Remember the global phenomenon that was Descendants of the Sun (DOTS)? Six years after its explosive 2016 run, this military-romance K-drama captivated millions with its high-stakes action, witty banter, and undeniable chemistry between its leads. Set in the fictional war-torn country of Uruk, DOTS launched its stars into unparalleled international fame. But where have our beloved Captain Yoo Si Jin, Doctor Kang Mo Yeon, and the rest of the Alpha Team been since their tours of duty ended? Let’s catch up with the main cast who stole our hearts.
1. Song Joong Ki
Song Joong Ki played the charismatic Captain Yoo Si Jin. After Descendants of the Sun, Joong Ki continued his reign as a top Hallyu star. He reunited with his co-star Song Hye Kyo, marrying her in 2017, though they later divorced in 2019. Professionally, he chose diverse and challenging roles, starring in the sci-fi blockbuster film Space Sweepers (2021) and leading the critically acclaimed drama Vincenzo (2021), where he played a charming Italian-Korean mafia consigliere. Most recently, he achieved immense success with Reborn Rich (2022), a fantasy-revenge drama that became one of the highest-rated cable dramas in Korean history. Song Joong Ki remains a powerhouse, constantly reinventing himself, a fact that is cemented by his skills in Hopeless (2023) and My Name Is Loh Kiwan (2024) films. In January 2023, Song Joong Ki announced his marriage to British actress Katy Louise Saunders and that they were expecting their first child. The couple welcomed a son in June 2023 followed by a daughter in November 2024. Song Joong Ki remains a major star but has largely kept his second marriage and family life private, contrasting with his first marriage.
2. Song Hye Kyo
Song Hye Kyo played Song Joong Ki’s on-screen love interest, the brilliant Dr. Kang Mo Yeon. Following Descendants of the Sun and her marriage to Song Joong Ki, Hye Kyo has continued to cement her status as a fashion icon and an acting veteran. She made a powerful return to the small screen with the melodrama Encounter (2018-2019) alongside Park Bo Gum. Following the divorce with Song Hye Kyo in 2021, Song Hye Kyo retreated somewhat from the public eye regarding her dating life. She resulted to focusing on her professional career. Her most notable recent work is the chilling revenge thriller The Glory (2022-2023), where she shed her usual romantic image to portray a victim of school violence seeking meticulous retribution. The drama was a massive hit for Netflix, showcasing her incredible range and proving her enduring star power. Song Hye Kyo is also expected to appear in the Dark Nuns film scheduled for release in 2025.
3. Jin Goo
Jin Goo played Sergeant Major Seo Dae Young. His stoic loyalty and heartfelt romance with Yoon Myeong Joo were a fan-favorite storyline. After Descendants of the Sun, Jin Goo diversified his roles, appearing in dramas like Untouchable (2017) and Legal High (2019). He also explored more gritty and action-oriented roles in films such as One Line (2017) and The Witch: Part 2. The Other One (2022). While perhaps not in as many leading roles as the Song-Song couple, Jin Goo consistently delivers strong, memorable performances, maintaining a steady and respected career in the industry. Jin Goo has also been cast in other projects including You’re Precious to Me (2021), A Superior Day (2022), Shadow Detective (2022), and The Auditors (2024). Jin Goo was already a married man before Descendants of the Sun aired. He married his non-celebrity girlfriend on September 21, 2014. The couple welcomed their first child, a baby boy, in June 2015m and a second child, a baby girl, in November 2016. Jin Goo maintains a very private family life and rarely discusses his wife or children in the media, choosing to focus public attention entirely on his professional acting projects.
4. Kim Ji Won
Kim Ji Won played the fierce and beloved Lieutenant Yoon Myeong Joo. Her “Goo-Won” couple storyline was as popular as the main lead’s (“Song-Song” couple storyline). After Descendants of the Sun, Kim Ji Won continued her ascent as a leading lady. She starred in the highly successful office drama Fight for My Way (2017) alongside Park Seo Joon, solidifying her romantic comedy credentials. She then took on a more complex role in the fantasy-historical drama Arthdal Chronicles (2019). Her most recent triumph was the slice-of-life drama My Liberation Notes (2022), where she received widespread critical acclaim for her nuanced portrayal of a woman seeking meaning and liberation from a mundane life. She is currently starring in the hit romantic comedy Queen of Tears (2024), proving her versatility and sustained popularity. Kim Ji Won has maintained a strictly professional image since her debut. There has been no confirmed public relationship or dating scandal throughout her career.
The main cast of Descendants of the Sun have certainly not rested on their laurels. Each actor has meticulously built upon their Descendants of the Sun fame, choosing diverse projects that highlight their evolving talents. Their journeys continue to captivate audiences worldwide, proving that their star power was anything but a temporary deployment.
—-Karen Mwenda
#DescendantsoftheSun #QueenofTears #KimJiWon #JinGoo #TheAuditors #kcrush #kdrama #SongHyeKyo #hallyu #TheGlory #DarkNun #SongJoongKi #koreanactor #koreanactress #kcrushamerica #kcrushmagazine #korea #koreanfashion #koreanculture #koreastopactors #koreastopactress #koreandrama #wherearetheynow
(Photo Credit: ABS-CBN Music)
Listen to “First Luv” HERE
Watch “First Luv” MV HERE
Chart-topping girl group, BINI, releases their radiant new single, “First Luv,” now available on all streaming platforms via ABS-CBN. Following a year of sold-out arena shows, international collaborations, and growing global recognition, this vibrant release solidifies BINI’s rise as one of the new generation’s global pop acts. They made history this month as the first Filipino group to be confirmed on the lineup for Coachella Valley Music & Arts Festival in 2026 alongside superstars Sabrina Carpenter, Justin Bieber, and Karol G. The inclusion of performing at their first-ever U.S. music festival marks a major step towards worldwide recognition.
The newest single takes center stage as a radiant, feel-good anthem that captures the magic of young love and the rush of butterflies that come with it. Following the success of their hit, “Shagidi,” which trended #1 in the Philippines and sparked a viral dance challenge that has generated millions of views across TikTok and YouTube, the track further solidified BINI’s reputation as a cultural force and rising name in global pop. Infused with pop elements and a touch of island rhythm, “First Luv,” delivers pure sunshine in audio form. Switching seamlessly between Tagalog and English, the lyrics paint a vivid picture of youthful romance, the exhilarating moments, and the thrill of wondering if someone special feels the same way.
BINI has added several major milestones to their growing international profile. In February 2025, they launched the “BINIverse World Tour” with a historic sold-out concert at the Philippines Arena in Bulacan, becoming the first Filipino act to achieve a solo sell-out in the world’s largest indoor venue with 50,000 capacity. The tour spanned Asia, Europe, and North America, with stops in Dubai, London, and multiple U.S. and Canadian cities. BINIverse, which released this past February, marked a milestone that expanded their reach and cemented their standing on the global stage.
Their recognition has grown steadily, with BINI named one of Spotify’s Breakout Artists of 2024, the only Filipino act on the list, and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know.” The group also collaborated with Spanish-Mexican singer BELINDA (11.2 million monthly Spotify listeners) on Blink Twice (Dos Veces Remix), marking the first collaboration between a Mexican artist and a Filipino group. Most recently, BINI earned three nominations at Brazil’s 2025 BreakTudo Awards and won “Female Group of the Year” at the 2025 Jupiter Music Awards, further solidifying their growing global presence.
Alongside these significant milestones, BINI became the first Filipino pop group to perform at KCON Los Angeles, the world’s largest Korean culture and music festival, captivating global audiences. They have also earned major accolades including MTV EMA’s Best Asia Act and continue to live up to their title as the Philippines’ ‘Nation’s Girl Group.’ As they enter their new era of music, the octet stands at the forefront of Filipino pop music’s international breakthrough, bringing Filipino music to bigger stages and broader audiences worldwide.
(Photo credit: ABS-CBN Music)
Listen to “First Luv” HERE
Watch “First Luv” MV HERE
About BINI
BINI is an eight-member Filipino girl group (Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena) redefining global pop with their radiant sound and powerhouse performances. Crowned the Philippines’ “Nation’s Girl Group,” they have achieved a string of historic milestones, from becoming the first Filipino act to sell out the 50,000-seat Philippine Arena with their BINIverse World Tour, to making history as the first Filipino group confirmed on the lineup of Coachella 2026 alongside international stars Sabrina Carpenter, Justin Bieber, and Karol G. With over 1 billion global streams, BINI has delivered viral hits like Shagidi, which trended #1 in the Philippines and sparked a dance craze across TikTok and YouTube, as well as fan favorites Blink Twice and Cherry On Top. Their collaboration with Spanish-Mexican star Belinda on Blink Twice (Dos Veces Remix) marked the first-ever partnership between a Mexican and Filipino pop act. Recognized as one of Spotify’s Breakout Artists of 2024 and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know,” the group has also earned major accolades including three nominations at Brazil’s 2025 BreakTudo Awards and winning “Female Group of the Year” at the 2025 Jupiter Music Awards.
From stages across Dubai, London, the U.S., and Canada, to appearances at KCON Los Angeles, BINI continues to captivate audiences worldwide. With honors including MTV EMA’s Best Asia Act and growing recognition in Billboard and GRAMMY features, they are at the forefront of the global rise of Filipino pop, bringing their music to bigger stages and broader audiences than ever before.
CONNECT WITH BINI: OFFICIAL WEBSITE | FACEBOOK | X | INSTAGRAM | TIKTOK | YOUTUBE
#BINI #CoachellaLineup #FIRSTLUVBINInewsingle #BlinkTwice #CherryOnTop #Filipinogirlgroup #Aiah #Colet #Maloi #Gwen #Stacey #Mikha #Jhoanna #Sheena #eightmemberFilipinogirlgroup #PPop #newmusic #kcrush #kcrushamerica #kcrushmagazine #FemaleGroupoftheYear #2025JupiterMusicAwards #PhilippinesNationsGirlGroup #hallyu #kcrushbringingeasttothewest #kcrushsince2014 #pidol #Asia
School settings in Korean dramas have always provided the perfect stage for youthful romance, intense rivalry, and thought-provoking social commentary. Over the years, several titles have captured both domestic and global audiences, blending coming-of-age stories with issues that resonate deeply among students everywhere. From heart-fluttering romance to survival against social hierarchies, here are five of the best school K-dramas that stand out for their unique storytelling.
1. True Beauty (2020)
Based on a popular webtoon, “True Beauty” follows Lim Ju Kyung, a high school student who hides her insecurities behind flawless makeup skills. While she is admired at school for her looks, she constantly fears her bare face being exposed. Things take a turn when she meets Lee Su Ho and Han Seo Jun, two classmates who slowly uncover her real self. More than a romance, the series highlights self-acceptance and the struggles of teenage identity in a beauty-obsessed society.
2. Study Group (2023)
“Study Group” tells the story of Gamin, a boy passionate about studying, who forms a study group not just for academics but also as a shield against the bullies that dominate his school. What begins as a safe space for learning transforms into a tight-knit circle where students band together for survival. This action-packed series mixes gritty fight scenes with the hope of achieving academic dreams, showcasing how determination and friendship can overcome violence.
3. Undercover High School (2023)
In “Undercover High School”, Jung Hae Seong is a National Intelligence Service field agent who infiltrates a high school to uncover crimes and corruption hidden beneath everyday student life. Posing as a student, he faces the same challenges as teenagers while chasing justice. The drama cleverly combines undercover police work with the intensity of adolescent struggles, drawing viewers into a story where double lives blur the lines between authority and youth.
4. Weak Hero Class 2 (2025)
The sequel follows Yeon Si Eun as he transfers to Eunjang High School, where he faces a powerful school gang called the Union. With the help of new friends, he uses strategy and resilience to fight back against systemic bullying and violence. The drama expands on the dark, realistic themes of survival and friendship introduced in the first season.
5. Hierarchy (2024)
Set in Jooshin High School, an elite institution that admits only the top 0.01% of society, Hierarchy unravels the dynamics of power, wealth, and status. New student Kang Ha challenges the system, uncovering secrets and sparking conflicts among the privileged. With its mix of romance, mystery, and social critique, the drama explores how inequality seeps into education and shapes the destiny of the young.
Conclusion
From lighthearted romance to dark explorations of youth struggles, these five K-dramas prove that the school genre continues to thrive. Each story not only entertains but also mirrors the challenges and dreams of students worldwide.
—-Karen Mwenda
#5BestSchoolKDramas #kcrush #TrueBeauty #StudyGroup #UndercoverHighSchool #kdrama #koreandrama #kpop #hallyu #WeakHeroClass2 #Hierarchy #kcrushamerica #kcrushmagazine #koreankdrama #koreanactor #koreanactress #kculture
CORTIS is a newly debuted 5-member K-pop boy group under BigHit Music (HYBE) that launched with the pre-single “GO!” and officially debuted on August 18, 2025, with the digital single “What You Want.” The group name — short for “Color Outside the Lines” — signals a creative manifesto: pushing past genre limits and embracing member-led artistry. Marketed as a team of self-driven creators, the five members are credited with contributing to songwriting, choreography, and visuals, and their sound mixes experimental pop, hip-hop, and electronic elements to position CORTIS as a fresh, boundary-pushing act in the modern K-pop scene.
1. Martin (마틴)
Martin is a Korean-Canadian and the leader of CORTIS. Standing out with his tall height of around 190 cm (6.2 feet), Martin is fluent in both Korean and English and carries an ENFP personality type. Even pre-debut, he had credits on songs for groups like TXT. Within CORTIS, Martin is known as the creative core, contributing to songwriting, choreography, and overall direction. Despite being one of the younger members, he is rising to be a well-respected leader.
2. James (제임스)
James is the oldest member and has Chinese roots. He was formerly part of the pre-debut lineup Trainee A. Known as the group’s main dancer, James is recognized for his powerful stage presence and athletic discipline as well as an active as a rapper and vocalist. His background reportedly includes taekwondo and hockey, which sharpened his performance skills. As the most experienced in age and training, he provides stability and maturity to the group dynamic.
3. Juhoon (주훈)
Juhoon began his career as a child model before transitioning into idol training. Within CORTIS, he holds roles as both rapper and vocalist. Juhoon has been praised for his striking visuals and strong stage charisma, balancing youthful energy with a sense of professionalism. Juhoon also helped with the group’s songs including “What You Want” and “JoyRide”
4. Seong Hyeon (성현)
Seong Hyeon is the group’s main vocalist, but also raps and dances, showing versatility across performance areas. Trained since around 2021, Seong Hyeon has spent several years honing his craft and is credited with songwriting on CORTIS tracks such as “What You Want.” Coming from a supportive family, he has a younger sister and often references his upbringing as shaping his determination. His ability to topline melodies is already being highlighted as one of the group’s musical strengths.
5. Keonho (건호)
Keonho is the CORTIS group’s youngest member. Before becoming a trainee, he was a competitive swimmer; a discipline that still shows in his determined personality. As a dancer, vocalist, and visual member, he quickly attracted online attention, even before CORTIS officially debuted. Keonho also co-wrote on “What You Want,” proving that despite his young age, he is contributing to the group’s creative direction. His youthful energy balances the group’s dynamic, making him a fan favorite.
—-Karen Mwenda
#CORTIS HYBE #newHYBEboygroup #Keonho #kcrush #Seong Hyeon #Juhoon #kpop #James #Martin #kidol #kmusic #CORTISleaderMartin #kcrushamerica #kcrushmagazine #WhatYouWant #JoyRide #whoisCORTIS #newkpopgroup
PSY performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
Apple TV+’s KPOPPED premiered on August 29, 2025, as a celebration of crosscultural music, bringing together K-pop groups, Western music icons, and fresh collaborations. Led by PSY and Megan Thee Stallion, with Lionel Richie and Miky Lee among its executive producers, the series was created as an exchange of artistry and culture.
As a fan and K-pop commentator for over a decade, I won’t break down every aspect of each episode so as not to present bias. There are already plenty of mixed reviews from both active consumers of K-content and casual viewers. My hope is that what’s shared here encourages you to watch KPOPPED sooner rather than later.
Spice Girls (Emma & Mel B) and ITZY performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
If nothing else, fans, we’ve been deprived of exciting collaboration stages in the scene for a few generations now—this is worth experiencing.
The Lineup: Music Legends Meet Established K-Stars
At first glance, the cast list felt overwhelming. How would these acts work together? There are language differences, of course, but also generational ones! Nonetheless, K-pop stars from ITZY, ATEEZ, Kep1er, JO1, Billlie, STAYC, Kiss of Life, and BLACKSWAN shared the stage with proven legends like Patti LaBelle, Spice Girls’ Mel B and Emma Bunton, Vanilla Ice, Taylor Dayne, Kesha, J Balvin, Kylie Minogue, TLC, Boy George, Ava Max, and Boyz II Men. Each pairing created opportunities for both discovery and nostalgia—for the artists as well as the audience.
Patti LaBelle and Billlie performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
Each episode focused on the reveal of how a Western artist’s hit could be reimagined through the lens of K-pop: first the song selection, then the rehearsal process, cultural and stylistic adjustments, and finally, the live performance. Although the format occasionally felt formulaic, it followed a tried-and-true structure for music competitions and reality television. From tight rehearsal windows to stage reveals and live voting, everything was designed to maintain the integrity of music survival and battle shows. However, KPOPPED avoided becoming cliché because the participants brought enough charisma and distinction. More importantly, the pairing of younger K-pop groups with legends whose hits have influenced decades of music felt more celebratory than competitive.
ATEEZ with Kylie Minogue and J Balvin performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
What I most appreciated was how the show allowed K-pop acts to bring their own identities into the reinterpretations. They retained what fans love about their styles while adjusting to new soundscapes and movement setups.
Something Worth Continued Development
KPOPPED intrigued me because it brought artists from different spaces within pop music together—but I underestimated the vulnerability involved. This was uncharted territory for most of the entertainers: sharing their songs with another artist, not as a tribute, but as a collaboration. Patti LaBelle, living icon that she is, has often watched others perform her music in her honor. To share the space with South Korea’s pop scene? That’s something worth continued development, indeed.
Boyz II Men and BLACKSWAN performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
Through interviews, KCrush learned that there was limited preparation time to bring concepts together and reinvent aspects of already-proven hits. While viewers saw staging, choreography, and light sticks, we also witnessed moments of nervousness, teamwork, and adaptation. The live Seoul audience amplified the tension, sitting close enough to the entertainers to make every reaction matter. During J Balvin and ATEEZ’s performance of “Mi Gente,” I stopped singing along in excitement with a shocked gasp when I realized how out of the norm this all truly was. ATEEZ handled the Spanish impressively, too. The camera caught a fan or two looking enthusiastic, but I would’ve been jumping and shouting!
Boy George, TLC and STAYC performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
More Celebration Than Showdown
Though KPOPPED used familiar competition formats, the teams and overall vibe felt celebratory rather than combative. The artists motivated and encouraged one another as much as they challenged themselves, and that distinction convinced me that those working behind the scenes understood the importance of steering KPOPPED away from the uglier side of fan culture. Whether intentional or not, it made the show feel less like factions of fans would undercut the positivity of the experience.
Eve, Kesha and JO1 performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
Every act had a unique lane. ITZY delivered with charisma and precision. ATEEZ stretched into styles outside their norm. BLACKSWAN (check out our interview) and Kiss of Life showcased new colors. And STAYC, who also sat down with us for a separate interview, balanced fan-loved strengths with surprising new moves.
Ava Max, Jess Glynne and KISS OF LIFE performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
Why It Resonates
Ultimately, KPOPPED is as much about connection as it is about performance. It isn’t just for die-hard K-pop fans. It invites music lovers, casual listeners, and anyone curious about how iconic hits can be reworked into something new. It delivers on spectacle, yes—but more importantly, it delivers on heart.
Vanilla Ice, Taylor Dayne and Kep1er performance on the KPOPPED stage in Seoul, S. Korea
Courtesy of KPOPPED and Apple TV+
If you’re tuning in, leave a comment and let KCrush know your thoughts.
Ashley Borjon, Host & Historian
Ashley is a content creator, educator, and public speaker. As an authority on the Hallyu phenomenon, she has collaborated on projects and events with various domestic and international companies and brands as a music historian. As the host of An Album a Day, she leads an English-language podcast promoting commentary on South Korean pop music. Learn more about her at https://www.a3daypodcast.com
#KPOPPED #Asianentertainment #kcrush #Psy #MeganTheStallion #ITZY #STAYC #ATEEZ #kpop #kidol #BlackSwan #Billlie #BoyGeoerge #VanillaIce #Boyz11Men #PattieLaBelle #pop #TLC #SeoulKorea #Hallyu #collaborations #Eve #EveandATEEZ #Emma #MelB #SpiceGirls #TaylorDayne #Kep1er #JO1 #Kesha #Jbalvin #KylieMinogue #AvaMax #JessGlynne #KissofLife #kcrushamerica #kcrushmagazine #kcrushmedia #kcrushpress
(Credit: ABS-CBN Music)
Rising star Filipino boy group, BGYO, has once again captivated fans with their new EP, ‘Headlines’, now available on all streaming platforms. With over 100 million combined audio/video streams, and previous #1 iTunes debuts in the Philippines, Hong Kong, Singapore, UAE, Saudi Arabia, and more, BGYO continues their steady rise, delivering a body of work that pushes their artistry to new heights. The Y2K inspired music chronicles an exciting bold and unapologetic relationship sure to make all the headlines.
Following the success of their previous single ‘Headlines’ and pre-release single ‘All These Ladies’ in June, a polished pop anthem about the excitement of new romance with women from all over the world, the EP invites listeners on an emotional soundscape through the group’s distinct musical abilities. At the center of the EP is the focus track ‘Dance With Me’, a song about romance, intimacy, and freezing a moment in time. At its core, the song captures the undeniable spark that forms when two people share a dance–when the rest of the world fades, and all that remains is the rhythm, connection, and closeness between two bodies. When the lyrics may sound like a simple invitation, they echo a deeper longing: to create something meaningful with someone new, if only for a moment in time. The track sets the tone for an EP that delves into the complexities of connection, moments of vulnerability and desire, and emotional honesty all wrapped in lush production and an unmistakable sense of unconditional love.
Listen to “Headlines” HERE
Watch “Dance With Me (Official Music Video)” HERE
The previously released breakout single ‘Headlines’ was inspired by the kind of love that’s old and unapologetic – wild and loud enough to make the news. With R&B influences and a venture into a new, undiscovered sound for the group, BGYO delivers a fresh anthem that dares the listener to love proudly and loudly, owning a connection no matter what the world thinks.
Fresh off their ‘BGYO’ EP release this past spring, the band is continuing to grow musically and globally as they work on honing their artistry and connecting with new fans all over the world. The EP represented their vibey signature pop sound, with songs like “Divine,” a heartfelt love song, and “Heartstrings,” an emotional rock tune that represents the push and pull of love and the disappointment of getting hurt by someone you trust.
(Credit: ABS-CBN Music)
As one of the hottest musical artists coming out of the Philippines, BGYO have received recognition from the Recording Academy spotlighting them in their list of “Asian Pop artists to check out” in addition to being featured in Teen Vogue, MTV Asia, and in Netflix’s web series “Alas Netflix.” The group have been crowned winners of “Best Theme Song” at the Asian Academy Creative Awards and People’s Voice Favorite Group Artist in Awit Awards for two consecutive years. With a combined social media following approaching 5 million, the group continues to captivate audiences worldwide, not just with their stellar vocals and electrifying choreography, but also with their undeniable charisma and relentless passion. They have also surpassed 60 million TikTok likes, were named a 2025 Spotify RADAR artist, nominated for “Rising International Artist” at the 2025 Breaktudo Awards in Brazil, and performed at the 2025 Summer Sonic Festival in Bangkok.
Evolving with each release, BGYO remains committed to pushing their sound in bold new directions. As the band continues to grow and expand their signature style, they are excited to blend and blur different genres of pop music, crafting a sound that’s distinctly and undeniably their own.
Headlines EP Tracklist
- All These Ladies
- Dance With Me
- Aloe Vera
- Headlines
Listen to “Headlines” HERE
Watch “Dance With Me (Official Music Video)” HERE
About BGYO:
BGYO is a five-member Filipino boy group known for their dynamic performances, powerful vocals, and relatable music. They made their official debut in 2020 with the single “The Light” and have since garnered a dedicated global fanbase (ACEs) while achieving numerous milestones in the music industry. The group is composed of Gelo, Akira, JL, Mikki, and Nate, each bringing unique talents and charisma that continue to shape BGYO’s distinct artistry.
Since their debut, BGYO has captivated audiences with their authentic sound and striking live performances, earning accolades such as Spotify Philippines’ “P-Pop Group of the Year,” recognition from the Recording Academy’s “Asian Pop Artists to Check Out,” and wins at the Asian Academy Creative Awards and Awit Awards. They have also surpassed 60 million TikTok likes, been named a 2025 Spotify RADAR artist, received a nomination for “Rising International Artist” at Brazil’s 2025 BreakTudo Awards, and performed at the 2025 Summer Sonic Festival in Bangkok. With over 100 million combined audio/video streams and multiple #1 iTunes debuts worldwide, BGYO continues to break barriers and solidify their place on the international stage.
Their acronym, “Becoming The Change, Going Further, You and I, Originally Filipino”, reflects their mission to create music that uplifts and empowers fans around the world while staying true to their cultural roots.
Connect with BGYO: Instagram – Twitter – YouTube – TikTok – Spotify – Facebook
#BGYO #Filipinoboygroup #BecomingTheChangeGoingFurtherYouandIOriginallyFilipino #kcrush #pop #Gelo #Akira #JL #Mikki #Nate #ACE BGYOFanBaseACE #TheLight #PPop #PPopGroupoftheYear #Spotify #ITunes #AsianPopArtiststoCheckOut #AsianAcademyCreativeAwardsandAwitAwards #kcrushmagazine #kcrushamerica #RisingInternationalArtist #Brazil2025BreakTudoAwards #BGYOHeadlines #HeadlinesEP #AllTheseLadies #DanceWithMe #AloeVera #HeadlinesEPbyBGYO #internationalgroup
Credit: EDAM Entertainment
LISTEN HERE | WATCH THE MV HERE
Critically acclaimed singer-songwriter and global rockstar WOODZ unveils his latest artistic chapter with the release of his 2-track digital single I’ll Never Love Again, out now on all major streaming platforms via EDAM Entertainment and Kakao Entertainment — listen HERE and watch the music video HERE. Known for his fearless genre-bending style and searing emotional honesty, WOODZ delivers a powerful first release post-military discharge.
The project follows the viral resurgence of “Drowning,” which soared to No. 1 on major Korean music charts earlier this year, reaffirming WOODZ’s enduring resonance with listeners even while enlisted. Building on that momentum, I’ll Never Love Again captures both the intensity of heartbreak and the defiance of pushing forward, showing an artist unafraid to bare his vulnerabilities while crafting music that transcends boundaries.
The focus track, “I’ll Never Love Again,” fuses folk-inspired textures with the grandeur of alternative rock. Opening with a melancholy organ melody, the song swells into crashing drums and guitars, mirroring the torment of heartbreak and the resolve that follows. WOODZ’s voice, raw yet commanding, intertwines with a choir to create a sweeping soundscape where sorrow and beauty collide. Its lyrics echo with haunting finality: “If this is how love always ends, I’ll never love again.” The accompanying music video visuals embrace a cinematic palette — evoking solemnity, yet reflecting the resilience of humanity as we continue to reach for love despite inevitable heartbreak.
Credit: EDAM Entertainment
The second track “Smashing Concrete”, which was first released as a visualizer in late July (watch HERE), channels pure, unfiltered energy. The song shifts into explosive alternative metal, combining WOODZ’s rap and vocals with razor-sharp guitar and thunderous percussion. Its message is simple yet unrelenting: break down the walls in front of you and push through. The result is a cathartic anthem of defying obstacles, one that radiates liberation and perseverance.
With I’ll Never Love Again, WOODZ reaffirms his standing as one of Korea’s most innovative and emotionally resonant artists, inviting listeners into a world where grief and beauty exist side by side.
Credit: EDAM Entertainment
WOODZ Digital Single – I’ll Never Love Again
Tracklisting:
- I’ll Never Love Again *focus track
- Smashing Concrete
ABOUT WOODZ WOODZ (Cho Seungyoun) is a South Korean multihyphenate artist — a singer-songwriter, producer, and performer — widely respected for his genre-defying sound, emotional range, and rare artistic versatility. From his early days in the idol group UNIQ and Produce X 101’s project boy band X1 to his breakout as a soloist, WOODZ has charted a path defined by resilience and creative evolution.
Since his solo debut, he’s written and produced nearly all his music, with critically acclaimed projects like EQUAL (2020), SET (2021), ONLY LOVERS LEFT (2021), COLORFUL TRAUMA (2022), and OO-LI (2023), blending elements of pop-rock, alternative R&B, hip-hop, and experimental sounds. Dubbed a “pop-rock chameleon” by DAZED, he’s earned over 300 million streams, over 900K followers, and approx. 800K monthly listeners on Spotify alone and topped iTunes charts in 20+ countries. Ahead of his military enlistment, WOODZ embarked on a 7-continent (North/South America, Europe, and Asia) global tour in 2023 (fueled by his album OO-LI, Billboard’s #3 Best K-pop Album the same year) with sold out shows across 12 countries. Most recently, his track “Drowning” emerged as a sleeper hit and experienced a viral resurgence in late 2024, charting on Shazam and re-entering Korea’s Top 100 two years after release. “Drowning” has since surpassed 135 million views and almost 30 million streams on Spotify alone. As of September 2025, “Drowning” continues to maintain its position within the Top 5 of Korea’s leading music charts.
Amassing a social following of over 5 million, WOODZ is not only a favorite among fellow artists, but is also known as a fashion-forward figure. He’s gained recognition as a quiet, but confident style icon for his sleek experimental styling and effortlessly cool off-duty looks, earning him prominent fashion and culture magazine features in Korea’s Vogue, DAZED, W, GQ, Harper’s BAZAAR, ELLE, and more. With more than a decade of industry experience, an expanding international footprint, and a growing body of critically respected work, WOODZ stands at the forefront of a new generation of K-pop soloists — an all-rounder visionary poised for his strongest era yet. Following the completion of his military service in July 2025, WOODZ has made stops at major festival stages across Japan and Korea, including Summer Sonic, Let’s Rock Festival, and Sound Planet Festival, and dropped his latest digital single I’ll Never Love Again on September 24, 2025.
CONNECT WITH WOODZ Official IG | Personal IG | TikTok | X | YouTube | Spotify | Berriz
#WOODZ #IllNeverLoveAgain #WOODZreturns #DAZED #kpopwriter #kcrush #kpop #kpopproducer #kidol #kfashion #EDAMEntertainment #IU #singer #songwriter #UNIQ #SmashingConcretebyWOODZ #ksoloist #kcrushamerica #kcrushmagazine #DworningbyWOODZ #ProducerX101 #watchIllNeverLoveAgain
Credit: Sony Music Entertainment Korea
Listen to [the a(e)nd] HERE
Watch HIGH=LOVE music video HERE
Ethereal up-and-coming girl group, cosmosy, returns with their first-ever EP, [the a(e)nd], — a six-track collection that includes two brand-new songs, “HIGH=LOVE” and “Princess=Kiss,” alongside their previously released singles “zigy=zigy,” “Lucky=One,” and “BabyDon’tCry=BreakingTheLove,” delivering a deeply immersive listening experience. Following their first debut single, “Lucky=One,” which has amassed over 15 million streams across YouTube and Spotify, cosmosy’s songs feature lyrics in Korean, Japanese, and English, reflecting the group’s sincerity in breaking down barriers with global fans and sharing their heartfelt message with a wide audience.
The rookie group steps into a new artistic era with [the a(e)nd], combining sonic experimentation, poetic minimalism, and raw emotional gravity. This EP includes tracks in Korean, English, and Japanese, reaching fans globally. It intertwines emotive melodies with intense rhythms, giving an immersive experience through a blend of classical and electronic elements—distorted rhythms, heavy bass and synth, and fractured vocals; each track a fragment of a world both ending and becoming. The project is as much about what’s missing as what’s heard, serving as a gateway to the new world cosmosy is opening. Each track awakens one of the Six Senses, weaving a journey through beginnings, endings, and the growth between.
BabyDon’tCry=BreakingTheLove (Sight) is a hybrid electronic track (Trap + Hardstyle) where classical elegance meets modern edge. Weaving samples from Beethoven’s Symphony No. 5 and Mozart’s Symphony No. 25, it creates a rich tapestry in which tradition and innovation blend seamlessly. HIGH=LOVE (Hearing) is a modern electronic track where Brazilian Phonk grooves meet the deep pulse of Trap 808 bass. It begins with a gentle, understated melody that gradually swells into a powerful rhythm, enriched by the resonance of traditional Japanese taiko drums. Princess=Kiss (Taste) brings a modern take on the Snap genre built around Trap drums, driving bass, and layers of hypnotic percussion and melody. The song captures the feeling of stepping beyond the boundaries of everyday life, like a lip gloss commercial that opens the door to new experiences.
zigy=zigy (Smell) is the pre-debut track that encapsulates cosmosy’s identity. A K-pop dance track fusing Afro-pop sounds with Eastern elements, it delicately portrays the inner conflict and identity struggles of teenage girls facing separation. Lucky=One (Touch) is the debut track with the theme “Love arrives like a coincidence and becomes destiny.” A tropical house track where soft synthesizers and lyrical melodies intertwine with warm rhythms to deepen the emotion of love. end=and (Sixth Sense) is a lyrical track blending repetitive sounds and dreamy synths. At the midpoint of the journey toward a “new world,” it captures the space before cosmosy opens the next gate. It serves as a sensory bridge that unites the entire EP.
Listen to [the a(e)nd] HERE
Watch HIGH=LOVE music video HERE
(Photo Credit: Sony Music Entertainment Korea)
As cosmosy continues producing future projects, they aim to inspire young fans worldwide by embracing cultural diversity, self-expression, and boundless creativity. With their unique sound, striking visuals, and undeniable charisma, the collective is set to leave a lasting impact on the global pop scene.
About cosmosy:
cosmosy is a four-member ensemble under Sony Music Entertainment Korea and management company NTT DOCOMO Studio & Live. The group pre-debuted on December 31, 2024, and has now expanded their reach with this release. Their unique blend of J-pop and K-pop elements positions them as a fresh and innovative presence in the international music scene. The quartet comprises Japanese members himesha, de_hana, kamión, and a’mei, each bringing unique talents and charisma. Their group name symbolizes the “Possibilities of Youth” and the “Infinity of the Cosmos,” reflecting their mission to explore limitless potential and growth.
Connect with cosmosy: Instagram | YouTube | Twitter | TikTok
#cosmosy #himesha #dehana #kamion #amei #JPop #kcrush #Japan #SonyMusicEntertainmentKorea #pop #NTTDOCOMO #EPaend #HIGHLOVE #PrincessKiss #LuckyOnebycosmosy #zigyzigy #kcrushmagazine #kcrushamerica #BabyDontCryBreakingTheLove #rookiegirlgroup #fourmembergroup #cosmosynewEP #cosmosyJapanesegirlgroup
For those of us who came of age during the dawn of the K-pop industry, the name H.O.T. evokes a sense of nostalgia that is hard to match. Their music was the soundtrack to the youth, and their breakup in 2001 was a moment of collective heartbreak for an entire generation of fans. While a glorious reunion in 2018 gave fans a glimpse of the five members together again on stage, their individual journeys since the original disbandment have taken them down varied and fascinating paths. Here is what the members have been up to.
1. Moon Hee Jun (문희준)
As the leader of H.O.T., Moon Hee Jun was known for his charisma and stage presence. After the group’s disbandment, he started a solo career and has released pieces including ‘Alone’ (2001) album and “I’m not okay” (2013) travk. Hee Jun has appeared on reality shows, including “The Return of Superman,” alongside his daughter. He was also cast in dramas including “Singderella” (2017). Hee Jun continues to be a prominent figure in the entertainment industry, balancing his work as a TV personality with his family life.
2. Jang Woo Hyuk (장우혁)
The main dancer and choreographer of the group, Jang Woo Hyuk, has continued to be a force in the dance and music scene. After the group’s disbandment, he formed the trio JTL with fellow H.O.T. members Tony An and Lee Jae-won. In 2005, Woo Hyuk debuted as a solo artist with the ‘’No More Drama’ album, with the latest track being “I Don’t Know” (2024). He also ventured into acting in 2012 and appeared on the Chinese drama “Secret Angel”. Woo Hyuk has also appeared on reality shows, including “Groom Class”.
3. Tony An (토니안)
American-born Tony An, has had a multifaceted career since the H.O.T. era. Like Jang Woo-hyuk and Lee Jae-won, he was a member of JTL. In 2002, Tony founded TN Nation Entertainment company and launched a solo career in 2004 with the ’Believe’ album. His latest release is the ‘My Shine Day’ EP in 2023. Tony has appeared on various shows, including as an MC for M Countdown music show, which he left in 2012. Tony has been open about his personal struggles and has used his platform to connect with fans on a deeper level. His journey is a testament to the fact that an idol’s career can extend far beyond the stage.
4. Kangta (강타)
Kangta, H.O.T’s main vocalist, is the only member who has remained with SM Entertainment since the group’s breakup. He has had a prolific solo career, releasing numerous albums including ‘Persona’ (2005) and ‘Eyes On You’ (2022). In addition to starring in “Magic Touch of Fate” (2004) Chinese drama, Kangta has appeared on radio as a DJ and on his own show, “Stary Night Radio”, on MBC in 2016. Beyond his own music, Kangta has become an integral part of the very company that launched his career. Since 2005, he has held an executive position at SM Entertainment, acting as a de facto creative director and mentor to a new generation of K-pop artists. He continues to be a respected figure in the industry, playing a key role in its evolution.
5. Lee Jae-Won (이재원)
Lee Jae-won, the youngest member of the group, also joined JTL alongside Tony An after H.O.T’s disbandment. After JTL’s activities died down, Jae Won debuted as a solo artist in 2005 with the ‘No Pain, No Gain’ album. He also held the “Lee Jae Won 2024 Concert Once Again Seoul” and has been cast in dramas including “My Spring Days” (2014). While he may not be in the public eye as often, he remains a cherished part of H.O.T.’s legacy, and fans eagerly await his future projects.
The story of H.O.T. is one of influence and enduring legacy; a cultural phenomenon that reshaped the Korean music landscape. While their paths have diverged, the bond between the five members and their dedicated fans, known as “White Angels,” remains as strong as ever.
—-Karen Mwenda
#HOT #SMENtertainment #kcrush #WhereAreTheyNow #kpop #originalKpop #kpopidol #Korea #LeeJaeWon #kcrushamerica #kcrushmagazine #Kangta #TonyAn #JangWooHyuk #firstgenkpop #WhereAreTheyNowHOT #werearetheHOTmembersnow #koreanmusic #MoonHeeJun #TheReturnOfSuperman #ImNotOkay #IDontKnow #WhiteAngelesHOTFandom #MySpringDays #2018HOTReunion #kpopartist #kpopindustry #JTL #HOTmembers #JTLmembers #HOTfivemembergroup #Hallyu
BINI continues to break into the U.S scene as they become the first Filipino group to perform at Coachella Music Festival 2026. The upcoming music festival will also include a star-studded line up of global artists including Sabrina Carpenter, Justin Bieber, and Karol G, which will take place at the Empire Polo Club in Indio, California, on April 10-12 and 17-19. Their new achievement will come at the heels of their “BINIfied” concert happening at the Philippine Arena (the world’s biggest indoor arena with capacity of 50,000 seats) this Nov. 29 (Saturday).
Recently, the group received three nominations at the Breaktudo Awards 2025 in Brazil for International Female Group, International Collaboration, and International Fandom of the Year. Earlier this year, the group wrapped their “BINIverse World Tour,” thrilling thousands of fans across Dubai, London, and major cities in the U.S. and Canada. Alongside the tour, they introduced their high-energy single “Shagidi”, which sparked a lively dance trend online and became a fan favorite throughout their shows.
Amassing over 1 billion streams including their previous hit single’s “Blink Twice” and “Cherry On Top” (over 150 million audio-video streams combined). The octet recently collaborated with BELINDA, the Spanish-Mexican singer with over 11 million monthly listeners on Spotify. The track, “Blink Twice (Dos Veces Remix)”, marks the first-ever collaboration between a Mexican artist and a Filipino group and builds on the momentum of BINI’s fast-growing international reputation. The Philippines is the emerging leader in the rapidly rising “Asian pop” movement, with the collective as its standard bearer. The group just announced their new song, “First Luv,” out on October 2 that will be released to usher in a new era.
Last year, they became the first Filipino pop group to perform at KCON in Los Angeles, the world’s largest Korean culture and music festival, captivating millions while their global recognition grew with features in Billboard’s “Global No. 1’s” and Grammy.com’s “Pinoy Acts You Should Know.” Collaborating with global artists and winning accolades like the MTV EMA’s Best Asia Act and one of Spotify Global’s Breakout Artists, the group continues to soar, proving their name as “The Nation’s Girl Group” in the Philippines.
To find out more information on upcoming shows, new music and BINI Coachella news, follow them on Facebook, X (Twitter), Instagram, TikTok, and YouTube, or visit bini.abs-cbn.com.
#BINI #COACHELLA #kcrush #Filipino #FirstLuv #October2ndRelease #FilipinoPop #FPop #idol #Philippines #TheNationsGirlGroup #AsianPop #kcrushmagazine #kcrushamerica #BlinkTwice #KCONLosAngeles, #CherryOnTop #CoachellaMusicFestival2026
Fresh off their participation in KPOPPED, STAYC sat down with KCrush for a written interview to share their thoughts on the experience and what it means for their ongoing journey. Known for their dynamic performances and unique vocal colors, the members opened up about growth, challenges, and their hopes for connecting more with their global fans.
Source: High Up Entertainment
KCRUSH: Hello, STAYC! Kcrush is excited to speak with you today. Congratulations on participating in KPOPPED. KPOPPED showcases the hard work behind the scenes. What motivated you to take part in this program, and what do you hope global fans learn about you through it?
SUMIN: It’s not just about showing the final stage, but also the preparation and effort behind it, which I thought would give the audience a fresh impression. That’s why I decided to take part in this program. I hope more people can see the charms and talents of each STAYC member, and that other artists will also feel inspired to collaborate with us.
SIEUN: To begin with, the opportunity to share a collaboration stage with a legendary POP star is truly an honor. I also believe it’s a chance to promote K-POP and support STAYC’s growth, so I joined with gratitude~! I hope you can see that there are no limits to STAYC’s challenges and growth, and that you’ll enjoy our attempt at a new genre through this collaboration with a POP star~
ISA: In fact, we don’t often get the chance to perform with other artists. I believe there’s so much to learn through collaboration, and this opportunity taught me a lot. It was also a huge honor to perform with a singer I’ve admired since I was a young girl, so I had been waiting for this day with great excitement. I hope many of you will watch the stage and realize that STAYC can take on many genres, while also appreciating the unique charm of each of our voices.
SEEUN: Every new experience is exciting and meaningful for us, both now and in the future, so I chose to participate, hoping it would be a big help going forward. I also hope to show that we can perform seamlessly as one team, no matter who we share the stage with.
YOON: I decided to participate because we’ll have the chance to meet fans around the world and collaborate with amazing POP artists. I think fans will also enjoy seeing what goes on behind the scenes as we prepare for our performances.
J: I thought that being able to create a performance with international artists was a great opportunity in itself, and I wanted to use this stage to showcase STAYC’s variety of charms. Since chances like this are rare, I couldn’t wait to take on the challenge.
KCRUSH: Sumin has shown leadership qualities in STAYC as the eldest. How did participating in KPOPPED challenge your leadership or teamwork skills in new ways?
SUMIN: We split into units this time and collaborated with another artist for the first time. At first, the members were both excited and a little nervous, but we prepared the stage while supporting each other. I think it’s a new challenge for us to showcase our own colors even while collaborating with other artists!
KCRUSH: Seeun, how did it challenge your leadership or teamwork skills in new ways from participating in KPOPPED?
SEEUN: It was our first time meeting Boy George, and although the time to build teamwork was short, we were still able to create wonderful memories and form a strong bond. Despite differences in nationality, age, gender, and culture, I realized that sincerity toward each other and the stage is what truly makes this kind of teamwork possible. Boy George was especially kind and friendly, which made it easy for us to get close to him.
KCRUSH: Isa and Seeun, your growth has been visible since debut. Was there a particular moment during filming when you felt especially proud of how much you’ve developed as artists?
ISA: I was delighted to be able to perform with them and have conversations together as someone who loves R&B and always listened to TLC’s songs. It was a moment where I felt most proud of my debut.
SEEUN: I was proud that by collaborating with another team, we could preserve the beauty of the original track and at the same time infuse it with our own unique color.
KCRUSH: [To Yoon & J] KPOPPED requires participants to surprise not only judges but also fans. How did you prepare to showcase a side of yourselves that people might not expect?
YOON: I think this stage will feel fresher than ever since we tried a style we’ve never shown before. We’ll be bringing you many diverse performances, starting with our upcoming U.S. tour, so please look forward to them a lot.
J: I’d love for everyone to see sides of STAYC that we haven’t shown before! I hope you enjoy the unexpected charms 🙂
KCRUSH: The global K-pop scene is constantly evolving. How do you balance staying true to STAYC’s identity while also trying new concepts or performances?
SUMIN: I believe STAYC’s identity comes from the individuality of each member. The key is that all six of us unite our distinct characters to create music as one, while continuously making efforts in different ways to grow and preserve balance.
SIEUN: We work hard to recreate performances in our own unique way. Each member focuses on showcasing the vocal colors or genres they’re most comfortable with, or we design a stage concept by imagining ourselves as the narrators of a story. However, I believe the most important thing is to keep improving our fundamentals and skills so that we’re always ready to take on new challenges~
ISA: We constantly think about what the fans like while we prepare for our promotions. We perform often so I think we also think a lot about the kind of music we can enjoy together.
SEEUN: We try not to get affected by negative feedback or criticism and come together to take on new challenges.
YOON: We try to keep balance in our musical color. We try to maintain STAYC’s identity, like the songs you hear and realize they’re STAYC’s immediately.
J: I think STAYC has a strong character. We have our own distinct color so I hope we can move forward as artists who can influence the public in a positive way.
KCRUSH: Performing on programs like KPOPPED requires courage. What personal lessons did you take away from this experience that you can apply to your career moving forward?
SIEUN: This performance reminded us once more that music has the power to unite us all beyond nationality, gender, age, and culture. We’ll keep challenging ourselves without fear if it means bringing K-pop and our music to more people~ Above all, seeing Boy George sing part of Karma Chameleon in Korean really made me feel how much K-pop has grown. I hope it keeps spreading around the world and becomes even more influential in the future~
SEEUN: As it was my first collaboration performance and rehearsal time was limited, there were naturally many unexpected factors. It was a valuable experience that taught me how to adapt to those situations.
KCRUSH: [To Isa & Yoon] Your vocals often stand out in performances. Did KPOPPED give you the chance to try new vocal colors or styles that you hadn’t shown before?
ISA: Personally, I really enjoy covering pop songs, so it was even more exciting to be able to sing one alongside the original artist. Since we usually perform dance songs with a lot of choreography, it felt fresh to create new choreography for a different genre this time.
YOON: I usually sing the high notes but there wasn’t a high note this time. That felt new to me and that made it more fun! It felt like taking on a challenge.
KCRUSH: [To J & Sumin] STAYC has a strong following worldwide. How do you hope this new exposure through KPOPPED will connect you to fans in different countries?
SUMIN: I hope to promote K-pop further by covering songs from different countries and building a strong bond. I also hope our genre can feel approachable to people all around the world.
J: STAYC will always work hard as a K-POP artist so we can unite through K-POP!
We wish you success and that your unique colors shine through!
Ashley Borjon, Host & Historian
Ashley is a content creator, educator, and public speaker. As an authority on the Hallyu phenomenon, she has collaborated on projects and events with various domestic and international companies and brands as a music historian. As the host of An Album a Day, she leads an English-language podcast promoting commentary on South Korean pop music. Learn more about her at https://www.a3daypodcast.com
#STAYC #J #KPOPPED #SUMIN #YOON #ISA #kcrush #SEEUN #HIGHUPENTERTAINMENT #kpop #hallyu #kpopidol #koreanpop #kcrushamerica #kcrushmagazine #kcrushinterviewwithSTAYC #BOYGEORGE #TLC #Psy
K-pop legend returns to North America for three exclusive shows this November in New York, Los Angeles, and Atlanta
Credit: RAIN Company
K-pop legend THE RAIN will return to North America this fall with his 2025 THE RAIN TOUR [Still Raining: Encore], marking another milestone in his storied career. Tickets for this highly anticipated three-city run will be available for presale (prior sign-up required) starting September 26, with public sales beginning September 27 via IEMShowPlace.com.
Promoted by Infinite Prospects Entertainment, the entertainment company who brought the recent hyped G-DRAGON tour to the U.S. and previous THE RAIN tour, alongside IEM Group Inc., which has brought international Chinese superstars such as Jay Chou and JJ Lin to North America, the U.S. leg will open November 23 in New York, followed by Los Angeles on November 26 and Atlanta on November 29. Audiences can expect THE RAIN’s signature high-energy performances and timeless hits as he reconnects with fans across the U.S.
The Still Raining: Encore tour follows THE RAIN’s triumphant 2023 North American comeback, his first U.S. concerts in sixteen years. That two-city run in Atlantic City and Las Vegas sold out quickly, underscoring both his enduring legacy and the demand for his return. “Can you believe it’s been seven years since our last concert tour? I’m beyond excited to finally meet you in person. There are so many things I want to show you,” THE RAIN shared at the time.
At recent Still Raining tour stops across Asia, THE RAIN performed a setlist that combined signature hits such as “It’s Raining” and “Rainism” with special covers of contemporary tracks by artists including NewJeans and Bruno Mars. The 2025 North American shows will follow this format, giving audiences the chance to hear both his most iconic songs and newer selections that have featured in his latest performances.
Since debuting in 2002 with Bad Guy, THE RAIN has been a driving force in bringing K-pop to the global stage. His 2004 album “It’s Raining” sold over one million copies, while his role in the hit drama “Full House” made him a household name across Asia. In 2006, The New York Times hailed him as “the ambassador of Asia” following sold-out shows at Madison Square Garden and Las Vegas, establishing him as one of the first K-pop stars to break into the U.S. market. After completing his military enlistment in 2012, he continued to thrive as a singer, actor, and entrepreneur. In 2020, he reunited with Park Jinyoung (J.Y. Park also known as the CEO of JYP Entertainment) for the viral single “Switch To Me,” proving his influence spans generations.
The 2025 encore tour builds on that momentum, offering fans in three of the country’s biggest music hubs the opportunity to celebrate THE RAIN’s legacy and experience his artistry in a new chapter.
About THE RAIN:
THE RAIN is one of the most influential figures in the history of K-pop, credited as a pioneer of the Hallyu Wave that introduced Korean pop culture to global audiences. Since his 2002 debut with Bad Guy, he has sold millions of albums worldwide and risen to international fame with the hit It’s Raining and his starring role in the drama Full House. His impact was cemented with sold-out performances at Madison Square Garden in 2006, where The New York Times hailed him as “the ambassador of Asia.” Beyond music, THE RAIN has starred in films including Ninja Assassin and continued to shape the industry through viral releases like Switch To Me (2020), proving his influence across more than two decades of music, television, and film.
#RAIN #RAINCompany #kpop #USTour2025 #STILLRAININGENCORETOUR #kcrush #kpoptourannounced #kidol #kcrushamerica #kcrushmagazine #Korean #kpopmusic #kpoppioneer #hallyu #hallyuwave #actor #KActor #NinjaAssassin #SwitchToMe #filmandmusicidol #THERAIN #RAINIsComingToTheUSNovember #Koreanpopculture #MadisonSquareGarden2006
Played by Han Hye-ji, The Woman, Sun-kyung, has a quiet and unassuming nature that calls no real attention to her, but is noticeable enough to easily fit into whatever space she’s in, yet somehow seems to give off an aura that makes those around her wonder just how she came to be there. Take for instance the film’s opening sequence.
Sun-kyung is at a job interview to be a receptionist at a small local factory, and while she sits with her upright posture, quietly answering the typical questions about her previous job experience, one of the male staff sits behind her on a sofa loudly eating his bowl of cup ramen. When he’s reprimanded to either eat his lunch quietly or leave. He chooses to stay. But but not eat quietly. As the boss continues, asking if she’ll stay at the company for a long while, she says she will, but keeps uneasily looking back at her future colleague loudly chewing his food, this time a rice ball.
Though Sun-kyung’s lack of reaction by way of impatience or annoyance at having her interview be treated so unseriously, may at first indicate she’s the type of person not easily bothered by such matters, it perhaps is the true first sign that this woman is nothing like she appears to be.
At her apartment, Sun-kyung does things that at first glance don’t seem to be anything worth noticing. She puts in the keycode for the door…and after a few initial failures, enters and walks slowly to the lightswitch which she doesn’t turn on with the first try, and hesitantly sits then lays down on the sofa staring at an off-putting picture hung on the wall. Perhaps it’s nothing, but perhaps it is something that this strange picture in a way has similarities to the now famous Pope Leo X (after Rapahel) piece by Colombian figurative artist Fernando Botero.
The mystery of the woman—I love that the title plays as a sort of double entendre reference to the film itself as body and Sun-kyung—begins with a strange encounter Sun-kyung has with a man, Young-hwan (Kim Hee-sang, Mash Ville) who she initiates contact with through an online market forum to purchase his second hand vacuum. At first everything seems normal but the tone quickly changes to one of foreboding when Young-hwan suddenly blurts out that his mother died after drinking cyanide-laced vitamin water. The situation becomes increasingly disturbing and worrisome as Sung-kyung realises that as a woman, her safety could be in jeopardy, but she’s suddenly rescued by a man who turns out to be Ui-jin, an old school friend who just happens to be passing and coincidentally lives close by.
The next day, Sun-kyung learns that Ui-jin was found dead in his home under suspicious circumstances. When questioned by the police, she informs them of the strange interaction she, Young-hwan, and Ui-jin had the previous day, and insinuates that perhaps he may have something to do with Ui-jin’s sudden demise.
As the police do their own investigations and draw their own conclusions about this case and another that occurs around the same time, Sun-kyung becomes convinced that she can figure out what the truth is. That she can tell the real from the fake news
The old adage “still waters run deep” perfectly applies to her, because as the film progresses Sun-kyun becomes a mystery for the audience to unravel, as she herself tries to solve the mystery of Ui-jin’s death and Sun-kyung’s supposed guilt.
In Mash Ville Hwang Wook proved that he has the ability to mix multiple genres, and music and cultural styles into his films in a cohesive way that makes sense to the narrative, but with enough roughness that the overall finished project doesn’t feel overly polished, and with The Woman he does the same but with a bit more slickness to the editing and cinematography befitting a film where a slight change in the camera angle can make a major difference in how a single look from a character can the entire context of what’s being said and done.
For The Woman, Hwang drew inspiration from the godfather of the physiological thriller and murder mysteries himself, Alfred Hitchcock and most notable his films Rear Window (1954), and Vertigo (1958), two films where nothing is ever what it seems, and the protagonists become the most unreliable narrators imaginable. Both films revolve around two male protagonists; one a former police detective with a severe case of vertigo, and the other a photojournalist bound to his bed due to injuries sustained in an accident, who try to solve two murder mysteries with multiple suspects, no real clear means of motive, and physical and mental barriers by way of their own biases and obsessive personality creating hindrances in their truth seeking endeavors as well as their relationships with those around them.
In making his protagonist a woman, Hwang Wook recognises that her gender creates a unique opportunity in showing how certain questions she asks, things she says, and the way she moves through communities within South Korean society gives a new interpretation of “the unreliable narrator”. Han Hye-ji does a terrific job of playing Sun-kyung as someone you want to trust because she’s a woman, is quiet, and likes to keep to herself. But she also turns these very same aspects of this woman into character traits that can be suspicious and at times eerie to watch. In the camera work by cinematographer Lee Sung-won, certain tilts of the camera and slight adjustments in the angle of the lighting create almost imperceptible illusions of Sun-kyung’s facial expressions taking on a menacing air. But was that really what happened or just the audience imagining things?
For Kim Hee-sang, working with Hwang Wook, The Woman is his second role playing an unhinged man on an emotional journey to either solace or completely losing whatever remains of his sanity. In both films, Kim’s portrayal is one that evokes sympathy laced with unease because we’re induced to be suspicious of him due to his troubling introduction. But unlike Mash Ville, as the story of The Woman progresses you have to wonder if perhaps our assumptions are wrong. Where we see a man sharing too much information about the violent death of his loved one, and not reacting in what’s considered a “normal” way, perhaps what’s being shown is a cry for help from a man in society that says grief is supposed to be kept hidden, dignified, and brief. A man who’s left alone to hold himself together and forced to project a facade that makes people who don’t even care about him as a person, comfortable in order to be accepted.
At the end of The Woman Hwang Wook gives no definite answers about anything. We perhaps know even less about Sun-kyung than we did in the beginning, and that’s a good thing because some mysteries aren’t meant to be solved…just yet. But what’s to be sure is that Hwang Wook and his creative team have created one of the most interesting psychological thrillers in recent years, and as performers Han Hye-ji and Kim Hee-sang gave layers to their characters, showing the complexities of human emotions where what we perceive to may not be the truth.
The Woman premiered in competition in the Cheval Noir program at Fantasia Fest.
In my interview with Hwang Wook and Lim Dong-min, they spoke about making such a drastic tonal change in the directing and narrative style from Mash Ville to The Woman, being inspired by Alfred Hitchcock, and how the modern ideology of “fake news” has seeped its way into into social media and people’s psyche, tainting the way they see the world.
Interpreting for the interview was conducted by Pyo Young-soo.
Carolyn Hinds
Freelance Film Critic, Journalist, Podcaster & YouTuber
African American Film Critics Association Member, Tomatometer-Approved Critic
Host & Producer Carolyn Talks…, and So Here’s What Happened! Podcast
Bylines at Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12
#TheWoman #FantasiaIFF2025 #kcrushinterview #kcrush #DirectorHwangWook #ProducerLimDongmin #filmfestival #ChevalNoirprogram #HanHyeji #KimHeesang #AlfredHitchcockinspired #kcrushamerica #kcrushmagazine #FantasiaInternationalFilmFestival #filmreview #filminterview
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
Disclaimer: The views and opinions expressed in this article are solely those of the author and do not necessarily reflect the views of KCrush.
On Sunday, August 31, 2025, South Korean entertainment icon Kwon Jiyong, globally known as G-Dragon, transformed the T-Mobile Arena in Las Vegas into his personal stage for the Übermensch World Tour. The “King of K-pop” announced the tour earlier this year, on February 6, through his self-founded entertainment agency, Galaxy Corporation.
G-Dragon’s tour marked his first world tour in eight years, celebrating his comeback album released later that month. For longtime fans, this was more than just a concert—it was a long-awaited reunion. In my case, after last seeing him in concert in Seoul with BIGBANG, it was an emotional experience that I did not expect to tear up about.
KCrush was on the scene to capture the energy, the artistry, and the storytelling that unfolded across the four-act show. With 30 tour dates scheduled worldwide, Las Vegas was just one stop, but was monumental because it was his first time there.
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
A Devoted Crowd
Walking into the arena, the crowd reflected the passage of time since G-Dragon’s last major tour. Predominantly Asian women of Korean, Vietnamese, and Chinese heritage, the audience’s average age leaned toward the late 30s, though families and friend groups of all ages filled the space. Many were longtime fans who proudly waited for over an hour to purchase official merchandise, especially the daisy-shaped daisybong lightstick. Some cosplayed iconic looks from G-Dragon’s music videos, too. From robes and silk scarves under snapback caps, to handmade replicas of his red rose jacket, fans outwardly celebrated both his fashion legacy and his music.
Speaking of fashion, G-Dragon was stunning! We will get to that later.
The K-pop concert tradition of exchanging fanmade gifts was also alive and well. One woman cheerfully approached groups of attendees, saying, “Are you excited for the concert? I want to give you a keychain!” The community spirit of fandom, regardless of the soloist or group, reinforces souvenirs and tokens of connection. You are quickly made to feel like you are amongst your kind of people, which was welcoming for first-time concertgoers.
Even those not deeply in fandom culture were caught up in the moment. In our guest section, a woman attending in support of a friend who worked with the Vegas tour team shared, “I’m not really a fan.” She admitted, “Still, it’s amazing to see a legend and the fruits of everyone’s labor.” That sense of pride rippled across the arena as anticipation grew.
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
Act I: The Reminder
As the lights dimmed and the first act began, G-Dragon reasserted his legacy. This opening segment was a reminder of who he is and the powerful eras he has shaped in K-pop. Through a mix of strength-driven imagery, iconic visuals, and high-energy performances, he revisited some of his most dynamic work. My all-time favorite G-Dragon song, “MichiGO,” came rumbling through the speakers and I lost control with excitement! Rapping lyrics I remember studying years ago when I was early in my days of learning the Korean language was an indescribable feeling. I’ve heard him perform it live before during his last U.S. concert, but this time was different – I’ve grown up with this and so has he.
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
Act II: The Declaration
The second act took on a more dramatic, almost biblical tone. With heavy use of battle iconography and ascension themes, G-Dragon declared his endurance. There was a moment of showing him take a drastically high walk up a flight of steps, as if moving towards the heavens. It felt unexpectedly burdensome yet wholly inevitable. This was a statement that, despite years away from the stage, he still believes that he carries a responsibility to the industry and to his fans.
What made this act particularly thrilling was the choice of deeper album cuts. “I Love It” (너무 좋아) from Coup d’Etat—a collaboration with Zion.T and Boys Noize—echoed through the arena. Even more surprising was “Today,” a track from his 2012 mini-album One of a Kind, originally featuring Kim Jong Wan of Nell. G-Dragon even sang Kim Jong Wan’s high vocal parts! By this point, longtime fans were wrapped up in nostalgia. These were tracks I never imagined hearing live, and they instantly bridged the gap between past and present.
Throughout Act II, he also remixed songs with references to music greats, weaving in Kendrick Lamar’s Super Bowl intro to “They Not Like Us” and nodding to The Jackson 5. It was a reminder that while he is a K-pop pioneer, his artistry is global and continues to have an array of influences. After all, this is the man who said he sounded out the English words of Wu-Tang Clan’s songs as a youth as he fell in love with rap and hip-hop. By the way, did you know that he’s wearing Wu-Tang Dunks in the “Too Bad” music video? He’s been in the industry for decades and still references his early inspirations. (Again, the fashion! Wait, everyone, we’ll get to it.)
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
Act III: The Arrival
If the first two acts looked outward—toward legacy and duty—the third act looked inward. Here, G-Dragon went back in time, referring to himself as a/the/that “boy.” This was not the voice of a boy striving for recognition, but of a man who has found peace within himself. He no longer has anything to prove; he has arrived. A bittersweet moment came in the form of a montage highlighting his lifelong dedication to entertainment. For fans who discovered him young, it was once charming to think of him as a child prodigy. But watching that same footage years later, one can’t help but reflect on the sacrifices he made. While his peers grew up with ordinary experiences, G-Dragon was on stage, acting, performing, and breaking records. His childhood was not his own—it was given to the craft. So much so, that whenever his left hand moved as he rapped, or took off his in-ear monitor (IEM) to encourage us to make more noise, the massive diamond ring on his hand almost made it seem like he’s married to it.
Act IV: The Farewell
The encore act tied everything together with tenderness. Similar to the time he took during his 2017 world tour, Act III: M.O.T.T.E., G-Dragon shared a recording of himself reflecting on the years he was out of the spotlight. He mentioned how overwhelmed and exhausted he was and how he was not certain when the time would be to return. There was still much that he wanted to say, but in his own way (hence, developing Galaxy Corp.). G-Dragon said that the little boy he was – now addressing himself as “Jiyongie”– can grow up reassured that everything would be okay. He is happy, free, and hopeful for the future.
The finale began with a special performance: a rock rendition of “I Can’t Help Falling in Love With You.” Standing at his mic, the audience joined in unison, evoking memories of when fans sang “Haru Haru” at BIGBANG’s last concert in December 2017. It was a communal, emotional release that underscored the bond between artist and audience. It closed with my favorite song from this year’s album, “IBELONGIIU,” where I stood and sang with pride until my vocal chords couldn’t produce more sound.
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
Style, Symbols, and Superhuman Opulence
No G-Dragon concert is complete without a statement in fashion. Throughout the night, he appeared in an array of Asian designer ensembles, accented by his ambassador love affair with the House of Chanel. Accessories glittered, and the diamond studs in both of his ears were stunning — genuinely gasp-inducing sluggers of a rock that spoke to his wealth and passion for luxury..
One of the more symbolic threads of the night was his use of the “U” symbol, a motif he has carried throughout this 2025 era. By his own explanation, it represents his past and present self, from 2009 until today, looking upon one another. While the distance between then and now may not be vast in years, the transformation he has undergone in that span is both immeasurable and visible. So much has happened, and yet he continues evolving without abandoning what made him iconic.
G-Dragon performs onstage at the T-Mobile Arena in Las Vegas, Navada
Courtesy of GALAXY CORPORATION
Closing Reflections
The Übermensch World Tour is more than just a concert series; it is G-Dragon’s living autobiography told through music, visuals, and performance. Each act spoke to different stages of his life: the meteoric rise, the trials, the acceptance, and ultimately, the reconciliation with self.
Walking out of the T-Mobile Arena, one thing was clear: happiness, on his terms, has finally found G-Dragon. And for fans who have grown alongside him, the night was not only about witnessing a comeback but also about affirming a shared journey. Indeed, our leader, our self-realized “Superman” has returned! And this time, Kwon Jiyong feels more human than ever.
Ashley Borjon, Host & Historian
Ashley is a content creator, educator, and public speaker. As an authority on the Hallyu phenomenon, she has collaborated on projects and events with various domestic and international companies and brands as a music historian. As the host of An Album a Day, she leads an English-language podcast promoting commentary on South Korean pop music. Learn more about her at https://www.a3daypodcast.com
#GDRAGONinLasVegas #LasVegas #kcrush #GDRAGON2025USTour #kpop #kfashion #kidol #Koreanidol #BIGBANG #TheSuperman #TheSupermanHasReturnedtotheUnitedStates #Korea #kcrushmagazine #kfashionista #kcrushamerica #GDRAGONFashion #GDRAGONShow #GDRAGONTour #GDRAGONOnStage #GDRAGON #ÜbermenschWorldTour #GDRAGONGalaxyCorporation #TmobileArenaLasVegas #KwonJiyong #MichiGO
Ready to lose your voice again? Thought so! Grab your tickets and block off the dates, we’re coming back to bring you together again!
KPOP CLUB NIGHT UPCOMING DATES SEPT—-> DEC 2025
Sept 5 – Los Angeles (18+) – DJ Chen
Tickets: https://www.eventbrite.com/e/kpop-club-night-tickets-1560403531969
Sept 6 Seattle – Ora (21+) – DJ Chen
Tickets: https://tickets.oraseattle.com/e/kpop-club-night-ft-dj-chen-at-ora-4/tickets
Sept 12 – Denver- Temple (21+) – DJ Chen
Tickets: https://www.tixr.com/groups/templedenver/events/kpop-club-night-in-the-loft-154417
Sept 13 – Nashville – Vinyl Lounge (18+) – DJ Chen
Tickets: https://www.eventbee.com/v/kpop-club-night-in-nashville-sept-13-at-the-vinyl-lounge/event?eid=223322462 DISCOUNT CODE: STAY
Sept 19 – Dallas – Art Co (18+) – DJ Chen
Tickets: https://www.prekindle.com/promo/id/-2853111880204170264
Sept 19 – New Orleans – Arora (18+) – DJ Angie
Tickets: https://www.eventbee.com/v/kpop-club-night-in-nola-sept-19-at-arora/event?eid=244729141 DISCOUNT CODE: STAY
Sept 20 – Detroit – The Loving Touch (18+) – DJ Angie
Tickets: https://www.eventbee.com/v/kpop-club-night-in-detroit-sept-20-at-the-loving-touch/event?eid=284324834 DISCOUNT CODE: STAY
Sept 20 – Las Vegas – Fremont Country Club (21+) – DJ Chen
Tickets: https://link.dice.fm/n3f5d1c10eac
Sept 20 – London (19+) – The Rec Room – DJ Yuka
Tickets: https://www.eventbee.com/v/kpop-club-night-in-london-sept-20-at-the-rec-room-masonville/event?eid=253223864 DISCOUNT CODE: STAY
Sept 26 – New York (21+) – 230 Fifth – DJ Chen & Angie
Tickets: https://kpop-ny.eventbee.com/ DISCOUNT CODE: STAY
Sept 27 – Toronto (19+) – The Rec Room – DJ Yuka
Tickets: https://kpop-toronto2.eventbee.com/ DISCOUNT CODE: STAY
Sept 27 – Washington DC (18+) – The Howard – DJ Chen & DJ Angie
Tickets: https://www.ticketweb.com/event/kpop-club-night-howard-theatre-tickets/13898244
Oct 3 – Chicago (21+) – Stereo – DJ Angie
Tickets: https://www.eventbee.com/v/kpop-club-night-in-chicago-october-3-at-stereo/event?eid=274220993 DISCOUNT CODE: STAY
Oct 3 – Pittsburgh (21+) – Avalon – DJ Chen
Tickets: https://www.eventbee.com/v/kpop-club-night-in-pittsburgh-oct-3-at-avalon-social/event?eid=284124793 DISCOUNT CODE: STAY
Oct 4 – Kent OH (18+) – The Burnt Pickle – DJ Chen
Tickets: https://kent-kpop.eventbee.com/ DISCOUNT CODE: STAY
Oct 10 – Miami (18+) – Mad Live – DJ Chen
Tickets: https://miami-kpop.eventbee.com/ DISCOUNT CODE: STAY
Oct 11 – Phoenix (18+) – Waler Studios – DJ Chen
Tickets:https://phx-kpop.eventbee.com/ DISCOUNT CODE: STAY
Oct 11 – Winnipeg (18+) – The Rec Room – DJ Yuka
Tickets: https://www.eventbee.com/v/kpop-club-night-in-winnipeg-oct-11-at-the-rec-room/event?eid=284124362 DISCOUNT CODE: STAY
Oct 17 – Boston (21+) – Royale – DJ Chen
Tickets: https://kpop-boston.eventbee.com/ DISCOUNT CODE: STAY
Oct 18 – Minneapolis (18+) – Varsity – DJ Chen & DJ Angie
Tickets: https://www.livenation.com/event/vvG1bZbRh3R4gI/kpop-club-night
Oct 24 – San Francisco (21+) – Temple SF (Main Room Upstairs) – DJ Chen
https://www.eventbee.com/v/kpop-club-night-in-san-francisco-oct-24-at-temple/event?eid=284024695 DISCOUNT CODE: STAY
Oct 25 – Montreal (18+) – Ausgang Plaza – DJ Yuka
Tickets: https://lepointdevente.com/billets/xd0251025001
Nov 7 – Edmonton – The Rec Room (18+) – DJ Angie
Tickets: https://kpop-edm.eventbee.com – DISCOUNT CODE: STAY
Nov 7 – Kansas City – Warehouse on Broadway (18+)
Tickets – https://www.etix.com/ticket/p/72980863/kpop-club-night-kansas-city-warehouse-on-broadway
Nov 8 – Calgary (18+) – The Rec Room – DJ Angie
Tickets: https://kpop-calgary.eventbee.com – DISCOUNT CODE: STAY
Nov 14 – Philadelphia – Fringe Bar (21+) – Tickets on sale soon
Nov 21 – Fresno – Club Encore (21+)
Tickets: https://fresno-kpop.eventbee.com/ DISCOUNT CODE: STAY
Nov 29 – Columbus (18+) – Skully’s – DJ Chen
Tickets: https://cbus-kpop.eventbee.com – DISCOUNT CODE: STAY
********************************************************************************
Dec 20 – NYC 18+ MASSIVE EVENT!
Tickets out Sept 30
Dec 27 – CHICAGO 18+
3rd annual Chi Kpop Xmas
Tickets out October 5
Sign up to follow Kpop Club Night on Livenation.com for discounts to both of these shows!
See you on the dance-floor!
______________________________________________________________________
Look at our updated pics&videos! We’ve uploaded hundreds more photos & videos from the last few months of parties, find yours and download them now at https://www.facebook.com/kpopclubnights/photos_albums
FOLLOW AND TAG
Make sure to follow and tag us in your posts and stories!
Kpop Club Night http://instagram.com/kpopclubnight
Make requests a week before the show at http://tiktok.com/@kpopclubnight
For complete, accurate and up-to-date schedules check http://kpopclubnight.com
Q: You’ve acted, written, and directed. Which role feels most natural to you, and which one pushes you the most?
Sean: Acting will always be my first love. Directing, though, is by far the most difficult. You’re running the ship, uniting teams, and making constant critical decisions with limited time and resources. It’s an all-encompassing role.
Q: What’s the hardest part about directing?
Sean: Directing is like a team sport—you’re working with department heads, artists, and crews to manifest your vision. The toughest part is motivating everyone while making countless decisions every day. There’s never enough time or resources, so you do the best with what you have.
Q: When you direct or write, how does your perspective as an actor shape your storytelling?
Sean: I always focus on character. That’s what audiences fall in love with and return for. As actors, we’re constant observers of human behavior, so character work comes naturally—and it’s the heart of any good story.
Q: How do you approach preparing for a role?
Sean: Every role requires different tools. I trained in Meisner, voice, and movement, and I try to pull from whatever works best for the character. For Butterfly, I researched CIA training—not the combat side, but persuasion and manipulation. Learning those techniques gave me insight into Hollis’s mindset.
Q: Why did you choose the title Korea Next, Finding Hallyuwood for your documentary?
Sean: At the time of Gangnam Style, Korean entertainment was just beginning to resonate globally, and I wanted to understand why. “Hallyu” means Korean Wave, so Finding Hallyuwood was a wordplay on Hollywood—a suggestion that Korea could become the next entertainment hub. Looking back, it’s clear Korea has delivered on that promise.
Q: What kind of stories still need to be told about the Korean American experience?
Sean: We’ve only scratched the surface. Streaming has opened the door for global audiences to embrace all kinds of cross-cultural stories. With Butterfly, for example, it’s not about being Korean American—it’s a spy thriller that just happens to center on a Korean American family. Those layered, universal stories are the future.
Q: In Butterfly, you play Hollis. How did you approach developing the character?
Sean: Hollis is ex-CIA and head of the Seoul office of the Caddis Group. I researched CIA psychological tactics like RICE—Resource, Ideology, Coercion, Ego—for turning sources. That helped me ground Hollis’s manipulation skills. And since Butterfly was the first American series fully shot in Korea, my bilingual background was crucial to bridging communication on set.
Q: How did it feel to be part of a series that taps into the global interest in Korean media?
Sean: Honestly, it’s huge. Daniel Dae Kim said the show wouldn’t have been greenlit ten years ago. To have a big studio-backed action series with a predominantly Asian cast shows how much the industry has evolved. I hope Butterfly becomes another reference point that proves these stories can succeed.
Q: How do you see cross-cultural projects shaping opportunities for Korean American actors?
Sean: Every successful project builds a reference point. Crazy Rich Asians was a turning point—suddenly, more opportunities opened up. I hope Butterfly can be that kind of example in the action-thriller space. Personally, I want to get to a place where it’s not even a “talking point”—it just exists.
Q: As someone who works in both the U.S. and Korea, what cultural differences stand out most?
Sean: In Korea, filmmaking feels communal—actors even help move equipment if it helps the crew. In the U.S., there’s more emphasis on individual excellence and entrepreneurship. Both are powerful, and I’ve learned a lot from each.
Q: Can you share a fun behind-the-scenes moment from Butterfly?
Sean: At the wrap party, everyone—Korean and American—sang karaoke together. It was hilarious watching American crew members belt out Korean ballads. It felt like the perfect cultural equalizer and a memory I’ll never forget.
Q: Since you speak both Korean and English, do you have a favorite expression from the set?
Sean: In Korea, we always end the day with “수고하셨습니다” (You worked hard/thank you for your efforts). It literally means “you have suffered well,” but it’s a way of honoring everyone’s contribution. I love that spirit of gratitude.
Q: If you weren’t pursuing acting or filmmaking, what would you be doing?
Sean: When I was a kid, I wanted to be a scientist. I love exploring how things work, and I still have that curiosity.
Q: Do you have any non-series projects you’re working on now?
Sean: Yes—my company, Third Culture Content, is adapting the Korean drama King the Land for the U.S. We’re excited to reimagine it for an English-language audience.
Q: Finally, is there anything you’d like to say to your fans?
Sean: I’ll never forget the early fans who supported Korean dramas before the global craze. Your passion made all of this possible. We live for the fans, and I’m deeply grateful.
With Butterfly, Sean Dulake proves that stories can cross borders just as seamlessly as he does. Rooted in gratitude for his fans and driven to tell bold, character-centered stories, he’s only getting started.
– Robyn Rush
On August 29, 2025, the world will be able to tune into Apple TV+ and binge KPOPPED, a new competition series unlike anything we’ve experienced before. Artists from around the world will collaborate to reimagine one of their chart-topping songs, performing before a live audience. It’s global legends and K-pop idols coming together to be crowned the winner by votes, and all of the excitement is happening in Seoul!
K-pop girl group BLACKSWAN (Korean: 블랙스완) is getting in on that excitement as participants. As a group born from the ashes of a legendary South Korean concept, the “swan” in their name could genuinely be replaced with a phoenix – they’ve reinvented the image of what it means to be a bonafide K-pop idol. As the first Korean-language major girl group with a full lineup made of non-Koreans, they intend to compete with global luminosity on their side.
In this interview, we connect with members Sriya and Nvee and hear their thoughts about KPOPPED and what fans should anticipate. Please enjoy!
Ashley Borjon, Host & Historian
Ashley is a content creator, educator, and public speaker. As an authority on the Hallyu phenomenon, she has collaborated on projects and events with various domestic and international companies and brands as a music historian. As the host of An Album a Day, she leads an English-language podcast promoting commentary on South Korean pop music. Learn more about her at https://www.a3daypodcast.com
#BLACKSWAN #KPOPPED #hallyu #kcrush #kcrushinterview #interviewwithBLACKSWAN #AppleTV #kpop #kcrushamerica #kcrushmagazine #SouthKorea #SeoulKorea #newmusicshow #girlgroup #koreanculture
PLAYBACK (플레이백) debuted in 2015 with the single “Playback”. Despite strong talent and fan support, the group went inactive by 2018 and unofficially disbanded soon after. Since then, the members have branched into acting, solo music, content creation, and even new careers. Here is what each member is up to now.
Hayoung
Hayoung pursued acting after PLAYBACK, signing first with Management Nangnam and later with O& Entertainment, changing her stage name to Han Na Young. On July 2021, Hayoung signed with Echo Global Group and started using Lee Ha Young her birth name, as her stage name. She appeared in web dramas such as “On the Campus” (2019) and “To My Beautiful Woo Ri.” Recently, she took supporting roles in bigger productions, including “Call It Love” (2023) and the movie “Dead Man” (2024). Hayoung interacts with fans through her SNS platforms including Instagram.
Woolim
After PLAYBACK went on hiatus, Woolim debuted under OD Entertainment through The Pink Lady project girl group. The group debuted in February 2019 with the “God Girl” digital single. She then signed with Lean Branding in May 2021 and released some tracks including “My Dummy Darling” digital single, before the contract ended in January 2025. Woolim has also appeared in some television shows including ‘Immortal Songs 2’ in 2023 as a guest singer. Woolim also keeps up with her fans on her YouTube channel and other SNS channels including Instagram.
Yujin
After PLAYBACK went on hiatus, Yujin signed with FN Entertainment to focus on acting under the name Oh Chae Yi. She went on to star in Kdramas like “Gracious Revenge” (2019) and “Unpredictable Family” (2023). Yujin often interacts with fans through her Instagram page.
Yunji
Yunji has maintained a low profile since PLAYBACK went on hiatus. Based on her SNS feed, she works as an idol trainer. In March 2023, Yunji got married, and some PLAYBACK members reunited to celebrate her wedding. She occasionally posts updates with trainees and PLAYBACK friends on her Instagram page, but otherwise lives a more private life.
Eunjin
Originally removed during pre-debut, Eunjin was added back to PLAYBACK in 2017. After PLAYBACK’s hiatus, she released the “Can Do Nothing” OST for the drama “Touch” (2020). Since then, she’s been less active in mainstream entertainment. She interacts with fans on her Instagram page.
Though PLAYBACK’s group activities died down, each member has found her own path—whether in acting, solo music, mentoring, or personal life. Their story reflects both the struggles of K-pop groups and the resilience of idols who reinvent themselves beyond the stage.
—-Karen Mwenda
#PLAYBACK #WhereAreTheyNowPLAYBACK #Eunjin #CanDoNothingOSTbyEunjin #kcrush #kpop #kpopidol #Yunji #Yujin #FNEntertainment #OhChaeYi #GraciousRevenge #kcrushamerica #kcrushmagazine #Touchkdrama #Woolim #PinkLadyProject #Hayoung #HanNaYoung #LeeHaYoung #EchoGlobalGroup #OnThe Campus #CallItLove #Korea #koreanactress #koreankpop #kdrama #lifeafterkpop #WhereAreThePlaybackMembers
Editor : Evgeniya Hong
Rising K-pop newcomer Hwina is captivating listeners with her poetic lyricism and emotional depth. After debuting with hits like “Like a Tree”, she quickly became a name to watch, not only for her delicate yet expressive vocals but also for her lyrical storytelling. Her works such as “Noise Canceling” and the recent “A Secret Tale About Us” explore themes of identity, emotional healing, and quiet strength. In 2025, she gained national attention when she was selected as one of the final 10 artists for the MUSE ON 2025 program, beating out over 400 other applicants in the highly competitive selection process, solidifying her place among Korea’s new generation of singer-songwriters. We sat down with Hwina to talk about her journey, inspirations, and what lies ahead.
Who is Hwina and what is the story behind your name and artistry?
Hi KCrush readers! I’m Hwina, a singer-songwriter who creates music across pop, R&B, and synth-pop. My name represents my desire to shine through my music and connect with people on a deeper level.
Your debut mini album, “Like a Tree”, gained traction upon release. What emotions or stories were you hoping to express through the title and release in general?
My debut EP captures the emotions I experienced while growing up, especially those that shaped who I am. Since it was my first time opening up to listeners, I wanted to be completely honest. “Like a Tree”is about standing tall, growing stronger, and becoming someone who can offer comfort and strength to others. It reflects my positive mindset and my ongoing journey of personal growth.
Looking back, was there a defining moment when you knew you wanted to pursue music professionally?
I’ve always loved singing, but there was a moment in middle school that made everything clear. A friend who had made things difficult for me once said, “If you become a singer, I’ll ruin you.” Oddly enough, that pushed me even harder. I wanted to prove that I could succeed not just as a singer, but as a kind and strong person.
In “Noise Canceling”, you wrote about escaping from the noise of the world. What “noise” have you personally had to cancel out to find your own voice?
The noise I had to cancel was mostly my own anxious thoughts, like “Am I doing okay?” They shook me a lot. On top of that, there were outside expectations and comparisons. If I let those take over, I’d lose my true voice. So I learned to let go of the noise and focus on the stories I really want to tell. That’s how I found my own voice.
What’s one fact about you that fans have no idea about?
I really love soft and cozy things like blankets and plush toys. They calm me down and make me feel better. I always keep a blanket with me at home.
Your recently released the “A Secret Tale About Us” single has got many fans talking. What was the inspiration behind this piece?
It’s based on a real experience. When I was young, a boy and I watched a romance movie together, and we promised that even years later, we’d watch it again. I didn’t necessarily miss him, but that pure and innocent moment inspired the song.
Which artists, regardless of genre, inspire your sound and lyricism?
I’ve always looked up to IU. Watching her, I thought, “I want to be that kind of artist.” I want to be versatile, with a broad musical range and a lot of charm.
You were selected as one of the final 10 artists for the MUSE ON 2025 program, chosen from over 400 applicants. What did that moment mean to you as a rising artist?
It felt like recognition for all the work I’ve done so far. I’m really grateful, and I see it as a new opportunity to connect with more people through my music. It was a real turning point for me.
Fans are also excited about potential collaborations with new artists. Are there any Korean or international artists you’d love to work with in the future?
I’d love to collaborate with Lee Chan-hyuk from AKMU. I enjoy trying different genres, and working with him would be such a wonderful musical adventure. I’m also open to all kinds of creative ideas, even fashion collaborations.
We heard you’ll be releasing a new album soon through MUSE ON 2025. Could you tell us about the upcoming album?
The EP, coming out in October, is centered on synth-pop. It follows a journey from the bright, sunny moments of youth, to facing unavoidable realities, and finally to exploring the deepest parts of yourself.
If you had to write a letter to your future self, five years from now, what is the one thing you would want to say or ask?
I’d tell myself, “Keep sharing love with the people around you.” No matter how far you’ve come, never forget the importance of staying genuine and close to the people who support you.
With the increasing wins and recognitions, what should fans be looking forward to in the near future? Any upcoming projects?
To stay true to that promise, I’ll keep making honest music. In September, I’ll be releasing a pre-release single, followed by my new EP in October. With these releases, I look forward to meeting fans more often and getting closer through concerts, live performances, and broadcast appearances.
What would you like to say to your fans who are always rooting for you?
It might seem like I’m walking this path alone, but I’ve really been walking it with all of you. I hope we can continue sharing our hearts through music for a long time. I’ll repay you with good songs, and with my new EP coming out this year, I’m excited to meet you more often through concerts and on various shows. Let’s stay together for many years to come! ♥THANK YOU! LOVE YOU ALL!♥︎
—-Karen Mwenda
Inspired by the Taiwanese urban legend of the Yushan Xiaofeixia about a group of three ghostly spectres in the giant yellow raincoats who haunt the deep recesses of the Yusan (Jade) Mountain, Haunted Mountains: The Yellow Taboo is film that successfully weaves urban legend, traditional folklore, occultism, and relationship drama into an entertaining and compelling horror.
When best friends Jia-ming, Yu-xin (Angela Yuan), and her boyfriend and Jia-min’s childhood friend, An-wei (Tsao Yu-ning) decide to go hiking on a sunny day they expect their day to be the same as any other when they’ve trekked other mossy woodland trails. So the last thing they expect is to encounter a group of hikers and rescuers congregating around the body of a man who’s apparently died under mysterious circumstances. After making typical inquiries to satisfy their curiosity, the trio shake off whatever misgivings they have and continue on their way. But as the trail becomes more difficult to navigate and fog descends, they fail to pay attention to the signs that things aren’t quite right…until they come to a path blocked by torn yellow fabric strung between trees.
Against the hesitant suggestions from Jia-Ming and Yu-xin that perhaps they should turn back, An-wei insists there’s nothing wrong and the other two give in and cross the barrier. By violating this “Yellow Taboo”, they end up making the biggest mistake of their lives, for beyond this obvious sign of caution, the friends stumble upon a blood ritual being performed by masked individuals. This one action sets off a chain reaction of events where Jia-Ming is plunged into a timeloop where he repeatedly relives this horrific day watching the two people he cares the most about die over and over again for days, months, and years. Ghastly spectres in yellow raincoats constantly shifting indistinguishable faces haunt him in this waking nightmare only seems to be aware of.
Timeloop storylines aren’t new by any means to genre films, including horrors and psychological thrillers. But what makes this aspect of Haunted Mountains: The Yellow Taboo work is how it delves into the psyche of a man whose own emotions are what’s keeping him trapped as much as the otherworldly forces at work seem to be.
Though he loves An-wei, his desire to be the person that Yu-xin loves and wants to spend her life with, overrides everything else, and that desire becomes twisted with his insecurities at not measuring up to his friend, plagues Jia-Ming with doubts he can’t ignore. Every day he wakes, Jia-Ming is wracked with guilt at not preventing them from making such a huge mistake, his feelings for Yu-xin, failing An-wei, and his inability to stop it all from happening again.
Whenever Jia-ming takes a step towards figuring out how to end the loop, and get off the mountain, he’s not only thrown back to the point where it all went wrong, he’s tossed sideways, like a leaf in a thunderstorm, or a puppet on a string. Offsetting everything he thought he understood and believed.
Audiences familiar with Liu know him for his lead roles as the sweet and charming male lead in romantic dramas such as 2021’s Fall in Love with a Scientist, or more serious period occupation era dramas like My Bittersweet Taiwan, and with Haunted Mountains: The Yellow Taboo, they’ll get to see Liu stretch his acting wings a bit more as a man wracked with self-recrimination as he’s forced to confront his inner demons and learn that the best way to survive a storm is to push through it no matter how painful the process is.
Though some elements of the narrative are a bit uneven such as the introduction of a family that ends up having connections to the group and certain aspects of the occult and Shamanic themes without enough explanation on their connections, the film is intriguing and has great rewatch value as there’s clues that could be missed on first viewing. The production quality is very high as the set design, score and sound effects, and cinematography all meld together to create an atmospheric thriller that makes one curious to learn more about Taiwanese folklore, and perhaps venture into dark forests for a bit of adventure…or maybe not.
Haunted Mountains: The Yellow Taboo had its international premiere as an official selection of the 2025 Fantasia International Film Festival in Montreal, Canada. There I spoke to director Tsai and producer Ivan Chen about working in the Taiwanese film industry, making the change from commercial projects to a genre film, its themes of regret, guilt and folklore, and casting Liu for a role unlike any he’s done before.
Interpreting for this interview was conducted by Xige Yi.
Carolyn Hinds
Freelance Film Critic, Journalist, Podcaster & YouTuber
African American Film Critics Association Member, Tomatometer-Approved Critic
Host & Producer Carolyn Talks…, and So Here’s What Happened! Podcast
Bylines at Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12
#TheYellowTaboo #KCrushInterviewWithHuntedMountainTheYellowTaboo #TsaiChiaYing #IvanChen #KCrushInterviewWithDirectorTsaiChiaYingandProducerIvanChen #kcrush #kcrushamerica #kcrushmagazine #kcrushinterview #2025FantasiaInternationalFilmFestival #MontrealCanada #FallInLoveWithAScientist #horror #WrittenbyZouWan-Zhen #Taiwaneseurbanlegendof theYushanXiaofeixia
From their mythological vampire beginnings to powerful sci-fi imagery, VIXX have always told stories. Today, even as their group activities have slowed, each member continues to build their own narrative—on stage, screen, and beyond.
Ken (Lee Jae Hwan)
Ken switched agencies from Jellyfish, and Joined S27M Entertainment in March 2024. He became the MC of ‘YES I KEN’ YouTube reality show and released the ‘Puzzle’ solo mini-album in December 2024. He also headlined his own solo concert, “2025 KEN SOLO CONCERT: WONDER LAND”, in January 2025 and released the “To You” digital single in May 2025.
N (Cha Hak Yeon)
N changed agencies and signed with 51K after leaving Jellyfish in 2020 to pursue his acting career. He has evolved into an actor with a diverse filmography. He has acted in Oh My Ghost Clients, Joseon Attorney, and Castaway Diva. N is still an active member of VIXX
Hyuk (Hwang Min Hyuk)
Hyuk is currently under Companion Company after leaving Jellyfish in 2022. In 2022, Hyuk released the “Stay for Me” single featuring Seo In Guk. He also held a farewell fan concert, ‘2024 HYUK FAN CONCERT Home’, in March 2024 before enlisting for mandatory service. Hyuk enlisted as a public service worker in April 2024. Hyuk is still an active member if VIXX.
Leo (Jung Taek Woon)
Leo left Jellyfish in March 2024 and is now with under Big Boss Entertainment. After the move, Leo changed his stage name to Jung Taek Woon. He also launched his b,stage platform. On June 2024, it was announced that he would make his first film debut in ‘Veranda’, a romantic thriller film scheduled for release in 2025. Leo is still an active member of VIXX.
Hongbin (Lee Hong Bin)
Former member Hongbin left VIXX in August 2020 after a controversy on Twitch livestream. Hongbin apologized for the incident, left VIXX, and enlisted into the military. After miliary service, Hongbin returned to streaming on CHZZK, a Naver streamers platform that rolled out after Twitch’s exit.
Ravi (Kim Won Sik)
Former member Ravi exited VIXX in April 2023 amid a military evasion scandal. Prosecutors sought a two-year prison term, ultimately resulting in a suspended sentence and 2-year probation. Ravi is currently not active in the entertainment industry and has maintained a low profile from the public.
Although no full-group comebacks or tours have been held recently, VIXX remaining members—Leo, Ken, N, and Hyuk— posted a photo on May 25, 2025 celebrating their 13th anniversary. This symbolized their ongoing connection despite member departures. Fans anticipate possible future reunions, particularly after Hyuk completes his military service in early 2026. While no longer as united on stage, VIXX’s legacy thrives—through Leo’s stage presence, Ken’s soaring vocals, N’s acting, and Hyuk’s dedication. Their collective chapter may be paused, but individually, they continue to write compelling stories.
—-Karen Mwenda
#VIXX #WhereAreTheyNow #kcrush #Leo #Ken #N #Hyuk #kpop #kidol #Ravi #Hongbin #CHZZK #Jellyfish #JungTaekWoon #KimWonSik #kcrushmagazine #kcrushamerica #korean #membersofVIXX #where #kculture #BigBossEntertainment #CompanionCompany