🎤 In this exclusive interview with KCrush America Magazine, we sit down with Microdot, the Korean-New Zealand rapper, for an honest and inspiring conversation about life, legacy, and his highly anticipated ‘WITHER’ EP.
Following his raw and reflective ‘Cloud’ EP, Microdot opens up about the meaning behind ‘WITHER’, the emotional weight of his creative process, and how he continues to evolve as both an artist and individual. From lyrical vulnerability to cultural identity, this interview explores the man behind the music.
We also dive into lighter moments—from his funniest studio experiences to the one chore he’d ditch forever. Whether you’re a longtime fan or just discovering his music, this is Microdot like you’ve never seen him before.
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📌 Interview Highlights:
• Meaning behind the ‘WITHER’ EP
• Contrast between ‘Cloud’ and ‘WITHER’
• Mental health, growth, and overcoming hardship
• Dual identity as a Korean-New Zealander
• Fun, personal questions and future goals
• Messages for fans and legacy talk
— Karen Mwenda
#Microdot #WITHEREP #CloudEP #KoreanHipHop #KHipHop #KoreanRapper #AsianHipHop #HipHopInterview #KCrushMagazine #RapperInterview #MusicComeback #DualIdentity #CreativeProcess #GlobalHipHop #ShowMeTheMoney #SMTM #NewZealandRapper #EmotionalRap #LyricalRap #MusicDocumentary #ArtistJourney #HipHopCulture #BehindTheMusic #KMusic2025 #KoreanMusicScene #RapStorytelling #MusicLegacy #koreanartists
Insooni (Kim In-soon) is one of South Korea’s most respected vocalists, often hailed as a “living legend” in the Korean music industry. Known for her deep, soulful voice and unmatched stage presence, Insooni has spent decades inspiring audiences across generations. Her journey in K-pop isn’t just a story of success – it’s a story of perseverance, evolution, and artistic rebirth.
Debut & Soloist Career
Insooni, born Kim In-soon in 1957, is a renowned South Korean singer celebrated for her powerful R&B and gospel vocals. Insooni was born to a South Korean mother and Black American father. She began her music career in 1978 with the girl group Hee Sisters. In 1980, she launched her solo career with the album Destiny (인연), and gained widespread acclaim with the 1983 hit “Every Night (밤이면 밤마다),” which remains a beloved classic in Korea. In 2006, Insooni released her autobiography Star of Hope, sharing her journey as a mixed-race child in Korea who overcame discrimination to become one of the nation’s most respected vocalists.
Hiatus & Comeback
Although Insooni remained respected in the Korean music scene, her mainstream visibility decreased during the 2000s. She focused more on concerts, mentorship, and occasional media appearances. But in late 2023, Insooni made headlines again when she joined Golden Girls, a vocal group formed by JYP Entertainment. Alongside fellow legends Lee Eun-mi, Park Mi-kyung, and Shin Hyo-bum, Insooni reminded audiences that age is no barrier to talent.
Recent Activities
Insooni continues to perform and inspire in 2025. In February, she made a notable appearance at the 32nd Hanteo Music Awards, where she performed “Goose’s Dream” with rising stars Oh Ji Yul and Kim Jae Joong. The performance reignited her fame, making her an iconic anthem of hope and resilience and establishing her as a vocal powerhouse in an industry still in its formative years. She also performed “Happy,” showcasing her vocal longevity and influence. In 2023, Insooni was appointed to Korea’s Multicultural Youth Families Support Council to help expand education and career services for mixed-race and multicultural students.
What’s Next for Insooni?
While official comeback dates haven’t been announced, Insooni is expected to continue performing and collaborating with younger artists. Her social media hints at upcoming projects and concerts, and her presence on YouTube and Instagram remains active, drawing in both loyal fans and new generations discovering her for the first time.
Online Presence
Insooni stays in touch with her loyal and growing fans through her social media platforms including Instagram and YouTube.
—-Karen Mwenda
#Insooni #kpopstimelessdiva #kcrush #KimInsoon #KoreasMulticulturalYouthFamiliesSupportCouncil #RnB #Korea #Koreancelebrity #koreanblacksinger #koreanculture #kfashion #koreain1970and1980s #kcrushmagazine #kcrushamerica #HeeSisters #Destiny #EveryNightbyInsooni #StarOfHopebookwrittenbyInsooni #JYPGoldenGirls #LeeEunmi #ParkMikyung #ShinHyobum #32ndHanteoMusicAwards #HappysungbyInsooni #GoosesDream #OhJiYul #KimJaeJoong #kcrusharticles
As of April 2025, BTS is steadily progressing toward a full reunion. Jin completed his mandatory military service on June 12, 2024, and J-Hope followed on October 17, 2024. RM, the group’s leader, and V are scheduled to be discharged on June 10, 2025 – a few days from now.
The remaining members – Jimin, Jungkook, and Suga – are also expected to complete their service by June 2025. Jungkook and Jimin are anticipated to be discharged on June 11, while Suga, serving in the public sector due to a shoulder injury, is scheduled for discharge on June 21, 2025.
In a recent interview on Apple Music 1’s The Zane Lowe Show, J-Hope expressed optimism about the group’s future, stating that BTS will “quickly get together” and explore their next steps.
Each member has pursued solo projects during their hiatus, showcasing their artistry. Jin has been active with new music and variety shows, while J-Hope released multiple singles and a docuseries. RM issued two solo albums while V dropped his album ‘Layover’. Jimin and Jungkook also released solo albums, ‘Face’ and ‘Golden’, respectively.
With contract renewals secured, fans can anticipate a full group comeback in 2025. While a specific date hasn’t been announced, the group’s 12th debut anniversary in June 2025 presents a symbolic opportunity for their reunion.
Stay tuned for updates on BTS’s return as they prepare to embark on the next chapter of their journey.
—-Karen Mwenda
#BTS #BTScomeback #BTS12Anniversary #BTSJuneReturn #kcrush #RM #jHOPE #JIN #V #Jungkook #Jimin #Suga #AppleMusic1sTheZaneLoweShow #TheZaneLoweShow #kcrushamerica #kcrushmagazine #comeback #junecomebackpossibility
First Chinese Idol Girl Group to Enter American Top 40 Radio Chart
Breakout girl group, A2O MAY, has made history as the first Chinese idol girl group to chart in the U.S. Top 40 Radio with their debut single, “Under My Skin.” The record marks a groundbreaking milestone for the group and for Chinese representation in global pop, signaling a powerful shift in the international music landscape. Now, with this new momentum, the group is ready to level up with the release of their bold new single, “BOSS,” out today, which promises to amplify their fearless energy and global appeal.
The bass-heavy, hip-hop, electronic dance-inspired anthem channels unapologetic confidence with next-generation, girl-boss energy. With deeper vocals, punchy verses, powerful dance breaks, and a hook built to empower, the song showcases a different side of A2O MAY. It’s a fearless follow-up to their chart-topping debut, positioning the group as genre-shifting icons in the making.
In just a matter of weeks, “Under My Skin” climbed the Mediabase U.S. Radio Weekly Chart and now officially broke into the Top 40, an unprecedented feat for a rookie group. The group has already garnered a significant online presence for their exceptional dancing and vocal abilities, amassing 10.7 million views on China’s Weibo and 13 million views on YouTube. Their charting success reinforces their status as rising artists of international relevance and highlights the growing influence of Asian talent in Western mainstream media.
Formed under A2O Entertainment and guided by acclaimed producer Soo-man Lee, A2O MAY represents a new generation of performers fluent in both Chinese and English, united by their multicultural background and shared artistic vision. Members CHENYU (16), SHIJIE (17), QUCHANG (17), MICHE (19), and KAT (19) hail from Shanghai, Jiangsu, and Hawaii, bringing a unique global perspective to their music. Their debut as part of the A2O Channel introduced a new genre, Zalpha Pop—a futuristic sound blending emotional storytelling with cutting-edge production, designed for the digitally native Gen Z and Gen Alpha.
This moment marks a significant breakthrough not only for A2O MAY but for the broader Chinese music industry, as the group becomes a symbol of what is possible when diverse voices are given a global stage. Their success on U.S. Top 40 Radio opens the door for other Asian acts, redefining boundaries and expanding opportunities for future generations of idol groups.
As they prepare for their first official U.S. performance at the 102.7 KIIS FM Wango Tango festival in California, A2O MAY stands at the forefront of the Zalpha Pop revolution. With millions of streams and radio play under their belt, they’re not just a girl group – they’re a movement. And this is only the beginning.
Official Artist Introduction
More than a name, A2O MAY signals the beginning of a cultural shift. Inspired by the season of full bloom and sharing its sound with the Chinese character 美 (Mei), meaning “beauty,” the name reflects not only outer elegance but inner strength — the quiet power behind every transformation. More than artists, they are a bridge — connecting culture to culture, generation to generation, heart to heart. Step into the world of A2O MAY. The future begins in full bloom.
ABOUT A20 MAY
A2O MAY is the first official girl group launched under the A2O Channel by A2O Entertainment, making their debut on December 20, 2024. The group is composed of five talented members — CHENYU (16), SHIJIE (17), QUCHANG (17), MICHE (19), and KAT (19) — who were selected from A2O Rookies’ HTG division. Hailing from Shanghai, Jiangsu, and Hawaii, A2O MAY is a multicultural, bilingual group fluent in Chinese and English, representing a new generation of global idols. Each member brings a unique artistic identity shaped by passions such as fashion styling, piano, visual art, songwriting, and performance. A2O MAY is the first group to embody Zalpha Pop, a genre and cultural movement created by renowned producer Soo-man Lee, aimed at blending futuristic sounds with Gen Z emotional authenticity and storytelling. Their debut single, “Under My Skin,” captures this vision with a rhythmic, synth-driven sound and introspective tone, offering a powerful glimpse into the future of youth-driven global music. As pioneers of A2O’s artist ecosystem, A2O MAY continues to connect with fans worldwide through digital-first content, dynamic visuals, and an open, evolving narrative of growth, self-expression, and creativity.
Follow A20 MAY
INSTAGRAM | YOUTUBE | SPOTIFY | APPLE MUSIC | TikTok
#A2OMAY #Chinesegirlgroup #CHENYU #SHIJIE #QUCHANG #MICHE #KAT #ZalphaPop #SooManLee #kcrush #A2OEntertainment #HTGdivision #Shanghai #Jiangsu #Hawaii #kcrushmagazine #kcrushamerica #UnerMySkindebutsingel #youthdrivenglobalmusic #digitalfirstcontent #newgroup #AmericanTop40Radio #1027KIISFMWangoTangofestival #WangoTangoFestivalCaliforniaappearance #Mediabase U.S. Radio Weekly Chart #1326517YouTubeViewsIn10hours #ChineseIdolGirlGroup
Since their debut, YOUNG POSSE has been making waves in the K-pop scene with their dynamic rap style and fresh energy. Fresh off their Texas tour and with the release of their emotional new track “Cold”, the group is proving their versatility. In this exclusive interview, they discuss their journey, musical influences, international tours, collaborations, and what’s next for their growing global fanbase.
Who is YOUNG POSSE and how did you end up in the hip-hop and R&B genre?
[SUNHYE] We are a five-member group that loves hip-hop, music, and the stage.
We all love music and dancing so much that we started learning and enjoying various genres. When we got together, we realized that hip-hop was the genre with the most synergy, and I think we ventured into the genre because we enjoyed it so much.
[YEONJUNG] We are a bold and young group that loves to challenge and is not afraid of anything! We put our stories in our songs to show who we are! Since our trainee life, we have been challenging and learning various genres, and so we naturally started hip-hop and R&B.
[JIANA] YOUNG POSSE is a team of five young members, and since we’ve been practicing together, we naturally tried hip-hop and R&B, the music genres we’ve always loved.
[DOEUN] We are a Korean group that debuted in October 2023. I always liked hip-hop and R&B genres, and when I joined the company, I started listening and practicing more, so it was natural for me to start.
[JIEUN] YOUNG POSSE means young, a young group, and it also means anything is possible in Latin. I think I naturally started doing hip-hop and R&B after I joined the company!
You recently finished the Texas tour. How was the experience and what are some of the most memorable moments?
[SUNHYE] After our first tour, I longed for the emotions that one can only experience during a tour, and so I was very excited to do it. Every moment is unforgettable, but whenever our foreign fans shout out to us in Korean, it leaves behind a vivid memory.
[YEONJUNG] It was my first time in Texas, and I fell in love with the beautiful scenery and the laid-back atmosphere. And most of all, I was so happy to meet the Texas Teleposse. I love seeing fans wearing similar clothes to what we wear during tours, and it’s something I will always remember.
[JIANA] It was such a precious experience. We had so much fun on stage and enjoyed moments in Texas. The most memorable moment was when we got to tour with Zior Park and seeing him on stage was exciting and made me feel like my stress was gone.
[DOEUN] I still find the fact that we did a tour very exciting, so every moment is memorable. It was amazing to see so many people come to our concerts, and it made me feel so happy to see so many people singing along to our songs and enjoying our performances.
[JIEUN] We received so much energy from our fans during this tour. All of our concerts were memorable, but I especially remember our third concert the most. It was in Austin, and I think I felt like I was able to share more with the fans.
Having debuted not long ago, how does it feel to already be touring internationally?
[SUNHYE] I never imagined it. I only dreamed about it, and I still can’t believe it could happen this early. I’m so grateful that you(fans) came to see us perform, and I think that makes us work harder.
[YEONJUNG] I’m so happy that this opportunity came so soon, and I’m glad that we were able to showcase our performances to so many people! We’re still not as good, but we want to gain experience and develop ourselves so that we can show more people our amazing side!
[JIANA] I’m so honored that you(fans) showered us with so much love, and we’re always grateful. We want to repay you with more, just as much as you have loved us.
[DOEUN] When we first went on an overseas tour, I thought, “Can we go on a tour this soon?”. But we had so many experiences while on tour, and it really inspired us to work harder.
[JIEUN] I’m so grateful that our overseas fans showered us with so much love, and I’m glad that touring gave us more opportunities to grow!
Your latest track, “COLD” showcases YOUNG POSSE’s softer, more emotional side. What was the inspiration behind this track?
[SUNHYE] I think it’s a story about love that has turned cold. I’m not sure exactly what type of love it was written about, but I sang it while thinking about my family or my dog to empathize with it.
[YEONJUNG] We try to challenge ourselves with something new every day, and experiencing this cold winter inspired us to try a new vibe with “COLD”.
[JIANA] When we first received this song, we were excited because it was a new song vibe that we hadn’t shown before, and we thought it would show a different side of YOUNG POSSE.
[DOEUN] The title song “COLD” is a calm song, unlike our other songs. It was an honor working with 10CM.
[JIEUN] I think this album shows a new side of YOUNG POSSE and the meaning that we will challenge ourselves with many different things in the future!
Most K-pop groups have one or two rappers. Given that all YOUNG POSSE members rap, how do you maintain harmony while still showcasing each member’s unique rap identity?
[SUNHYE] I think our strength is that we have different voices and personalities. But in order to make it stand out more, we practiced a lot of songs by artists with strong characters and made our spectrums more distinct. Also, when singing as a group, we delegate high and low tones to avoid overshadowing each other.
[YEONJUNG] I think it’s important to get to know and understand each other better and fill in the gaps!
[JIANA] When rap-making or having conversations, we tend to emphasize and talk about each member’s rap styles and identity, which I think makes it easier to capture each person’s feelings.
[DOEUN] We all have different rap styles, but it’s really interesting how our raps work together in a song. We tend to practice in sync so that we can be harmonious while keeping our individuality alive.
[JIEUN] When working on a song, we usually study each other’s tones and feelings a lot so that we can bring out our different charms!
You’ve collaborated with several artists, including 10CM. How are these experiences compared to working alone?
[SUNHYE] It’s such an honor to be able to work with seniors that I’ve always looked up to, and I think it motivates me even more. I feel more responsible, and I find myself listening to the songs more once they are released.
[YEONJUNG] It was such an honor to be able to work with seniors whom I have admired for the longest. I think it was an experience that I could learn a lot from, because I think the combination of voices other than our members made the song feel different and richer.
[JIANA] It was a very valuable experience because I think we were able to show the vibe and emotions that we couldn’t show by just our voices, all thanks to 10CM’s voice.
[DOEUN] When we collaborate with artists, unlike when it’s just our voices, the newly added voices give YOUNG POSSE’s song a new vibe, and it feels fresh. We’ve always collaborated with great artists, so we get a lot of inspiration whenever we work together.
[JIEUN] When doing collaborations, we put effort into learning a lot about the artist’s strengths.
You’ve done some traveling so far. Who is the best and worst at packing for trips? Who brings everything, and who forgets crucial things?
[SUNHYE] I think I’m the worst at packing because I get anxious and end up packing too much, and it takes me a long time. But I don’t forget things! Yeonjung and Doeun sometimes forget their universal SIM cards when they go abroad. Haha!
[YEONJUNG] I think all of our members are good at packing. Personally, I take notes of things I need to pack and stay up packing the night before!
[JIANA] I’m a very good packer. I used to stress a lot about what to pack, but these days I just grab what I need quickly.
[DOEUN] I think I’m the best packer because I’m good at packing only what I need and not what I don’t need. I think the member who packs the most is Sunhye because her suitcase is the biggest and heaviest.
[JIEUN] I think it’s both of them. I’m very meticulous about packing everything, but I also lose things easily.
Your 2nd ‘XXL’ EP paid homage to Seo Taiji and Boys’ ‘Come Back Home’. What inspired you to incorporate this tribute, and how did you approach blending classic influences with your modern style?
[SUNHYE] We value the fundamentals very much, and we wanted to show that side of ourselves as a hip-hop group. It’s nice to be able to love, respect, and learn from them, and also give a shout-out.
[YEONJUNG] During our trainee period, our CEO often showed us videos of Seo Taiji and Boys. After our debut, we decided to pay homage to their “COME BACK HOME” track. We looked up a lot of videos from that era and did a lot of research to showcase our youthful energy without compromising Seo Taiji and Boys’ (our seniors) style.
[JIANA] Since our trainee era, we’ve always watched, listened to, and admired our seniors’ performances. We combined Young Poss hip-hop with their “COME BACK HOME” sound and paid homage to their dances.
[DOEUN] Seo Taiji and Boys band has been our favorite since we were trainees, so it was an honor to pay homage with ‘XXL’. We’re grateful that ‘XXL’ has received a lot of praise for combining Seo Taiji and Boys’ song with modern styles.
[JIEUN] We’ve watched a lot of Seo Taiji and Boys videos since we were trainees. It was an honor to promote Seo Taiji and Boys with an homage concept in our previous ‘XXL’ and we thought we should do better.
You also contribute to songwriting. How has this process evolved since your debut and how does it work?
[SUNHYE] We’re still not that good at it, but it’s helpful when we share ideas and write lyrics together. I think the verse length that one can write alone increases as they listen to a lot of songs and gain experience.
[YEONJUNG] When we write a song, sometimes we decide on a topic among ourselves, and sometimes a member decides first. However, we’ve been doing it little by little since we were trainees, so now we’re trying to come up with better songs. The CEO and our teacher also help us a lot. Thank you!
[JIANA] We write lyrics based on our daily life experiences, and throw around topics that come to mind amongst ourselves to decide on a theme. We also write our own lyrics and put them together.
[DOEUN] I’ve had a lot of lyric-writing opportunities since I was a trainee, and after having tried many times, I’ve gotten better at it. These days, I’m practicing and working hard so that my lyrics can be adopted more often.
[JIEUN] I’m still not good enough, but the more I do it, the more fun I have and the more ambitious I get.
If YOUNG POSSE had to rap a verse while eating the spiciest food ever, who would win?
[SUNHYE] I think Jiana and Jieun will do the best, and I think I’ll do the worst. I can’t eat a lot of spicy food.
[YEONJUNG] I think it’s Sunhye!! I’m the worst at eating spicy food. So I want her to eat quickly and show her storm rap skills.
[JIANA] I think Sunhye can’t eat spicy food, so I think she’ll rap faster than her usual fast rap.
[DOEUN] I think Sunhye will be the first to start, because she’s really good at making limes.
[JIEUN] I’ll pick Sunhye because even though she doesn’t eat spicy food, she’s good at rapping!
What can fans look forward to next from YOUNG POSSE?
[SUNHYE] We’ve been doing a lot of overseas concerts. I’m thankful that we get such good memories and energy every time we go, and we want to see you in more diverse places. This Hong Kong fan concert is close to my birthday, so I think it’s a birthday gift and I’m looking forward to it.
[YEONJUNG] It’s our first time having a fan concert in Hong Kong! The fans are also looking forward to it, so we’re working even harder! I think we’ll be able to visit overseas fans often after the Hong Kong fan concert!
[JIANA] We’re having a fan concert on April 13th! I’m looking forward to it, and I’m nervous because it’s my first time meeting the fans in Hong Kong. And when I was young, I had a lot of fun memories in Hong Kong, so I’m very happy to go back!
[DOEUN] We’re having a fan concert in Hong Kong soon. I’m very nervous because it’s my first time meeting Teleposse from Hong Kong.
[JIEUN] We’re going to have a fan concert where we can meet our fans in Hong Kong soon, so I hope many of you come!
Do you have a message for your fans?
[SUNHYE] Thank you for always being with us, and you are the reason for YOUNG POSSE’s existence!! Let’s meet soon. I miss you. I love you.
[YEONJUNG] Thank you so much, and I love you so much. We’re always on Teleposse’s side, and we want to tell you that we love you so much!
[JIANA] I always love you, and thank you. Hope we stay together for the longest time. I love you. 💓
[DOEUN] Teleposse! See you more often!! I love you.
[JIEUN] Thank you so much always, and be careful not to catch a cold!! Thank you for always being supportive. I love you!!
YOUNG POSSE와 인터뷰
YOUNG POSSE는 데뷔 이후 역동적인 랩 스타일과 신선한 에너지로 케이팝 분야에서 큰 반향을 일으키고 있습니다. 텍사스 투어를 막 마치고 감성적인 새 트랙 ‘Cold’를 발표하며 다재다능함을 입증하고 있는 그룹입니다. 이 독점 인터뷰에서는 그들의 여정, 음악적 영향력, 해외 투어, 콜라보레이션, 그리고 점점 늘어나는 글로벌 팬층을 위한 다음 계획에 대해 이야기합니다.
YOUNG POSSE는 누구이며 어떻게 힙합과 RnB 장르를 시작하게 되었나요?
[SUNHYE] 저희 영파씨는 힙합과 음악, 무대를 사랑하는 5인조 그룹입니다.
다들 음악과 춤을 너무 좋아해서 여러 장르를 배우고 즐기다가 5명이 모였을 때 가장 시너지를 내는 장르가 힙합이라는 걸 깨달았고 또 너무 즐거웠기 때문에 시작하게 되었다고 생각합니다.
[YEONJUNG] 저희는 도전하는 것을 좋아하고 두려워하지 않는 당돌하고 YOUNG한 집단이에요! 곡 안에 저희의 이야기를 담아내어 저희가 누구인지 보여드리고 있습니다! 연습생때부터 여러 장르를 도전 하고 배우다보니 자연스럽게 힙합과 RnB도 시작하게 되었습니다.
[JIANA] 영파씨는 젊은 5명의 멤버들이 함께 뭉쳐 만들어진 팀이고, 같이 연습하며 지내다 보니 자연스레 저희가 항상 좋아하던 음악 장르인 힙합과 알앤비를 시도해오게 되었습니다.
[DOEUN] 저희는 2023년 10월에 데뷔한 한국의 그룹입니다. 평소에 힙합과 알앤비 장르를 좋아했고, 회사에 들어와서 더 많이 듣고 연습하다 보니 자연스럽게 시작하게 되었습니다.
[JIEUN] 영파씨는 젊은, 어린 집단이라는 뜻으로 라틴어로는 뭐든 가능하다는 뜻도 가지고 있습니다. 회사에 들어와서부터 자연스럽게 힙합과 알앤비를 시작했던 것 같아요!
최근 텍사스 투어를 마쳤습니다. 경험은 어땠나요? 그리고 가장 기억에 남는 순간은 무엇인가요?
[SUNHYE] 첫 번째 투어를 마치고 투어에서만 느낄 수 있는 감정이 많이 그리웠어요. 그래서 굉장히 들떠서 할 수 있었어요. 모든 순간이 잊혀지지 않지만 외국 팬분들께서 가끔 한국말로 소리쳐주실 때마다 강렬한 기억으로 남습니다.
[YEONJUNG] 처음으로 텍사스에 가봤는데, 풍경도 예쁘고 여유로운 모습에 반했습니다. 그리고 무엇보다 텍사스 텔레파시들을 만날 수 있어서 너무 너무 행복했어요. 저는 투어를 갈 때마다 저희가 입었던 옷들을 비슷하게 입고 와주시는 팬분들을 보면 너무 좋아서 계속 기억에 남습니다!
[JIANA] 너무 소중한 경험이었습니다. 무대도 너무 재밌었고 텍사스 안에서의 순간도 너무 즐거웠거든요. 기억에 남는 순간은 저희가 지올팍 선배님과 함께 투어를 하게 되어서 지올팍 선배님의 무대를 보게 되었을 때 무대가 너무 신나서 스트레스가 풀리는 기분이 가장 기억에 남아요
[DOEUN] 저는 아직 투어를 한다는 자체가 많이 신기하고 그래서 모든 순간이 다 기억에 남습니다. 우리의 공연을 보러 온 사람들이 생각보다 정말 많아서 신기했고 많은 분들이 저희의 노래를 따라 부르고 공연을 즐겨주시는 그 모습이 너무 즐거워 보여서 무대를 하면서도 행복하다는 생각을 했습니다.
[JIEUN] 이번 투어를 다녀오면서 팬 분들께 에너지를 정말 많이 받았습니다. 모든 공연이 기억에 남았지만 특히 세번째 공연때가 가장 기억에 많이 남습니다. 오스틴에서 했던 공연인데 유난히 팬분들과 더 호흡을 나누며 공연을 한다고 느꼈던 것 같아요.
데뷔한 지 얼마되지 않았는데 벌써 해외 투어를 하고 있는 기분이 어떤가요?
[SUNHYE] 상상도 못했어요. 꿈만 꾸던 일인데 이렇게 일찍 이뤄질 수 있다는 게 아직 믿기지 않고, 그래서 공연을 보러 와주셨다는 게 너무 감사해서 더 열심히 하게 되는 것 같아요.
[YEONJUNG] 정말 빨리 이런 기회가 와서 너무 행복하고 저희의 무대를 많은 분들께 보여 드릴 수 있어서 기쁩니다! 아직 너무 부족하지만 더 많이 경험하고 발전해서 더 많은 분들께 저희의 멋진 모습 보여 드리고 싶습니다!
[JIANA] 이렇게 많이 사랑해 주셔서 너무너무 영광이고 항상 감사합니다. 사랑해 주시는 만큼 더 많이 보답해드리고 싶어요.
[DOEUN] 처음 해외 투어를 갈 때는 벌써 투어를 가도 되나? 라는 생각이 들었는데 투어를 하면서 정말 많은 것들을 경험했고 자극도 정말 많이 받아서 더 열심히 하게 되었습니다.
[JIEUN] 해외에 계신 팬분들 께서도 저희를 많이 사랑해 주셔서 너무 감사하고, 투어를 하면서 더 많이 성장 할 수 있는 계기가 많아져서 좋습니다!
최근 트랙인 “Cold”는 YOUNG POSSE의 더 부드럽고 감성적인 면모를 보여줍니다. 이 트랙의 영감은 무엇이었나요?
[SUNHYE] 차갑게 돌아서버린 사랑에 대한 이야기인 것 같아요. 정확히 어떤 형태의 사랑으로 쓰여진 곡인지는 알 수 없지만 저는 공감하기 위해서 가족이나 반려견에 대한 생각을 하면서 불렀습니다.
[YEONJUNG] 저희는 매일 새로운 것에 도전 하려고 하는데, 이번에 추운 겨울을 겪으면서 COLD라는 새로운 느낌으로 도전 해보게 되었습니다.
[JIANA] 처음 이 곡을 받았을 때 저희가 한번도 보여드리지 않았던 새로운 느낌의 곡이라 저희 영파씨의 색다른 모습을 보여줄 수 있을 것 같아서 기대가 되었습니다.
[DOEUN] 이번 타이틀곡 Cold에서는 기존의 저희의 곡들과는 달리 차분한 느낌의 노래였는데요. 10cm 선배님과 함께 하게 되어 정말 영광이었습니다.
[JIEUN] 이번 앨범을 통해서 저희 영파씨의 새로운 모습과 앞으로 더 다양한 것을 많이 도전 하겠다는 의미가 담겼다고 생각합니다!
대부분 케이팝 그룹에는 래퍼가 한두 명씩 있습니다. 근데 모든 YOUNG POSSE멤버가 래퍼입니다. 각 멤버의 고유한 랩 정체성을 보여주면서 하모니를 유지하려면 어떻게 해요?
[SUNHYE] 저희의 장점이 각자 다른 목소리와 개성을 갖고 있는 것이라고 생각해요. 하지만 그걸 더 돋보이게 하기 위해서 각자 어울리면서도 캐릭터가 강한 아티스트분들의 곡들을 많이 연습해 보면서 각자 색깔을 더 뚜렷하게 만들었습니다. 또 단체 떼창을 할 땐 하이톤과 로우톤 담당이 있어서 어느 한 쪽에 쏠리지 않게 만들려고 노력합니다.
[YEONJUNG] 서로에 대해서 더 잘 알고 이해하면서 부족한 점들을 채워 주는 게 중요하다고 생각합니다!
[JIANA] 랩메이킹을 하거나 다같이 이야기를 할 때 각자 자신만의 랩스타일과 정체성에 대해 고민하고 이야기해보면서 각자의 느낌을 잡는 편인 것 같아요.
[DOEUN] 저희 멤버들의 랩 스타일은 모두 다르지만 정말 신기하게도 저희의 랩이 한 곡에 섞였을 때 조합이 잘 어울립니다. 저희의 개성을 살리면서도 하모니가 유지되도록 맞춰가며 연습하는 편입니다.
[JIEUN] 평소에 곡 작업을 할 때도 서로의 톤이나 느낌을 많이 연구 하면서 각자 다른 매력이 느껴질 수 있도록 하는 편입니다!
10CM을 포함한 여러 아티스트와 협업했습니다. 혼자 작업하는 것과 비교했을 때 이 경험은 어떻습니까?
[SUNHYE] 늘 존경하는 선배님들과 함께 해볼 수 있다는 게 너무 영광이고, 동기부여가 더 크게 되는 것 같아요. 책임감도 더 생기고 곡이 나왔을 때도 더 많이 듣게 됩니다.
[YEONJUNG] 예전부터 존경하는 선배님들과 함께 할 수 있어서 너무 영광이었고 저희 멤버들의 목소리가 아닌 다른 목소리가 합쳐지면서 다른 느낌을 낼 수 있고 곡이 더 풍부해 지는 것 같아서 많은 것을 배워 갈 수 있는 경험이었던 것 같아요.
[JIANA] 저희들끼리 했을 때 낼 수 없던 분위기와 감성을 선배님의 목소리로 인해 더 풍성해지고 감성적인 면을 더 보여줄 수 있었던 것 같아 너무 값진 경험이었습니다.
[DOEUN] 아티스트분들과 협업할 때는 저희의 목소리만 있을 때와 달리 새로운 목소리가 함께 들어가니까 새로운 느낌의 영파씨 노래가 나와 신선하다고 느낍니다.
항상 멋진 아티스트분들과 협업을 해와서 함께 작업을 할 때마다 많은 자극을 받습니다.
[JIEUN] 그 아티스트 분의 장점을 많이 배우려고 노력하게 됩니다.
지금까지 여행을 몇까지 했습니다. 여행 짐을 가장 잘 싸는 사람과 가장 못 싸는 사람은 누구인가요? 누가 모든 것을 챙기고 누가 중요한 것을 잊어버리나요?
[SUNHYE] 저는 제가 짐을 가장 못 싸는 것 같아요. 불안해서 너무 많은 짐을 챙기게 되어서 오래 걸리거든요. 하지만 그래서 물건을 잘 놓고 오진 않아요! 연정이나 도은이가 가끔 유심을 놓고 해외에 갈 때는 있어요.ㅋㅋ
[YEONJUNG] 제 생각에는 저희 멤버들이 다 짐을 잘 싸는 것 같아요. 개인적으로 저는 메모장에 챙겨 가야 할 것들을 메모 하고 그 전날 밤을 새면서 짐을 싸는 편입니다!
[JIANA] 저는 짐을 굉장히 잘 싸는 편이에요. 예전엔 정말 고민을 많이 하며 쌌지만 이제는 빠르게 필요한 것만 잘 챙겨갑니다.
[DOEUN] 저는 제가 가장 짐을 잘 싼다고 생각합니다. 필요하지 않은 물건은 챙기지 않고 필요한 물건만 챙기는 것을 잘 하는 것 같아요. 가장 짐을 많이 가져가는 멤버는 선혜언니인 것 같아요. 선혜언니 캐리어를 보면 가장 크고 무겁거든요.
[JIEUN] 둘 다 저인 것 같아요. 제가 물건을 꼼꼼하게 다 잘 챙기는데 또 잘 잃어버리기도 해요ㅎ
두 번째 ‘XXL’ EP는 Seo Taji & Boys의 “Come Back Home”에 경의를 표했습니다. 이 헌정을 왜 했고 클래식 영향과 현대 스타일을 어떻게 조화시켰나요?
[SUNHYE] 저희는 근본에 대해 아주 중요하게 생각하는데요. 힙합그룹으로서 그 면모를 보여주고 싶었어요. 근본적인 것부터 사랑하고 존경하고 배우면서 샤라웃할 수 있다는 게 좋았습니다.
[YEONJUNG] 연습생때부터 대표님께서 서태지와 아이들 선배님의 영상을 많이 보여주셨었어요. 데뷔 후에 COME BACK HOME이라는 곡을 오마주 하게 되어 그 시절의 영상을 많이 찾아보았고, 선배님의 스타일을 해치지 않으면서 저희의 YOUNG한 에너지를 보여드리기 위해 멤버 다같이 연구를 많이 했습니다.
[JIANA] 연습생 때부터 항상 선배님들의 무대를 많이 보고 들으며 존경해왔습니다. 저희 영파씨만의 힙합에 선배님의 컴백홈 사운드를 합치고 춤까지 오마주해 완성시키게 되었습니다.
[DOEUN] 저희가 연습생 때부터 정말 좋아하던 선배님인데 XXL로 컴백홈을 오마주를 하게 되어 정말 영광이었습니다. XXL로 선배님의 곡과 현대 스타일을 잘 조합시킨것 같다는 평가를 많이 받아 감사한 마음입니다.
[JIEUN] 저희가 연습생 때부터 서태지와 아이들 선배님의 영상도 많이 찾아 봤었는데 저번 XXL 앨범에서 서태지와 아이들 선배님을 오마주한 컨셉으로 활동 하게 되어서 영광이였고 더 잘 해야겠다고 생각했습니다.
YOUNG POSSE멤버들이 작곡에도 기여합니다. 데뷔 이후 이 과정은 어떻게 발전해 왔으며 어떻게 작동하나요?
[SUNHYE] 아직 서툴지만 늘 아이디어를 함께 나누고 가사를 쓰면서 도움을 많이 받았었는데, 다들 노래도 많이 듣고 경험도 생기면서 점점 혼자 써낼 수 있는 벌스의 길이가 늘어나는 것 같아요.
[YEONJUNG] 곡을 쓸 때 저희들끼리 주제를 정할 때도 있고 먼저 주제를 정해주실 때도 있는데 연습생 때부터 조금씩 해오다 보니까 지금은 더 좋은 곡이 나올 수 있도록 노력하고 있습니다. 그리고 대표님과 선생님께서 많이 도와주십니다. 항상 감사합니다!
[JIANA] 일상속에서 겪었던 일들을 떠올리며 가사를 쓰고 저희들끼리 떠오르는 주제를 많이 던져보며 정해보기도하고 각자 가사를 써와서 합치는 편입니다.
[DOEUN] 연습생 때부터 가사를 써 볼 기회가 많이 있었습니다. 여러 번 시도해 보다 보니 점점 많이 쓰게 되었고, 요즘은 제 가사가 많이 채택될 수 있게 연습하며 노력하고 있습니다.
[JIEUN] 아직 많이 부족하지만 하면 할 수록 점점 재미있고 더 욕심이 생깁니다.
멤버들이 가장 매운 음식을 먹으면서 한 소절을 랩해야 한다면 누가 이길까요??
[SUNHYE] 지아나와 지은이가 가장 잘 해낼 것 같고 제가 가장 못 할 것 같습니다. 저는 매운 걸 많이 못 먹습니다.
[YEONJUNG] 선혜라고 생각합니다!! 매운 음식을 가장 못 먹어서 빠르게 먹고 선혜의 폭풍 랩실력을 보여줬으면 좋겠어요.
[JIANA] 제 생각엔 선혜언니가 매운 걸 잘 못 먹어서 평소의 빠른 랩보다 더 빠르게 랩을 해주지 않을까 생각합니다.
[DOEUN] 선혜언니가 가장 먼저 시작할 것 같아요. 언니가 라임을 정말 잘 만들거든요.
[JIEUN] 선혜언니요! 선혜언니가 매운 음식을 잘 먹진 않지만 랩을 잘하기 때문에 선혜언니를 고르겠습니다!
팬들이 기대할 만한 다가오는 이벤트나 콜라보레이션이 있나요?
[SUNHYE] 요즘 저희가 해외 공연에 많이 서고 있는데요. 갈 때마다 너무 좋은 추억과 에너지를 받고 오는 것 같아서 감사하고 더 다양한 곳에서 찾아뵙고 싶어요. 이번 홍콩 팬콘서트는 제 생일과 가까워서 생일선물이라고 생각하고 기대하고 있습니다.
[YEONJUNG] 저희가 이번에 처음으로 홍콩에서 팬 콘서트를 하게 되었어요!! 팬분들께서도 기대 중이라고 하셔서 더 열심히 준비하고 있습니다!! 아마 홍콩 팬콘서트 이후에도 자주 해외 팬분들을 찾아갈 수 있지 않을까 생각합니다!!
[JIANA] 저희는 4월 13일에 팬콘서트를 하게 되었습니다 !! 홍콩 팬분들을 처음 만나러 가는거라 기대되기도 하고 떨립니다 ㅎㅎ 그리고 제가 어릴 때 홍콩에 즐거운 추억들이 많은데 다시 가게 되어서 너무 기쁩니다!
[DOEUN] 저희가 곧 홍콩에서 팬 콘서트를 하거든요. 홍콩의 텔레파씨들을 만나는 건 처음이라 많이 긴장되네요.
[JIEUN] 저희가 곧 홍콩에서 팬분들을 만날 수 있는 팬콘서트를 진행 하는데 많이 와 주셨으면 좋겠습니다!
팬들에게 전하고 싶은 메시지가 있나요?
[SUNHYE] 늘 함께해줘서 고맙고 여러분이 영파씨의 존재의 이유입니다!! 얼른 만나요 보고싶습니다 사랑합니다.
[YEONJUNG] 늘 기다려주시고 응원해주시는 우리 텔레파씨!! 너무너무 고맙고 사랑해요. 언제나 저희는 텔레파씨 편이고 늘 진짜 너무 사랑한다고 말해주고 싶어요!
[JIANA] 항상 너무 사랑하고 고마워요 저희 오래오래 보아요 사랑해요 💓
[DOEUN] 텔레파씨! 앞으로 더 자주 만나요!! 사랑해요.
[JIEUN] 항상 너무너무 고맙고 요즘에도 감기도 조심해요!! 항상 힘이 되어 줘서 고마워요. 사랑해!!
—-Karen Mwenda
#YoungPosse #KCrushInterview #KPop2025 #KPopRookies #Sunhye #Yeonjung #Doeun #Jieun #Sora #GirlGroup #KoreanMusic #KPopGirls #BehindTheScenes #YoungPosseInterview #KPopFandom #NewKPopGroup
photo credit:
© Eiichiro Oda / Shueisha, Fuji Television, Toei Animation
Japanese four-piece band muque have landed their first ever anime theme song: ‘The 1’ will be the ending theme for the Egghead Arc of the legendary anime series ‘ONE PIECE’. Trackmaker takachi based the sound for this epic song on drum’n’bass. ‘The 1’ blends an emotional chord progression over a fast-paced beat, while the intricate arrangement used more audio tracks than any other muque song to date. Meanwhile, bassist Lenon and guitarist Kenichi add to the song’s dynamic feel, intertwining with vocalist Asakura’s expansive voice and melodies, resulting in a new sound that only muque could create.
This grand song features lyrics themed on the importance of facing one’s own strength. The song’s inspirational message reminds us it can be easier to find the power within us by channeling past life experiences and embracing the support of our friends.
About muque
Video：https://www.youtube.com/watch?v=DhUWbErUqlg
Pre-add / Pre-save：https://ffm.to/muque_the1
muque are a four-piece band based in Fukuoka, Japan, featuring members Asakura (guitar and vocals), Lenon (bass), takachi (programming and drums) and Kenichi (guitar). They formed in May 2022.
Their music is mainly produced by drummer takachi, who also creates and arranges the tracks, and Asakura, who handles the topline melodies and lyrics.
The group’s appeal comes from takachi’s modern-sounding tracks, influenced by global music from not only the US and UK but also Asian beats, and Asakura’s deep lyrics and melodies that exude a typically Japanese vibe. The music and Asakura’s emotional vocal delivery combine to create a unique world that is all their own.
The band’s name muque is a blend of the French word “musique” and the Japanese word “muku”, which means “purity”. The name reflects the band’s desire to make the music they want to make, regardless of what anyone else thinks.
Further information
WEBSITE: https://muque.jp/
FACEBOOK: https://www.facebook.com/profile.php?id=61553965737358
INSTAGRAM: https://www.instagram.com/muque.official
X (TWITTER): https://x.com/muque_official
YOUTUBE: https://www.youtube.com/@muque
TIKTOK: https://www.tiktok.com/@muque_official
#ONEPIECE #Muque #MuqueOnePieceSong #kcrush #newmusic #anime #animation #Japan #muku #purity #takachismodernsoundingtracks #globalmusic #Asianbeats #Asakura #1 #endingthemetoEggheadArc #EggheadArc #kcrushamerica #kcrushmagazine #EiichiroOda #Shueisha #FujiTelevision #ToeiAnimation
Spotify supports emerging artists around the world through its ‘RADAR program’
Spotify’s bespoke RADAR campaign for MEOVV will help the group break new ground—introducing their music to listeners worldwide and celebrating their unique charms to deepen connections with fans.
Spotify, the world’s most popular audio streaming subscription service, has announced that rookie K-Pop group MEOVV has been selected as the latest RADAR KOREA artist.
Launched in 2020, Spotify RADAR is a global music program created to support emerging artists in reaching new audiences worldwide and deepening connections with their fans. Over the years, RADAR has spotlighted over 900 rising talents across the globe, including now international sensations such as The Kid LAROI, Lauv, Tyla, and Lil Baby.
RADAR artists have thrived, tracking an average of a 40% increase in monthly listeners and a 30% growth in streams within six months following their respective entry into the program.
Now, as the newest RADAR Korea artist, Spotify will support MEOVV with a bespoke campaign intentionally built to broadcast the group and its music to a global audience. In addition to driving music discovery with Spotify’s best-in-class editorial support, listeners can also look forward to a series of content drops that will bring them up close and personal with MEOVV. Updates on their RADAR campaign will be posted on @SpotifyKR on Instagram.
MEOVV, formed under THEBLACKLABEL by renowned producer TEDDY, made their highly anticipated debut in September 2024 and quickly proved their star power. In less than a year, they amassed over 2 million monthly Spotify listeners, and their debut track MEOW even earned a spot on the South Korean Music Global Impact List, which recognizes tracks from South Korean artists with the biggest global impact on Spotify outside of South Korea.
“At Spotify, we are committed to championing Korean artists at every stage of their journey,” said Jungjoo Park, Spotify’s Head of Music, Korea. “With MEOVV’s dynamic debut, we see them as a group to watch and are thrilled to welcome them into RADAR’s esteemed lineup of rising artists. We look forward to sharing their music and unique charms with listeners worldwide and supporting them as they break new ground through RADAR.”
“Spotify’s belief in us through RADAR means a lot – especially since we’re still at the very beginning of our journey. We are excited to share our music with more listeners across the globe and hope that, through this opportunity, even more people will get to know MEOVV and what we represent as artists.” said MEOVV.
About Spotify Technology S.A.
Spotify transformed music listening forever when it launched in 2008. Discover, manage and share over 100 million tracks and 6 million podcasts titles, for free, or upgrade to Spotify Premium to access exclusive features for music including improved sound quality and an on-demand, offline, and ad-free music listening experience. Today, Spotify is the world’s most popular audio streaming subscription service with 675m users, including 263m subscribers in over 180 markets.
#Spotify #MEOVV #TheBlackLabel #kcrush #MEOVVnamedlatestRadarKoreaArtist #kpop #kidol #KoreaRadar #kcrushmagazine #kcrushamerica #kcrushnews #MEOVVTheBlackLabel #JungiooPark #SpotifyHeadofMusicKorea #MEOVVSouthKoreanMusicGlobalImpactList
K-pop girl group UNIS officially returned on April 15 with their second mini album SWICY, marking their first comeback of 2025. The eight members — HYEONJU, NANA, GEHLEE, KOTOKO, YUNHA, ELISIA, YOONA, and SEOWON — unveiled the five-track release through all major music platforms, kicking off a new promotional cycle that balances bright energy with bold flavor.
Following their debut single album CURIOUS, SWICY showcases the group’s signature “sweet and spicy” blend, both in concept and musical direction. The title is a coined word combining “sweet” and “spicy,” reflecting Gen Z’s growing affinity for vibrant contrasts. The album embraces this duality across all five tracks: “SWICY,” “From a Seed Called ‘What Are You Doing?’,” “DDANG!,” “Good Feeling,” and “Spring Rain.”
With its catchy melodies and dynamic production, the album positions UNIS as a rising presence in the fourth-generation K-pop landscape. Visually, the group leans into youthful energy with school-inspired styling, playful accessories, and choreography that amplifies their bubbly charm.
The lead track “SWICY” is especially notable for its upbeat rhythm and lively concept, further elevated by the members’ bright expressions and age-appropriate styling. The use of food motifs, vibrant props, and energetic visuals captures a lighthearted, fun-loving spirit while staying true to their Gen Z identity.
UNIS also shared more about the album’s creative process and behind-the-scenes moments — now featured on KCrush’s Featured Interview section.
—-Jiyoung Lee
#UNIS #comeback #kcrush #GenZ #FnFEntertainment #kpop #koreancelebrity #kpopidol #hallyu #newmusic #UNISsecondalbum #UNISSWICY #SWICY #CURIOUSbyUNIS #DDANG #FromASeedCalledWhatAreYouDoing #kcrushamerica #kcrushmagazine #kcrushinterviewwithUNIS #UNISSpringRain #kpopindustry
Following “SUPERWOMAN” and “You Don’t Know,” what message does your new comeback title track convey? Is there a connecting story between these three songs?
HYEONJU : ‘SWICY’ is a song where you can see UNIS’s cute appearance, and it contains the message, “I will captivate you with my recipe!” I think you will be able to see the honest and candid emotions of a teenage girl.
What’s your favorite visual point in this new album and why?
HYEONJU : I think the school uniform is the most important point. It is the look that the EverAfters wanted to see the most, and I think it best suits UNIS’s age and image, so I like that point the most.
NANA : I like the uniforms that we all wear because they are so pretty.
GEHLEE : Whenever we dress up in our food-themed concept for ‘SWICY’, our makeup artists always give us freckles and I think it’s adorable
KOTOKO : I wore a chef’s hat that was too big this time, and I think it expresses the keyword ‘SWICY’ well.
YUNHA : Among our costumes, there are costumes that have a lot of food drawn on them. If you look closely, the accessories, such as forks and cakes, are very cute.
ELISIA : Rather than the visual point, the aura of youth that the members show in this album is the point! I hope you look forward to seeing the honest and candid teenage girls that UNIS expresses.
YOONA : With cute images and unique clothing styles, I think we can show off our UNIS’s charms even better!
SEOWON : Our nails!! This time the nails are colorful
Time capsule question: Now that it’s been a year since your debut, what would you say to yourself from back then?
HYEONJU : Don’t be impatient and take it easy!
NANA : NANA, who celebrated her 1st anniversary, is doing well!
GEHLEE : Dreams really do come true. Give it you’re all in everything you do and continue to follow your heart’s intuition! I’m proud of you! You’re doing well
KOTOKO : Work hard Kotoko
YUNHA : It’s not as bad as you think! Don’t be nervous and just enjoy it~
ELISIA : you worked really hard to be where you are now, keep up the good work and don’t give up! Theres so much to look forward to in the future!
YOONA : All the stages may sound unfamiliar, but I hope you enjoy them and go up on stage happily.
SEOWON : SEOWON, you really shine, you have done good, you are doing good, and you will do good!
If you were to host a talk show titled “UNIS Practice Room Secrets,” what behind-the-scenes episode would you want to share?
ELISIA : Welcome to UNIS’s Practice Room Secrets and here during the choreography of ‘SWICY’, me and the members would have to face each other while doing some steps, and we just couldn’t take each other seriously that we just make faces at each other! So, we just end up laughing instead of taking it seriously in the middle of dance practice
SEOWON : While practicing, ELISIA unnie’s leg movement was funny so we all laughed while monitoring.
Are there any trending phrases or inside jokes among the members recently?
YUNHA : ‘so what? We must do it’
KOTOKO : Hanbon-eo, which is a mixture of Japanese and Korean, is popular.
If UNIS could travel in a time machine and perform in any era, when and where would you like to perform?
NANA : I want to go to the future, about 1000 years from now, and perform in front of people from the future.
GEHLEE : I want to go to way back to the renaissance era and have us all perform in royal princess dresses at Time Square for everybody to see.
Could each of you introduce the highlights of this comeback in your native language for fans from your home country?
NANA :今回のSWICYは今までとか違う新しいunisの魅力をお見せできるように頑張ったので甘辛いunisを愛してくれたら嬉しいです
GEHLEE : Mabuhay EverAfter ! Sana handa na kayo matikman ang aming pinaka-flavorful na SWICY ! Bumabalik kami ulit ngayon na may ipinapakitang bagong concepts at super swicy songs na guaranteed magugustohan nyong lahat
SEOWON : 이번 앨범 눈이 매우 매우 즐거울 거에요. 예쁘게 봐주세요~ 유니스에게 빠져라!!
Do you have any special ‘UNIS tips’ for fans to better enjoy this comeback?
YOONA : I think you can look forward to the spicy and sweet twist that is unique to UNIS!
GEHLEE : Bring your own utensiles
If you were to compare the relationship between UNIS and EverAfter (your fandom) to something, what would it be? (For example: sun and moon, key and lock, etc.)
KOTOKO : We are family
ELISIA : UNIS is the spring and EverAfter is the rain which makes us ‘Spring Rain’
YUNHA : UNIS = EverAfter
After the promotions for this album, are there any special events or projects you’d like to do with your fans?
HYEONJU : I want to have time to talk with my fans while eating. Whenever I see them, I always have a lot to say, so I want to take the time to talk to them for a long time!
YOONA : In the SWICY lyrics, food gochujang cookie is mentioned, and I want to make it for EverAfter and share with them!
If there was a fantasy world called “UNIS Universe,” what character and special abilities would each member have?
HYEONJU : I think I will have the ability to see the future. I think I would be a character who sees the future first and then deals with that situation.
NANA : I want to have an ability to create dishes that can make people happy with just one bite!
GEHLEE : Personally, I’d love to wield the power of healing, but if we take UNIS Universe performances into consideration, I would probably have the power to cast illusions! I promise to bedazzle our stages with this ability
KOTOKO : Fun and bright character and the ability to make the world a happier place!
YUNHA : The ability to disappear transparently
ELISIA : I would have teleportation! And maybe super speed and time freezing. How cool is that!?
YOONA : SImilary to NANA, I wish I had the ability to make everyone happy by eating something sweet.
SEOWON : I think it’s the ability to fall in love! Or maybe a straight-forward character
—- Jiyoung Lee
#UNIS #comeback #kcrush #GenZ #FnFEntertainment #kpop #koreancelebrity #kpopidol #hallyu #newmusic #UNISsecondalbum #UNISReleasesSecondAlbum #UNISSWICY #SWICY #CURIOUSbyUNIS #DDANG #FromASeedCalledWhatAreYouDoing #kcrushamerica #kcrushmagazine #kcrushinterviewwithUNIS #UNISSpringRain #kpopindustry
When it comes to Asian football legends, one name stands out – Son Heung Min. The South Korean forward has taken the global stage by storm, breaking records and redefining what it means to be an elite footballer from Asia. From his humble beginnings in South Korea to becoming a Premier League icon, Son’s journey is nothing short of inspirational.
Early Career & International Debut
Born on July 8, 1992, in Chuncheon, South Korea, Son Heung Min began his football journey at the FC Seoul youth academy before moving to Hamburger SV in Germany at just 16. His European debut came in 2010 with Hamburg, and after showcasing his incredible speed and dribbling skills, he secured a move to Bayer Leverkusen in 2013. Son’s international debut for South Korea’s national team came in 2010, marking the beginning of a decorated career representing his country. He quickly became South Korea’s most crucial attacking player and played a pivotal role in multiple FIFA World Cups and AFC Asian Cup tournaments.
Premier League Stardom & Record-Breaking Achievements
In 2015, Son made history by becoming the highest paid Asian footballer at the time when he signed with Tottenham Hotspur for £22 million. Since then, he has established himself as one of the most consistent attackers in the Premier League. Son’s dynamic partnership with Harry Kane has been one of the most prolific in EPL history. In the 2021-22 season, he became the first Asian player to win the Premier League Golden Boot, scoring 23 goals and sharing the award with Mohamed Salah. His ability to score with both feet and create chances from anywhere on the pitch makes him a nightmare for defenders.
Hat-Trick Hero & Awards Galore
Son has also made headlines with multiple hat-tricks, including a stunning four-goal performance against Southampton in 2020. His lethal finishing and blistering pace continue to make him a top FIFA player in real life and gaming. One of Son’s most recognizable trademarks is his signature “camera celebration”, where he forms a frame with his fingers as if taking a picture, symbolizing his joy for the game and capturing unforgettable moments on the pitch. This celebration has become iconic among fans and highlights his charismatic presence on and off the field.
Son has been named Best Footballer in Asia 7 times, won the AFC Asian International Player of the Year award 4 times, featured in the PFA Team of the Year, and won Tottenham’s Player of the Season award multiple times, solidifying his legacy as the greatest Asian footballer of all time. On March 31, 2025, Son was named South Korea’s top football player for 2024 by the Korean Football Association. Son has been named by KFA as the top male player 8 times since the association was established in 2010.
Conclusion
Son Heung Min’s journey from South Korea to the top of world football is an inspiration to millions. His skill, work ethic, and passion for the game continue to break barriers and elevate Asian football on the global stage. Whether you’re watching him live or playing as him in FIFA, one thing is certain – Son is a legend in the making.
—-Karen Mwenda
#SonHeungMin #FIFA #footballer #kcrush #PFATeam #KFATopMalePlayer8times #AFCAsianInternationalPlayer #TottenhamPlayerOfTheSeason #KoreanFootballer #EASportsPlayerOfMonth #kcrushamerica #kcrushmagazine #KoreanFootballAssociation #PremierLeagueGoldenBootAward #cameracelebrationsignaturemove #korean #sports #FCSeoulYouthAcademy #
Legendary K-pop duo TVXQ has officially renewed their contract with SM Entertainment, extending their 22-year partnership.
TVXQ debuted under SM Entertainment in 2003 and has dominated the industry with chart-topping hits and record-breaking concerts over the years. With this contract renewal, the duo – Yunho and Changmin – signal their commitment to evolving alongside their loyal fanbase, Cassiopeia.
SM Entertainment expressed excitement about supporting TVXQ’s next chapter, promising new projects that highlight their artistry and experience. Fans eagerly anticipate upcoming albums, tours, and potential special anniversary events. As TVXQ embarks on this renewed journey, their influence in the K-pop industry remains stronger than ever.
—-Karen Mwenda
#TVXQ #SMEntertainment #TVXQRenewsWithSM #TVXQ22yearsstrong #kcrush #kpop #koreankpop #kidol #koreancelebrity #kcrushmagazine #kcrushamerica #kpopindustry #hallyucraze #legendaryTVXQrenews
The Rose (더로즈) Korean alt pop band is gearing up for their much-anticipated 2025 “Once Upon A WRLD” tour.
Starting in June 2025, The Rose will kick off their journey in North & South America before heading to Europe and Asia. The band has revealed dates and locations in cities such as Seoul, New York, London, and São Paulo.
With an exciting mix of new music and fan favorites, this tour is set to be an unforgettable experience. Each stop will feature live renditions of songs from their latest album alongside interactive experiences for concertgoers. tickets are on presale on the band’s The Rosarium site.
—-Karen Mwenda
#TheRose #OnceUponAWorldTour #ticketsonsale #TheRosarium #NorthandSouthAmericaTour #kcrush #kpop #kidol #koreanband #indie #pop #hallyu #altpopband #kcrushamerica #kcrushmagazine #Korean #USTourTheRose
South Korean entertainment powerhouse The BlackLabel has announced its inaugural large-scale global audition to discover new talent. The agency houses notable global actors like Park Bo Gum and artists including Rosé (BLACKPINK) and Taeyang (BIGBANG).
Led by renowned producer Teddy, the agency began accepting applications on April 1, 2025, for individuals born between 2006 and 2015, regardless of nationality. Applications are being done through this link as highlighted in their official social media platforms.
The audition tour will commence in Seoul on April 19 and extend to 14 cities across 11 countries, including Thailand, Vietnam, the Philippines, Malaysia, Singapore, the United States, Canada, Australia, New Zealand, and Japan. This initiative underscores The Black Label’s commitment to nurturing the next generation of global artists.
—-Karen Mwenda
#THEBLACKLABEL #THEBLACKLABELGlobalAudition #Seoul #Thailand #Vietnam #Philippines #Malaysia #kpop #Singapore #kcrush #UnitedStates #kcrushamerica #Canada #Australia #kcrushmagazine #NewZealand #Japan #nextgenerationkpop #kpopaudition #application #hallyu #kpopindustry #GlobalAuditionOpen #Teddy
On April 2, 2025, Vine Entertainment announced that Léa, a founding member of the K-pop girl group SECRET NUMBER, left the group following the expiration of her exclusive contract. The agency expressed gratitude for Léa’s contributions and conveyed support for her future endeavors.
Léa, born Ogawa Mizuki in Tokyo, Japan, debuted with SECRET NUMBER in May 2020. Before joining the group, she was a member of the girl group SKarf under the stage name Hana. Her departure marks the second lineup change for SECRET NUMBER, following Denise’s exit in 2022.This shift raises questions about the group’s future as they navigate the evolving K-pop landscape.
Vine Entertainment reassured fans that SECRET NUMBER is currently discussing contract renewals and future projects and that these conversations have temporarily delayed the group’s activities. The agency assured fans that SECRET NUMBER is preparing for a return with a renewed image and requested continued support during this transition.
Fans have expressed concern over the group’s future, especially given the lineup changes and recent inactivity, with their last comeback being about two years ago. As the group navigates this period of change, supporters remain hopeful for updates and look forward to SECRET NUMBER’s evolution in the K-pop industry.
—-Karen Mwenda
#SECRETNUMBERLea #LeaofSECRETNUMBER #LeaLeavesTheGroupSECRETNUMBER #kcrush #kpop #koreankpop #kpopindustry #kcrushmagazine #kcrushamerica #didnotrenewcontract #VineEntertainment #supportSECRETNUMBER
April 2025 is shaping up to be an electrifying month for K-pop fans worldwide! With a mix of highly anticipated returns from industry legends and rising stars, these 12 comebacks are set to dominate the charts and captivate audiences. Here’s a look at what’s coming.
Kep1er
The powerhouse girl group Kep1er will be making a comeback with the Japanese EP, titled ‘AGAINST THE WORLD‘. The EP is scheduled for release on April 30, 2025, featuring the title track “Yum”. Kep1er’s last release was their sixth EP, ‘Tipi-tap’, released in November 2024.
TWS
HYBE’s rising rookie group TWS is gearing up for a comeback with their third mini album, ‘TRY WITH US‘, on April 21, 2025. This release comes months after TWS released their first single album, ‘Last Bell’, in November 2025.
YOUNITE
The talented boy group YOUNITE is returning with their seventh EP, ‘YOUNI-T‘, scheduled for release on April 23, 2025. Before this comeback, YOUNITE released their sixth EP, ‘ANOTHER‘, on May 1, 2024. The EP received positive feedback for the group’s ability to experiment with different genres, further establishing their versatility as artists.
SHINee
SHINee’s Onew is set to release his first English-language single, “MAD,” on April 21, 2025. Fans attending his solo concert in Taipei on April 5, 2025, will have the exclusive opportunity to preview “MAD” live before its official release. Before “MAD,” Onew released his fourth EP, ‘Connection’, on January 6, 2025.
KAI [EXO]
EXO’s Kai is set to release his fourth 7-track mini album, ‘Wait On Me‘, on April 21, 2025. Kai’s previous release was his third mini album, ‘Rover‘, launched on March 13, 2023, which received acclaim for its diverse genres and dynamic performances
NCT WISH
NCT WISH is set to release their second 6-track mini-album, ‘poppop‘, on April 14, 2025. On January 14, 2025. The group went viral because of the “Miracle” single, a remake of the 2005 SUPER JUNIOR song that served as a pre-release for SM Entertainment’s 30th anniversary album.
OH MY GIRL
OH MY GIRL is set to celebrate their 10th anniversary with the release of a special single titled “Oh My” on April 9, 2025. This marks their first release since their tenth mini-album, ‘Dreamy Resonance’, released in August 2024. OH MY GIRL will also hold a commemorative concert, “2025 OH MY GIRL CONCERT Milky Way,” on April 19 and 20, 2025, at Olympic Hall in Seoul.
AMPERS&ONE
The emerging boy group AMPERS&ONE is ready to showcase their unique charm with the second mini-album, ‘Wild & Free‘, on April 8, 2025. The 5-track EP includes the title song “Kick Start” and follows their previous release, “One Question”, released in October 2024.
DAESUNG
BIGBANG’s Daesung is making a solo comeback with his first mini-album, ‘D’s WAVE‘, on April 8, 2025. Daesung will embark on the “D’s WAVE” Asia tour, starting on April 26, 2025. His most recent solo release was the single “Falling Slowly” in March 2024
FIFTY FIFTY
After their global success, FIFTY FIFTY is set to return with a fresh concept in their digital single “Perfect Crime” on April 7, 2025. This release follows their remix album “Love Tune: Rewired,” which was released on January 24, 2025.
—-Karen Mwenda
#10KPopComebacksApril2025 #kcrush #FIFTYFIFTY #Daesung #BIGBANG #AMPERSnONE #OHMYGIRL #kpop NCTWISH #kcrushamerica #kcrushmagazine #EXOKai #Kai #ShineeOnew #Onew #YOUNITE #TWS #Kep1er #kidol #koreankpop #kpopcelebrity #hallyu #kpopmusic
(Photo Credit: Sony Music Entertainment Korea)
WATCH “Lucky=One” MUSIC VIDEO HERE
LISTEN TO “Lucky=One” HERE
Idol girl group, cosmosy, unveils their official debut single, “Lucky=One,” a radiant blend of tropical house and vibrant pop energy. Following the explosive success of their pre-debut track “zigy=zigy,” which amassed over 10 million music video views within two weeks of its December 31, 2024 release, the group now steps fully into the spotlight. “Lucky=One” is also the first all-English song that is now available on all major streaming platforms worldwide. With the quartet solidifying their position as a rising force among the new generation of idols, this marks the start of cosmosy’s active promotions in the global market.
“Lucky=One” is all about love arriving as a happy coincidence that blossoms into destiny. What starts as a lighthearted connection gradually deepens, and the presence of each other becomes increasingly precious. The lyrics express more than just chance, they capture that yearning certainty that two souls are meant to be. Rooted in tropical house, the track features smooth synthesizer sounds and a gentle melody that brings out the song’s warm emotions. The rhythm flows softly and builds over time, adding depth to the feeling of love and gradually drawing the listener in. Delivered entirely in English, the song conveys a refined and sophisticated sentiment that leaves a lingering and powerful impression.
cosmosy is a four-member ensemble under the label, Sony Music Entertainment Korea and management company NTT docomo Studio&Live. The group initially pre-debuted on December 31, 2024, and has now expanded their reach globally with this release. Their unique blend of J-pop and K-pop elements positions them as a fresh and innovative presence in the international music scene as a global pop group. The quartet comprises of Japanese members himesha, de_hana, kamión, and a’mei, each bringing unique talents and charisma. Their group name symbolizes the “Possibilities of Youth” and the “Infinity of the Cosmos”, reflecting their mission to explore limitless potential and growth.
As cosmosy continues producing future projects, they aim to inspire young fans worldwide by embracing cultural diversity, self-expression, and boundless creativity. With their unique sound, striking visuals, and undeniable charisma, the collective is set to leave a lasting impact on the global pop scene.
ASSETS
(Photo Credit: Sony Music Entertainment Korea)
About cosmosy
‘cosmosy’ is a Japanese four-member girl group consisting of himesha, de_hana, kamión, and a’mei. The group’s name symbolizes “the possibilities of youth,” “the infinite universe,” and “growth and conflict,” carrying the meaning of COSMOS of Youth. Their official debut is with BLACKPINK’s Creative Director SINXITY’s lead along with creative teams that have worked on numerous K-Pop artists such as aespa, IVE, LE SSERAFIM, TXT, IU, and Red Velvet, and more.
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Who is Fantasy Boys? – Survivors to K-Pop Stars
Fantasy Boys, the dynamic South Korean boy band formed through MBC’s reality competition show Fantasy Boys, has been making significant strides in the K-pop industry since their debut. Managed by PocketDol Studio and M25, Fantasy Boys group’s strong performances and global appeal have quickly made them a standout act in the fourth generation of K-pop.
When Did Fantasy Boys Group Debut?
Fantasy Boys officially debuted in September 2023 with the ‘New Tomorrow’ mini-album. The album showcased their musical diversity, blending powerful choreography with emotional melodies. They quickly followed up with the second ‘Potential’ mini-album in November 2023, further solidifying their presence in the K-pop industry.
Who Are Fantasy Boys Group Members?
Fantasy Boys is currently a 10-member group including Kang Min Seo, Lee Han Bin, Hikari, Ling Qi, Hikaru, Kim Woo Seok, Hong Seong Min, Oh Hyeon Tae, Kim Gyu Rae, and Kaedan.
Kang Min Seo is the leader, Lee Han Bin is the main vocalist, while Hikari is the lead dancer and sub rapper.
Ling Qi is the main vocalist, Hikaru is the main dancer and lead vocalist, while Kim Woo Seok is the lead vocalist.
Hong Seong Min is the center, main vocalist, and visual, while Oh Hyeon Tae is the lead dancer, lead vocalist, and sub-rapper. Kim Gyu Rae is the center, main rapper, and visual, while Kaedan is the sub-rapper and maknae of the group. Yu Jun Won withdrew from the group in August 2023 due to contractual disagreements, while K-Soul withdrew in January 2025 after a prolonged 15-month hiatus.
Fantasy Boys Group’s Releases
On March 12, 2025, Fantasy Boys made a comeback with their first their first full-length Japanese album, ‘Shine The Way’. This release demonstrated the group’s commitment to growth and international reach. On March 20, 205, Fantasy Boys released their fourth ‘Undeniable’ mini-album with the title track “Undeniable that showcases the group’s journey and overcoming hardships
Online Presence
To engage with fans, Fantasy Boys uses its social media platforms including Instagram, Twitter, and YouTube.
Fantasy Boys Group’s Future
Fantasy Boys continue to captivate audiences with their dynamic performances and evolving musical repertoire. Despite lineup changes, their resilience and dedication have propelled them further, elevating their status in the global music scene.
—-Karen Mwenda
#FantasyBoys #PocketDolStudio #M25 #NewTomorrowMiniAlbum #kcrush #kpop #10membergroup #koreanKPop #kidol #kcrushamerica #kcrushmagazine #KangMinSeo #LeeHanBin #Hikari #LingQi #Hikaru #KimWooSeok #HongSeongMin #OhHyeonTae #KimGyuRae #Kaedan #Asianmusicindustry
HyeYoung Oh is a distinguished gayageum player renowned for her innovative fusion of traditional Korean music with contemporary genres like jazz. Her groundbreaking album, ‘GAYAGEUM w/jazz’ exemplifies this unique blend, showcasing her versatility and commitment to expanding the instrument’s horizons. KCrush America Magazine sat down with HyeYoung Oh to understand how this gayageum player bridges tradition and modernity.
오혜영 씨는 한국 전통 음악과 재즈와 같은 현대적 장르를 혁신적으로 융합하는 것으로 유명한 가야금 연주자입니다. 그녀의 획기적인 앨범인 ‘GAYAGEUM w/jazz‘는 이러한 독특한 조화를 잘 보여주며, 가야금의 지평을 넓히려는 그녀의 다재다능함과 헌신을 보여줍니다. KCrush America 매거진이 가야금 연주자 오혜영 씨가 만나서 전통과 현대를 잇는 가야금 연주자의 이야기를 들어보았습니다.
What inspired you to play the gayageum and how has the journey been?
가야금을 연주하게 된 계기는 무엇이며 그 여정은 어땠나요?
A: My first encounter with a Gayageum was in elementary school, where we had Gayageum classes. I was mesmerized by the sound and went on to Art high school then Art college. There were several career choices after graduation, but I became a performer because playing the instrument meant the most joy for me.
I created a Gayageum ensemble called SET in 2014, and busked in various parts of Korea. We performed with artists of different genres, like the blues guitar, modern dancing, media art, perfumery, the handpan, etc.
Fron 2017 to 2020 I directed and performed my project as a individual, called “The Moment”, as well as various group creative works.
My discography includes the four formal albums “Start up”(2017), “100 days of Red(2017,2019)“, “The Moment(2019)”, “Improvisation-Speak in Harmony(2019)”, ”GAYAGEUM w/jazz(2024)”, as well as an EP and single albums.
– 초등학생때 학교 취미 수업과정에 가야금 수업이 있어 처음 접하게 되었고, 가야금 소리에 매료되어 예술고등학교, 예술대학교에 진학하게 되었습니다. 졸업 후 다양한 진로가 많았지만 그 중 연주하는것이 가장 즐거워서 쭉 연주자로 활동해왔습니다.
2014년 “가야금 앙상블 셋(Gayageum Ensemble “SET”)” 팀을 창단하여 대한민국 곳곳에서 가야금 버스킹 공연을 해왔고, 블루스 기타리스트, 현대무용가, 미디어 아티스트, 향 아티스트(조향사), 핸드팬 연주자 등 다양한 장르의 아티스트들과 협업공연을 이어왔습니다.
개인 프로젝트로 2017-2020년까지 4년간 시리즈로 작업한 ”순간은 순간(the Moment)” 공연을 제작, 발표하였고 그 외 다수의 그룹활동을 통한 창작작업을 해왔습니다.
발매한 앨범으로는 “Start up”(2017), ”백일홍-100 days of Red(2017,2019)“, “순간은 순간-the Moment(2019)”, “Improvisation-Speak in Harmony(2019)”, ”가야금으로 뜯는 재즈-GAYAGEUM w/jazz(2024)” 등 정규앨범 4장, EP 1장 및 싱글앨범 다수 발표하였습니다.
Your album ‘GAYAGEUM w/jazz’ is a remarkable fusion of traditional Korean music and jazz. What motivated you to explore this fusion?
‘GAYAGEUM w/jazz’ 앨범은 한국 전통음악과 재즈의 놀라운융합이 돋보이는 앨범입니다. 이러한 퓨전을 시도하게 된 동기는 무엇인가요?
A: I majored in Korean traditional music, but I’ve always been interested in other various musical genres too, and wanted to perform and create music.
I also wanted to publicize the Gayageum more, domestically and internationally. I tried to do so through a lot of busking performances in Korea and abroad. In the process, I thought about how to approach people who aren’t familiar with the Gayageum, including Koreans, in a more comforting, friendly and refreshing manner. Soon I came to focus on the impromptu nature of both Korean traditional music and jazz.
Both genres went through many stages of development in different periods, and still paving through and making new roads by the work of performers and creators. I pondered a lot about the energy that makes it possible for the two genres to keep going, and I concluded it might be their ever-changing form resulting from their impromptu nature.
For example, the subgenres of Korean traditional music, Sanjo and Shinawi, have set rhythms and formations, but countless new melodies are born innevery performance, through the creative impromptu playing of the musician.
This is akin to how jazz musicians play impromptu music of their own, departing from set forms and chord progressions, to make new music.
My album ”GAYAGEUM w/jazz” focuses on this common factor of the two genres, as it is an addition of impromptu melodies on the Gayageum to jazz standards, songs that have been loved throughout the ages.
– 저는 한국 전통음악을 전공하였지만 한국전통음악에 한정되지 않고 다양한 장르에 대한 관심을 가지며 연주, 창작활동을 하고자 하였습니다.
또한 한국 전통악기인 “가야금”을 국내외에 소개하고 싶어 국내, 해외에서 버스킹 공연을 많이 시도하였습니다. 그 과정에서 한국 사람들에게도 생소한 가야금이라는 전통악기가 어떻게하면 편안하고 친근하게, 또는 신선하게 다가갈 수 있을까 고민을 하던 도중 한국전통음악과 재즈 장르가 동시에 가지고 있는 ”즉흥성“에 집중하게 되었습니다.
재즈와 한국 전통음악, 두 장르 모두 시대를 거치며 아주 많은 변화를 이루었고, 지금도 연주가와 창작가들을 통해 계속해서 새로운 길을 만들며 흘러가고 있습니다. 이러한 두 장르가 계속 흘러갈 수 있게 하는 힘이 무엇일까 고민해보았는데, ”즉흥성“으로인해 파생되는 변화무쌍함이 아닐까 싶었습니다.
예를 들어 한국전통음악 중 민속음악인 “산조“, ”시나위“ 는 장단 및 형식이 정해져있지만 매 공연마다 음악가의 즉흥성과 창작성을 통해 수많은 새로운 선율이 만들어집니다.
이는 재즈 음악가들이 정해진 형식의 코드진행에서 자신만의 선율을 즉흥적으로 만들어내어 전혀 새로운 곡으로 창작해 내는 것과도 일맥상통합니다.
이러한 두 장르의 공통점에 집중하여, 오랫동안 사랑받아온 재즈 스탠다드 명곡의 형식에 가야금의 즉흥 선율을 더하여 작업하게된 앨범이 바로 ”GAYAGEUM w/jazz” 입니다.
“Bluish” is one of ‘GAYAGEUM w/jazz’ album’s most trending hits. What challenges did you face in blending these traditional Korean music and jazz genres?
. ”GAYAGEUM w/jazz’ 앨범의 대표 히트곡 중 하나가 ‘블루시’입니다. 한국 전통음악과 재즈 장르를 융합하는 데 어떤 어려움을 겪으셨나요?
A: The greatest challenge was that the melodies were so well-known. They are familiar tunes that many people will be able to predict after the first bar or two. It was a challenge to create my own variations based on those beloved tunes.
It was also challenging to add the original sound of the Gayageum. It wasn’t easy to fuse the two genres in a way that was not too much and not too little, and just right. I tried many different things when preparing to record the album, studying jazz chords and applying theories. In the end, the melodies that came to me naturally while playing the Gayageum were chosen over deliberate ones.
– 제가 모티브로 삼은 음악들이 너무나도 유명한 테마 멜로디를 가진 곡들이라는 것이 아닐까 싶습니다. 오랫동안 사랑받아온 재즈스탠다드 곡은 인트로 첫 마디만 들어도 멜로디가 예상될 수 있을만큼 익숙한 곡들인데, 이것을 바탕으로 어떻게 나만의 선율을 창작해낼 수 있을까 하는 고민이 가장 컸습니다.
또한 여기에 ‘가야금‘의 고유한 음색을 가미하는 것도 큰 숙제였습니다. 너무 과하지도, 너무 부족하지도 않게, 말그대로 ”담백하게“ 두 장르를 융합한다는 것이 생각처럼 쉽지 않더군요. 앨범 작업을 준비하며 재즈 코드 공부도 많이 하고 이론적인 부분도 적용해보며 다양한 시도를 해보았는데, 결국은 인위적으로 만든 선율들이 아닌 연주하는 순간 저에게서 가장 자연스럽게 나왔던 선율들이 그대로 이 음악으로 만들어지게된 것 같습니다.
How do you perceive the role of traditional instruments like the gayageum in contemporary music scenes, both in Korea and globally?
현대 음악 씬에서 가야금과 같은 전통 악기의 역할을 한국과 전세계적으로 어떻게 인식하시나요?
A: Nowadays, the original sound and playing methods of traditional instruments are applied in various musical genres. Creators in contemporary scenes are able to make different musical attempts and expand the spectrum of music by crossing over genres.
– 요즘은 전통악기가 가진 고유의 소리와 주법이 다양한 음악장르에 사용되고 있습니다. 전통악기만의 고유하고 특별한 소리와 연주법들을 통해 현대 음악 씬의 창작가들이 다양한 음악적 시도를 할 수 있고 이를 통해 장르를 넘나드는 음악의 다양성을 확장할 수 있다고 생각합니다.
You’ve had several collaborations with artists from different musical backgrounds. How have these experiences influenced your artistry?
다양한 음악적 배경을 가진 아티스트들과 여러 차례 협업을 해왔습니다. 이러한 경험이 여러분의 예술성에 어떤 영향을 미쳤나요?
A: Since I studied traditional music in school, I’ve always wanted to work with different genres. I became interested in the Hongdae(Hongik University) independent music scene, worked wit& different artists who were in that scene and became seriously invested in expanding the genre I represented.
It was so much fun to work together by understanding and recognizing music different to my own, and finding out ways to perform together. And this helped to mold myself into a musician who created music itself, not bound by traditional music or instrument.
When I could visualize just music, not limited to a certain genre, I went from HyeYoung Oh the Gayageum player to HyeYoung Oh the musician who utilizes the Gayageum, who works to provide joy (of varying definitions) for myself and the listener.
– 예술고등학교, 예술대학 국악과를 전공하고 쭉 전통음악만 공부해왔던 저는 항상 타 장르를 접하고싶은 마음이 있었습니다. 그러던 중 홍대 인디씬에 관심을 가지게 되고 또 그곳에서 활동하는 다양한 아티스트들과 교류하며 장르의 확장에 대해 진지하게 고민해보는 계기가 되었습니다.
서로 다른 음악을 이해하고 인정하며 그 속에서 같이 어울릴 수 있는 방법을 찾는 협업 과정이 너무 재미있었고, 결과적으로 나 자신이 ‘전통’음악, ’전통‘악기에 한정되지않고 틀에서 벗어나 ’음악’ 그 자체에 대해 고민하고 창작해나가는 음악가가 될 수 있었습니다.
어떤 장르의 특성을 가진 시각이 아닌 ’음악’이라는 존재 자체를 바라볼 수 있게 된 순간부터, 오랫동안 공부해왔던 ‘전통’의 틀에서 탈피하여 ‘가야금 연주가‘ 오혜영이 아닌 ‘음악가’ 오혜영으로써 가야금을 도구로 하여 나 자신과 내 음악을 듣는 사람에게 기쁨(다양한 의미로써의)을 줄 수 있는 작업들에 집중할 수 있게 된 것 같습니다.
What are some misconceptions people have about traditional Korean instruments?
사람들이 전통 한국 악기에 대해 가지고 있는 오해는 무엇인가요?
A: What surprised me the most in my busking days is how many people from Korea were so unfamiliar with the Gayageum, a Korean traditional instrument. Actually it shouldn’t have been a surprise because these instruments are rarely seen unless you go and see them in traditional music concert venues.
And most of these people expressed their surprise at how their expectations of the Gayageum always playing slow and boring music were not met.
Without experience, we wouldn’t know anything. So many people saw the Gayageum in a new light in a street performance they chanced to come across. I think people’s experiences like this lead to going to concerts and seeking out music, and wanted to make more chances for them to encounter the Gayageum, so that they would find its charm by escaping their stereotypical idea of the Gayageum associated with boring, slow and old music, and feeling it to be a familiar instrument.
Once they feel familiar with the instrument, the music people felt boring can become interesting too. This is a process of becoming connoisseurs.
– 제가 버스킹 공연을 활발하게 할 때 가장 놀랐던 점은 가야금이 한국 전통악기임에도 불과하고 가야금을 생소하게 느끼는 한국인들이 많았다는 것입니다. 전통음악을 주로 공연하는 공연장에 가지 않으면 악기를 보고들을 일이 거의 없었으니 당연한 일이었겠죠.
그리고 길거리에서 저의 연주를 통해 가야금이라는 악기를 처음 마주한 사람들의 대부분은 “가야금은 지루하고 느린 음악만 연주하는줄 알았다” 라는 반응이었습니다.
뭐든 경험해보지 않으면 모르는 일들이라고 생각합니다. 우연히 거리에서 마주친 가야금 연주에서 상상했던 것과 전혀 다른 새로움을 느낀 분들이 많았던 것 같습니다. 저는 사람들이 이러한 경험을 얻을 기회가 있어야 그것을 계기로 추후 스스로 공연을 찾아가거나, 음악을 찾아듣거나 하는 행동으로 연결된다고 생각하여 계속해서 많은 사람들이 가야금을 접하는 기회들을 만들어냈습니다. 이를 통해 사람들이 “지루하다, 느리다, 오래된 음악이다”라는 고정관념에서 벗어나 가야금의 매력을 발견하고, 더 나아가 사람들에게 친숙한 악기가 되게 하려고 노력했던것 같습니다.
그렇게 일단 친숙해지고나면 예전에 ”지루하다“고 생각했던 음악들이 재미있어지기도 하는것 같습니다. 애호가가 되는 과정인거죠.
Apart from playing the gayageum, what do you do to destress or gain inspiration?
가야금 연주 외에 스트레스를 풀거나 영감을 얻기 위해 무엇을하나요?
A: I lie down doing nothing, no chores at all, or I meditate while focusing on myself objectively. When I have the time I travel, to be surrounded by nature rather than to cities.
When I’m immersed in the great nature, all my worries disappear and I find myself at peace.
– 아무것도, 아무일도 하지않고 가만히 누워있거나 또는 명상을 하며 스스로를 객관적으로 바라보고 생각해보려고 합니다. 시간 여유가 있을 때는 여행을 가곤 하는데, 도심지 보다는 자연을 찾아가는 편입니다.
거대한 자연 속에 존재하고있으면 그 순간 모든 근심 걱정이 다 사라진 아주 평온한 상태가 되곤 합니다.
You’ve done several performances. What has been the most memorable performance of your career so far?
여러 공연을 하셨잖아요. 지금까지 활동하면서 가장 기억에 남는 공연은 무엇인가요?
A: Busked with my Gayageum in 2015, for a couple of months in Trafalgar Square in London.
I was curious at the time how the public would respond to this instrument and chose this place for my busking experience where an international audience can be found, one that I’d always wanted to visit if I were ever to go to Europe.
On my first day I dressed up in traditional costume, carried my big instrument and arrived at the square, but got so scared that I couldn’t start playing.
I remember it like yesterday, wandering in Trafalgar Square carrying my Gayageum. I decided I wasn’t going back without doing anything, and when I finally did start playing so many people listened, and loved it.
The first time is always the hardest, I guess. After overcoming my first day fears I enjoyed performing every single day.
I played every day except rainy and snowy days, and I could intuitively see the audience’s response, all the more clearly because it wasn’t a formal concert venue. I strongly felt, in the end, that the Gayageum and Korean traditional music were welcomed and loved by many people from around the world.
This experience, this memory is what made me love the Gayageum more, and even now provides me with the energy to perform and live on as a musician.
– 2015년 약 두달 간 런던의 트라팔가 광장에서 가야금 버스킹 공연을 했습니다.
그당시 문득 해외에서는 가야금이 대중에게 어떤 느낌으로 다가갈까 궁금하여 버스킹 여행을 떠났는데, 전부터 유럽에 간다면 꼭 가고싶었던 런던, 그 중 전세계 사람이 많이 몰리는 트라팔가 광장을 버스킹 장소로 정했습니다.
처음 버스킹에 나가던 날 한복을 차려입고, 큰 가야금을 들고 당당하게 광장에 도착했지만 막상 도착하니 너무 겁이나서 연주를 시작하지 못했습니다.
악기를 들고 트라팔가 광장을 한참 서성이던 그 때 그 마음이 지금도 생생히 기억납니다. 이대로 아무것도 하지않고 집에 돌아갈 수는 없다고 생각하여 용기를 내서 자리를 잡고 연주를 시작하니 정말 많은 사람들이 연주를 듣고 좋아해 주셨습니다.
역시 처음이 가장 힘든 것이겠죠. 첫날의 두려움과 떨림을 이겨내고나니 그 이후로는 너무 즐겁게 연주를 한 나날들이었습니다.
눈비가 내리는 날 말고는 꼭 트라팔가 광장에 나가 연주를 하였는데, 정식 공연장에서 형식을 갖춘 공연이 아니다보니 전세계 사람들이 어떻게 가야금을 받아들이고 느끼는지 직관적으로 명확하게 느낄 수 있었고, 결과적으로 가야금과 한국 전통음악이 많은 사람들에게 환영받고 사랑받는다는 느낌을 강하게 받았습니다.
이 경험과 기억이 제가 가야금을 더 사랑하게 만들고, 지금까지도 연주하며 음악가로 살아나갈 수 있는 원동력이 되었던 것 같습니다.
Who are some of your biggest musical influences, both in traditional Korean music and other genres?
한국 전통음악과 다른 장르에서 가장 큰 음악적 영향을 준 사람은 누구인가요?
A: The Gayageum maestro ByeongGi Hwang had the greatest influence on me. Every student of the instrument has grown up with his music, learned and played it. His work consists of all kinds of sounds from his infinite imaginative creativity. Though his music is decades old now, I always find something new, something to learn. His new attempts were pioneering, and so much variety was there that I could learn, and I also realized so much about the mindset of a creator who never stopped studying and pondering.
– 가야금 명인 황병기 선생님의 영향이 컸습니다. 가야금을 공부하는 학생이라면 누구나 그렇듯 어릴 때부터 황병기 선생님의 음악을 배우고 연주하였는데, 무궁무진한 상상력을 통해 가야금에서 다채로운 소리를 끌어낸 작품들이 너무나 멋집니다. 지금은 몇십년이 지난 음악들임에도 아직도 들을때마다 새롭고 배울 점들이 가득합니다. 그 시대 누구도 시도하지 않았던 참신한 시도들, 가야금으로 만들어 낼 수 있는 다양한 소리들을 황병기 선생님의 작품들을 통해 배울 수 있었고, 끊임없이 고민하고 연구하는 창작자의 마음가짐에 대해서도 많은 깨달음을 얻었습니다.
If you could introduce the gayageum to a global audience through a major festival or event, where would it be and why?
주요 축제나 행사를 통해 전 세계 관객에게 가야금을 소개할수 있다면, 그 장소는 어디이며 그 이유는 무엇인가요?
A: Even without an event, I’d like to play at Trafalgar Square of London again. It was where I introduced the Gayageum to so many people from around the world, on my busking tour. It was 10 years ago when I decided to go there armed only with a passion for introducing and playing the Gayageum. I want to do it again with my 10 years of music based on that very experience there, and introduce the Gayageum to a global audience again.
– 런던의 트라팔가 광장에 다시 가고싶습니다. 제가 해외 버스킹 여행을 하며 정말 다양한 사람들을 만나 가야금을 소개했던 곳이 트라팔가 광장이었습니다. 10년 전 가야금을 소개하고 음악을 연주하고싶은 열정만으로 찾았던 곳인데 10년이 지난 지금 그 경험을 바탕으로 성장한 지금의 저의 음악, 소리를 통해 전 세계 관객에게 가야금을 소개하고 싶네요.
What are your aspirations for the future, and how do you plan to continue evolving your music?
앞으로의 포부는 무엇이며, 어떻게 음악을 계속 발전시켜 나갈 계획인가요?
A: I think the most important thing when performing music is to make a good sound. I want to be a musician who puts her heart into every single sound that my fingertips create, though they may not be glamorous, to reach out and touch people deeply.
I’m also working on a compilation of musical scores for my album, “GAYAGEUM w/jazz”. That album is a result of cooperating with musicians of other genres and studying composition based on chord progressions and theories for the Gayageum. So I’d like to publish a compilation of my studies and processes that went into the album, to offer a good study material for students of the 25-string Gayageum, in Korea and abroad.
– 음악을 연주함에 있어 가장 중요한 것은 바로 ’좋은 소리를 내는 것’이라고 생각합니다. 화려하지 않아도 손끝에서 나오는 소리 하나하나에 마음을 담아 깊은 울림을 전달하는 음악가가 되고싶습니다.
더하여 “가야금으로 뜯는 재즈-GAYAGEUM w/jazz” 앨범의 악보집도 준비하고 있습니다.
그동안 타 장르 음악가들과 협업하며 가야금 악기 특성에 맞는 코드연주 및 이론을 바탕으로한 창작 공부를 하고싶었던 것이 이번 앨범 작업으로까지 이어진 것인데요, 제 공부 및 작업 과정이 녹아있는 악보집을 발간하여 국내외 25현 가야금을 공부하는 학생들에게 좋은 공부자료가 될 수 있었으면 좋겠다는 마음으로 준비하고 있습니다.
If you could give advice to your younger self when you were just starting out, what would it be?
이제 막 연주를 시작하려는 후배에게 조언을 해준다면 어떤것이 있을까요?
A: Be a performer unlimited by boundaries, and not afraid of experiencing and challenging.
Keep learning through those attempts and experiences, and applying what you’ve learned to keep creating your own sound, your own music.
And if you could go further and become content with your sound and music, you’ll feel the utmost happiness as a musician. What’s important is to go your own way and never giving up. Spend a lot of time focusing on yourself, and build up a strong, unswaying musical world of your own.
– 틀에 갇히지 않고, 뭐든 경험하고 도전하는 것을 두려워하지 않는 연주자가 되었으면 좋겠습니다.
다양한 시도와 경험을 통해 계속 배워나가고 그 배움을 스스로의 음악세계에 적용해나가며 나만의 소리, 나만의 음악을 창작해 나갔으면 좋겠습니다. 여기서 더 나아가 내가 만들어낸 소리, 음악에 만족할 수 있다면 음악가로써 더할나위없는 기쁨을 느낄 수 있을 것이라 생각합니다. 중요한 것은 포기하지 않고 나의 길을 가는것입니다. 나에게 집중하는 시간을 많이 가지고, 흔들리지 않는 단단한 나만의 음악세계를 만들어가시길 바랍니다.
WM Entertainment is set to debut USPEER, its first girl group in a decade. Since OH MY GIRL’s debut in 2015, the agency has focused on solidifying its existing artists, making this new group’s launch highly anticipated among K-pop fans.
The name USPEER combines “Us” and “Peer,” representing unity, connection, and growth. While details about the lineup remain undisclosed, insiders hint at a diverse group of talented vocalists, captivating visuals, and dynamic performers. WM Entertainment is known for its unique storytelling and artist development, having produced B1A4, ONF, and OH MY GIRL. Fans are eager to see how USPEER will carve its own identity in the competitive K-pop industry.
The announcement has already generated excitement across social media, with international fans speculating about the group’s concept and debut schedule. The group’s social media platforms have been launched including Instagram and YouTube. With WM Entertainment’s track record of launching successful artists, expectations are high for USPEER’s official debut in the first half of 2025.
—-Karen Mwenda
#USPEER #WMEntertainment #B1A4 #kcrush #newfemalegroup #Us #Peer #OhMyGirl #kpop #koreanpop #kidol #kcrushamerica #kcrushmagazine #internationalfans #kpopindustry #firstgirlgroupin10yearsforWMEntertainment
SKINZ is an upcoming virtual K-pop boy group under Bridge Entertainment agency comprised of digital avatar members. With fresh and vibrant energy, SKINZ is not just another virtual idol group. They represent a new wave of creativity in the K-pop industry as they prepare for their debut.
When will SKINZ debut?
The group is scheduled to debut in April 2025 with seven members and a lot of anticipation from K-POP fans. The group’s name stands for “Synthetic Kinetic Infinite Next-gen Zenith” reflecting their aim to break boundaries between the virtual and real worlds.
Who are SKINZ group members?
SKINZ is made up of 7 virtual members. As a virtual idol group, SKINZ aims to engage fans through energetic music and innovative storytelling, pushing the boundaries of virtual idols. In December 2024, SKINZ released a debut teaser, on their YouTube channel, giving fans an idea of the lineup.
SKINZ group’s releases
The group has released some lyrical pieces. The group released “The Way Back” the self-composed song in January 2025. The song was aired during an episode of the ‘Love Scout’ k -drama. In February 2025, SKINZ released their second self-composed song, “Poison Ivy”. The group aims to capture global fans with its vicious charm and their music with fans anxious to see what’s next for the group.
Online presence
To connect with their audiences, SKINZ launched their social media accounts including Instagram, Twitter, and YouTube.
—-Karen Mwenda
#SKINZ #virtualkpop #kcrush #kpop #newvirtualkpopgroup #koreanpop #TheWayBack #koreanpop #kculture #kidol #kcrushmagazine #kcrushamerica #virtualkpopgroup #PoisonIvySKINZ #BridgeEntertainment #kfashion #kpopgenre #debutApril2024 #SyntheticKineticInfiniteNextgenZenith #virtualcelebrity #virtualboygroup #upcomingnewkpopgroup