For this week’s MV Monday, MBLAQ’s “Mirror” takes the stage. MBLAQ returned last week as a trio following the departure of Thunder and Lee Joon, leaving some fans wondering if MBLAQ will survive. In “Mirror,” the remaining members give it a gallant effort with strong melodies and overall nice vocals.
The song drips with feelings of sadness and betrayal, which is understandable since Seungho, Mir, and G.O have said the past six months have been “emotionally draining” since the departure of the other members. On the surface, “Mirror” is about a romantic betrayal, but members recently revealed that since they lack experience in love, they used experience from the Thunder and Lee Joon’s departure for the song’s overall mood and tone. One section of lyrics, in particular, captured fans’ feelings, since the song may be about the departed members:
You left without saying anything
I guess that’s how distant we were
Now I feel your heart
You and I resembled each other more than anyone
That’s why the scars are bigger
You didn’t even say sorry
To these lyrics, Seungho said, “It will translate differently depending on the viewpoint. We want to reveal all the relevant content with straightforwardness, but there were a lot of good memories. I do not want to ruin those. Just think of it as we’re supporting one another.”
“Mirror” is MBLAQ’s first one as three members. While watching it, it’s clear there is something missing. Gone are the outstanding dances and charismatic music; it seems ballad-type songs may be here to stay (their last release, “Be a Man,” was also a ballad). While the song itself is good, the MV is lackluster.
“Mirror” opens with Seungho, Mir, and G.O riding in a car. Then, they’re wandering and running the streets, standing on buildings, and singing in open doors inside a warehouse. This is the MV. On the surface, it’s fairly dull and nothing stands out, making this a questionable MV and song for a comeback.
Looking deeper, however, there are things to notice that make sense to MBLAQ’s current situation.
The Car Ride: The fact that the MV opens with Mir, G.O, and Seungho in the car is telling. The car has a vanity plate that reads “B3LAQ.” The three members are heading to a new destination, so the drive represents how they are on a new journey. At one point, Mir puts his arm around the empty seat nearby as he looks wistfully at it, hinting that something is missing. This could be the other members or a lover depending on the interpretation.
Walking the Streets: As MBLAQ walk and run through the street, they have wistful appearances. The members are remembering the good times.
The Doors: MBLAQ are seen walking through or standing around doors inside the warehouse. When they’re standing in the doors, this symbolizes how they’re unwilling to move forward to new opportunities at first, especially without the ones who left them. At the end, they walk through them indicating they are heading into the future. The doors never close either, so they are leaving the doors open to opportunity and leaving doors open for the others.
Backup Dancers: At one point, there is one female backup dancer, so this lends credence to “Mirror” being about love. However, there are four male backup dancers. Mostly, they are background, but at 3:43, there are only two. It’s like they are the memories of Lee Joon and Thunder since they are dressed in non-descript colors, but it’s clear Lee Joon and Thunder are still important to the remaining members.
Y: The back of Mir’s shirt forms a “Y.” “Y” is MBLAQ’s second single and featured Seungho, Thunder, Mir, G.O, and Lee Joon on the track (their debut song, “Oh Yeah,” did not feature Thunder as he joined MBLAQ 15 days before their 2009 debut. His vocals were not on the debut album, but Sang Bae–the member Thunder replaced– was. Sand Bae departed the group due to health issues). “Y” is also the single that won MBLAQ’s first music show win. The “Y” on the shirt refers to both their beginnings as five members and the song that earned them attention as well as questioning “why did you go?”
The End: The MV ends with five dots arranged in a triangle, then lines connect all the dots. M3LAQ still thinks of themselves as five members, and no matter what, they’re still connected to one another even though the others have moved on.
The symbolism is what makes the MV better than what it is because there isn’t much to it. MBLAQ did their best to make the material standout, and the method was somewhat effective. If someone isn’t willing to look at the deeper meaning, the MV is just dull.
As a whole, “Mirror” is pretty and highlights Mir, G.O, and Seungho’s vocals. While it is a good song and the MV is subtly impactful, neither are that memorable. “Mirror” earns a 2.5/5.
—-Joelle Halon
FOR IMMEDIATE RELEASE
Hallyu Festival & Conference Announces Postponement
DALLAS, TEXAS, JUNE 15, 2015 – The Hallyu Festival & Conference, which was scheduled for July 3, 2015, through July 4, 2015, at the Hilton Anatole in Dallas, Texas, has been postponed until July 2016 due to the current MERS outbreak in South Korea.
Although the organizers of the Hallyu Festival & Conference gave the matter much consideration, postponing the event is in the best interest of all involved parties including South Korean performers and festival-goers. With the current MERS outbreak, there is a potential for a health scare, and the Hallyu Festival & Conference organizers, performers, and artists are erring on the side of caution. The artists and performers agreed that the postponement was a wise decision, and they look forward to coming to participate in the 2016 Hallyu Festival & Conference.
Ticket holders can receive a refund by contacting support@hallyufest.com or by contacting their ticketing agency. Full refunds will be given with exception to service fees. Should ticket holders wish to retain their current tickets, they will have top priority for the next scheduled event.
The 2016 Hallyu Festival & Conference will be officially announced at a later date. The event will feature Asian performances, art, food, entertainment, and more. The Hallyu Festival & Conference gives a glimpse at true Asian culture, with events and demonstrations featuring pop culture, music, music videos, and more. The Hallyu Festival & Conference aims to raise awareness for Asian culture while offering a fun experience for people of all backgrounds. Customers will be able to place their tickets on lay away at a future date to lock in their spot before slots fill up. Scholarship recipients will also be announced at the event. Those that have submitted the 2015 scholarship application before the deadline, will not have to resubmit. More information can be found at http://hallyufest.com/.
About the Hallyu Festival & Conference
The Hallyu Festival & Conference strives to bring people closer to Asian culture, music, and art.
Contact
Denise Coley, Founder/CEO
E-mail: info@hallyufest.com
Phone: 972-848-7299
For this week’s Flashback Friday, we bring attention to the former K-Pop group Lady.
Lady were active from 2005 to 2007 and were signed to Logi Entertainment. Lady formed via tryouts when they were expected to be a three-member group. Prior to debut, another member was added.
The now four member group made up of Sinae, Sahara, Binu, and Yuna was unique as it was hailed as the first transgender idol group in Korea. In 2005, they released the singles “Attention” and “Ladies Night.” While they are currently looked back upon fondly by current international audiences, during their tenure, Lady were not well-received by the Korean public.
https://www.youtube.com/watch?v=CsjllxfTzhc
According to their bio, Lady formed following the rise of Harisu, a Korean transgender vocalist. During the time of their artistic emergence, pushing the sex appeal envelope was considered a popular trend. Because of this, Lady started off with and maintained a sexy concept.
Lady, unfortunately, had average vocals at best, so this was an issue along with being transgender in a conservative country. Prior to debut, the group received little training, so vocals were not as refined as they could have been. In favor of training, trying to ride the popularity of Harisu was more of a priority. However, the group did experience acceptance and mild popularity in Japan and China, so they did leave behind something as their legacy.
Conversely, during Chinese promotions, accusations surfaced suggesting Binu became transgender in order to avoid mandatory military service; this did not sit well with people. Following the accusations, the group went on hiatus.
In addition to this controversy, their label released a photobook titled Women Reflect! that featured the scantily clad and topless Lady members in an effort to drum up interest. Naturally, this didn’t go over well.
Following their singles and photobook, Lady went on a long hiatus and were rumored to have disbanded in 2006. In early 2007, Logi Entertainment released an official announcement of their disbandment was made on their Daum cafe explaining why they disbanded. The statement read:
The transgender group Lady, with Sinae, Sahara, Binu, and Yuna, had a one-year run since April 2005. After a year of activity, the group discussed dissolving in August 2006. The reason for the group’s termination was due to the prejudice they experienced. This [prejudice] restricted their stage and broadcast performances. Emotionally, Lady suffered during the span of their activities.
From the beginning, Lady had great endeavors, but in the end, the prejudice of people was stronger than their will. One of the members was criticized for circumventing mandatory military service by becoming transgender.
Lady also toured in Japan and China where they experienced an unexpected positive reaction, but it was difficult for them to tour overseas. However, Lady’s album Attention was very popular in clubs in those countries.
https://www.youtube.com/watch?v=HX_g-KSzP4o
Since their disbandment, Lady members disappeared into obscurity, as did their label. The person who inspired them, Harisu, experienced larger success and is still considered active even though her last MV was in 2012.
Lady weren’t the only transgender group. In Thailand, Venus Flytrap are still active. They debuted in November 2005 following Lady.
Only time can tell if we’ll see another group like Lady in the K-Pop industry again. Currently, N.O.M (Nature of Man) pushes the envelope of sexuality by blurring the lines of feminine and masculine living.
For this week’s Drama and Movie Thursday, we travel to Thailand to view 2003’s Last Life in the Universe. The film, directed by Pen-Ek Ratanaruang, stars Tadanobu Asano as Kenji and Sinitta Boonyasak as Noi. Like with last week’s Hana and Alice, the film sounds interesting on paper, but length and confusing cinematography make it draggy and confusing for some viewers.
PLOT
Asano plays Kenji, a librarian at Bangkok’s Japan Foundation. Kenji is a quiet, organized man who gets thrown into chaos by his brother Yukio, a Japanese yakuza member. When Yukio is killed by his friend Takashi, we see Kenji’s story unfold along with his suicide fixation. From here, a series of unfortunate events unfold that lead Kenji to kill a man, attempt to kill himself, witness a deadly accident, and then find himself entangled with Noi (Boonyasak).
Kenji and Noi form a bond over lost siblings, but the two are quite different. As the film unfolds, we see them flirt with romance only to have the bond tested by an abusive ex and the yakuza until the story ends in a surprising way.
IMPRESSIONS
Kenji and Noi seem connected by fate as serendipity and unfortunate circumstances bring them together. The pair complements each other well and remains a focal point even though there is a constant sense that something bad will happen. Last Life in the Universe is built on gloom and doom, so anything of the contrary would derail the film’s dynamics.
From the beginning, it’s clear the film would be void of joy. The opening focuses on Kenji’s dwelling: Categorized books, beer neat and orderly, the space overwhelmingly sterile. Kenji, too, is more sullen than lively. The entire time, we see him imagine his suicide scenarios, leading the film to take on a dark comedy vibe at times. He wishes to be physically dead, but the audience already sees he is mostly dead in spirit.
Kenji is contrasted by the livelier Noi. His pot-smoking, slovenly mate symbolizes disorder as everything around her is unkempt. From the moment she appears on screen, it’s clear she is going to bring disorder somehow to Kenji’s life, and this is even before they are directly connected.
Their connection should be something that would require beautiful storytelling; this is not the case. Their pairing just brings confusion as time and space seem scrambled throughout the first portion of the film. Surreal elements like a home cleaning itself and bending time actually make the audience feel like they are smoking Noi’s pot.
These elements make it difficult to really determine what is false and what is reality, leading the film to become a confusing journey. There are a few things we know are true though:
- Kenji and Noi form a legitimate bond
- There are two dead bodies at Kenji’s place
- Death influences the film
- Jon, Noi’s ex, and the yakuza are a threat
Once these elements are firmly in place, then parts of the story make sense.
The ending may throw people for a loop as the film enters a split screen with alternate endings side-by-side. It’s up to the audience to decide which is real and which isn’t while using clues from past sequences to determine which is the true ending. Some may akin the technique to the final scene of Lost in Translation when Bill Murray whispers in Scarlett Johannson’s ear: You may never know what is said there, just like you may never know what is the true ending of Last Life in the Universe.
Even though there are some messy follies, the film does excel in small elements. These elements such as three languages (English, Japanese, and Thai) being spoken, the appearances of lizards, and the contrasts between order and disorder help move the story along. It’s fun to watch for the little things, especially as the film heads toward drag territory in the middle.
All elements combined, there is an interesting story at hand, but keeping fantasy and reality straight make following the film a chore at times. If you’re someone who isn’t into artsy films, this may not be the movie for you. Otherwise, it’s an interesting journey that’s worth following to some degree.
Last Life in the Universe earns a 2.75/5.
You can find Last Life in the Universe on Veoh.
–Joelle Halon
On June 1, 2015, BIGBANG released the second installment of their MADE Series with A. A has six songs: “Bang Bang Bang,” “We Like 2 Party” and their instrumentals, as well as “Loser” and “Bae Bae.” A features songs that are more party-centric and upbeat, which is different from M’s sexually-charged, self-loathing anthems. The shift is perfect for summer; so many VIPs will enjoy it.
The album opens with “Bang Bang Bang.” The song has a similar vibe to “Fantastic Baby” from a few years ago with booming sound, addictive chorus, and catchy beat. While it doesn’t quite reach the addictive levels “Fantastic Baby” had, but it’s a good stand-in that—while not as addictive as the aforementioned “Fantastic Baby”—it actually does a few things better.
For starters, T.O.P rocks the song. His rapping keeps getting better with stronger flow as he matures. Seungri, also, has more maturity that is evident in his lines.
On the flipside, “Bang Bang Bang” feels more like a song made for Just Dance or Zumba game. With this, G-Dragon’s vocals feel squeaky and off at times, which throws the song off in the beginning. No matter what, “Bang Bang Bang” is still an enjoyable song.
https://www.youtube.com/watch?v=2ips2mM7Zqw
“We Like 2 Party” has a summery vibe that is reminiscent of BIGBANG from days gone by. For fans of earlier hits like “Sunset Glow” and “Always,” “We Like 2 Party” will be more your style with its light instrumentals and vocals. The song isn’t as heavy-handed as “Bang Bang Bang,” so it’s a nice inclusion since BIGBANG shows off different sides of their abilities. The lyrics provide a feeling of wanting to make memories and have fun, adding to the summery vibe. The song can easily become an earworm and a song that could be timeless due to its lighter vibe. Plus, it’s one that could be used to introduce new people to K-Pop.
https://www.youtube.com/watch?v=oFmfi1vM7co
“Loser” was one of the singles from Series M. The song has twinges of heartache mixed with its mid-tempo sound. The beauty of “Loser” is how each member represents a different element of loserdom in the lyrics. BIGBANG’s voices waver and flow well while providing the sense of loss, anger, and sadness that consumes them. What’s interesting is how some of the lines feel more flat than others, so there are twinges of being deflated. The song has hints of “Love Song” and “Blue” in it, so it is perfect for those who enjoyed them.
https://www.youtube.com/watch?v=1CTced9CMMk
Finally, “Bae Bae” is fairly memorable not just for its lyrical content, but for the way it’s delivered. At times, you can hear that BIGBANG did not take the song seriously, and that’s a good thing since it is sexually driven and one that has innuendo. How can it be taken seriously? Like with “Bang Bang Bang,” T.O.P and Seungri shine brightest, especially Seungri whose vocals drip with sex appeal. T.O.P, on the other hand, has more good-natured fun in his vocals that make the song feel unique and complete. While it’s not among the top BIGBANG songs, its uniqueness gives it an edge that rank it high in a category all its own. “Bae Bae” is essential BIGBANG and flaunts their personalities the best.
https://www.youtube.com/watch?v=TKD03uPVD-Q
So far, while the albums are performing well on the charts, these aren’t the best songs BIGBANG have produced. They get the job done and they’re making a lot of fans happy, but the lyrics just don’t suffice compared to BIGBANG of old. There are still two more mini albums to come, so it’ll be interesting to see what’s next. So far, there is a slight feeling of disappointment.
Made Series-A earns a 3.5/5
— Joelle Halon
MV Monday: BIGBANG “We Like 2 Party”
This past week, BIGBANG released the A to their MADE series with the songs “Bang Bang Bang” and “We Like 2 Party.” While “Bang Bang Bang” is more in your face, “We Like 2 Party” is softer and more summery. The MV features the fun, goofy sides of BIGBANG, making it an MV that’s more light-hearted than substance-filled.
https://www.youtube.com/watch?v=oFmfi1vM7co
Like with “Bang Bang Bang,” (which is covered in Album Review Tuesday) the feeling of “I heard this song before” came to mind. Then it hit: Weezer’s 2005 song “Beverly Hills” has a similar beat and tempo. There are similarities, but not quite plagiarism as it is an easy term to throw around these days. BIGBANG adds a few more notes to the melody, but the bones are there. There’s another song heard but can’t be pinpointed even though there are some nuances of Wheatus’ “Teenage Dirtbag.”
“We Like 2 Party” is nice and summery and connects well to their 2007-2008 eras with “Sunset Glow,” “Always,” and “Last Farewell,” so it was refreshing for those reasons alone. It’s great BIGBANG recalled their roots, but it brings about longing for the BIGBANG prior to the MADE series.
The song covers what the title suggests: Friends getting together, drinking, hanging out, and having a party. It has a reminiscent tone to it, like there’s a sense the party-goers don’t get to see each other much and they have to make the party memorable. This is where the MV, although it’s just BIGBANG having fun, plays a role.
The MV also has a sense of “let’s make this memorable. Let’s make this party fun.” It opens with BIGBANG getting on various forms of transportation and interacting with fans, these scenes matching the lyrics of “my friends came out again today/man, how you been? What’s up?” After their three-year hiatus, it is like the fans are long-lost friends coming to the party where BIGBANG are the hosts. Then the MV shifts to BIGBANG on Jeju Island playing on the beaches, enjoying each other, and creating havoc at a hotel and in the hotel pool to create the unforgettable party vibe while enhancing the summery feel.
The guerilla-style filming helps to create the fun party vibe. The scenes feel more authentic and candid instead of polished, and that’s part of the beauty. There are scenes, too, that aren’t so kosher such as Taeyang and GD flipping the bird at :43, and GD’s potty antics at 2:13. Sometimes things got a little too authentic. On the flip-side, we are seeing BIGBANG as they are right down to T.O.P wearing all his clothes in the pool (he’s said on multiple occasions that he doesn’t like exposing his body).
While it’s fun, “We Like 2 Party” is nothing special. It feels like a video that a rookie group would shoot to show they’re real people that do normal things. The MV just feels lazy and like YG and BIGBANG are focusing more on quantity (two MVs a month until September) than quality. Prior to hiatus, BIGBANG’s MVs were thought-provoking–this is not to say “Loser” and “Bae Bae” were not as the former definitely was while the latter was more innuendo-rich—but the A-Series set feels frivolous. There’s nothing special or particularly catching in the MVs, especially for “We Like 2 Party.”
However, even though there’s not much to “We Like 2 Party,” Seungri, T.O.P, and Daesung have definitely gotten better. Seungri and Daesung’s vocals are richer, and T.O.P’s rapping has more quality. Before, Seungri was more loveable goofball, while Daesung—although always having the strongest vocals in the group—was oft forgotten. T.O.P, while being a fast rapper with some interesting solo work, appeared wooden at times in MVs and in songs; this is no longer the case. These three prove that artists can get better with age.
As a whole, “We Like 2 Party” is an okay MV showing BIGBANG’s fun side, but it’s not that interesting or memorable for a group of their status.
“We Like 2 Party” earns a 2/5.
– Joelle Halon
Post-Taewoon-era SPEED made their return May 30 with the MV for “What U.” Heading into the song, there were some concerns circling around SPEED’s dynamics and how they would be with Taewoon’s exit from the group. However, it seems a lot of the worries were eased because SPEED still has their dynamics intact and another excellent song in their repertoire.
https://www.youtube.com/watch?v=xGci3RbaTdc
THE SONG
SPEED are a rare group due to their consistency and stream of strong songs with each comeback. With their comebacks, they show more growth and better depth to their abilities: SPEED can be loveable goofballs, emotional sweeties, or swaggy fun-bearers.
Sadly, they are terribly underrated despite their strengths, so they seem to be the group that will always be under-the-radar, but this is due to underwhelming advertising, random and often-by-surprise comebacks (even though they usually appear in the first quarter), and lack of noise during non-promotion periods. In other words, they’re always the bridesmaid and never the bride.
Good music can only get a group so far if the other variables aren’t there to help them out. Taewoon, though, was the face of the group, and people noticed him; without him now, it’ll be interesting to see if the group will grow or be further buried into the land of under-the-radar hit makers or if they’ll become flat-out forgettable. This is the quandary “What U” faces.
Even though Taewoon’s absence is noticeable, the remaining SPEED members do a nice job with “What U.” They provide a good amount of emotion and flair to carry the song, and they do so with an awesome beat and equally amazing instrumentals to back them. At times, the higher notes do sound shaky, creating an imperfect quality. This imperfection doesn’t hinder the song, however, especially when paired with some of the scenes in the MV. The vocals, at times, blend too much to where there isn’t enough vocal distinction.
The rap portions deserve a compliment because they hold their own. For “What U,” even if Taewoon was still with the group, his rap shouldn’t have been the focus because the other two were perfect given the beat and tone. So for rap, SPEED will be A-Okay just based on this song only.
By far, the best of “What U” is the instrumentals. The sound is a bit different from other pop-heavy songs released this year which makes it more enjoyable and memorable. There are hints of some old-school rap beats that help with the memorability, and the way vocals match the beat perfectly just make the song.
THE MV
Despite how good the song is, the MV is BLAND. SPEED MVs are usually pretty good with interesting dance concepts or a story. Since 2014, their MVs have become less interesting, so it’s not that much of a surprise this one is on the dull side. There isn’t much happening here: There’s a hinted at affair, random scenes of New York City, SPEED skating at a skate park, and random dance breaks. That’s it. It is one of those MVs where it seems the director wanted to be more artsy than cohesive. Sometimes it works; sometimes it doesn’t. In this case, it didn’t work.
The scenes are messy, so it’s difficult to tell what is happening. From what is gathered from the scenes, one member was cheated on by the girl, and he discovers this after he comes home to see the alcohol and another man’s ring on the coffee table. In the meantime, his friends are all skating around willy-nilly having fun. Apparently, the girl may have cheated because SPEED are bums and do nothing but hang out at the skate park all day… not that this condones cheating. As it seems, too, the girl has a drinking problem given her distress, daytime sleeping, and often woozy-looking scenes of which she is featured. It seems these are two broken people involved in a doomed relationship where escapism is a thing and working on being better people and in a better relationship is not.
What’s funny about the cheating discovery is that the girl isn’t confronted. Instead, he gets all creepy and stalks her. This adds a weird element to the MV, and one that feels out of place. Perhaps it would feel right if the MV focused solely on this story, but with the skate park theme, it’s weird.
The skate park is weird in itself too given the song. However, SPEED did something cool and different by incorporating heelies into the dance. THIS made the dance! What’s a shame is that viewers don’t really get to see the full performance for “What U” without having to view the debut during the 2015 Dream Concert or during any of the music shows. It’s neat how they can dance– on skates– without falling on their faces. Hopefully there’s a dance practice video in our future.
https://www.youtube.com/watch?v=BPJfOaShdqQ
OVERALL
“What U” is the first song SPEED has done post-Taewoon, and it’s a good song. There are some weak points with high notes and the MV has no flow or clarity. However, it works, and it’s proof that SPEED is underrated.as a group. It’ll be interesting to see where they go from here.
MV: 2/5
SONG: 4/5
OVERALL: 3/5
Philip Ahn (Ahn Pil-Lip -???) was born on March 29th 1905 in Los Angeles, California. His family had moved to America from Korea in the year of 1902, Ahn was allegedly the first US citizen of Korean heritage to be born in the United States.
When Philip Ahn graduated from high school in 1923, he went to work in the rice fields owned by the ‘Young Korean Academy’ which existed for Korean independence movement that trained Koreans to help rebuild the country once Korea was free from the Japanese colonial rule. The Academy had the rice field under Philip Ahn’s name since it was not legal for Koreans to own land in California. Due to heavy rain that year, the rice crops failed so Ahn was left with a debt, he got himself a job as an elevator operator to pay off the debt and support his family.
It was not until 1934 that Ahn was able to afford to attend the University of Southern California. He served as the president of the USC Cosmopolitan Club, the chairman of the All University Committee on International Relations and was also an assistant to the dean of male students as advisor for foreign student affairs. Philip Ahn had great interest in acting and considered to pursue it as a profession.
Ahn’s father, Changho Ahn (His pen name, Dosan) was the famous patriot and leader who fought for Korea’s emancipation from the Japanese colonial rule. He had just come back from China and knew that the profession of acting was a form of art and not regarded as crude an occupation as it was in Korea. He told his son that if he really wanted to become an actor, he should try to be the best actor he could be and advised his son to take courses in acting and cinematography.
Changho Ahn was a public figure in Korea as the nation’s patriot and a political leader. He spent his life resisting the Japanese domination.
In 1932, the Ahn the senior was arrested when he was back in Korea, after being involved with a bombing that killed Japanese officials; he died in a Japanese prison camp six years later.
Philip Ahn took his father’s advice and landed his first opportunity when Douglas Fairbanks saw Ahn waiting by his car for his then girlfriend and actress Anna May Wong. Fairbanks advised Ahn to take a screen test and he was given a role in a film.
“I’ll never forget that day,” Ahn recalled years later, “Still wearing my makeup, I proudly came home to tell my mother the great news. His mother’s response was not very supportive. “No son of mine is going to work in that terrible profession,” was his mother’s response and she locked him inside his room for three days.
Another funny incident Ahn mentioned was the time when director and producer, Lewis Milestone turned him down after the audition when he found that Ahn could speak English perfectly. As Ahn was leaving, he turned to Milestone and said, “Oh so sollie, honorable sir. Me no talkie light lay. So good-by, chop, chop.” Then, he was given the small part he auditioned for.
In 1935, Ahn appeared in A Scream in the Night, Anything Goes (1936) and his first credited roles came in 1936 in The General Died at Dawn and Stowaway, opposite Shirley Temple, Daughter of Shanghai (1937) and King of Chinatown (1939).
During the World War II, Ahn would often play roles of Japanese villains in war films. Many people would mistake him to be Japanese, so he received death threats via mail.
Ahn decided to enlist in the United States Army, having served in the Special Services as an entertainer. He was discharged before his time because of an ankle injury and he soon returned to making films.
Ahn appeared in Love Is a Many-Splendored Thing, Around the World in Eighty Days, Thoroughly Modern Millie and Paradise, Hawaiian Style, with Elvis Presley.
In 1952, Ahn made appearances on TV series, Schlitz Playhouse and he was cast in four episodes of Adventures in Paradise, four episodes of the Warner Brothers’ Hawaiian Eye and Hawaii Five-O. He was also featured in TV series like Crossroads, Bonanza, and M*A*S*H a few times. He mostly played Japanese and Chinese characters but he also played Korean characters in Korean War movies such as Battle Circus (1953) and Battle Hymn (1956).
Ahn was very active in the Korean community in Los Angeles; he contributed to making Los Angeles twin cities with Korea’s second biggest city, Busan.
He played an important role in bringing the Korean Bell of Friendship to California. The Bell of Friendship has been seen in various movies.
Ahn served as honorary mayor of Panorama City, California for twenty years.
He worked to have his parents buried in Seoul. His father had been buried in a location far from the city because the Japanese intended to play down his contribution to Korea’s independent work. His mother had died in America.
By working with the Korean government, Ahn helped to establish a park to honor his father and was able to have his parents buried together.
The Dosan Park was established in 1973 to commemorate the legacy of Changho Ahn.
Ahn’s acting career lasted for forty years, during this time he worked in over two hundred productions. To a lot of people, his most memorable role would probably be Master Kan in Kungfu.
He was honored with a star on the Hollywood Walk of Fame at 6205 Hollywood Boulevard, making Philip Ahn the first Asian-American to ever receive a star on the walk of fame. November 4th is known as Philip Ahn’s day in Los Angeles.
Philip Ahn died on February 28th 1978, at the age of 72. The cause of his death is stated to be either due to pneumonia or complications from surgery. Ahn’s legacy as an actor and his love for his motherland will live on.
—-J. Chung.
Every week for Drama and Movie Thursday, we choose a film or drama at random to watch and review. The film may be new or old, but it’s always fun to watch something different. This week, the random choice was 2004’s Hana & Alice, a Japanese comedy-drama film with an interesting premise that seemed like it would be fun to watch. One thing learned from Hana & Alice is that just because it seems interesting, it doesn’t mean it will translate well to film.
The Plot
Hana & Alice centers on the titled main characters played by Anne Suzuki and Yu Aoi, respectively. Prior to their high school years, Hana finds herself lovesick over a stranger on train: Misashi (Tomohiro Kaku). Fast-forward a little bit, and both she and Alice pass their high school entrance exams and end up at his high school. Hana joins his drama club and follows him one day, just so she witnesses Misashi walk into a door and collapse. She convinces him that he has amnesia and that she is his girlfriend. As expected, one lie leads to another and Alice ends up involved as the “ex-girlfriend.” Eventually, a triangle forms that tests the friendship.
Characters
Aoi and Suzuki are the bright spots in Hana & Alice because they feed off each other well. Suzuki and Aoi portray a realistic friendship and make their characters feel as if they have been friends since childhood. Both girls are excellent in portraying joy, sadness, and heartache as they navigate through their personal lives and love-triangle.
Suzuki is perfect as the somewhat selfish but, at times, timid Hana. Suzuki provides some hesitancy in the role that makes Hana feel human and more than a screen character. The key is to watch Suzuki’s facial expressions throughout the movie as the subtle nuances such as the tilt of the head, a raise of an eyebrow, or certain ways she blinks really show the inner workings of Hana and any guilt she may feel about the scam she’s pulling or any jealously she has toward Alice. Her expressions make up for, at times, dull line delivery and wholly show the growth the character experiences.
The same can be said for Aoi’s Alice. Alice comes across as more confident and sympathetic, and this is due to Aoi’s flawless performance. On the surface, you see a strong girl with a cheerful demeanor, but her eyes tell the story of someone who puts up a front and hides issues at home with her cold, uncaring mother who only wants to chase men. Hana is the one constant in her life and it shows, while Misashi provides the male stability she lacks. Alice is a joy to watch.
Then there’s Misashi, who is possibly one of the worst characters ever conceived. He’s dull, lacks a personality, and is too monotone to even be remotely humorous. Yes, he is supposed to be this way since Hana and Alice’s initial attraction to him was through a distant glimpse on a train, but he could have had some hint of a personality in order to make him interesting. His dullness got so annoying that he totally dragged the movie.
Impressions
Exploring the friendship and the dynamics of Hana and Alice’s friendship really should have been the focus, and it was mostly except for the limp noodle Misashi pretty much dampening the whole movie experience. He is a dark cloud that was hard to avoid. There’s monotone, and then there’s walking the line of completely unbelievable as a character: This is Misashi.
Other elements of the film should be noted, though. The documentary-style filming made the story feel more personal, so this was definitely a help. The muted tones, however, constantly hinted at some of the dullness contained in the Hana & Alice.
Overall, if you enjoy friendship films but despise dull characters, this film may not be for you. There are subtle hints at humor, and Aoi and Suzuki are superb in their roles, but the bland male lead doesn’t help the film at all.
https://www.youtube.com/watch?v=Vb6KKTgjzLU
—-Joelle Halon
This mini drama stars
Episode 7
The episodes get shorter and shorter as this series goes along and while it does save time, it leaves me wondering how they’re going to get everything into the episode.
This one starts where the last left off with Yeonhee being defended by the 4 members. Yeonhee goes home and is excitedly telling Gaeun of the events that happened. At the same time, Baekhyun guesses the boy must be Yeonhee’s ex, leading D.O and Chanyeol to display what looks like jealousy.
Gaeun tells Yeonhee that her ex will get interested again and call soon.
Sehun spends time with Yeonhee’s brother again in their strange bromance. I finally realized this was an easy way to help the plot move along faster, which is really smart.
The next day when Yeonhee is cleaning, Chanyeol is creepily watching her and when she asks him if he needs something he rudely responds.
The episode ends with Yeonhee helping D.O. read romantic lines from a script and her getting a little embarrassed from this.
These short episodes stress me out. I want things to move faster, but I feel the same during regular length dramas as well. Another thought that has crossed my mind watching these episodes is how exactly are they going to involved all of the members of EXO.
Episode 8
This episode continues with Yeonhee and D.O. going over lines. Yeonhee gets super embrarassed and fakes sick to try to leave. She recieves a call from Minhwan but Chanyeol holds her phone above her head and asks if he is her first love.
He doesn’t get a response and the scene cuts to Yeonhee being questioned by Gaeun, who gives her a pep talk involving EXO and her love life. Kwangsoo overhears and comes to the conclusion that Yeonhee likes one of the EXO members, which he later tells Sehun.
Sehun reveals to the others that the member Yeonhee likes is Kai and not surprisingly Kai shows up at their door.
Finally, something that will stir up a little more drama in this, well, drama. The production behind this drama recently announced they would be reworking this into a movie and I feel that format would work much better with this. I will say that the acting in this so far has been much better than I initially anticipated, and really enjoyable.
Episode 9
The episode starts out with all the members of EXO greeting each other and preparing for a photoshoot.
From the conversation Sehun and Chanyeol have it is shown that Suho is almost healed completely from his injury and will be able to start dancing soon. Somehow a group conversation turns into the members egging Chanyeol to get Yeonhee to show up so they can meet her. When she shows up Kai takes immediate interest, pulling her to a separate room where they talk, much to Chanyeol’s displeasure.
Later on, Chanyeol dreams of his grandfather who tells him he has lost something twice now. The next day, Chanyeol watches Kai and Yeonhee interact with much jealousy. Before the episode ends his grandfather’s words cross his mind.
This episode was mostly Chanyeol glaring at Kai’s attempts to get closer to Yeonhee, which was pretty hilarious. It was nice to see all of them members in this finally. This is really like a fan fiction or something come to life and I understand a lot of the popularity now.
—-Ke’Anna Bullard
Okay, to be completely honest, there has not been a drama that looked interesting enough for me to watch it. The last drama I saw was You Who Came From the Stars, which aired about a year ago. Now that school has settled down for me, I finally found the time to do some research to see what dramas would be good to watch and the following list is what I found.
Heard It Through the Grapevine
This drama was a unique theme that is not normally used in Korean dramas. It’s a black-comedy drama and it’s about a family with very good reputation, whose entire family faces trouble when their teenage son gets his schoolmate pregnant.
This is one of very few dramas where the actors don’t get bashed on with poor acting skills. Although one of the main characters is Lee Joon, who is a former idol, due to his excellent acting he has no hates towards him.
I’ve actually seen this drama when my mom watches it, but I’ve never seen the entire episodes. I only saw 2 episodes but the storyline is very easy to understand, even without watching all episodes. But don’t get me wrong, that is how I always watch my dramas, I always like to bounce around and I never watch them in order. Maybe I’m giving you the wrong impression, but this is a very good drama to watch, like I said before, this kind of theme in Korean dramas does not happen often, and it’s definitely worth the watching.
Orange Marmalade
For those who don’t know, this drama is based on a webtoon, aka webcomic by Seok Woo. This was published on Naver from February 2011 to January 2014. It’s a fantasy love story between a vampire and a human.
AOA’s Seol Hyun plays Baek Ma Ri, who is a senior at her high school and she is also a vampire. No one at her school knows about her identity because she keeps it a secret since humans are afraid of them. Humans talk trash about the vampires all the time around her, not knowing Ma Ri is a vampire. She does not like how people talk about the vampires, but ignores it because there isn’t much she can do if she wants to live like a normal person. On the other hand, Jung Jae Min, played by Yeo Jin Goo is a popular student who falls in love with Ma Ri.
When the final casts were released, there were many angry fans because for those who have already seen the webtoons, they knew very well that the actors didn’t match the character’s image. Despite from all the hate, the director still kept the same actors and when the first episode was aired, many fans were surprised. The two main characters acted out very well and everything went along the scenes. As a fan of this webtoon my self, I was also very worried at first but after seeing the first episode it completely changed my mind. This is currently one of my favorite dramas.
Producer
This drama shows the behind scenes of popular variety shows. Famous actor from a hit drama You Who Came From the Staes, Kim Soo Hyun plays the role of Baek Seung Chan, who is a variety show PD. He needs to make a hit show and costars with a pop star Cindy played by IU, Tak Ye Ji as a music PD played by Gong Hyo Jin, and Ra Joon Mo is another variety show PD played by Cha Tae Hyun.
When this was first aired, there were many negative comments about the drama saying how boring it was, and to be completely honest, it was very boring. I was so disappointed that I wasn’t even going to bother seeing the second episode but when the second episode was aired, most of the comments were positive, saying it was way better than the first. It turns out, the directors changed after the first episode. Now, this drama is one of the best dramas out there, it’s so funny, and yet romantic. I highly recommend people to give it a try.
—-Juyeon Oh
This is very exciting news for the KARA fans. KARA is having a comeback on the 26th of May. For the last couple of days, DSP has been releasing teasers for each member, along with bonus scenes. There are no sneak peeks to their choreography or their outfits, but there are just 2 more days to wait! On the 23rd, they have already revealed their title track called ‘Cupid’ at the ‘2015 Dream Concert’ at Seoul World Cup Stadium. It’s a bummer for the international fans because we didn’t have the chance to see it even if we wanted to, but let’s just think positive since we only have 2 days left to wait. From seeing their sneak peek photos of their concept, I have a lot of feeling that KARA will have somewhat of a cuteness as their image for this comeback.
It’s very exciting news because they have not done a cute style for about 5 years. The songs within the 5 years have been more powerful than being cute. Step, Pandora, Damaged Lady, Lupin, Jumping, and Mamma Mia are all powerful dances, which was a big change for them because their debut album and other songs following that were all about being cute.
Their comeback is getting more attention than ever because this will be their second comeback with the new member Heo Young Ji. On their last comeback, Mamma Mia, Young Ji did not get enough singing parts because she was new and the other members and the company wanted her to get used to the stage first. She only got about 2 lines out of the entire song to sing so some fans thought it was unfair, which I understand, but I also think that having little lines helped her more because you could tell how nervous she was for the first couple of stages. I think DSP made the right choice to keep her in the safe zone. I mean how can you be not nervous when you’re performing in a group with other idols who have been in that industry for more than 7 years?
Young Ji really fits into KARA. At first when they were airing the show KARA Project, no one expected Young Ji to win, especially since she wasn’t in 3 of the episodes from being injured. Because she was already behind from not being in previous episodes, not many people knew her so I for sure thought she wasn’t going to be the one.
In my opinion, she didn’t have enough time to show her talents, and I think that the other members did a lot better than her so it was very surprising when Young Ji was announced as the winner. Looking back I now know that DSP made the right choice because Young Ji made KARA’s image better. KARA was literally going downhill after all the rumors they had to deal with and the fact that 2 of their members left after contracts ended did not make things any better. What really turned things around was Young Ji. She was in a variety show called Roommate Season 2 and this is where she really stood out. She is known for her laugh, which really brought all the attention.
I would love to see her have more singing lines this comeback. She is a great singer with amazing dancing skills. I think DSP gave her more time to shine this time, now that she is used to being on stage in front of thousands of people. I am really looking forward to this comeback, and just by the look of the teaser, I can already tell it will be a hit.
—-Juyeon Oh
For this week’s Drama and Movie Thursday, we’re still riding our Way-Back Machine. We’re stopping at 1988 to look at the excellent Studio Ghibli film Grave of the Fireflies. This movie had to be brought up because not only is it an amazing, heartbreaking story, it’s a film that makes the viewer stop and think (and maybe cry).
Grave of the Fireflies (GotF) is one of those rare movies that only require one viewing to be deeply impacted by it. While many who’ve seen it deem it an anti-war film, the director, Isao Takahata, states otherwise. Takahata says the film “is not at all an anti-war anime and contains absolutely no such message.” Instead, he states the movie was meant to follow a brother and sister as they fail to live due to societal isolation and lack of sympathy toward other people. No matter the movie’s meaning, it’s one that shouldn’t be missed.
Plot
The movie follows brother/sister duo Seita and Setsuko in 1945 Kobe, Japan. The movie begins with Seita’s death and the removal of his body, his possessions tossed to a field. We then see Seita and his young sister Setsuko in the field, followed by Seita telling their story in an extended flashback.
The story goes back to March 1945 during a bombing in Kobe. Here, viewers see the destruction of the city as the two children try to survive, losing their mother in the process. They then move in with an aunt, leave as she grows cold toward them, and the story continues to unfold from there as the duo struggle. As Seita and Setsuko live alone away from society, viewers have an opportunity to see how important they are to one another, even as circumstances grow desperate.
Thoughts
The beauty of GotF is how childlike innocence and pleasures mingle with a very dark, political, and adult world. The story is jarring in that–when people look back on WWII, they see old footage of bombings, movies that romanticize the ideal, or stories that gloss over the human toll the wars had–by centering on a toddler and a teenager, the world is viewed with simplicity and innocence and through someone who is torn between childhood and adulthood. They experienced the atrocities of war firsthand, and it’s insightful to see the war realistically through the eyes of the victims, albeit fictional victims.
GotF is grounded, too, in the in-between world of childhood and adulthood with the use of childhood pleasures like candy and fireflies. These serve as pieces of hope in a world that is dim and growing dimmer minutely for the protagonists. These childlike pleasures may seem meaningless to the viewers, but for a duo that experienced war, death, human cruelty, and more potential death, they mean everything and remain a symbol of hope.
With that said, the movie is jarring for those who are young and anyone who just can’t accept the darkness of the human condition. Even though I fall in neither category, once the movie ended, I found myself sitting quietly for well over an hour just thinking about the horrors of the world and the pain we inflict upon each other. GotF puts a lot into perspective and may even cause an inner peace to wash over a viewer, possibly prompting them to want to change for the better. This happened to me. It may not happen to others, but one thing for sure is that the movie will stick with a viewer.
Since the 1988 original, two live-action remakes entered the market in 2005 and 2008. The 2005 drama was made in commemoration of the 60th anniversary of WWII’s end. The story does center around the siblings, but is told from the point-of-view of their cousin. The2008 version was different from the 2005 version. However, neither packed the emotional punch the 1988 anime version did.
The original Japanese with English subtitles is the best to watch since the voice actors are more convincing. If you’re someone who can handle extreme emotions, death, and really sad movies, GotF is worth picking up. If not, avoid it at all costs. However, it is recommended to watch it once.
—Joelle Halon
BESTie Love Emotion Review
Girl group BESTie made their return with Love Emotion May 8. Hae Ryeong, Hye-Yeon, Dae Hye, and U Ji have a solid hit on their hands with the album if people are willing to listen. Their vocals are strong and pleasing and carry on throughout the album. Perhaps the only downfall is their version of “Mamacita” didn’t make it on to Love Emotion. If it did, the album would have been 20 percent cooler.
“Excuse Me,” the album’s promoted track, opens the album. The speak-easy sound makes the song easy to enjoy and fun to groove to from beginning to end. The chorus is especially fun and highlights BESTie’s sparkly personalities. The spoken “excuse me” is often cute and doesn’t detract from the actual song. The portion where they sing “left, right, side to side” changes the tempo of the song in a good way to add different layers. “Excuse Me” is a fun song to brighten up the day.
“Hush Baby” is an enjoyable mid-tempo dance track with hints of disco. It’s a refreshing song that covers moving slow in a relationship, hinting that BESTie wants an actual romance and not a date-and-dash relationship. The vocals are pure and sweet to where it’s easy to pick out individual voices. The harmonies sound amazing as well. The only drawback is how the song ends abruptly.
The third track is “Single Bed.” The song is about wanting an ex to come back. The song should be a sad one given the subject matter, but it’s surprisingly not. The beat feels like it belongs on the ballroom circuit and fits perfectly with the subject matter. The rises and falls with the beats make it easy to imagine someone wrestling with wanting the ex-boyfriend back while trying to move on. The girls sound great in the song, and it easily could have been selected as the promotional song.
“I’m So Fine” livens up the mood again. While it’s catchy, it’s not exactly the best song on the album. The rap portions make the song slightly less enjoyable, as does the whistle in the instrumentals. The overall sound feels less polished than the other songs too. There are also times when the singing sounds slightly screechy, making “I’m So Fine” the album’s weakest link.
With the instrumental version of “Excuse Me” excluded, Love Emotion wraps with “이런 날.” BESTie does ballads well because their voices are suited for them. The song is pretty without being overwhelming, and because it doesn’t feel processed, there is a raw quality to it that makes it a classic ballad. At times, it has hints of the ballad sound from early 2000s-era K-Pop which makes it even more bittersweet and enjoyable.
Love Emotion is one of May’s most solid comebacks or debuts. It’s always a shame that BESTie doesn’t get the recognition they should have because they are among some of the better group vocalists out presently. With that said, Love Emotion earns an A-.
Love Emotion is available on iTunes now.
—-Joelle Halon
This week’s non-Kpop Wednesday takes us to Indonesia where we meet girl group Cherrybelle. Also known as ChiBi, the nine-member group has sometimes been billed as Indonesia’s version of Girls’ Generation.
The girls were chosen in February 2011 following auditions in Jakarta, Indonesia. During this period, the Hallyu Wave was riding across Indonesia, fueling the need for a group in the country. Music producer Dino Raturandang chose Angel, Anisa, Cherly, Christy, Devi, Felly, Gigi, Ryn and Wenda (all stage names) out of the 400-or-so girls who auditioned. After selections and a few months of training, Cherrybelle debuted in August 2011 with the Love is You mini album which was greeted with decent sales. From that album, “Dilema” was billed as their first single with “Love as You” as the second. It’s catchy music and fun dance helped to earn them attention from Indonesian fans, but they also caught the ire of international fans.
https://www.youtube.com/watch?v=4TPGNwOVPJ8
https://www.youtube.com/watch?v=FUROnfyoUow
K-Pop fans accused Cherrybelle of plagiarizing Girl’s Generation in style and dance, most notably SNSD’s “Gee” with the colored shorts. Since then, some K-Pop fans make it a point to comment on YouTube videos with plagiarism claims. Of the similarities, Dino Raturandang said that I-Pop was an evolution of K-Pop and denies plagiarism claims.
The group has undergone some lineup changes since debut. In 2012, Devi and Wenda departed and were replaced by Kezia and Steffy. In 2013, Anisa departed and was replaced by Novi.
Since 2011, the girls have had two additional albums since Love is You, adding 2013’s Diam Diam Suka and 2015’s Reborn. In addition to the albums, they have three movies titled Love is U, Crush, and Battle with Love. All are available on YouTube.
Cherrybelle, for the most part, has a decent mix of sounds that walk the line between K-Pop and J-Pop while sounding uniquely Indonesian. Earlier songs lacked refinement and sounded amateurish, which is usually the case when groups first break into the industry. However, their Reborn album features a more mature sound that seems to be resonating well with fans. Perhaps Cherrybelle, along with other Indonesian artists, can start to be recognized for their music.
https://www.youtube.com/playlist?list=PL8WP9wFBGBg70z9umlI2-AjZw37112J9y
—-Joelle Halon
After the annual MET Gala at the Metropolitian Museum of Arts, many were left in awe of Fan BingBing’s dazzling representation of the theme “China: Through the Looking Glass.”
Fan made another appearance in Cannes, France at the Cannes Film Festival in another gorgeous outfit, leaving many in awe and wondering just who this woman is.
Fan, born September 16, 1981, is a Chinese actress, producer, and pop singer. She is recognizable from her appearance in X-Men: Days of Future Past, portraying Blink, one of the mutants. However, her acting career began with minor roles nearly 20 years ago before her breakout role as Jinsuo in the television series My Fair Princess in 1999.
Fan also has started her own studio, Fan Bingbing Studio, in 2007 after leaving her previous company. That same year she starred in eight different films and won Best Supporting Actress at the Golden Horse Film Awards for her role in The Matrimony. Her studio has also produced many other successful productions: Rogue Snow(2008), a television production; The Last Night of Madam Chin, a movie based on a book of the same title.
She also opened an arts school in Huairou, Beijing and was principal (her parents actually run the school). To date, Fan has been in over 75 productions. She released her debut album Just Begun in November 2005, and provided 12 theme songs for various productions.
Fan is also a fashion icon, known for her daring looks. Her actions have caused her to receive invitations from many brands including Versace, Dior and Louis Vuitton to attend various fashion shows. Fan also was selected by Barbie to join the Barbie global celebrity Hall of Fame and had a doll, the Fan Bingbing Celebrity Specialty, released in Shanghai.
Fan, along with Chen Lizhi (the general manager of Beijing Maite Media), also created Heart Ali, an organization seeking to help children suffering from congenital heart disease in Tibet. Fan is directly involved with these efforts, accompanying teams to screen children on two separate occasions.
It is truly amazing to see all of the work Fan has done with her life in the time she has been in the industry and am anticipating much more from this well rounded actress. She is currently set to appear in 5 films this year, both in China and abroad.
—- Ke’Anna Bullard
‘The Producers’ is a new drama series that features the dramatized, yet very realistic lives of producers and staffs at an entertainment division of a broadcasting station in Korea. Since the drama has not been aired yet, (the first episode will be aired on the 15th May, Friday- Korea time) in this article I will be revealing the short profiles of the main characters.
Joon-mo Ra (Played by the actor, Cha Tae Hyun) is a producer/director who has approximately ten years of experience working in the entertainment industry. He feels uncomfortable expressing his opinions and afraid to hurt peoples’ feelings which affects the way he works. Despite his many years of experience in the industry and his contributions to various shows and programs, he still has to produce a show that could be considered as a ‘hit’ and his own to claim.
YeJi Tak (Hyojin Gong) is an experienced producer who is never afraid of expressing her opinions and telling people what to do. She works as the director of the long-running music program, “Music Bank” and ‘Sung Chan Baek’ who is the new intern, has to impress her in order to survive in this industry. Ms. Tak has her peer, ‘Joon Mo Ra’ wrapped around her finger since they share a past that involves family issues that enables her to manipulate him.
Sung Chan Baek (Played by the actor, Soo Hyun Kim) is a new intern at the broadcasting station’s entertainment department. Baek is a law graduate from an ivy-league school who he chose to work at the department of KBS for variety shows due to personal reasons. Baek is an intelligent young man but very able in making mistakes and his personality and behavior would be considered as very ‘clumsy’ – he has a long way to go if he wants to succeed in the Korean entertainment industry.
Cindy (Played by the singer IU) is a popular singer who ranks as the top artist in the music business. Cindy “debuted” as a singer and entertainer at the tender age of 13. And currently at the age of 23, she seems to know all the ropes in the music business. Nicknamed as the ‘Ice Princess’ for her frosty personality and lack of emotion, she knows well not to trust anyone in the music business.
‘The Producers’ will be adding more of a reality element by featuring cameo appearances of singer and entertainment CEO Jinyoung Park (a.k.a JYP), veteran actress Shinhye Hwang and Bora Guem, the comedian Youn-ja Lee, Tiffany (Girls’ Generation member), Nichkhun (2PM member) and various other actors and K-pop singers.
Photos provided by KBS production
—-J. Chung
Another new segment we’re introducing here at Kcrush is Drama Thursday. Drama Thursday will introduce you to different Asian (Korea, Japan, China, and Thailand) dramas and movies that may fit any mood. Some you have heard of while others may be obscure to some audiences. We’re not just focusing on new movies and dramas, but old ones as well!
This week, we’re hopping in our Way-Back Machine to 2006 to look at Love Com. The Japanese romantic-comedy was directed by Kitaji Ishikawa and starred Ema Fujisawa as Risa and Teppei Koike as Otani, the story’s protagonists.
Love Com is the live-action movie adaption of the popular shojo manga Lovely Complex by Aya Nakahara. The award-winning manga ran from 2001-2006 and was published by Shueisha in Bessatsu Margaret. The movie followed in 2006; a video game came out in 2006, and the anime aired in 2007. The sequel to the manga, Lovely Complex D ran from May 2009 to June 2012.Love Com
Love Com is a cute movie that focuses on Risa and Otani. The two are a comedic pair with Risa being taller than her basketball-playing male counterpart. The duo is similar in personality, which is why they get along so well until Risa realizes she has feelings for Otani. Their friendship was definitely the most realistic element of the movie as Fujisawa and Koike have great chemistry together. The movie is worth watching for the two of them alone because they felt like they weren’t playing roles but were actually friends in real life.
Without giving too much away, the movie itself stays fairly close to its manga counterpart with a few omissions (Risa’s birthday) and slight changes in the ending. Otani and Risa’s relationship maintains its adorableness and realism as they go through high school. Their friends also play well off of Risa and Otani, building on the enjoyable factor.
What stands out are, of course, the quirkier characters like the homeroom teacher and his ever-changing toupees and the ridiculous factor of “Mighty,” a homeroom teacher who is way too in love with himself. They serve as great reminders that Love Com is irrelevant fun.
For some viewers, Love Com might be too much to handle with its quirkiness. For example, Risa’s sister is too deadpan to be taken seriously at times, even though she is enjoyable for those who enjoy purposefully bland characters. The homeroom teacher provides some much needed comedic intermissions, but some viewers who are not familiar with the manga may wonder about his purpose. Then there’s Mighty, who is really handsome, but his addition just makes the film drag weirdly toward the end. No matter how hysterical of a character Mighty is, sometimes he feels unnecessary to the story.
The dragging out of the end is Love Com’s main issue because there are several points starting around the 45-minute mark where the movie could have ended several times. This was the problem with trying to condense 17 volumes of story into one hour-and-a-half film. The movie, perhaps, would have worked best as a live-action drama because storylines could be explained better and explored more, especially if viewers jumped in without reading the manga.
Overall, if you’re looking for cute, funny, and irrelevant, Love Com is a great movie for you. What’s great too is that it’s available on YouTube with English subs. While it’s not the best movie out there due to awkwardness, it’s a nice story to keep your mind off of some of the bad things going on in the world.
—-Joelle Halon
Welcome to Non-K-Pop Wednesday! For this feature, we’re introducing you to artists from all across Asia. While K-Pop is currently the dominate genre out of Asia, there are so many countries in Asia that produce good artists and music. You won’t just see artists from Japan and China in this segment: We plan to country-hop to bring you different artists from Vietnam, Malaysia, Indonesia, Thailand, Kazakhstan, the Philippines, and so many others! Hopefully, you’ll expand your horizons along with us.
For the first installment of Non-K-Pop Wednesday, we’re looking a Candy Mafia, a girl group from Thailand.
Candy Mafia debuted in 2009 with members Nett, Bam Bam, Garn, and Nune under the name Mafia. Originally, the girls—who were 13 and 14-years old at the time—were a dance cover group formed to compete in Thailand’s JK Idol Cover; the girls gained interest from their 2NE1 and 4Minute dance covers as well as some of their vocals, garnering attention from the music industry.
In 2010, Candy Mafia made their music debut under Mono Music with the song “Mafia.” With their debut, controversy followed.
https://www.youtube.com/watch?v=7DDMFX-4VYc
Their initial debut was a hot topic in the K-Pop community as their debut MV was viewed as being too similar to 2NE1’s “Fire” and 4Minute’s “Hot Issue.” However, Candy Mafia started to gain more traction in Thailand with their second song “Alzheimer,” which was met with criticism from international fans.
“Alzheimer” is about a girl being dizzy in love, making her forgetful. However, international fans did not take kindly to the name of the song because of the association to Alzheimer’s disease. International fans wrote messages of hate on Candy Mafia’s Facebook and YouTube.
Subsequent songs after “Alzheimer” gained more positive attention, especially after a fifth member, Milk, was added to the group. However, Nune left Candy Mafia following the “Your Friend Can’t Tell You Everything” era, leaving Candy Mafia as four members once again.
With the releases of “Cliché” and “Automatic” in 2013, Candy Mafia started to gain more international fans. The successes of fellow T-Pop groups and artists like G-Twenty (who tried unsuccessfully to break into the K-Pop market), Natthew, and EVO Nine helped them earn attention. Improved vocals on top of already strong dancing skills helped also.
In 2014, the girls released “My Boy.” The song was lauded as one of their best because of their more mature vocals and abilities to tell a story. Internationally, especially in Europe, Candy Mafia took off from this song.
https://www.youtube.com/watch?v=J6sVcRfm9aY
Currently, Candy Mafia aren’t promoting, and there are rumors that started earlier this month that Garn and Bam Bam may have left. A statement from Mono Music wasn’t made available at the time of print. However, Candy Mafia are active on Twitter. You can check them out on their official YouTube and Twitter pages as well as their Facebook fan club!
Following the successful NU’EST concert a week earlier, Dallas hosted another show, this time 7 member boy group, GOT7. This was a very anticipated show, with fans from several states flying over to see the boys on their first US fanmeeting tour. The line began earlier in the day around 1:00 p.m. and ended up wrapping around the side of the building just before the doors opened at 6:30 p.m..
The boys started the show with their last comeback song, “?????(Stop, Stop It)”. Despite having performed 3 other shows within a week, the boys were very energetic getting the crowd excited right away. After performing “Gimme”, GOT7 headed backstage while the MC prepared us for the interactive part of the fanmeeting. A board with sticky notes from fans was brought on to the stage and the boys picked notes for each other to read. Youngjae and Jr. both sang parts of their favorite songs, while JB was requested to pick who he liked more between Jr. and Nora, his cat.
The next section included a game with fans who won the opportunity to go on stage with GOT7 and play musical chairs. The boys joined the game and were very competitive, knocking each other over trying to get into chairs. The two winners received gifts and a picture with GOT7.
After this they performed “Forever Young” and ?? Girl(Magnetic)”. Fans also celebrated BamBam’s birthday, singing to him and delivering a cake on stage.
7 more lucky fans were brought on stage to play ‘identify’, where a member would stand behind them and they had to try to guess who it was. The winner also received a gift and special picture with GOT7.
This is when the MC announced the show was coming to an end and GOT7 performed “A”, “Girls, Girls, Girls” before coming back for an encore of a GOT7 version of JJ Project’s “Bounce” and a remix of “A”.
Overall the fan meeting was really enjoyable. GOT7 seemed very excited to be in Dallas for tbhe first time and expressed their desire to return for a full concert. Fans were also able to see the funny side to all of the boys during the talks in the shows. This fan meeting seemed like a preview of something more to come from GOT7 and I can’t wait to see what’s next.
Thanks to JYP Entertainment and Jazzy Group for bring GOT7 to America and organizing this fan meeting!
—Ke’Anna Bullard
BoA makes her long-awaited return to the Korean music scene with her 8th album, Kiss My Lips. The album presents listeners with classic BoA as she seems to have returned to her roots. The majority of the album is good, easy, enjoyable listening sure to delight any BoA fan. For anyone nostalgic for her early 2000s’ material, this is the album for you.
“Kiss My Lips” opens the album. The song perfectly shows BoA’s growth as an artist while successfully reaching a hand to her beginnings. The song itself is flirty and sensual with a “let’s play hard to get vibe” that matches well with the accompanying track. The music’s beat feels like it belongs on her No. 1 album from years ago. BoA’s echoing, deeper vocals on the chorus showcase her more mature vocals indicating that she’s only gotten better with age.
The second track, “Who Are You,” features Gaeko. The song feels like a first love song , adding to the adorable vibe. “Who Are You” is upbeat, a perfect song for warm weather and summer romance. Like “Kiss My Lips,” it recalls earlier BoA eras where joy can be felt in the lyrics. Gaeko’s rap feels a bit too harsh for the song at times, but it fits lyrically. Gaeko’s voice does fit well with BoA’s, but the rap does feel a little off. Toward the end of the song, the rap matches well since it’s softened.
“Smash” picks up the beat more and incorporates more pop-rock elements. The song is overall cheerful and one that could have a fun dance-break if it was ever turned into an MV. The song feels like it could be part of an off-Broadway musical or an opening theme to a US-TV show on the Family Channel or Disney. While it’s upbeat and fun, the tone feels off for BoA as it really does feel more like a show tune than a standout song on an album. There is a 1980s, early 1990s vibe at some points that help make the song sound better than what it is. Overall, it’s more High School Musical or Make It Pop than a potential BoA hit.
One of the standouts is “Shattered.” “Shattered” is a dance track that has hints of melancholy. What’s nice about the song is how it has hints of late-era Michael Jackson, but the feminine spin adds a nice, new layer to the beats Jackson laid down for musicians. BoA’s vocals match the beat well, especially during the chorus to where the vocals and instrumentals match so well, they almost sound like one. So far, “Shattered” earned the most play-time from me.
“Fox” has an old-school vibe and a good vibe. BoA’s high notes sound oh-so-right for the song. The way the song fades in at the beginning makes it feel peaceful even though it’s a mid-tempo track. The song is cute and enjoyable. When the song ended, however, I forgot I listened to it, so memorability is an issue. It’s still a feel-good song, so it’s sad it doesn’t stand out much.
Eddy Kim lends his vocals on “Double Jack.” Eddy Kim was a great choice for the duet because he has the right amount of softness and power to balance BoA’s voice. BoA sounds stronger than Kim, so he is overpowered at times. However, this doesn’t occur enough to flaw the song. Vocals feel just right.
“Home” reveals BoA’s R&B side. Her softness here stirs emotions that make the listener feel the song. “Home” is simple with a certain elegance to it that makes it feel relatable at times. The chorus truly stands out because of how BoA lowers her tone. There is a lot of heart here.
“Clockwork,” the eighth track, has tango elements that feel straight out of Baz Luhrmann’s Moulin Rouge. The instrumentals make the song feel off-pace and strange. Some lyrics feel rushed and awkward, especially her pronunciation of “idea.” A song that could have been fast-paced and sensual turned into something that’s more messy than anything. To describe it, it’s like sloppy sex that tried to be steamy and sensual. There was a lot of lost potential here.
Track nine is “Love and Hate.” The song features a sweet and unplugged BoA. The rawness shows her vulnerability and paints a pretty portrait. Part of the song’s charm is its simplicity because BoA just sings. There’s nothing fancy: No dance track, no vocal distortions. It’s just BoA and a guitar. Sometimes simplicity speaks more than anything else, and this is why “Love and Hate” is one of the best songs on the album.
“Green Light” will make fans of her Japanese work happy as it has a J-Pop feel. The instrumentals have an upbeat feel that seem like they belong to an anime OST. BoA’s tone is also higher-pitched which feels more J-Pop than K-Pop, but this is why BoA is who she is since she does promote for both genres. The cheery tune will engage fans who enjoy her J-Pop hits, though it feels a bit generic.
Track eleven is the refreshing “Hello.” BoA allows the lyrics to carry her, making the result soft and dreamlike. The song has the potential to transport listeners to a better place. The piano instrumentals are peaceful and romantic. The overall composition is clear and elegant and shows why BoA is one of the queens of K-Pop still.
Finally, “Blah” recalls the nostalgic feel the beginning of the album introduced. The song is the perfect way to wrap the album as it is light-hearted and positive. She sings about being in a controversy and how words are used as weapons. The lightness sends a message that people shouldn’t care about what’s said. As the saying goes, “haters gonna hate,” but BoA doesn’t care. “Blah” sums up why BoA is a glorious being.
Overall, Kiss My Lips is a nice return to the Korean scene with some great feelings of nostalgia. There are a few songs that aren’t memorable, but that doesn’t mean they aren’t good. BoA is still one of the queens, and she continues to cement her place in this position.
Kiss My Lips receives a B+.
—-Joelle Halon