Coming from a supportive family, he has a younger sister and often references his upbringing as shaping his determination. His ability to topline melodies is already being highlighted as one of the group’s musical strengths.

5. Keonho (건호)

Keonho is the CORTIS group’s youngest member. Before becoming a trainee, he was a competitive swimmer; a discipline that still shows in his determined personality. As a dancer, vocalist, and visual member, he quickly attracted online attention, even before CORTIS officially debuted. Keonho also co-wrote on “What You Want,” proving that despite his young age, he is contributing to the group’s creative direction. His youthful energy balances the group’s dynamic, making him a fan favorite.

—-Karen Mwenda

#CORTIS HYBE #newHYBEboygroup #Keonho #kcrush #Seong Hyeon #Juhoon #kpop #James #Martin #kidol #kmusic #CORTISleaderMartin #kcrushamerica #kcrushmagazine #WhatYouWant #JoyRide #whoisCORTIS #newkpopgroup

PSY performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

Apple TV+’s KPOPPED premiered on August 29, 2025, as a celebration of crosscultural music, bringing together K-pop groups, Western music icons, and fresh collaborations. Led by PSY and Megan Thee Stallion, with Lionel Richie and Miky Lee among its executive producers, the series was created as an exchange of artistry and culture.

As a fan and K-pop commentator for over a decade, I won’t break down every aspect of each episode so as not to present bias. There are already plenty of mixed reviews from both active consumers of K-content and casual viewers. My hope is that what’s shared here encourages you to watch KPOPPED sooner rather than later.

Spice Girls (Emma & Mel B) and ITZY performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

If nothing else, fans, we’ve been deprived of exciting collaboration stages in the scene for a few generations now—this is worth experiencing.

The Lineup: Music Legends Meet Established K-Stars

At first glance, the cast list felt overwhelming. How would these acts work together? There are language differences, of course, but also generational ones! Nonetheless, K-pop stars from ITZY, ATEEZ, Kep1er, JO1, Billlie, STAYC, Kiss of Life, and BLACKSWAN shared the stage with proven legends like Patti LaBelle, Spice Girls’ Mel B and Emma Bunton, Vanilla Ice, Taylor Dayne, Kesha, J Balvin, Kylie Minogue, TLC, Boy George, Ava Max, and Boyz II Men. Each pairing created opportunities for both discovery and nostalgia—for the artists as well as the audience.

Patti LaBelle and Billlie performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

Each episode focused on the reveal of how a Western artist’s hit could be reimagined through the lens of K-pop: first the song selection, then the rehearsal process, cultural and stylistic adjustments, and finally, the live performance. Although the format occasionally felt formulaic, it followed a tried-and-true structure for music competitions and reality television. From tight rehearsal windows to stage reveals and live voting, everything was designed to maintain the integrity of music survival and battle shows. However, KPOPPED avoided becoming cliché because the participants brought enough charisma and distinction. More importantly, the pairing of younger K-pop groups with legends whose hits have influenced decades of music felt more celebratory than competitive.

ATEEZ with Kylie Minogue and J Balvin performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

What I most appreciated was how the show allowed K-pop acts to bring their own identities into the reinterpretations. They retained what fans love about their styles while adjusting to new soundscapes and movement setups.

Something Worth Continued Development

KPOPPED intrigued me because it brought artists from different spaces within pop music together—but I underestimated the vulnerability involved. This was uncharted territory for most of the entertainers: sharing their songs with another artist, not as a tribute, but as a collaboration. Patti LaBelle, living icon that she is, has often watched others perform her music in her honor. To share the space with South Korea’s pop scene? That’s something worth continued development, indeed.

Boyz II Men and BLACKSWAN performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

Through interviews, KCrush learned that there was limited preparation time to bring concepts together and reinvent aspects of already-proven hits. While viewers saw staging, choreography, and light sticks, we also witnessed moments of nervousness, teamwork, and adaptation. The live Seoul audience amplified the tension, sitting close enough to the entertainers to make every reaction matter. During J Balvin and ATEEZ’s performance of “Mi Gente,” I stopped singing along in excitement with a shocked gasp when I realized how out of the norm this all truly was. ATEEZ handled the Spanish impressively, too. The camera caught a fan or two looking enthusiastic, but I would’ve been jumping and shouting!

Boy George, TLC and STAYC performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

More Celebration Than Showdown

Though KPOPPED used familiar competition formats, the teams and overall vibe felt celebratory rather than combative. The artists motivated and encouraged one another as much as they challenged themselves, and that distinction convinced me that those working behind the scenes understood the importance of steering KPOPPED away from the uglier side of fan culture. Whether intentional or not, it made the show feel less like factions of fans would undercut the positivity of the experience.

Eve, Kesha and JO1 performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

Every act had a unique lane. ITZY delivered with charisma and precision. ATEEZ stretched into styles outside their norm. BLACKSWAN (check out our interview) and Kiss of Life showcased new colors. And STAYC, who also sat down with us for a separate interview, balanced fan-loved strengths with surprising new moves.

Ava Max, Jess Glynne and KISS OF LIFE performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

Why It Resonates

Ultimately, KPOPPED is as much about connection as it is about performance. It isn’t just for die-hard K-pop fans. It invites music lovers, casual listeners, and anyone curious about how iconic hits can be reworked into something new. It delivers on spectacle, yes—but more importantly, it delivers on heart.

Vanilla Ice, Taylor Dayne and Kep1er performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+

If you’re tuning in, leave a comment and let KCrush know your thoughts.

Ashley Borjon, Host & Historian

#KPOPPED #Asianentertainment #kcrush #Psy #MeganTheStallion #ITZY #STAYC #ATEEZ #kpop #kidol #BlackSwan #Billlie #BoyGeoerge #VanillaIce #Boyz11Men #PattieLaBelle #pop #TLC #SeoulKorea #Hallyu #collaborations #Eve #EveandATEEZ #Emma #MelB #SpiceGirls #TaylorDayne #Kep1er #JO1 #Kesha #Jbalvin #KylieMinogue #AvaMax #JessGlynne #KissofLife #kcrushamerica #kcrushmagazine #kcrushmedia #kcrushpress

(Credit: ABS-CBN Music)

Rising star Filipino boy group, BGYO, has once again captivated fans with their new EP, ‘Headlines’, now available on all streaming platforms. With over 100 million combined audio/video streams, and previous #1 iTunes debuts in the Philippines, Hong Kong, Singapore, UAE, Saudi Arabia, and more, BGYO continues their steady rise, delivering a body of work that pushes their artistry to new heights. The Y2K inspired music chronicles an exciting bold and unapologetic relationship sure to make all the headlines.

Following the success of their previous single ‘Headlines’ and pre-release single ‘All These Ladies’ in June, a polished pop anthem about the excitement of new romance with women from all over the world, the EP invites listeners on an emotional soundscape through the group’s distinct musical abilities. At the center of the EP is the focus track ‘Dance With Me’, a song about romance, intimacy, and freezing a moment in time. At its core, the song captures the undeniable spark that forms when two people share a dance–when the rest of the world fades, and all that remains is the rhythm, connection, and closeness between two bodies. When the lyrics may sound like a simple invitation, they echo a deeper longing: to create something meaningful with someone new, if only for a moment in time. The track sets the tone for an EP that delves into the complexities of connection, moments of vulnerability and desire, and emotional honesty all wrapped in lush production and an unmistakable sense of unconditional love.

Listen to “Headlines” HERE

Watch “Dance With Me (Official Music Video)” HERE

The previously released breakout single ‘Headlines’ was inspired by the kind of love that’s old and unapologetic – wild and loud enough to make the news. With R&B influences and a venture into a new, undiscovered sound for the group, BGYO delivers a fresh anthem that dares the listener to love proudly and loudly, owning a connection no matter what the world thinks.

Fresh off their ‘BGYO’ EP release this past spring, the band is continuing to grow musically and globally as they work on honing their artistry and connecting with new fans all over the world. The EP represented their vibey signature pop sound, with songs like “Divine,” a heartfelt love song, and “Heartstrings,” an emotional rock tune that represents the push and pull of love and the disappointment of getting hurt by someone you trust.

(Credit: ABS-CBN Music)

As one of the hottest musical artists coming out of the Philippines, BGYO have received recognition from the Recording Academy spotlighting them in their list of “Asian Pop artists to check out” in addition to being featured in Teen Vogue, MTV Asia, and in Netflix’s web series “Alas Netflix.” The group have been crowned winners of “Best Theme Song” at the Asian Academy Creative Awards and People’s Voice Favorite Group Artist in Awit Awards for two consecutive years. With a combined social media following approaching 5 million, the group continues to captivate audiences worldwide, not just with their stellar vocals and electrifying choreography, but also with their undeniable charisma and relentless passion. They have also surpassed 60 million TikTok likes, were named a 2025 Spotify RADAR artist, nominated for “Rising International Artist” at the 2025 Breaktudo Awards in Brazil, and performed at the 2025 Summer Sonic Festival in Bangkok.

Evolving with each release, BGYO remains committed to pushing their sound in bold new directions. As the band continues to grow and expand their signature style, they are excited to blend and blur different genres of pop music, crafting a sound that’s distinctly and undeniably their own.

Headlines EP Tracklist

All These Ladies
Dance With Me
Aloe Vera
Headlines

Listen to “Headlines” HERE

Watch “Dance With Me (Official Music Video)” HERE

About BGYO:

BGYO is a five-member Filipino boy group known for their dynamic performances, powerful vocals, and relatable music. They made their official debut in 2020 with the single “The Light” and have since garnered a dedicated global fanbase (ACEs) while achieving numerous milestones in the music industry. The group is composed of Gelo, Akira, JL, Mikki, and Nate, each bringing unique talents and charisma that continue to shape BGYO’s distinct artistry.

Since their debut, BGYO has captivated audiences with their authentic sound and striking live performances, earning accolades such as Spotify Philippines’ “P-Pop Group of the Year,” recognition from the Recording Academy’s “Asian Pop Artists to Check Out,” and wins at the Asian Academy Creative Awards and Awit Awards. They have also surpassed 60 million TikTok likes, been named a 2025 Spotify RADAR artist, received a nomination for “Rising International Artist” at Brazil’s 2025 BreakTudo Awards, and performed at the 2025 Summer Sonic Festival in Bangkok. With over 100 million combined audio/video streams and multiple #1 iTunes debuts worldwide, BGYO continues to break barriers and solidify their place on the international stage.

Their acronym, “Becoming The Change, Going Further, You and I, Originally Filipino”, reflects their mission to create music that uplifts and empowers fans around the world while staying true to their cultural roots.

Connect with BGYO: Instagram – Twitter – YouTube – TikTok – Spotify – Facebook

#BGYO #Filipinoboygroup #BecomingTheChangeGoingFurtherYouandIOriginallyFilipino #kcrush #pop #Gelo #Akira #JL #Mikki #Nate #ACE BGYOFanBaseACE #TheLight #PPop #PPopGroupoftheYear #Spotify #ITunes #AsianPopArtiststoCheckOut #AsianAcademyCreativeAwardsandAwitAwards #kcrushmagazine #kcrushamerica #RisingInternationalArtist #Brazil2025BreakTudoAwards #BGYOHeadlines #HeadlinesEP #AllTheseLadies #DanceWithMe #AloeVera #HeadlinesEPbyBGYO #internationalgroup

WOODZ 1
Credit: EDAM Entertainment

LISTEN HERE | WATCH THE MV HERE

Critically acclaimed singer-songwriter and global rockstar WOODZ unveils his latest artistic chapter with the release of his 2-track digital single I’ll Never Love Again, out now on all major streaming platforms via EDAM Entertainment and Kakao Entertainment — listen HERE and watch the music video HERE. Known for his fearless genre-bending style and searing emotional honesty, WOODZ delivers a powerful first release post-military discharge.

The project follows the viral resurgence of “Drowning,” which soared to No. 1 on major Korean music charts earlier this year, reaffirming WOODZ’s enduring resonance with listeners even while enlisted. Building on that momentum, I’ll Never Love Again captures both the intensity of heartbreak and the defiance of pushing forward, showing an artist unafraid to bare his vulnerabilities while crafting music that transcends boundaries.

The focus track, “I’ll Never Love Again,” fuses folk-inspired textures with the grandeur of alternative rock. Opening with a melancholy organ melody, the song swells into crashing drums and guitars, mirroring the torment of heartbreak and the resolve that follows. WOODZ’s voice, raw yet commanding, intertwines with a choir to create a sweeping soundscape where sorrow and beauty collide. Its lyrics echo with haunting finality: “If this is how love always ends, I’ll never love again.” The accompanying music video visuals embrace a cinematic palette — evoking solemnity, yet reflecting the resilience of humanity as we continue to reach for love despite inevitable heartbreak.

WOODZ 2
Credit: EDAM Entertainment

The second track “Smashing Concrete”, which was first released as a visualizer in late July (watch HERE), channels pure, unfiltered energy. The song shifts into explosive alternative metal, combining WOODZ’s rap and vocals with razor-sharp guitar and thunderous percussion. Its message is simple yet unrelenting: break down the walls in front of you and push through. The result is a cathartic anthem of defying obstacles, one that radiates liberation and perseverance.

With I’ll Never Love Again, WOODZ reaffirms his standing as one of Korea’s most innovative and emotionally resonant artists, inviting listeners into a world where grief and beauty exist side by side.

WOODZ 3
Credit: EDAM Entertainment

WOODZ Digital Single – I’ll Never Love Again

Tracklisting:

I’ll Never Love Again *focus track
Smashing Concrete

ABOUT WOODZ WOODZ (Cho Seungyoun) is a South Korean multihyphenate artist — a singer-songwriter, producer, and performer — widely respected for his genre-defying sound, emotional range, and rare artistic versatility. From his early days in the idol group UNIQ and Produce X 101’s project boy band X1 to his breakout as a soloist, WOODZ has charted a path defined by resilience and creative evolution.

Since his solo debut, he’s written and produced nearly all his music, with critically acclaimed projects like EQUAL (2020), SET (2021), ONLY LOVERS LEFT (2021), COLORFUL TRAUMA (2022), and OO-LI (2023), blending elements of pop-rock, alternative R&B, hip-hop, and experimental sounds. Dubbed a “pop-rock chameleon” by DAZED, he’s earned over 300 million streams, over 900K followers, and approx. 800K monthly listeners on Spotify alone and topped iTunes charts in 20+ countries. Ahead of his military enlistment, WOODZ embarked on a 7-continent (North/South America, Europe, and Asia) global tour in 2023 (fueled by his album OO-LI, Billboard’s #3 Best K-pop Album the same year) with sold out shows across 12 countries. Most recently, his track “Drowning” emerged as a sleeper hit and experienced a viral resurgence in late 2024, charting on Shazam and re-entering Korea’s Top 100 two years after release. “Drowning” has since surpassed 135 million views and almost 30 million streams on Spotify alone. As of September 2025, “Drowning” continues to maintain its position within the Top 5 of Korea’s leading music charts.

Amassing a social following of over 5 million, WOODZ is not only a favorite among fellow artists, but is also known as a fashion-forward figure. He’s gained recognition as a quiet, but confident style icon for his sleek experimental styling and effortlessly cool off-duty looks, earning him prominent fashion and culture magazine features in Korea’s Vogue, DAZED, W, GQ, Harper’s BAZAAR, ELLE, and more. With more than a decade of industry experience, an expanding international footprint, and a growing body of critically respected work, WOODZ stands at the forefront of a new generation of K-pop soloists — an all-rounder visionary poised for his strongest era yet. Following the completion of his military service in July 2025, WOODZ has made stops at major festival stages across Japan and Korea, including Summer Sonic, Let’s Rock Festival, and Sound Planet Festival, and dropped his latest digital single I’ll Never Love Again on September 24, 2025.

#WOODZ #IllNeverLoveAgain #WOODZreturns #DAZED #kpopwriter #kcrush #kpop #kpopproducer #kidol #kfashion #EDAMEntertainment #IU #singer #songwriter #UNIQ #SmashingConcretebyWOODZ #ksoloist #kcrushamerica #kcrushmagazine #DworningbyWOODZ #ProducerX101 #watchIllNeverLoveAgain

Credit: Sony Music Entertainment Korea

Listen to [the a(e)nd] HERE

Watch HIGH=LOVE music video HERE

Ethereal up-and-coming girl group, cosmosy, returns with their first-ever EP, [the a(e)nd], — a six-track collection that includes two brand-new songs, “HIGH=LOVE” and “Princess=Kiss,” alongside their previously released singles “zigy=zigy,” “Lucky=One,” and “BabyDon’tCry=BreakingTheLove,” delivering a deeply immersive listening experience. Following their first debut single, “Lucky=One,” which has amassed over 15 million streams across YouTube and Spotify, cosmosy’s songs feature lyrics in Korean, Japanese, and English, reflecting the group’s sincerity in breaking down barriers with global fans and sharing their heartfelt message with a wide audience.

The rookie group steps into a new artistic era with [the a(e)nd], combining sonic experimentation, poetic minimalism, and raw emotional gravity. This EP includes tracks in Korean, English, and Japanese, reaching fans globally. It intertwines emotive melodies with intense rhythms, giving an immersive experience through a blend of classical and electronic elements—distorted rhythms, heavy bass and synth, and fractured vocals; each track a fragment of a world both ending and becoming. The project is as much about what’s missing as what’s heard, serving as a gateway to the new world cosmosy is opening. Each track awakens one of the Six Senses, weaving a journey through beginnings, endings, and the growth between.

BabyDon’tCry=BreakingTheLove (Sight) is a hybrid electronic track (Trap + Hardstyle) where classical elegance meets modern edge. Weaving samples from Beethoven’s Symphony No. 5 and Mozart’s Symphony No. 25, it creates a rich tapestry in which tradition and innovation blend seamlessly. HIGH=LOVE (Hearing) is a modern electronic track where Brazilian Phonk grooves meet the deep pulse of Trap 808 bass. It begins with a gentle, understated melody that gradually swells into a powerful rhythm, enriched by the resonance of traditional Japanese taiko drums. Princess=Kiss (Taste) brings a modern take on the Snap genre built around Trap drums, driving bass, and layers of hypnotic percussion and melody. The song captures the feeling of stepping beyond the boundaries of everyday life, like a lip gloss commercial that opens the door to new experiences.

zigy=zigy (Smell) is the pre-debut track that encapsulates cosmosy’s identity. A K-pop dance track fusing Afro-pop sounds with Eastern elements, it delicately portrays the inner conflict and identity struggles of teenage girls facing separation. Lucky=One (Touch) is the debut track with the theme “Love arrives like a coincidence and becomes destiny.” A tropical house track where soft synthesizers and lyrical melodies intertwine with warm rhythms to deepen the emotion of love. end=and (Sixth Sense) is a lyrical track blending repetitive sounds and dreamy synths. At the midpoint of the journey toward a “new world,” it captures the space before cosmosy opens the next gate. It serves as a sensory bridge that unites the entire EP.

Listen to [the a(e)nd] HERE

Watch HIGH=LOVE music video HERE

(Photo Credit: Sony Music Entertainment Korea)

As cosmosy continues producing future projects, they aim to inspire young fans worldwide by embracing cultural diversity, self-expression, and boundless creativity. With their unique sound, striking visuals, and undeniable charisma, the collective is set to leave a lasting impact on the global pop scene.

About cosmosy:

cosmosy is a four-member ensemble under Sony Music Entertainment Korea and management company NTT DOCOMO Studio & Live. The group pre-debuted on December 31, 2024, and has now expanded their reach with this release. Their unique blend of J-pop and K-pop elements positions them as a fresh and innovative presence in the international music scene. The quartet comprises Japanese members himesha, de_hana, kamión, and a’mei, each bringing unique talents and charisma. Their group name symbolizes the “Possibilities of Youth” and the “Infinity of the Cosmos,” reflecting their mission to explore limitless potential and growth.

Connect with cosmosy: Instagram | YouTube | Twitter | TikTok

#cosmosy #himesha #dehana #kamion #amei #JPop #kcrush #Japan #SonyMusicEntertainmentKorea #pop #NTTDOCOMO #EPaend #HIGHLOVE #PrincessKiss #LuckyOnebycosmosy #zigyzigy #kcrushmagazine #kcrushamerica #BabyDontCryBreakingTheLove #rookiegirlgroup #fourmembergroup #cosmosynewEP #cosmosyJapanesegirlgroup

For those of us who came of age during the dawn of the K-pop industry, the name H.O.T. evokes a sense of nostalgia that is hard to match. Their music was the soundtrack to the youth, and their breakup in 2001 was a moment of collective heartbreak for an entire generation of fans. While a glorious reunion in 2018 gave fans a glimpse of the five members together again on stage, their individual journeys since the original disbandment have taken them down varied and fascinating paths. Here is what the members have been up to.

1. Moon Hee Jun (문희준)

As the leader of H.O.T., Moon Hee Jun was known for his charisma and stage presence. After the group’s disbandment, he started a solo career and has released pieces including ‘Alone’ (2001) album and “I’m not okay” (2013) travk. Hee Jun has appeared on reality shows, including “The Return of Superman,” alongside his daughter. He was also cast in dramas including “Singderella” (2017). Hee Jun continues to be a prominent figure in the entertainment industry, balancing his work as a TV personality with his family life.

2. Jang Woo Hyuk (장우혁)

The main dancer and choreographer of the group, Jang Woo Hyuk, has continued to be a force in the dance and music scene. After the group’s disbandment, he formed the trio JTL with fellow H.O.T. members Tony An and Lee Jae-won. In 2005, Woo Hyuk debuted as a solo artist with the ‘’No More Drama’ album, with the latest track being “I Don’t Know” (2024). He also ventured into acting in 2012 and appeared on the Chinese drama “Secret Angel”. Woo Hyuk has also appeared on reality shows, including “Groom Class”.

3. Tony An (토니안)

American-born Tony An, has had a multifaceted career since the H.O.T. era. Like Jang Woo-hyuk and Lee Jae-won, he was a member of JTL. In 2002, Tony founded TN Nation Entertainment company and launched a solo career in 2004 with the ’Believe’ album. His latest release is the ‘My Shine Day’ EP in 2023. Tony has appeared on various shows, including as an MC for M Countdown music show, which he left in 2012. Tony has been open about his personal struggles and has used his platform to connect with fans on a deeper level. His journey is a testament to the fact that an idol’s career can extend far beyond the stage.

4. Kangta (강타)

Kangta, H.O.T’s main vocalist, is the only member who has remained with SM Entertainment since the group’s breakup. He has had a prolific solo career, releasing numerous albums including ‘Persona’ (2005) and ‘Eyes On You’ (2022). In addition to starring in “Magic Touch of Fate” (2004) Chinese drama, Kangta has appeared on radio as a DJ and on his own show, “Stary Night Radio”, on MBC in 2016. Beyond his own music, Kangta has become an integral part of the very company that launched his career. Since 2005, he has held an executive position at SM Entertainment, acting as a de facto creative director and mentor to a new generation of K-pop artists. He continues to be a respected figure in the industry, playing a key role in its evolution.

5. Lee Jae-Won (이재원)

Lee Jae-won, the youngest member of the group, also joined JTL alongside Tony An after H.O.T’s disbandment. After JTL’s activities died down, Jae Won debuted as a solo artist in 2005 with the ‘No Pain, No Gain’ album. He also held the “Lee Jae Won 2024 Concert Once Again Seoul” and has been cast in dramas including “My Spring Days” (2014). While he may not be in the public eye as often, he remains a cherished part of H.O.T.’s legacy, and fans eagerly await his future projects.

The story of H.O.T. is one of influence and enduring legacy; a cultural phenomenon that reshaped the Korean music landscape. While their paths have diverged, the bond between the five members and their dedicated fans, known as “White Angels,” remains as strong as ever.

—-Karen Mwenda

#HOT #SMENtertainment #kcrush #WhereAreTheyNow #kpop #originalKpop #kpopidol #Korea #LeeJaeWon #kcrushamerica #kcrushmagazine #Kangta #TonyAn #JangWooHyuk #firstgenkpop #WhereAreTheyNowHOT #werearetheHOTmembersnow #koreanmusic #MoonHeeJun #TheReturnOfSuperman #ImNotOkay #IDontKnow #WhiteAngelesHOTFandom #MySpringDays #2018HOTReunion #kpopartist #kpopindustry #JTL #HOTmembers #JTLmembers #HOTfivemembergroup #Hallyu

BINI continues to break into the U.S scene as they become the first Filipino group to perform at Coachella Music Festival 2026. The upcoming music festival will also include a star-studded line up of global artists including Sabrina Carpenter, Justin Bieber, and Karol G, which will take place at the Empire Polo Club in Indio, California, on April 10-12 and 17-19. Their new achievement will come at the heels of their “BINIfied” concert happening at the Philippine Arena (the world’s biggest indoor arena with capacity of 50,000 seats) this Nov. 29 (Saturday).

Recently, the group received three nominations at the Breaktudo Awards 2025 in Brazil for International Female Group, International Collaboration, and International Fandom of the Year. Earlier this year, the group wrapped their “BINIverse World Tour,” thrilling thousands of fans across Dubai, London, and major cities in the U.S. and Canada. Alongside the tour, they introduced their high-energy single “Shagidi”, which sparked a lively dance trend online and became a fan favorite throughout their shows.

Amassing over 1 billion streams including their previous hit single’s “Blink Twice” and “Cherry On Top” (over 150 million audio-video streams combined). The octet recently collaborated with BELINDA, the Spanish-Mexican singer with over 11 million monthly listeners on Spotify. The track, “Blink Twice (Dos Veces Remix)”, marks the first-ever collaboration between a Mexican artist and a Filipino group and builds on the momentum of BINI’s fast-growing international reputation. The Philippines is the emerging leader in the rapidly rising “Asian pop” movement, with the collective as its standard bearer. The group just announced their new song, “First Luv,” out on October 2 that will be released to usher in a new era.

Last year, they became the first Filipino pop group to perform at KCON in Los Angeles, the world’s largest Korean culture and music festival, captivating millions while their global recognition grew with features in Billboard’s “Global No. 1’s” and Grammy.com’s “Pinoy Acts You Should Know.” Collaborating with global artists and winning accolades like the MTV EMA’s Best Asia Act and one of Spotify Global’s Breakout Artists, the group continues to soar, proving their name as “The Nation’s Girl Group” in the Philippines.

To find out more information on upcoming shows, new music and BINI Coachella news, follow them on Facebook, X (Twitter), Instagram, TikTok, and YouTube, or visit bini.abs-cbn.com.

#BINI #COACHELLA #kcrush #Filipino #FirstLuv #October2ndRelease #FilipinoPop #FPop #idol #Philippines #TheNationsGirlGroup #AsianPop #kcrushmagazine #kcrushamerica #BlinkTwice #KCONLosAngeles, #CherryOnTop #CoachellaMusicFestival2026

Fresh off their participation in KPOPPED, STAYC sat down with KCrush for a written interview to share their thoughts on the experience and what it means for their ongoing journey. Known for their dynamic performances and unique vocal colors, the members opened up about growth, challenges, and their hopes for connecting more with their global fans.

Source: High Up Entertainment

KCRUSH: Hello, STAYC! Kcrush is excited to speak with you today. Congratulations on participating in KPOPPED. KPOPPED showcases the hard work behind the scenes. What motivated you to take part in this program, and what do you hope global fans learn about you through it?

SUMIN: It’s not just about showing the final stage, but also the preparation and effort behind it, which I thought would give the audience a fresh impression. That’s why I decided to take part in this program. I hope more people can see the charms and talents of each STAYC member, and that other artists will also feel inspired to collaborate with us.

SIEUN: To begin with, the opportunity to share a collaboration stage with a legendary POP star is truly an honor. I also believe it’s a chance to promote K-POP and support STAYC’s growth, so I joined with gratitude~! I hope you can see that there are no limits to STAYC’s challenges and growth, and that you’ll enjoy our attempt at a new genre through this collaboration with a POP star~

ISA: In fact, we don’t often get the chance to perform with other artists. I believe there’s so much to learn through collaboration, and this opportunity taught me a lot. It was also a huge honor to perform with a singer I’ve admired since I was a young girl, so I had been waiting for this day with great excitement. I hope many of you will watch the stage and realize that STAYC can take on many genres, while also appreciating the unique charm of each of our voices.

SEEUN: Every new experience is exciting and meaningful for us, both now and in the future, so I chose to participate, hoping it would be a big help going forward. I also hope to show that we can perform seamlessly as one team, no matter who we share the stage with.

YOON: I decided to participate because we’ll have the chance to meet fans around the world and collaborate with amazing POP artists. I think fans will also enjoy seeing what goes on behind the scenes as we prepare for our performances.

J: I thought that being able to create a performance with international artists was a great opportunity in itself, and I wanted to use this stage to showcase STAYC’s variety of charms. Since chances like this are rare, I couldn’t wait to take on the challenge.

KCRUSH: Sumin has shown leadership qualities in STAYC as the eldest. How did participating in KPOPPED challenge your leadership or teamwork skills in new ways?

SUMIN: We split into units this time and collaborated with another artist for the first time. At first, the members were both excited and a little nervous, but we prepared the stage while supporting each other. I think it’s a new challenge for us to showcase our own colors even while collaborating with other artists!

KCRUSH: Seeun, how did it challenge your leadership or teamwork skills in new ways from participating in KPOPPED?

SEEUN: It was our first time meeting Boy George, and although the time to build teamwork was short, we were still able to create wonderful memories and form a strong bond. Despite differences in nationality, age, gender, and culture, I realized that sincerity toward each other and the stage is what truly makes this kind of teamwork possible. Boy George was especially kind and friendly, which made it easy for us to get close to him.

KCRUSH: Isa and Seeun, your growth has been visible since debut. Was there a particular moment during filming when you felt especially proud of how much you’ve developed as artists?

ISA: I was delighted to be able to perform with them and have conversations together as someone who loves R&B and always listened to TLC’s songs. It was a moment where I felt most proud of my debut.

SEEUN: I was proud that by collaborating with another team, we could preserve the beauty of the original track and at the same time infuse it with our own unique color.

KCRUSH: [To Yoon & J] KPOPPED requires participants to surprise not only judges but also fans. How did you prepare to showcase a side of yourselves that people might not expect?

YOON: I think this stage will feel fresher than ever since we tried a style we’ve never shown before. We’ll be bringing you many diverse performances, starting with our upcoming U.S. tour, so please look forward to them a lot.

J: I’d love for everyone to see sides of STAYC that we haven’t shown before! I hope you enjoy the unexpected charms 🙂

KCRUSH: The global K-pop scene is constantly evolving. How do you balance staying true to STAYC’s identity while also trying new concepts or performances?

SUMIN: I believe STAYC’s identity comes from the individuality of each member. The key is that all six of us unite our distinct characters to create music as one, while continuously making efforts in different ways to grow and preserve balance.

SIEUN: We work hard to recreate performances in our own unique way. Each member focuses on showcasing the vocal colors or genres they’re most comfortable with, or we design a stage concept by imagining ourselves as the narrators of a story. However, I believe the most important thing is to keep improving our fundamentals and skills so that we’re always ready to take on new challenges~

ISA: We constantly think about what the fans like while we prepare for our promotions. We perform often so I think we also think a lot about the kind of music we can enjoy together.

SEEUN: We try not to get affected by negative feedback or criticism and come together to take on new challenges.

YOON: We try to keep balance in our musical color. We try to maintain STAYC’s identity, like the songs you hear and realize they’re STAYC’s immediately.

J: I think STAYC has a strong character. We have our own distinct color so I hope we can move forward as artists who can influence the public in a positive way.

KCRUSH: Performing on programs like KPOPPED requires courage. What personal lessons did you take away from this experience that you can apply to your career moving forward?

SIEUN: This performance reminded us once more that music has the power to unite us all beyond nationality, gender, age, and culture. We’ll keep challenging ourselves without fear if it means bringing K-pop and our music to more people~ Above all, seeing Boy George sing part of Karma Chameleon in Korean really made me feel how much K-pop has grown. I hope it keeps spreading around the world and becomes even more influential in the future~

SEEUN: As it was my first collaboration performance and rehearsal time was limited, there were naturally many unexpected factors. It was a valuable experience that taught me how to adapt to those situations.

KCRUSH: [To Isa & Yoon] Your vocals often stand out in performances. Did KPOPPED give you the chance to try new vocal colors or styles that you hadn’t shown before?

ISA: Personally, I really enjoy covering pop songs, so it was even more exciting to be able to sing one alongside the original artist. Since we usually perform dance songs with a lot of choreography, it felt fresh to create new choreography for a different genre this time.

YOON: I usually sing the high notes but there wasn’t a high note this time. That felt new to me and that made it more fun! It felt like taking on a challenge.

KCRUSH: [To J & Sumin] STAYC has a strong following worldwide. How do you hope this new exposure through KPOPPED will connect you to fans in different countries?

SUMIN: I hope to promote K-pop further by covering songs from different countries and building a strong bond. I also hope our genre can feel approachable to people all around the world.

J: STAYC will always work hard as a K-POP artist so we can unite through K-POP!

We wish you success and that your unique colors shine through!

Ashley Borjon, Host & Historian

#STAYC #J #KPOPPED #SUMIN #YOON #ISA #kcrush #SEEUN #HIGHUPENTERTAINMENT #kpop #hallyu #kpopidol #koreanpop #kcrushamerica #kcrushmagazine #kcrushinterviewwithSTAYC #BOYGEORGE #TLC #Psy

K-pop legend returns to North America for three exclusive shows this November in New York, Los Angeles, and Atlanta

Credit: RAIN Company

K-pop legend THE RAIN will return to North America this fall with his 2025 THE RAIN TOUR [Still Raining: Encore], marking another milestone in his storied career. Tickets for this highly anticipated three-city run will be available for presale (prior sign-up required) starting September 26, with public sales beginning September 27 via IEMShowPlace.com.

Promoted by Infinite Prospects Entertainment, the entertainment company who brought the recent hyped G-DRAGON tour to the U.S. and previous THE RAIN tour, alongside IEM Group Inc., which has brought international Chinese superstars such as Jay Chou and JJ Lin to North America, the U.S. leg will open November 23 in New York, followed by Los Angeles on November 26 and Atlanta on November 29. Audiences can expect THE RAIN’s signature high-energy performances and timeless hits as he reconnects with fans across the U.S.

The Still Raining: Encore tour follows THE RAIN’s triumphant 2023 North American comeback, his first U.S. concerts in sixteen years. That two-city run in Atlantic City and Las Vegas sold out quickly, underscoring both his enduring legacy and the demand for his return. “Can you believe it’s been seven years since our last concert tour? I’m beyond excited to finally meet you in person. There are so many things I want to show you,” THE RAIN shared at the time.

At recent Still Raining tour stops across Asia, THE RAIN performed a setlist that combined signature hits such as “It’s Raining” and “Rainism” with special covers of contemporary tracks by artists including NewJeans and Bruno Mars. The 2025 North American shows will follow this format, giving audiences the chance to hear both his most iconic songs and newer selections that have featured in his latest performances.

Since debuting in 2002 with Bad Guy, THE RAIN has been a driving force in bringing K-pop to the global stage. His 2004 album “It’s Raining” sold over one million copies, while his role in the hit drama “Full House” made him a household name across Asia. In 2006, The New York Times hailed him as “the ambassador of Asia” following sold-out shows at Madison Square Garden and Las Vegas, establishing him as one of the first K-pop stars to break into the U.S. market. After completing his military enlistment in 2012, he continued to thrive as a singer, actor, and entrepreneur. In 2020, he reunited with Park Jinyoung (J.Y. Park also known as the CEO of JYP Entertainment) for the viral single “Switch To Me,” proving his influence spans generations.

The 2025 encore tour builds on that momentum, offering fans in three of the country’s biggest music hubs the opportunity to celebrate THE RAIN’s legacy and experience his artistry in a new chapter.

About THE RAIN:

THE RAIN is one of the most influential figures in the history of K-pop, credited as a pioneer of the Hallyu Wave that introduced Korean pop culture to global audiences. Since his 2002 debut with Bad Guy, he has sold millions of albums worldwide and risen to international fame with the hit It’s Raining and his starring role in the drama Full House. His impact was cemented with sold-out performances at Madison Square Garden in 2006, where The New York Times hailed him as “the ambassador of Asia.” Beyond music, THE RAIN has starred in films including Ninja Assassin and continued to shape the industry through viral releases like Switch To Me (2020), proving his influence across more than two decades of music, television, and film.

#RAIN #RAINCompany #kpop #USTour2025 #STILLRAININGENCORETOUR #kcrush #kpoptourannounced #kidol #kcrushamerica #kcrushmagazine #Korean #kpopmusic #kpoppioneer #hallyu #hallyuwave #actor #KActor #NinjaAssassin #SwitchToMe #filmandmusicidol #THERAIN #RAINIsComingToTheUSNovember #Koreanpopculture #MadisonSquareGarden2006

For the world premiere of their latest feature The Woman at the 2025 Fantasia International Film Festival, writer and director Hwang Wook and producer Lim Dong-min presented their psychological thriller about a woman who appears to be everywhere, but neither understood nor known by the people in her life.

Played by Han Hye-ji, The Woman, Sun-kyung, has a quiet and unassuming nature that calls no real attention to her, but is noticeable enough to easily fit into whatever space she’s in, yet somehow seems to give off an aura that makes those around her wonder just how she came to be there. Take for instance the film’s opening sequence.

Sun-kyung is at a job interview to be a receptionist at a small local factory, and while she sits with her upright posture, quietly answering the typical questions about her previous job experience, one of the male staff sits behind her on a sofa loudly eating his bowl of cup ramen. When he’s reprimanded to either eat his lunch quietly or leave. He chooses to stay. But but not eat quietly. As the boss continues, asking if she’ll stay at the company for a long while, she says she will, but keeps uneasily looking back at her future colleague loudly chewing his food, this time a rice ball.

Though Sun-kyung’s lack of reaction by way of impatience or annoyance at having her interview be treated so unseriously, may at first indicate she’s the type of person not easily bothered by such matters, it perhaps is the true first sign that this woman is nothing like she appears to be.

At her apartment, Sun-kyung does things that at first glance don’t seem to be anything worth noticing. She puts in the keycode for the door…and after a few initial failures, enters and walks slowly to the lightswitch which she doesn’t turn on with the first try, and hesitantly sits then lays down on the sofa staring at an off-putting picture hung on the wall. Perhaps it’s nothing, but perhaps it is something that this strange picture in a way has similarities to the now famous Pope Leo X (after Rapahel) piece by Colombian figurative artist Fernando Botero.

The mystery of the woman—I love that the title plays as a sort of double entendre reference to the film itself as body and Sun-kyung—begins with a strange encounter Sun-kyung has with a man, Young-hwan (Kim Hee-sang, Mash Ville) who she initiates contact with through an online market forum to purchase his second hand vacuum. At first everything seems normal but the tone quickly changes to one of foreboding when Young-hwan suddenly blurts out that his mother died after drinking cyanide-laced vitamin water. The situation becomes increasingly disturbing and worrisome as Sung-kyung realises that as a woman, her safety could be in jeopardy, but she’s suddenly rescued by a man who turns out to be Ui-jin, an old school friend who just happens to be passing and coincidentally lives close by.

The next day, Sun-kyung learns that Ui-jin was found dead in his home under suspicious circumstances. When questioned by the police, she informs them of the strange interaction she, Young-hwan, and Ui-jin had the previous day, and insinuates that perhaps he may have something to do with Ui-jin’s sudden demise.

As the police do their own investigations and draw their own conclusions about this case and another that occurs around the same time, Sun-kyung becomes convinced that she can figure out what the truth is. That she can tell the real from the fake news

The old adage “still waters run deep” perfectly applies to her, because as the film progresses Sun-kyun becomes a mystery for the audience to unravel, as she herself tries to solve the mystery of Ui-jin’s death and Sun-kyung’s supposed guilt.

In Mash Ville Hwang Wook proved that he has the ability to mix multiple genres, and music and cultural styles into his films in a cohesive way that makes sense to the narrative, but with enough roughness that the overall finished project doesn’t feel overly polished, and with The Woman he does the same but with a bit more slickness to the editing and cinematography befitting a film where a slight change in the camera angle can make a major difference in how a single look from a character can the entire context of what’s being said and done.

For The Woman, Hwang drew inspiration from the godfather of the physiological thriller and murder mysteries himself, Alfred Hitchcock and most notable his films Rear Window (1954), and Vertigo (1958), two films where nothing is ever what it seems, and the protagonists become the most unreliable narrators imaginable. Both films revolve around two male protagonists; one a former police detective with a severe case of vertigo, and the other a photojournalist bound to his bed due to injuries sustained in an accident, who try to solve two murder mysteries with multiple suspects, no real clear means of motive, and physical and mental barriers by way of their own biases and obsessive personality creating hindrances in their truth seeking endeavors as well as their relationships with those around them.

In making his protagonist a woman, Hwang Wook recognises that her gender creates a unique opportunity in showing how certain questions she asks, things she says, and the way she moves through communities within South Korean society gives a new interpretation of “the unreliable narrator”. Han Hye-ji does a terrific job of playing Sun-kyung as someone you want to trust because she’s a woman, is quiet, and likes to keep to herself. But she also turns these very same aspects of this woman into character traits that can be suspicious and at times eerie to watch. In the camera work by cinematographer Lee Sung-won, certain tilts of the camera and slight adjustments in the angle of the lighting create almost imperceptible illusions of Sun-kyung’s facial expressions taking on a menacing air. But was that really what happened or just the audience imagining things?

For Kim Hee-sang, working with Hwang Wook, The Woman is his second role playing an unhinged man on an emotional journey to either solace or completely losing whatever remains of his sanity. In both films, Kim’s portrayal is one that evokes sympathy laced with unease because we’re induced to be suspicious of him due to his troubling introduction. But unlike Mash Ville, as the story of The Woman progresses you have to wonder if perhaps our assumptions are wrong. Where we see a man sharing too much information about the violent death of his loved one, and not reacting in what’s considered a “normal” way, perhaps what’s being shown is a cry for help from a man in society that says grief is supposed to be kept hidden, dignified, and brief. A man who’s left alone to hold himself together and forced to project a facade that makes people who don’t even care about him as a person, comfortable in order to be accepted.

At the end of The Woman Hwang Wook gives no definite answers about anything. We perhaps know even less about Sun-kyung than we did in the beginning, and that’s a good thing because some mysteries aren’t meant to be solved…just yet. But what’s to be sure is that Hwang Wook and his creative team have created one of the most interesting psychological thrillers in recent years, and as performers Han Hye-ji and Kim Hee-sang gave layers to their characters, showing the complexities of human emotions where what we perceive to may not be the truth.

The Woman premiered in competition in the Cheval Noir program at Fantasia Fest.

In my interview with Hwang Wook and Lim Dong-min, they spoke about making such a drastic tonal change in the directing and narrative style from Mash Ville to The Woman, being inspired by Alfred Hitchcock, and how the modern ideology of “fake news” has seeped its way into into social media and people’s psyche, tainting the way they see the world.

Interpreting for the interview was conducted by Pyo Young-soo.

Carolyn Hinds
Freelance Film Critic, Journalist, Podcaster & YouTuber
African American Film Critics Association Member, Tomatometer-Approved Critic
Host & Producer Carolyn Talks…, and So Here’s What Happened! Podcast
Bylines at Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

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