WE BRIDGE’ MUSIC FESTIVAL AND EXPO CELEBRATING ASIAN CULTURE COMING TO MANDALAY BAY IN LAS VEGAS, APRIL 21-23

 

K-Pop sensation ENHYPEN to headline music festival with major supporting acts including KANG DANIEL, and others making their U.S. arena debut

 GRAMMY Museum^® to host a stage at three-day expo featuring Q&A panel discussions and showcase exclusive performances from artists

Tickets for events at Mandalay Bay Convention Center and Michelob ULTRA Arena

on sale now at webridgeexpo.com

We Bridge, the inaugural three-day cultural expo and two-day music festival event celebrating Asian entertainment and culture, is coming to Las Vegas April 21-23 at the Mandalay Bay Convention Center and Michelob ULTRA Arena at Mandalay Bay Resort and Casino. K-Pop superstar boy group ENHYPEN is headlining one night at the 12,000-seat arena. The chart-topping boy group will be joined by music veterans such as KANG DANIEL and VIVIZ, as well as artists newer to the scene such as Dreamcatcher, CIX, ONEUS, fromis_9, BE’O, and more, of whom will be making their American arena debut.

We Bridge is presented by premier global entertainment company Infinite Prospects Entertainment (IPE) with the support of MGM Resorts International, the same group who helped turn the Las Vegas Strip purple in April 2022 when megastar group BTS performed four sold-out nights of their ‘Permission To Dance On Stage’ tour at Allegiant Stadium. With the explosion of Asian influence on mainstream pop culture around the world and its tremendous impacts across music, film, art, and fashion, We Bridge’s mission is to connect these various creative expressions within one experience and celebrate the various Asian artists and cultures that are fueling them. The result is a multi-sensory, live event that immerses attendees into a curated world that bridges what is now, new, and next in Asian music, media, art, and fashion.

The GRAMMY Museum^® will have its own stage over the three days on the expo floor consisting of special performances and Q&A panels with the music festival acts and is open to all attendees. Hi-touch events with the artists will follow each panel, accessible to all ticket holders of qualifying tiers. We Bridge is partnering with culture curators and creators who will showcase some of Asia and Asian America’s finest visual artists and their work.

“I’m honored to be bringing a celebration of Asian culture to Las Vegas, one of the most culturally blended cities and entertainment capitals in the world,” said Alex Kang, CEO of Infinite Prospects Entertainment. “With the rise in Asian entertainment into mainstream prominence, we wanted to bring more awareness and access to artists, talent, and brands within our community. We are excited to have K-pop at the forefront of We Bridge’s music showcase this year, as the industry’s impact and popularity continue to grow. We see this as our humble beginning and have a vision of building an even bigger stage that is widely representative of all Asian talent.”

Chris Baldizan, MGM Resorts’ Executive Vice President of Entertainment, said, “K-Pop has quickly become a global phenomenon which Las Vegas experienced first-hand last year with BTS’ incredible sold-out concerts.  The We Bridge event gives us another opportunity to partner with Alex Kang and his team to deliver multi-cultural experiences of music, media, art and fashion to the destination.”

“The GRAMMY Museum is thrilled to partner with We Bridge on its inaugural festival,” said Michael Sticka, President/CEO of the GRAMMY Museum. “Our Mission includes paying tribute to our collective musical heritage, while also celebrating the dynamic connection in people’s diverse backgrounds and music’s many genres. We look forward to celebrating Asian entertainment and culture by bringing our renowned public programming to the We Bridge stage.”

Projected to be one of the largest West x East Asian-centric events of the year, more information including additional talent lineups, ticket sales, and program details will be announced soon. For up-to-date news follow @webridgeexpo on Twitter and Instagram and join the conversation using #webridgelv and #nownewnext. For more information on We Bridge Expo, please visit webridgeexpo.com.

 

ABOUT INFINITE PROSPECTS ENTERTAINMENT

Infinite Prospects Entertainment (IPE) is a Las Vegas based, world class multi-service production & management company in the entertainment industry, devoted to bridging Asian media and entertainment with western culture in the United States. IPE’s strategic global partnerships are demonstrated in their capacity to identify prospective opportunities to expand in new markets. IPE with the support of MGM Resorts, the same group who famously turned the Vegas Strip purple in April 2022, brought the megastar K-pop group BTS to Allegiant Stadium for four sold-out nights of their ‘Permission To Dance On Stage’ tour.

 

ABOUT MGM RESORTS INTERNATIONAL

MGM Resorts International (NYSE: MGM) is an S&P 500® global entertainment company with national and international locations featuring best-in-class hotels and casinos, state-of-the-art meetings and conference spaces, incredible live and theatrical entertainment experiences, and an extensive array of restaurant, nightlife and retail offerings. MGM Resorts creates immersive, iconic experiences through its suite of Las Vegas-inspired brands. The MGM Resorts portfolio encompasses 32 unique hotel and gaming destinations globally, including some of the most recognizable resort brands in the industry. The Company’s 50/50 venture, BetMGM, LLC, offers U.S. sports betting and online gaming through market-leading brands, including BetMGM and partypoker, and the Company’s subsidiary LeoVegas AB offers sports betting and online gaming through market-leading brands in several jurisdictions throughout Europe. The Company is currently pursuing targeted expansion in Asia through the integrated resort opportunity in Japan. Through its “Focused on What Matters: Embracing Humanity and Protecting the Planet” philosophy, MGM Resorts commits to creating a more sustainable future, while striving to make a bigger difference in the lives of its employees, guests, and in the communities where it operates. The global employees of MGM Resorts are proud of their company for being recognized as one of FORTUNE® Magazine’s World’s Most Admired Companies®. For more information, please visit us at www.mgmresorts.com. Please also connect with us @MGMResortsIntl on Twitter as well as Facebook and Instagram.

 

About the Grammy Museum

The GRAMMY Museum is a nonprofit organization dedicated to celebrating and exploring music from yesterday and today to inspire the music of tomorrow through exhibits, education, grants, preservation initiatives, and public programming. Paying tribute to our collective musical heritage, the Museum values and celebrates the dynamic connection in people’s diverse backgrounds and music’s many genres, telling stories that inspire us, and creative expression that leads change in our industry.

 

#WeBridgeMusicFestivalandExpo #Kpop #kcrush #kcrushnews #musicfestival #AlexKang #KangDaniel #ONEUS #kcrushamerica #Dreamcatcher #CIX #VIVIZ #fromis9 #BeO #ENHYPHEN #musicperformances #koreanculture #Asianculture #AsianAmericanevent #bringtogether #bridgethegap #kpopidol #kpoppanel #kpopgirlgroup #GRAMMYMuseum #LasVegas #MandalayBay #MandalayBayevent #MandalayBaynews #ChrisBaldizanMGM #MichaelStickaCEOPresidentGRAMMYMuseum #WeBridge #InfiniteProspectsEntertainment ##MandalayBayConventionCenterandMichelobULTRAArenaatMandalayBayResortandCasino

 

tvN presents ‘Seojin’s’, a spin-off of the variety show ‘Youn’s Kitchen’, which runs a Korean restaurant overseas.

Actor Lee Seo-jin runs a snack bar with ‘Youn’s Kitchen’ members Jung Yu-mi and Park Seo-joon. Instead of Yoon Yeo-jung, who was in charge of the kitchen at ‘Youn’s Kitchen’, ‘World Star’ V joined and is receiving great attention. In addition, Choi Woo-sik, who is well-known abroad for director Bong Joon-ho’s ‘Parasite’, is active as a new member.

In the teaser video, ‘Seojin’s’ sells gimbap, ramen, tteokbokki, and hot dogs. It plans to captivate the taste buds of locals with lighter menus than ‘Youn’s Kitchen’, which sold traditional Korean food such as bulgogi and bibimbap.

The producers of ‘Seojin’s’ said, “The idea is to introduce Korean culture rather than Korean food.” I express my impressions and thoughts about Korean food,” he said. “‘Seojin’s’ has a management philosophy that prioritizes profits. It would be fun to find out what has changed from ‘Youn’s Kitchen’,” he said. You can feel the charm,” he hinted.

There were often entertainment shows that showcased Korean food abroad in the past, but it was disappointing when the pulse was cut off for a while due to the Covid-19 pandemic.
‘Youn’s Kitchen 1, 2’ (2017, 2018), ‘Pocha Without Borders’ (2018-2019), ‘Will it be eaten locally? – China/US Edition’ (2018, 2019), etc were praised for raising the liking for it.
‘Seojin’ will open on February 24th at 8:50 pm.

According to the broadcasters on the 1st, JTBC will show ‘Korean food plate’ in March, where chef Lee Yeon-bok makes Korean food, and tvN will show ‘Seojin’s’ on the 24th of this month, where V, a member of the group BTS, works as an employee at a snack bar.

‘Korean Food Plate’ is a program that provides meals made of Korean food to places in the world that need meals, such as prestigious overseas schools, global companies, and professional sports clubs.

Chef Lee Yeon-bok, broadcaster Hong Jin-kyung who runs the kimchi business, nutritionist Kim Min-ji, comedians Heo Kyung-hwan and Nam Chang-hee, and group Monsta X’s Jooheon appear as the meal service corps.

 

—-Jiyoung Kim

 

 

#KoreanFoodPlate #ChefLeeYeonbok #HongJinkyung #kimchibusiness #KimMinji #comedians #kcrusharticle #kcrushnews #HeoKyunghwan #NamChanghee #MonstaXJooheon #Jooheon #Seojin #BTSV #BTSVonSeojin #Klunch #kpop #JTBC #employeeatasnackbar #Koreanculture #ChoiWooSik #tteokbokki #ramen #YounsKitchen #tvN #kcrushamerica #Korean #Koreanentertainment #showcaseKoreanfoodabroad #Koreannews #Asianfoodshow

 

Your favorite Korean-Canadian rapper Tablo is coming back to Toronto on March 23rd along with Tukutz and Mithra to take you to the moon!
*********************
Embrace Presents
EPIK HIGH: All Time High Tour
March 23, 2023 @ History
Doors: 7pm | all ages event
***********
CLICK THE POP! GOES THE WORLD TICKET OFFER AND USE THIS CODE TO UNLOCK THE DISCOUNT: RAINSONG
(GA-FLOOR – 4 TICKET LIMIT)  https://www.ticketmaster.ca/event/10005D7D23074616 

THE DISCOUNT IS GOOD ONLY ON THE NEXT 100 TICKETS AND THEY WILL SELL FAST.
YOU KNOW WHAT TO DO. CLICK HERE TO PURCHASE: 

 

Check out DJ Yuka K’s latest release recorded a few nights ago in Chicago featuring Got The Beat, BTS, Stray Kids, Itzy, NCT, Monsta X, Red Velvet and lots more! 
LISTEN HERE: DJ YUKA K – LIVE IN CHICAGO JAN 28 2023 –  https://www.mixcloud.com/KpopClubNight/dj-yuka-k-live-in-chicago-jan-28-2023/

 

KPOP CLUB NIGHT  
UPCOMING EVENTS WITH DJ YUKA K: (and sometimes Host MC triple-threat Poison Aivy)
PHILADALPHIA 02/02/ Concourse
STATE COLLEGE PA 02/04 Stage West
COLUMBUS OH 02/10 Skullys
MISSISSAUGA 02/11 The Rec Room
WINNIPEG 02/17 The Rec Room 
VANCOUVER 02/18 The Rec Room
NASHVILLE 02/24 Hard Rock Cafe  
ORLANDO 02/25 Level 13
LOS ANGELES 03/10 Catch One
CHARLOTTE NC 03/11 TBA
SALT LAKE CITY 03/17 TBA
TORONTO 03/18 The Rec Room
CALGARY 03/24 The Rec Room
EDMONTON 03/25 The Rec Room 
SEATTLE 03/31 The Hard Rock Cafe
MONTREAL 04/07 Ausgang Plaza * DATE CHANGE FROM 03/04
HALIFAX 04/06 Marquee 
LONDON ON 04/08 The Rec Room  
LAS VEGAS 04/17 Hard Rock  
OTTAWA 4/27 Hyde & Seek 
WASHINGTON 4/29 Union Stage  
HONOLULU 5/19 Hawaiian Brians
DETROIT 6/24 El Club
Most tickets on sale now (or soon) from http://kpopclubnight.com 

Stay warm everyone and see you on the dance-floor!

 

#Tablo #EpikHigh #CanadianTour #DiscountGeneralAdmissionTickets #kcrushnews #EpikHighTour #kpopclubnight #AllTimeHighTourEpikHigh #PopGoesTheWorldCanada #TheRecRoomCanada #kcrushamerica #hiphop #Tukutz #Mithra #koreantoprappers #partywithEpikHigh #officialkcrush

 

Actor Song Joong-ki announced his marriage to British actress Katy Louise Saunders!

Song, who is known for his roles in A Werewolf Boy (2012), Descendants of the Sun (2016), Vincenzo (2021), and Reborn Rich (2022), announced his marriage and Saunders’ pregnancy through a message shared on his fan café.

 Hello. This is Joong Ki.

Today, I am greeting you because I want to share a promise that is more happy and valuable to me than anything.

I have promised to continue life together with Katy Louise Saunders, who has been by my side supporting me and who I have spent valuable time with while cherishing each other.

She has a kind heart, and she has lived her life passionately. She is a sensible and amazing person to the point that I revere her.

Thanks to her, I am becoming a better person.

We naturally dreamed of creating a happy family together. We have put in much effort to keep each other’s promises, and we are sincerely thankful as a new life has come to us.

And today, based on our deep trust and love for each other, we are on our way back from registering our marriage to begin life as a married couple.

As we are now, the two of us will walk our days ahead beautifully while facing the same direction.

I sincerely thank all the fans who always cherish me no matter what.

Especially following the wishes and support of Ki Aile who provide the greatest strength to me throughout my acting career, I will work to fly higher as an actor and individual with the wings of greater responsibility and passion.

I hope everyone will be happy and healthy until the day I can greet you in person.

On December 26 2022, Song’s agency, HighZium Studio, confirmed he was in a relationship. News began buzzing he was with someone after he thanked “Katy” during the 2022 APAN StarAwards. At the time, the media reported Song’s girlfriend was a “non-celebrity.”

Saunders reportedly retired from acting after the 2018 movie Welcome Home. Saunders is rumored to have a daughter from a previous relationship.

This is the second marriage for Song. From 2017-2019, he was married to his Descendants of the Sun co-star Song Hye-kyo.

Congratulations to the couple on their marriage on upcoming child!

 

—-Olivia Murray

 

#SongJoong #SongJoongMarriage #SongJoongmarriedKatyLouiseSaunders #SongJoongwifeispregnant #congratulations #kcrush #SaundersmovieWelcomeHome #SongJoongDesendantsoftheSun #Koreanactor #koreandramaactor #HighZiumStudio #Korea #kcrushnews #kcrushamerica #SongJoongki #RebornRich #Vincenzo #SongJoongkifirstchild

 

Over the weekend, three K-Pop artists and an actor made agency moves.

 

 

Following a week of rumors, it has finally been confirmed that Dawn has signed with the Groovyroom-created company AT AREA.

Dawn, who was previously signed to P Nation and Cube Entertainment, hinted that he signed with a new company on January 26 when he posted  “New place, new music coming soon” on Instagram.

 

 

View this post on Instagram

 

A post shared by DAWN (@hyojong_1994)

 

On January 30, Dawn said, “I’m looking forward to working with AT AREA and GroovyRoom. I feel reassured knowing that they share a view on music with me. Please look forward to the new music I’ll be releasing.”

AT AREA stated, “We are delighted to be able to introduce Dawn as our first new member of the family in 2023. Dawn is an artist who we have always admired. We will actively support him so that he can fully demonstrate his potential as an artist and quench his thirst for music.”

 

 

Kim Chungha is rumored to be departing MNH Entertainment when her contract expires in March. According to AllKPop, the departure will be a mutually exclusive decision.

Chungha has been critical of MNH in the past and has joked about wanting to leave. She’s commented about issues regarding the delays surrounding Bare and Rare Pt. 2 among other problems. MNH has also struggled to promote her and their other artists properly, with BVNDIT disbanding in late 2022.

The company, who is also home to Vvon and Lim Sang Hyun, debuted their male idol group 8TURN January 30.

Meanwhile, Chungha is one of the artists slated to perform at the MIK (Made in Korea) Festival February 18-19, 2023 at  Accor Arena in Paris, France. Other performers include CL, BtoB, KARD, Cherry Bullet, Pentagon, Kid Milli, and Giriboy among others.

 

 

After parting ways with Blossom Entertainment in December, actor Park Bo Gum finally found a new home!

On January 30, The Black Label announced Park joined the agency.

“We have signed a management contract with Park Bo Gum, who is one of South Korea’s leading actors and who has been receiving the love and trust of the general public while switching back and forth between the small and silver screens,” The Black Label said.

The label added, “We are extremely delighted to be able to work together with actor Park Bo Gum, whose global influence extends beyond Korea. As actor Park Bo Gum has a wide variety of charms and talents, we will maximize our use of THEBLACKLABEL’s strengths and know-how so that he can deepen his charms in many different fields, including as an actor. We will go all out in our support [of Park Bo Gum] all over the world.”

Park was signed to Blossom Entertainment for 10 years. During his time with the agency, Park had roles in Runway Cop (2012), Reply 1988 (2015-16), Love in the Moonlight (2016), and Record of Youth (2020) among others. The multi-award-winning actor is set to have roles in 2023’s You Have Done Well and Wonderland.

The Black Label is home to Taeyang (BIGBANG), Zion.T, and Jeon So Mi.

 

 

Yezi, who has made her name as a solid singer and rapper since Fiestar’s disbandment, left JG Star, a company she’s been with for three years. Yezi’s contract with the company expired, and she’s currently shopping around for a new agency.

While signed with JG Star, Yezi released a string of underrated bops including “Home,” “My Gravity,” “Raining All Night,” and “Acacio.”  

While looking for a new agency, Yezi plans on working as a rap teacher for idol trainees.

 

—-Olivia Murray

 

#Yezi #YeziFiestar #JGStarCompany #contractexpired #YezileavesJGStar #ParkBoGum #ParkBoGumwithTheBlackLabel #KimChungha #kpop #kcrushnews #kopagencies #MadeInKoreaFestival #Dawn #DawnwithGrovyRoom #DawnAtArea #kcrushamerica #BlossomEntertainment #newcontracts

 

Blackpink, Red Velvet, Mamamoo, and Aespa are some of the most renown K-Pop girl groups. Nonetheless, there exists an endless list of girl groups who are as talented, if only they received the deserved support and spotlight. Below are some of the underrated K-Pop girl groups that are worth receiving accreditation for their lyrical pieces.

 

1. Billie (빌리)

Originally known as Mystic Rookies, Billie debuted in November, 2021 with The Billage of Perception: Chapter One EP under Mystic Story Entertainment agency. The group started with 6 members before another was added making it a septet band consisting of Moon Sua, Tsuki, Suhyeon, Haruna, Siyoon, Haram, and Sheon. Some of their most viewed music videos include “Ring X Ring”, and ‘GingaMingaYo (The strange World)”. Billie’s fandom name is Billie’ve and their fandom colors are mystic blue and mystic violet. Billie has won some awards including the Asia Artist Awards for Potential Awards-Music in 2022 and the Korea First Brands Awards for Female Idol (Rising Star) Award in 2023.

 

2. BE (트라이브)

Formed by Universal Music Group and TR Entertainment, TRI.BE debuted in February, 2021 with the Tribe Da Loca single album. The 7-member group comprises of Songsun. Junha, Kelly, Mire, Hyuna, Jia, and Soeun. TRI.BE’s most viewed music videos include “Rub-A-Dum”, “Kiss” and “Would You Run”. TRI.BE’s official fandom name is TRUE which is an acronym for “TRI.BE! with us forever” and signifies that the group longs to be with their fans forever.TRI.BE has been nominated for various awards and won the Asia Model Awards for Rookie Award-Female Group in 2021.

 

 

3. Cherry Bullet (체리블렛)

Formed by FNC Entertainment and managed by FNC W sub-label, Cherry Bullet debuted in January, 2019 with the Let’s Play Cherry Bullet single album. Originally a 10-member group, Cherry Bullet consists of 7 members including May, Chaerin, Remi, Jiwon, Bora, Yuju, and Haeyoon. The group’s most viewed music videos include “Love in Space” and “Love So Sweet”. Cherry Bullet’s fandom name is Lullet which is a n acronym for “Love Cherry Bullet”. Lullet stands for “Love, Unique, Light, Laugh, Everlasting, and Treasure”. Lullet denotes that the fans of Cherry Bullet are unique treasures who love Cherry Bullet and make them shine and laugh. Cherry Bullet has been nominated for various awards including the 2019’s Mnet Asia Awards for the Artist of the Year Award, Best New Female Artist Award and Worldwide Fan’s Choice Top 10 Award.

 

4. VIVIZ (비비지)

VIVIZ K-Pop girl band debuted in February, 2022 with the Beam of Prism EP under BPM Entertainment agency. VIVIZ, which is an acronym for “Vivid dayz” signifies that the group will be artists who will confidently express their colors to the world. The 3-memebr group are SinB, Eunha, and Umji. VIVIZ’s most viewed music videos include “Bop Pop!” and “Love Ade”. VIVIZ’s official fandom name is Na.V, whose pronunciation resembles the Korean word for butterfly. Na.V denotes that the fans will fly together with VIVIZ. The group has won some awards including the 2022 Brand of the Year Awards for Female Rookie of the Year award and the 2022 K-Global Heart Dream Awards for K-Global Hot Star Award.

 

 

5. PIXY (픽시)

Formed in 2021 by Happy Tribe Entertainment and Allart Entertainment, PIXY debuted in February, 2021 with the “Wings” track. The group is made up of 5 members after Satbyeol and Ella left in August. 2022. The members include Lola, Dia, Rinji, Dajeong, and Sua. PIXY’s most viewed music videos include “Villain”, Addicted”, and “Bewitched”. PIXY’s fandom name is WINXY, which is a combination of “wings” and “pixy”. PIXY was nominated for 2021’s Asia Artist Awards for the Female Idol Group Popularity Award, but didn’t win.

 

—-Karen Mwenda 

 

#5underratedkpopgirlgroups #underratedkpopgroups #kcrush #PIXY #픽시 #WINXY #VIVIZ #비비지 #kcrushamerica #kpop #CherryBullet #체리블렛 #TRIBE #트라이브 #TRUETRIBEFandom #BILLIE #빌리 #kcrusharticle #kpopgirlgroupfandom

 

XG have today released the music video for their long-awaited third single, ‘SHOOTING STAR’ (Wednesday 25th January). The track is available digitally as well as a limited edition box set.

XG’s new track, ‘SHOOTING STAR’, is a space-walk through a dream-filled soundscape – A harmony between thumping bass and the signature sound of bells. It combines powerful rap and exceptional vocals in a diverse arrangement. The lyrics express XG’s single-minded goal to develop into world-class artists.

The release also includes an extra track, ‘LEFT RIGHT’, an addictive song with repeating synth loops, powerful trap beats, strong bass, sharp hi-hats sound and enticing rap and vocals. The lyric “The only direction I know” embodies XG’s positive, energetic philosophy, never being swayed by others but believing in yourself and always pushing forward.

The two Hip-Hop/R&B-inspired tracks are quintessential XG, encapsulating their energy with the motto “Trust URSELF & Be what U want to be”.

A live performance entitled ‘SHOOTING STAR LIVE STAGE’ was broadcast just before the release of the music video. This featured both tracks, ‘SHOOTING STAR’ and ‘LEFT RIGHT’. The livestream brought together viewers from all over the world, who showed their enthusiastic appreciation in the comments.

In the music video, XG feature as cool kids from a world beyond our own, bringing with them their own unique musical expression. High-production, dreamy vibes and boundless creativity fuse together in this innovative video, which is a perfect showcase for XG’s powerful, borderless vision – the next generation who are taking it intergalactic.

With their first two singles ‘Tippy Toes’ and ‘MASCARA’, XG posted a whole host of additional content such as choreography and dance practice videos. The world is looking forward to what kind of innovation XG will deliver with this new single. They are a group ready to take on the world with their seemingly limitless potential.

Click here for Music Video

Click here for Streaming

 

XG

A 7-member girl group inspired by Hip-Hop/R&B, made up of JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA and COCONA.

With their first single ‘Tippy Toes’, they were the first artists to debut from XGALX, a global entertainment production company with a mission to produce artists with a defined world view, creating a culture of bold creativity.

In June of 2022, they released their second single, ‘MASCARA’. A third single, ‘SHOOTING STAR’, was released on January 25th 2023.

The group are ‘XG’, which stands for ‘Xtraordinary Girls’.

With their fresh, inventive music and performance, XG aims to empower young people from all over the world – from all walks of life.

 

XGALX

XGALX is a global entertainment production company with a mission to produce artists with a defined world view, creating a culture of “bold” creativity. Through the dynamic energy of their music and performance, XGALX will spread a message to young people all over the world:

“Focus on your dreams and don’t stop until you make them a reality” 

 

CREATE BOLD CULTURE

Through the work of the XGALX project we will empower young people all over the world, from all walks of life to:

“Listen to your heart, focus on your dreams and have the strength to make them come true – without being limited by the opinions or judgements of others.”

 

XG Official Website http://xgalx.com/xg/

XG Instagram: https://instagram.com/xgofficial

XG YouTube: https://www.youtube.com/@xg_official

XG TikTok: https://www.tiktok.com/@xg.official

XG Weverse: https://weverseapp.page.link/p3i5

XG Twitter: https://twitter.com/XGOfficial_

XG Facebook: https://www.facebook.com/XGOfficial

XGALX Official Website http://xgalx.com/

 

#newproductiongroupXGALX #XGALX #XG #kcrushnews #XGSHOOTINGSTAR #SHOOTINGSTAR #Jpop #Japanesegirlgroup #kcrushamerica #LEFTRIGHT #TIPPYTOES #intergalactic #newmusic #girlgroup #SGALXProject #TrustUrself #TopJapaneseGirlGroup #MASCARA

 

Japanese singer-songwriter Vicke Blanka releases his first ever concert Blu-ray and DVD, January 25, titled ‘Vicke Blanka presents RAINBOW ROAD -Ki-’.

The release features footage from Vicke Blanka’s ‘RAINBOW ROAD -Ki-’ concert, which was held at Tokyo Garden Theater on October 30, 2022 – his first ever arena performance, in which he expressed his deep gratitude to the fans who have supported his music career. This special one-off set features 19 songs, including an encore.

Along with Vicke Blanka fan favorite songs such as ‘Masshiro’, ‘Ca Va?’ and ‘ULALA’, the varied set also includes the first ever band-version performance of ‘Black Catcher’, and an encore performance of ‘Changes’, which was Vicke Blanka’s ending song for the notorious French film ‘The Revenge of The Shiny Shrimps’. ‘Black Catcher’ is the opening theme tune for the 10th season of smash-hit anime series ‘Black Clover’. For three years running, the song has ranked in the Top 10 of Spotify’s chart of Japanese tracks played by listeners overseas. ‘Black Catcher’ has been streamed over 160 million times to date, with its music video racking up some 50 million plays on YouTube.

This release offers an unmissable opportunity to see this mega-hit song performed live for the very first time. In addition, the Blu-ray and DVD versions each include a 2-disc CD featuring the audio version of the concert, making this an irresistible release for Vicke Blanka fans.

Purchase links

Music video

 

 

About Vicke Blanka

Vicke Blanka is a singer-songwriter from Aichi Prefecture, Japan. He made his major-label debut in October 2016 with ‘Slave of Love’. In 2018 his track ‘Masshiro’ made waves when it was used on a TV drama series, and in 2019 his song ‘Ca Va?’ was featured in a TV commercial for Spotify, with the song going on to ignite audiences at Vicke Blanka’s concerts and festival performances.

Vicke Blanka now has over 1.6 million monthly listeners on Spotify, and his songs have totaled over 400 million plays on streaming services. On October 30, 2022, he held his first ever arena concert at Tokyo Garden Theater, titled ‘RAINBOW ROAD -Ki-’, as he continues his lively music career. In addition to his presence in the music industry, he is expanding his scope, gaining experience as a songwriter for other artists, a radio DJ, an advertising model and even a game streamer.

 

Further information

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

 

 

#VICKEBLANKA #AichiPrefectureJapan #Japanesesinger #Masshiro #CaVaSpotifycommercial #TokyoGardenTheater #kcrushnews #kcrush #newmusicVickeBlanka #BlackClover #BlackCatcher #Anime #VickeBlankaBluRayDVD #ULALA #Japanesesingersongwriter #VickeBlankaNewSong #kcrush2014 #officialkcrush #Top10onSpotify

 

TOMORROW X TOGETHER is making good achievements both at home and abroad with the new album ‘Chapter of the Name: TEMPTATION’.

TXT (Subin, Yeonjun, Beomgyu, Taehyun, Hueningkai) held a comeback showcase to commemorate the release of their 5th mini album ‘The Name Chapter: Temptation’ at KINTEX, Ilsan, Goyang City, Gyeonggi Province on the 28th. The showcase, which lasted for about two hours, was held in offline performances as well as online live streaming through Weverse Live, Hive Labels’ official YouTube channel, Naver NOW., and Line Music.

The five members performed ‘Sugar Rush Ride’, the title track of ‘The Name Chapter: Temptation’, ‘Devil by the Window’ and ‘Happy Fools’, which was first introduced at this showcase. (feat. Coi Leray) The stage was presented with lively live and high-quality performances. They also performed a variety of stages, including title songs from major albums from ‘CROWN’ to ‘Good Boy Gone Bad’ and fan song ‘Exchange Diary (Dubaddu Wariwari)’.

‘Name Chapter: TEMPTATION’ recorded sales of 1,868,919 copies on the day of release (27th), and TXT is the only K-pop group to record sales of more than 1.8 million copies on the first day of the release of the new album, except for BTS.

According to the latest chart released by Spotify on the 28th (as of January 27), ‘Sugar Rush Ride’ was streamed 2,216,222 times on the first day of release, ranking 38th on the ‘Daily Top Song Global’ chart. In addition, all tracks on the album entered the chart with ‘Tinnitus (I want to be a stone)’ ranked 70th, ‘Devil by the Window’ ranked 73rd, ‘Leaving Neverland’ ranked 91st, and ‘Happy Fools (feat. Coi Leray)’ ranked 112th. Successfully entered the charts. In particular, ‘Sugar Rush Ride’ landed on the ‘Daily Top Song’ charts in various countries/regions, including No. 38 in the US.

Also, according to the latest chart released by Japan’s Oricon on the 28th (as of January 27th), the 5th mini album sold 184,971 copies, entering the ‘Daily Album Ranking’ and immediately ranked No.1.

The cumulative sales in Japan of the previous 4th mini album ‘minisode 2: Thursday’s Child’ in 2022 were 179,421 copies (based on Oricon’s ‘Annual Ranking 2022’), and TOMORROW X TOGETHER surpassed it at once on the first day of the release of the new album, proving themselves as the potential leader of ‘4th Generation’.

‘Chapter of Name: TEMPTATION’ also topped the Japanese iTunes ‘Top Album’ chart, and the music video of the title song ‘Sugar Rush Ride’ is showing popularity in Japan, being ranked #1 on YouTube’s most popular video.

 

—-Jiyoung Lee

 

#TXT #HYBE #BIGHITENTERTAINMENT #kcrushnews #TOMORROWXTOGETJER #TXTChapteroftheNameTEMPTATION #kpop #Subin #Yeonjun #Beomgyu #Taehyun #Hueningkai #TXTNewAlbum #JapaneseiTunes #newTXTmusic #kcrushamerica #SugarRushTXT #topTXTstreams #kcrush #kcrusharticle #SpotifyDailyTopSongGlobal #WeverseLive #HiveLabelsofficialYouTubechannel #NaverNOW #LineMusic #KINTEX #IlsanGoyangCity #GyeonggiProvince

 

People come from different worlds in terms of culture and race as well as political and financial status among others. Consequentially. Some people are born with a silver spoon while others have to work to earn their living. Before rise to fame, some of the K-Pop idols had to engage in part-time jobs to earn a living while fueling their idol dreams. Here are some of the K-Pop idols who had part-time jobs before they debuted.

 

1. Suga (BTS)

Before Min Young become a member of the global boy band BTS as Suga, he worked as a delivery man to pay for his tuition whilst in college. While working there, Suga had a car accident that resulted in severe shoulder injuries. Although Suga is still a great dancer, he would have been the best if it were not for the shoulder injuries that have sabotaged his dancing perfection.

 

 

2. Sejun (VICTON)

Prior to debuting with VICTION, Sejun worked as a bank security guard. Sejun revealed this fact in an interview when as he cheered a fan about being confident in pursuing dreams. Despite being laughed at by some of his friends, family, and co-workers, Sejun overcame it all and used the criticism as a bridge to his achieving his dreams.

 

 

3. Insoo (Former MYNAME)

Former MYNAME’s Insoo had quite an interesting part-time before rising to fame. Unlike other common part-time jobs, Insoo had the privilege of teaching ballet classes. It was during this part-time period that he taught other notables including Son Yeon Jae, the Olympic rhythmic gymnast, for 2 years.

 

 

4. Ong Seong Woo (Former WANNA ONE)

Prior to becoming a brand in the entertainment industry, Ong Seong Woo engaged in various part-time jobs including working at shopping malls. His major part-time jobs were mainly modelling with the his most memorable one being a hair model while in high school. Though he was not paid for this part-time gig, he did get free hair styles while modelling for them and when going for other gigs.

 

5. Ken (VIXX)

Ken from VIXX worked in a fast-food joint, Loteria, He worked at the hamburger chain for about 9 months. His passion for this particular part-time job surfaced when hamburgers were brought on set during his appearance The Capable Ones show.

 

 

6. Soyou (Former SISTAR)

Before rising to fame, Soyou had undertaken various part-time jobs from the young age of 16 because she wanted to help her family. Apart from working at the gas station, Soyou also worked as a hair dresser. She also possesses a certificate in hair dressing which showcases her commitment to perfection once she puts her mind to achieving something.

 

 

7. E-TION (ONF)

The ONF group member worked a couple of times in the food industry before debuting under WM Entertainment agency. In addition to working in a donut shop, E-TION worked in various restaurants including Japanese, Thai and Samgyetang restaurants.

 

 

8. Jeongyeon (TWICE)

Jeongyeon of the famous girl group TWICE once had her hands all floured up before debuting under JYP entertainment.  Jeongyeon worked as a part-time baker even during her trainee period. She once confessed to thoughts of quitting her trainee life and pursue baking owing to the hardships she was facing then.

 

 

9. Kim Jin Woo (WINNER)

Kim Jin Woo worked as a delivery man during his high school days before debuting as a member of WINNER. The idol used to make extra cash by delivering chicken and pizza.

 

 

10. Im Siwan (ZE:A)

Prior to debuting with ZE:A, Im Siwan used to offer private tutoring services. The idol forewent a Mechanical Engineering course at Pusan National University to pursue his idol career. The genius used his smartness to tutor and help students in Mathematics and physics.

 

 

 

11. Sung Gyu (INFINITE)

Sung Gyu’s rise to fame is a story to behold. Apparently, it was while Sung Gyu was working at a café that he met a customer who would be a bridge to his success. The customer, who was then unknown to Sung Gyu, was no other than Nell’s manager. After the customer-café attendant interaction of a few minutes, the rest became history.

 

 

12. Eunbi (former IZ*ONE)

The former member of Ye-A and IZ*ONE girl groups was no different from some of the other K-Pop idols as she had to undertake some part-time jobs. She once worked as an attendant serving at a bakery chain, Paris Baguette.

 

 

13. Choa (Former AOA)

Before joining AOA girl group, Choa as a sales woman at IPTV. It is during this part-time job period that she auditioned to become an idol, only to get a break with FNC Entertainment agency after failing 15 times with SM Entertainment agency.

 

 

14. Geummi (Former Crayon Pop)

Former Crayon Pop’s Geummi worked one of the most unique part-time jobs amongst other K-Pop idols. She worked in the hair follicle transplant industry as a hair follicle separator. Despite the hustle, this job was quite rewarding in terms of good payment.

 

 

15. Lee Hong-Gi (F.T. Island)

Prior to debuting with F.T. Island, Lee Hong-Gi worked as delivery man for a Chinese restaurant. Other part-time jobs that Lee Hong-Gi engaged in included serving at restaurants and working in hair salons.  Have you seen his LeeHongGi Nail Book?

 

 

—-Karen Mwenda

From November 16-December 16, 2022, we asked you, our readers, to vote for your favorite K-Pop acts via our Kcrush America K-Pop Music Awards.

For our sixth year holding our readers’ choice awards, several races were too close to call throughout the voting window. The rookie categories were the closest, with the rookie female and male group categories in a deadlock between three groups each until the last week-and-a-half of the voting period when K-Pop fans from Costa Rica, Brazil, and Germany pushed the winners to the winner’s circle. For Best Crossover song, two votes separated first from second and one vote separating second from third!

Meanwhile, the OST, best song (both male and female group), Best New Male Artist, and Song of the Year categories had runaway winners with those categories decided early.

With over 700 votes, we thank you for your time and choosing your favorites. Check out below to see the winners!

—-Olivia Murray

 

 

Momoland appears to have disbanded as all six of the remaining members opted to not renew their contracts with MLD Entertainment.

MLD Entertainment released a statement confirming the news.

Hello, this is MLD Entertainment.

First of all, we sincerely thank the fans who cherish and support MOMOLAND.

After a lengthy discussion with MOMOLAND (Hyebin, Jane, Nayun, JooE, Ahin, and Nancy), we respected each other’s opinions and agreed to terminate the exclusive contract upon expiration of the contract period.

We express our deep gratitude to MOMOLAND who has been with us for a long time, and we will sincerely wish the best for the members’ future endeavors.

We would like to ask fans to show unchanging love and support to the six members who are about to start anew.

Thank you.

Momoland debuted in 2016 through the reality series Finding Momoland. When they debuted, Momoland was a seven-member group consisting of Hyebin, Yeonwoo, Jane, Nayun, JooE, Ahin, and Nancy. Daisy and Taeha joined the group in 2017, making Momoland nine members. In 2019, Taeha and Yeonwoo departed the group and the agency with Daisy following in 2020 (in 2022, Daisy claimed she was “fired” from the group).

Daisy’s departure included a legal battle for unpaid wages as well as claims that Finding Momoland was rigged. Daisy ultimately won her lawsuit against the company.

Momoland had a lot of potential but lacked clear direction thanks to MLD Entertainment not knowing what to do with them. In 2018 and 2019, Momoland had two of K-Pop’s biggest songs with “Bboom Bboom” and “Baam,” but after that, album sales and music releases declined. Momoland’s last EP was Starry Night in June 2020, and their last single album was Ready or Not in November 2020. In 2022, the group released “Yummy Yummy Love” with Natti Natasha, but it was an English single.

It is not clear if Momoland will resign as a group with another agency or if they will go their separate ways and focus on their individual activities. In the meantime, Momoland is considered disbanded. Good luck to the members on their futures!

 

—-Olivia Murray

 

#Momoland #Momolanddisbands #Bboom #Baam #kcrushnews #Daisysdeparture #MLDEntertainment #YummyYummyMomoland #kcrush #FindingMomoland #Hyebin #Yeonwoo #Jane #Nayun #JooE #Ahin #Nancy #Daisy #Taeha #kpop #kpopgirlgroup #momolandmembers #kcrushamerica #kcrush2014 #Momolandterminatecontract

 

On January 13, 2023, an armed robbery at Rainier Teriyaki, located on the corner of Rainer Avenue South and Walden Street in Seattle, Washington, ended in tragedy as the three suspects in the robbery shot a man inside the restaurant. The man, who had a gunshot wound to the chest, was transported to the hospital where he later died from his injuries.

On January 25, Korean media outlets identified the deceased as Hansoo Kim, the father of Korean singer Sam Kim.

Rainier Teriyaki was Hansoo Kim’s family restaurant according to the Seattle Times. The Seattle Times elaborates that Kim was the restaurant’s co-owner.

According to the family’s GoFundMe, Kim “loved being outside in nature and would spend his few days off during the year hiking with his wife and friends. More than anything, he loved his family deeply and would go to great lengths to set them up for success and cheer them on. He is remembered as a devoted husband, father, uncle, friend, church member, and local restaurant owner who was always willing to lend a hand and support those around him in whatever way he could.”

Kim’s funeral was held January 24, which had over 200 people in attendance. Sam Kim performed “Don’t Worry,” a song he originally wrote for his mom, during the service.

Hansoo Kim is survived by his wife and three children: Sam, Sujin, and Juyoung.

Rainier Teriyaki is currently closed. The Kim family’s GoFundMe is asking for donations to “go towards any funeral or memorial costs, college tuition for the kids, and helping the family stay afloat financially as the restaurant was their primary source of income.”

In a tweet, Metropolitan King County Councilmember Girmay Zahilay said, “Let’s wrap his family in love & resources and let’s double down on the work to end gun violence especially in the South End.”

 

Please support the loved ones of Hansoo Kim, our neighbor, who was shot and killed at his restaurant Rainier Teriyaki this weekend. Let’s wrap his family in love & resources and let’s double down on the work to end gun violence especially in the South Endhttps://t.co/QN0p0XoBPc

— Girmay Zahilay (@GirmayZahilay) January 18, 2023

 

No arrests have been made in Hansoo Kim’s murder. Seattle police are asking for the public’s help in catching those responsible. Anyone with information is encouraged to call the violent crimes tip line at 206-233-5000.

 

—-Olivia Muray

 

#SamKim #SamKimFatherkilled #armedrobery #HansooKimSamKimFather #Seattle #HansooKimSeattle #kcrushnews #KimFamilyGoFundMe #FuneralJanuary242023 #RainierTeriyaki #SeattleTimes #kcrush #kpopsinger #KoreanAmerican #MetropolitanKingCountyCouncilmemberGirmayZahilay #condolences

 

Female idol group GWSN (Girls in the Park), who has been inactive since May 2021, won their lawsuit to have their exclusive contracts with The Wave Music terminated. The announcement came January 22, 2023, but the verdict was announced by the Seoul Central District Court January 12.

According to Asian Junkie, The Wave Music did not respond to GWSN’s lawsuit or appear in court, so the seven-member group won by default. If The Wave Music does not appeal Judge Yoon Do Geun’s ruling, the ruling will become final.

Despite there not being any prior news alluding to their being a lawsuit, the news wasn’t a surprise to fans of the girl group. Back in February 2022, #SaveGWSN trended on social media as fans demanded better treatment for the girls. However, it appears fans weren’t aware of how bad things supposedly were for GWSN.

In their lawsuit, GWSN pointed out the severe mistreatment they allegedly experienced while with The Wave Music. They joined the company in 2021 after their original label, Kiwi Media Group, went under in 2020. Since being with The Wave Music, in exception of The Other Side of the Moon and “Like It Hot” in 2021, GWSN’s promotions decreased and eventually stopped.

The lawsuit states “The agency neglected care for [the members] since the last album promotion in June 2021, making it impossible for [them] to continue working in the entertainment business.”

Along with lacking promotions, GWSN members were not paid, and The Wave Music could not provide adequate records to show the members were provided fair wages.

“Management of the signed artists is one of the most primary duties of The Wave Music as outlined by the exclusive contracts,” GWSN’s lawyers said. “The failure to care for the members—as well as the failure to provide transparent records of finances have damaged the trust between The Wave Music and the GWSN members. Hence, the contracts can no longer be held valid.”

In February 2022, GWSN members were also evicted from their dorms when The Wave Music stopped paying rent. The company also got rid of the dance practice studio and released GWSN’s administrators, producers, and managers. Members Soso and Miya, who are from Taiwan and Japan respectively, also have criminal records and had to pay fines for overstaying their visas. The Wave Entertainment failed to take care of Soso and Miya’s immigrant statuses leading to their penalties.

The Wave Music only has until January 26 to appeal the ruling according to Pinkvilla. If The Wave Music does not respond, GWSN’s contracts will be nullified, and the group is free to promote and sign with a different company if they choose.

 

—-Olivia Murray

 

#GWSN #GWSNlawsuit #GWSNwinlawauit #kpopgirlgroup #kcrushnews #kpop #TheWaveMusic #kcrushamerica #GirlsInThePark #SaveGWSN #Sosa #Miya #Taiwan #JapanGWSNmember #evictedfromdorms #kcrush

 

Singer-songwriter Soseo freely expresses emotions that many people can relate to through music. In the past, while working as a model under the name of ‘SHUUU’, she prepared an album and released her debut song ‘Candy’ in May 2021, and has been steadily performing music activities. On December 29, 2022, a new single ‘EX’ was announced.

 

1. As soon as I listened to Ex, I felt so hurt. It’s been a long time since I felt like crying while listening to a song these days. Did you write and compose this song yourself? Have you ever cried while making or singing this song?

I am so happy and grateful to hear that you emotionally sympathized with the song <Ex>. I composed the lyrics and the top line of the melody, and producer KIME, who is always with me, worked on the arrangement of the tracks. This song is filled with a lot of emotional appeal, so I always felt like crying when I listened to it as well as when I recorded it. I didn’t actually cry out, but I do remember the tears welled up in my eyes.

 

2. The lyrics are so honest and straight, I like it. Do you tend to write lyrics based on your experiences?

I write a lot of honest and intuitive lyrics, maybe because I’m influenced by my own character. Autobiographical stories + Movies, animations, music, books, etc… I tend to build up inspiration from everything I see and hear.

 

3. You’re already best for me> has the vibe of old R&B songs, so it’s like a 90’s R&B mix that’s trending on YouTube these days. Did you purposely try this remix style? Do you enjoy remixing songs of these days with an old school vibe?

I didn’t actually plan it, but rather it’s because I grew up listening to 90s, 2000s R&B, K-pop, and pop songs since I was little, so they say that the songs I’ve made are somehow filled with the sensibility of those days. It’s amazing to hear that it’s trendy, as I just made something I like. I posted Jennie’s solo 80s remix cover on SoundCloud 5 years ago, and now when I listen to it, it’s a little embarrassing🥺

 

4. I heard that you were influenced by R&B in the 90s and 2000s. If you specify the golden age of music in your opinion, when would it be? How did you fall in love with the songs of this era?

I think people are most influenced by the music they listened to when they were little. The heyday of music in my personal standard is from the 90s to the early/mid-2000s, as I grew up listening to the music of that time when I was little!

Influenced by my mother and cousin brother, I was exposed to popular music since I was a baby, and I began to actively search for and listen to music from around the age of 7, and sang pop music from the age of 11. I remember singing Mariah Carey’s ‘My All’, Alicia Keys’ ‘If I Ain’t Got You’ and Kelly Clarkson’s ‘Because Of You’.’ Haha

 

5. Your voice and singing style is clear and soft. Do you often go to singing rooms?

Thank you! I don’t go to singing rooms these days. When I was in the 6th grade of elementary school, I went to singing rooms four times a week.

 

6. Tell us your favorite singers and songs both in Korea and abroad.

There are so many artists I love, so it’s hard to decide.
Korean Singer: IU, Naul
Song: ‘You, In The Same Time With Me’ by Naul
Abroad Singer: Ariana Grande
Song: ‘Just The Way You Are’ by Billy Joel

 

7. What genre do you hate the most?

I listen to so many different genres, and there is no particular genre I don’t like!

 

8. Have you had any part-time job while in school? If so, what was it?

Well, I did make and served pizza at a wood-fired pizza house, worked at a PC room, convenience store and cafe, worked as a salesperson at a department store salesperson, as a kitchen assistant at an izakaya… These immediately came to mind. I think Kitchen assistant was the best fit for me. You don’t have to talk, and it was fun to prepare ingredients and cook.

 

9. Which dance choreography have you recently learned?

I haven’t learned any choreography, but I’ve done a cover dance of New Jeans ‘ OMG’.

 

10. Is there anything as a child you wished you had that does or does not matter now?

When I was little, I wanted to have a big dollhouse. I still want it now. When I earn a lot of money later, I want to have a secret playroom filled with things I like, such as dolls, toys, and games. I will pass it on to my children.

 

11. What’s your favorite liquor and how much can you drink?

I am literally an ‘alcoholic trash’, which means someone of alcohol intolerance and is called ‘Als’ in Korea. I get completely drunk by only 4 small cups of soju. I’ve once been taken to 119 after drinking in the past.  I don’t drink alcohol at all.

 

12. Do you usually stay at home during your break time or do you like to go out and hang out with others?

I like staying at home. I like shopping, cooking at home, walking nearby, and going to cafes.

 

13. Where is your favorite travel destination, where do you most want to go?

I want to go to Bali. I want to jump in for a swim as soon as I wake up at an accommodation with the sea right in front of me.

 

14. What is your dating style?

I like a relationship where I feel comfortable and have a deep bond as that of a best friend or family. I tend to act cute and lovely when I’m with the person I love.

 

 

15. Falling in love and dating can be different. If you had to choose between dating and love?

You have to fall in love to be able to date someone. I tend to pursue a serious relationship, so dating is possible only when I can imagine a future together with that person!

 

16. Please say a word to your KCrush fans?

Hello KCRUSH readers, I am a singer-songwriter Soseo! It was so nice to be able to meet you all with this interview, and the questions were so intriguing that I could really enjoy the interview. I hope this will be an opportunity to get closer to you guys! Please look forward to the new albums that will be released in the future. I upload my activities frequently through my Instagram and YouTube channels, so please watch over them. Thank you. Happy New Year <3

 

We want to thank Soseo for her time and giving such an indepth interview. Much continued success.

 

—-Jiyoung Lee 

 

 

#Soseo #SoseoEx #kcrushinterview #rnb #kpop #kindie #rythemandblues #KIMEproducer #idolsparttimejobs

 

途方もない夢がかなうと不思議な気持ちになる。岡田敦は写真探求の末、野生の馬が生息する幻の島「ユルリ島」に導かれた。KCrush America Magazineとのインタビューで、彼は写真の旅や作品、魅惑の聖域「ユルリ島」を世界に伝えられる幸運について語りました。

It’s a mystery to behold when one’s wildest dreams come true. And this has been the case with Atsushi Okada, when his photography pursuit led him into the fairy island of Yururi-the phantom island inhabited by wild horses. In an interview with KCrush America Magazine, Atsushi Okada unwinds about his photography journey, his works, and fortunate opportunity of revealing the enchanted sanctuary, Yururi island, to the world through photo stories.

 

1. 世間では岡田さんの写真家としての一面が知られていますが、本当の岡田敦とはどのような人物でしょうか？

People only know you as Atsushi Okada, the photographer. But who really is Atsushi Okada?

周りの人からは、物静かな男だと言われます。ただ、40年近く生きていますが、本当の自分がどんな人物なのか、自分でもよく分かりません。自分のことがよく分からないから、写真を撮り続けているとも言えるでしょう。写真を撮ることは私にとって、自分や自分が生きているこの世界を把握するための一つの方法です。

People around me say that I am a quiet man. However, despite having been alive for nearly 40 years, I am still not sure what kind of person I really am. I guess you could say I keep taking pictures because I don’t really know myself. Photography is a way for me to understand myself and the world I live in.

 

2. 写真を始めたきっかけは何でしょうか？また、岡田さんにとって写真とは何ですか？

How did you get into photography and what is photography to you?

子どもの頃から、絵を描くことが好きでした。ひとりでなにかを作っている時間が心地よかったのです。それがやがて、絵を描くことから写真を撮ることに変わりました。しかし、全く別のことをしているという意識はありません。写真という表現方法のほうが、私にとって相性が良くなったのでしょう。人は大人になる過程で絵を描くことをやめてしまいます。だけど、私はあの頃と同じように、今でも白い画用紙に向かって夢中になっている時間が好きなのです。それが今は「紙と鉛筆」ではなく、「写真」に変わったのです。

I have loved drawing pictures since I was a child. I always felt comfortable spending time alone creating something. Eventually, that moved from drawing to photography. However, it doesn’t feel like I am doing something completely different. I guess photography became more compatible with my way of expression. People stop drawing in as they grow up. However, I still like the times when I can forget myself in the face of a blank piece of paper, just as I did back then. That has now changed to “photographs” instead of “paper and pencil”.

 

3. 最初の作品である写真集『I am』は、最も権威のある木村伊兵衛写真賞を受賞されました。この写真集はどのような思いで作られたのでしょうか？

Your first work, the “I am” book, credited you the most prestigious national award, the Kimura Ihei Award. What’s the inspiration behind the book?

『I am』は20代半ばに作った作品です。写真集にはたくさんの日本の若者のポートレートが収められています。女性のヌード写真がメインです。その写真の中には、自らの体を自分で傷つけた痕跡が腕に残る女性の姿もあります。若者が抱く特有な「生への希求」のようなものに、自分が20代のうちに写真を撮るという行為を通して向き合ってみたかったのです。

“I am” is a work I made in my mid-twenties. The photo book contains portraits of many young Japanese people – mainly female nude photos. Among them, there is a woman who has marks on her arms from hurting herself. I wanted to confront the unique “desire for life” that young people have through the act of taking photographs while I was still in my twenties.

I am

http://okadaatsushi.com/gallery_iam.html

 

4. ユルリ島はメディア規制により、最も人里離れた島の一つです。どのようにして、そのような島へアクセスできたのでしょうか？

Yoruri Island is one of the most secluded islands owing to the media restrictions. How did you gain access to such a haven?

ユルリ島は日本の本土最東端にあたる北海道の根室市の沖合にある無人島です。周囲８キロほどの小さな島ですが、海鳥の繁殖地として天然記念物に指定されています。そのため、上陸が厳しく制限されています。

私がユルリ島の存在を知ったのは2009年頃です。東京で親しくしていた編集者から、「日本の東の果てに、馬だけが暮らす島があるらしい」と教えてもらったのがきっかけです。しかし、当時のユルリ島は、日本では誰も知らないような島でした。なぜなら、ユルリ島がある北海道で生まれ、19歳まで北海道で暮らしていた私ですら、その存在を知らなかったのですから。

だから、島に渡る許可を得るのにとても苦労しました。なにしろ、当時はユルリ島に関する情報がほとんどなかったのです。上陸するための交渉を２年ほど続け、初めて島に渡ることができたのは2011年です。島には港もないので、船を島に接岸できる小さな漁船で漁師に連れて行ってもらいました。

Yururi Island is an uninhabited island off the coast of Nemuro City in Hokkaido, the easternmost point of Japan’s mainland. Although it is a small island with a circumference of only about 8 km, the island is designated as a natural monument as a breeding ground for seabirds. As such, landing on the island is severely restricted.

I learned about the existence of Yururi Island around 2009. An editor I was close to in Tokyo told me that there is apparently an island at the eastern end of Japan where only horses live. But at the time, no one in Japan was aware of it. Even I, who was born in Hokkaido where Yururi Island is located and lived there until I was 19, did not know of its existence.

So, it was very difficult to get permission to go to the island, and there was very little information regarding it too. After two years of negotiations, I was able to cross over to the island for the first time in 2011. There is no port on the island, so we were taken by fishermen in a small fishing boat that could dock there.

 

5. ユルリ島の遺産を紹介できることは、写真家にとってどのような意味があるのでしょうか？

What does the opportunity of showcasing the heritage of Yoruri Island mean to you as a photographer?

初めてユルリ島に渡り、無人の草原に佇む馬の群れの姿を見た時の感動は、今でも忘れられません。まるで、古くから語り継がれてきた神話のなかに登場する、伝説の生き物に出会ったかのような衝撃でした。ユルリ島には、この世のものとは思えない光景が広がっていたのです。

島にある唯一の人工物は灯台だけです。人間が歩くために作られた道は１本もありません。霧深い草原がただ目の前に広がっていました。そして、人間がほとんど足を踏み入れることのないその草原に、馬だけが静かに暮らしていたのです。

私はその美しい光景を、写真の中に留めておこうと思いました。一度だけの上陸ではなく、長い年月をかけてこの島に通い、島にいる馬の姿を写真で残そうと思ったのです。なぜなら、ユルリ島にはもうメス馬しかおらず、いつか消滅することが決まっていたからです。私はいずれ消えてしまうであろうその美しい光景と馬の姿を、写真の中で生かし続けようと思ったのです。

I will never forget the first time I visited the island of Yururi and saw a group of horses standing in an uninhabited grassland. It was as though I had stumbled across creatures from a myth passed down from generation to generation. Yururi Island was covered with such unbelievable sights.

The only man-made object on the island is a lighthouse. There is not a single road made for humans to walk on. Misty grasslands spread out before my eyes. Only horses lived quietly in this meadow where humans rarely set foot.

I decided to capture that beauty in my photographs. Rather than going just once, I wanted to visit the island over a long period of time, to photograph the horses that lived there. Yururi Island had only female horses, and so they were sure to go extinct one day. I wanted to keep the beautiful scenery and the horses alive in my photographs, even though they would inevitably disappear.

 

6. ユルリ島に向かう前、世界中のファンが英語のウェブサイトをリスエストするほど、自分の作品が話題になると想像していましたか？

Before heading to Yoruri Island, did you expect there to be so much buzz from the works you were to produce; to the point that global fans would demand an English website?

それはまったく想像していないことでした。私がユルリ島に興味を持った2009年頃は、インターネットで「Yururi Island」と日本語で検索しても、ほとんど情報がでてこなかったのですから。日本人でも知らなかった小さな島に対し、海外の人が関心を寄せてくれるとは思ってもいませんでした。

It was something I had not imagined at all. When I first became interested in Yururi Island in 2009, there was almost no information available about it on the Internet. I did not expect that people from overseas would be interested in a small island that even Japanese people did not know about.

Yururi Island

https://www.yururiisland.com/

 

7. 写真家としての人生をユルリ島の美しさを伝えることに捧げているということですが、どのような日常生活を送っているのでしょうか？

Given that you dedicated your photography life to showcasing the beauty of Yoruri Island, what’s your daily routine like?

私は普段は東京で暮らしています。ユルリ島に撮影に行くのは年に数度です。しかし、10年以上も島に通い続けたので、これまで撮影してきた膨大な量の写真や映像があります。それらがただ消費されて終わってしまうのではなく、10年後、50年後もこの世界に存在し続けるためにはどうしたら良いのか、そうしたことを考えながら日々を過ごしています。高層ビルに囲まれた東京という街で暮らしているからこそ、世界の果てに存在しているかのような小さな島の草原に佇む馬の姿に、日々、思いを馳せることができるのかもしれません。

I usually live in Tokyo. I only go to Yururi Island for photography a few times a year. However, since I have been visiting the island for more than 10 years, I have accumulated a huge number of photos and videos up until now. I spend my days thinking about what I can do to ensure that they will not just end up being consumed and forgotten, but will continue to exist in this world 10 or 50 years from now. Perhaps it is because I live in Tokyo – a city surrounded by skyscrapers – that I so frequently think about the sight of those horses, standing in a meadow, on a small island on the edge of the world.

 

 

8. 長い間、ユルリ島の本当の姿は謎に包まれていました。10年以上にわたるユルリ島での経験から、ウェブサイトの『ユルリが“幻の島”である理由』の章でも紹介されています。ユルリ島を写真でしか見ることができない私たちに、島を一言で表現するとしたら、どのように表現されますか？

The island’s real image has remained a mystery to the world for the longest. You have had an experience of over 10 years in Yoruri Island, and have documented about it including in the The Reason Why Yururi is a “Lost Island” chapter of the Yururi Island Website. How would you describe it in few words for us who only see it in pictures?

私は今、ユルリ島のインタビューを受けています。しかし、私は今この瞬間、あの島に馬がまだいるのかどうかを知りません。それは知り得ぬことなのです。だからこそ、その存在が尊いし、美しく感じられるのだと思います。そして、私が美しいと思うものが、まだこの世界に存在しているのかすら分からない。だから、「幻」だと言えるのでしょう。ユルリ島の美しさは、「無人島に馬がいる」という単純なことではないのです。

I am currently being interviewed about Yururi Island, but I do not know at this moment if the horses are even still on that island. It is unknowable. That is why I think its existence is precious and beautiful. And I do not even know if what I consider beautiful still exists in this world. So, I guess we could call it almost “Lost island”. The beauty of Yururi Island is not as simple as “horses on an uninhabited island”.

 

9. ユルリ島はよく『馬だけが住む島』と表現されます。10年以上この島に住み、旅をしてきた岡田さんなら、この言葉を証明できますか？

Yoruri Island is often described as “an island inhabited only by horses”. Having lived and travelled around the island for over a decade, would you attest to this saying still today?

それを証明することはできません。なぜなら、今この瞬間、島に馬がいることさえ証明することができないのですから。だから私は、果てしなく長い夢を見ていたのではないかと思うことがあるのです。ユルリ島という島は実在するけれど、そこに佇む馬の姿も、私が美しいと感じた光景も、本当はこの世界に存在していなかったのではないかと……。

私にとってユルリ島は、とても神聖な場所なのです。ユルリ島がある根室という小さな港町の聖域のような場所だと思っています。だから、人間が安易に足を踏み入れてはいけない島だと考えています。もちろんそれは、私自身の活動を含めてです。だからこれから先、私が意味もなくあの島に行くこともないでしょう。あの島の美しさは、人間が安易に足を踏み入れれば、すぐに壊れてしまうぐらい繊細なんです。

We cannot prove that. Because at this moment, I cannot verify that there even is a horse on the island. That’s why sometimes I wonder if this is just one long dream. The island known as Yururi may very well be real, but whether the horses and the scenes I found so beautiful really exist at all…

To me, Yururi Island is a very sacred place. I think of it as a kind of sanctuary in the small port town of Nemuro, where Yururi Island is located. Therefore, I consider it to be an island that humans should not easily be able to set foot on. Myself included, of course. That’s why, from now on, I will not go there without a reason. The beauty of Yururi Island is so delicate that it would be destroyed immediately if humans were to set foot on it so easily.

 

10. 来年には、ユルリ島の興味深い情報を写真とともに綴った本が出版される予定です。また、美術館での展覧会も予定されています。人里離れた島で10年以上にわたり人生を捧げてきて、今どのように感じますか？また、この本についても教えてください。

Next year, the website; where you document interesting information about Yoruri Island coupled with photographs, is set to be published alongside an exhibition at the public art museum. How does that make you feel after dedicating your life on a secluded island for over 10 years and what would you tell us about this incoming book?

ユルリ島の本は、2023年の春に出版されます。この本は私の人生においてとても重要なものになるでしょう。なぜなら、私が見てきた世界がこの世に存在していたことを証明するものになるのですから。本として残ることがなければ、私が今しているユルリ島の話は、私が昨日見た夢の話と変わらないのかもしれません。

夏には北海道にある美術館で、ユルリ島の展覧会もおこないます。私は「芸術」という枠組みの中でユルリ島のことを語ることは、とても重要なことだと思っています。なぜなら、10年後、あの島にはもう馬がいないかもしれません。いや、今すでにいないのかもしれない。しかし、例えそうだとしても、私の作品が美術館で展示される度に、人々はユルリ島のことを思い出し、そこにいた馬について語るでしょう。忘れられることなく、語り継がれることが、ユルリ島の馬が作品の中で生き続けることだと思うのです。

The book on Yururi Island will be published in the spring of 2023. It will be very important in my life because it is proof that the world I saw existed. If it does not exist as a book, the story I am telling now about Yururi Island may be no different than the dream I had yesterday.

In the summer, I will hold an exhibition of Yururi Island at an art museum in Hokkaido. I think it is very important to talk about Yururi Island within the framework of “art”. Because 10 years from now, there may be no more horses on the island. In fact, they may already be gone. But even so, every time my work is exhibited in a museum, people will remember the island and talk about the horses that were there. I believe that the horses of Yururi Island will live on through my works, not to be forgotten, but to be passed on.

 

11. ユルリ島撮影以降の作品としては、『MOTHER（2014年）』、『安田章大写真集 LIFE IS（2020年）』などがあります。作品は北海道立近代美術館などの美術館でパブリックコレクションされています。これらの作品は、ご自身がユルリ島に滞在していたことが影響しましたか？

Some of the works you have created since ensuing the Yoruri Island photography include “MOTHER” in 2014 and “Shota Yasuda Photo Collection: LIFE IS” in 2020. The artwork is also in the public collection of museums such as Hokkaido Museum of Modern Art. Were these works influenced by your stay in Yoruri Island?

東京からユルリ島に通っていたことは、私の人生に大きな影響を与えています。逆に言えば、全ての作品が同じように、私に影響を与えています。だから、全ての作品がそれぞれの作品に影響を与えていると思います。

写真集『MOTHER』は2014年に出版しましたが、この作品を撮影したのは2008年頃です。『MOTHER』は一人の女性の出産の過程を鮮明に追った作品です。人間が産まれてくる瞬間を撮りたいと思ったのは、その前年の2007年に、写真集『I am』を出版したことが影響しています。

『安田章大写真集 LIFE IS (2020年)』で撮影した安田さんは、日本で有名なアイドルです。「関ジャニ∞」(Kanjani Eight)という、日本で最も人気のあるアイドルグループのメンバーでもあります。10年以上前から私の作品を好きだと言ってくれていて、それがきっかけで安田さんの写真集を撮影しました。アイドルの写真集というよりは、１冊の芸術作品として二人で制作しました。安田さんはとても感受性が豊かで、心の優しい人です。

Visiting Yururi Island from Tokyo has had a big impact on my life. All of my works have influenced me in the same way. So, to some extent, I think all of my works have influenced each other.

My photo book “MOTHER” was published in 2014, but I shot this work around 2008. “MOTHER” is a work that vividly follows the process of one woman’s childbirth. My desire to capture the moment a human is born was influenced by the publication of my photo book “I am” the year before, in 2007.

Mr. Yasuda, photographed in “Shota Yasuda Photo Collection: LIFE IS (2020)”, is a famous idol in Japan. He is also a member of the most popular idol group in Japan, known as “Kanjani Eight”. He has told me that he has liked my work for more than 10 years, which led me to shoot his photo book. Rather than the photo book of an idol, we worked together to produce it as a work of art. Mr. Yasuda is a very sensitive and kind-hearted person.

MOTHER

http://okadaatsushi.com/gallery_mother.html

 

12. 『THE WORLD』はとても芸術的です。どのような思いで作られたのでしょうか？

“THE WORLD” work is quite artistic. What was the inspiration behind it?

私がこれまで発表してきた作品は、作品によって被写体が異なっているように見えるかもしれません。しかし、私の中では全てが繋がっています。そうした意味では、『THE WORLD』という作品は、私のそれぞれの作品を分かりやすく結びつけていると言えるでしょう。『THE WORLD』には、出産の光景も、自傷行為をする若者の姿も、2011年に日本を襲った大震災の傷跡も、全てが同じ枠組みの中で写真で語られています。作品のタイトルは「私の世界」という意味ではありません。「私」が生きているこの「世界」を、写真を撮るという行為を通して認識しようと試みたのです。

In the works I have presented so far, the subject may seem different depending on the piece. But in my mind, everything is connected. In this sense, I would say that “THE WORLD” connects each of my pieces in an easy-to-understand way. In “THE WORLD”, stories of childbirth, self-harm, and the earthquake that hit Japan in 2011 are all told through the same medium of photographs. The title of the work does not mean “my world”. I tried to perceive this “world” in which “I” live, through the act of taking photographs.

THE WORLD

http://okadaatsushi.com/gallery_world.html

 

13. 写真を撮影する以外の時間は、どんなことをしてリフレッシュしていますか？

When not doing photography, what do you like doing to rejuvenate?

難しい質問ですね。作品を作ることを、私は仕事だとは思っていません。だから、作品を作っている時と、それ以外の時間と、自分の中ではオンとオフがないのです。それを器用に切り替えることができないから、私はいまでも何かを作り続けているのでしょう。強いて言えば、深夜にお酒を飲みながら、いま自分が作っている作品について考えている時間が、私の中ではリフレッシュかもしれません。

This is a difficult question. I don’t think of creating my work as a job. Therefore, there is no ON and OFF for me that separates when I’m working and when I’m not working. I guess since I am not able to switch between them easily, I never really stop creating something. If I had to choose something, then the time I spend late at night drinking and thinking about the work I am currently making is probably the most rejuvenating time for me.

 

 

14. ユルリ島のドキュメンタリーを通して、どのようなことを達成したいですか？

What do you hope to achieve through Yoruri Island documentaries?

なにかを達成したいという気持ちはありません。そもそも、仕事で依頼されてユルリ島の写真を撮り始めたわけではないのです。だから、お金や生活のために島に通っていたわけではありません。むしろ、膨大な時間とエネルギー、そして沢山のお金をユルリ島のために費やしてきました。

「それでは、何のためにユルリ島の写真を撮っているの？」と聞かれても、私はそれを分かりやすく説明することはできないでしょう。それは他の人には分かり得ぬことだとも思うのです。

ユルリ島がこの先どうなるのかを私は知りません。10年後も島に馬がいるのか、今すでにもういないのか、私には分からないのです。だから、作品を残すことが、私にできる唯一のことだと思っています。

I have no desire to achieve anything. I did not start taking pictures of Yururi Island because I was asked to do so for work. So, I did not go to the island for money or to make a living. Rather, it’s something I personally have spent a huge amount of time, energy, and money on.

If someone asks me “what is the purpose of taking pictures of Yururi?”, I would not be able to explain it in a simple way. I don’t think it’s something other people will understand.

I don’t know what will happen to Yururi Island in the future. I don’t know if there will still be horses on the island in 10 years, or if they are already gone. So, I think leaving this piece behind is the only thing I can do.

 

15. 写真家として、個人の作品やユルリ島について、今後の展望をお聞かせください。

What are your future plans as a photographer, with regards to your personal works and Yoruri Island?

今は今年の春に出版するユルリ島の本と、夏に日本の美術館で開催する展覧会に向けて準備をしています。その先のことは想像できていません。私が次回いつ島に行くのかすら分からないのです。

だけど、初めてユルリ島に渡った2011年頃、私は10年後にアメリカのメディアからユルリ島について聞かれるようになるとは想像もしていませんでした。それと同じように、私が想像もできないような未来が訪れるかもしれませんね。例えば数年後、アメリカの美術館でユルリ島の展覧会をしているかもしれません。私はそうした未来を楽しみにしています。

ユルリ島のことを聞いてくれてありがとう。日本の片隅にある小さな島の存在を、アメリカの人たちに知ってもらえて嬉しいです。

I am currently preparing for a book on Yururi Island to be published this spring and an exhibition to be held at a museum in Japan this summer. I can’t imagine what will happen beyond that. I don’t even know when I will next visit the island.

But back in 2011, when I first traveled to Yururi Island, I never imagined that 10 years later the American media would be asking me about it. In the same way, there may come another time in the future that I never would have even imagined would happen. For example, in a few years, there might be an exhibition of Yururi Island in an American museum. I look forward to such a future.

Thank you for asking about Yururi Island. I am glad that people in the US know about this small island in a corner of Japan.

 

岡田敦

 

Okada Atsushi / Photographer

Born 1979 in Hokkaido, Japan. Graduated from the Department of Photography, Faculty of Art, Osaka University of Arts in 2003, and received his doctorate (Art) from the Graduate School of Arts, Tokyo Polytechnic University in 2008. In the same year, he won the Kimura Ihei Award, also known as the “Akutagawa Prize of the photography world.” He has also won the Hokkaido Cultural Encouragement Award, the Higashikawa Awards Special Photographer Award, and the Fuji Photo Salon New Face Award. His published works include “I am” (AKAAKA Art Publishing, 2007), “ataraxia” (Seigensha Art Publishing, 2010), “THE WORLD” (AKAAKA Art Publishing, 2012), “MOTHER” (Hakurosha, 2014) and “Yasuda Shota Photo Collection: LIFE IS” (Magazine House, 2020). His works are in the public collections of the Hokkaido Museum of Modern Art, the Kawasaki City Museum and the Higashikawa Bunka Gallery. He has been photographing Yururi Island since 2011.

http://okadaatsushi.com

Instagram

https://www.instagram.com/okadaatsushi_official/

Yururi Island / The island of lost world

https://www.yururiisland.com/

Instagram

https://www.instagram.com/yururi.island/

 

—-Karen Mwenda

 

#AtsushiOkada #YururiIsland #photographer #Japaneseisland #kcrush #theislandoflostworld #islandofhorses #KanjaniEight #MOTHEROkadaAtsushi #IAMOkadaAtsushi #artgallery #THEWORLDOkadaAtsushi #MrYasudaphotographedinShotaYasudaPhotoCollectionLIFEIS2020 #ShotaYasuda #LifeIs2020 #kcrushamerica #kcrushinterview #OsakaUniversityOfArts #YururiIslandexhibitionatanartmuseuminHokkaido

 

Essentials constitute of intrinsic elements that are fundamental in various aspects and purposes. K-Pop essentials for fans showcase the fandoms’ unwavering support towards their bias idols. While there exists a variety of K-Pop merchandise, the following collections are considered as basic and most essential to any K-Pop fanatic.

 

1. Photoalbum

With the evolution in technology, physical CDs have become a thing of the past, although not for K-Pop fans. Nonetheless, the latest album version that is highly essential for any K-Pop fan is the photoalbum. Just as a CD is filled with an artist or group’s music, a photoalbum on the other hand is a collection of collectables related to the artist or group. The collectables include a photo book, t-shirt, and photocards among others. The photoalbum has become a trend and is being done in various editions (limited, deluxe, standard, etc.) and volumes (vol.1, vol.12, etc.). A photoalbum is a K-Pop fan’s way of expressing their undying love for their bias artist or group.

 

2. Photocards

Compared to the photoalbums, photocards are smaller and easier to carry around. Photocards usually come in the size of trading cards, are part of the photoalbum, and are always found in K-Pop events and concerts. These collectables are more treasured in the case of K-Pop groups since each photocard is dedicated to each of the band’s members. As such, photocards enables a fan to have his or her bias K-Pop icon all in one photo rather than all group members in one photo.

 

3. Posters

Photocards and photoalbums are essential, but so are posters. Posters are such a unique and shouting statement that has become an essential collectable for justifying one’s love and support towards a specific K-Pop idol or group. The posters vary in size and content in accordance to each fan’s preferences. They express one’s loyalty to a particular K-Pop idol and are a fun way of vamping up one’s space.

 

4. Wearables

A fan is never complete without securing a wearable whose content is dedicated to his or her favorite idol, including the idol’s face, their motto or lyrics among others. The most common wearables are t-shirts with the most treasured ones being those part of a K-pop group’s photoalbum edition. In addition to clothing, some agencies such as SM Entertainment go a step further and give fans the option of having wearables in form of jewelry. As such, the agency releases editions of jewelry, such as bracelets, representing each of their K-Pop groups and artists. This has become quite a trend since unlike the clothing wearables, most of the jewelry can be worn anywhere and on any day giving the fans more freedom to express their support towards their bias K-Pop idols and groups.

 

5. Light sticks

A light stick is another way for fandoms to express their undying love for and towards their biased K-Pop groups. These light sticks are usually tailored and designed to represent various aspects of particular K-Pop such as their name or logo. They unify fans from around the world with the common goal of supporting their biased K-Pop groups. The light sticks are a must have, especially during concerts where their light shines giving strength to the performing K-Pop idols. The best part about this essential collectable is that the K-Pop idols also have the same light sticks as their fans, which further unifies the bond between the two.

 

 

6. Stationery

Being a K-Pop fan is not limited to during concerts or fan meetings only. Rather, enthusiasts can express their admiration in all aspects of life. In such a case, K-Pop themed stationeries are the go-to, especially for environment where K-Pop might be unpopular or other collections such as K-Pop wearables might be regarded as extreme. Some of the most popular stationery include pencils and notebooks. K-Pop stationeries gives fans the power to demonstrate their undying support for their bias idols in any setting.

What other essentials would you recommend?

 

—-Karen Mwenda

 

#kpopfanessentials #kpopfanlighstick #kcrusharticle #kpopstationary #kpopphotoalbum #kpopphotocard #kpopidolpins #kcrushamerica #kpopnotebooks #kpoptshirt #idoltshirt #kpophoodies #kpopwearables #kpopmerch #kpopposters #idolposters #kpopCD #idolCD

 

 

There’s sad news to report as two actors in the Korean entertainment industry passed away.

Legendary film actress Yoon Jeong Hee, 78, passed away due to Alzheimer’s complications on January 19, 2023. Yoon and her family were living in Paris, France at the time of her death. She has been living in Paris since the 1990s where she met her husband and had her daughter.

Yoon, born Son Mi-ja, is known for the films Mist (1967), Women of the Yi Dynasty (1969), A Shaman’s Story (1972), Night Journey (1977), and Poetry (2010). Her decades-long career earned her several acting awards during her prime.

Yoon’s husband, Paik Kuh-woo, confirmed the actress’ death via a statement.

“It is with great sadness that my wife Yoon Jeong-hee passed away around 5 p.m. Thursday (local time),” Paik said. “She died peacefully listening to our daughter Jin-hee playing the violin. The funeral will be held in France attended by close family. Although she is no longer here with us, please remember her kind soul and passion for film.”

During her career, Yoon appeared in over 280-330 films. She was part of a “troika” of popular Korean actresses that included Moon Hee and Nam Jeong-im.

“Yoon Jeong-hee was a prominent figure in Korean cinema whose commitment and passion toward acting and artistic soul inspired many younger actors. Her legacy will continue to live in us,” Culture Minister Park Bo-gyoon said.

 

 

On January 21, 2023, actor Na Chul, 36, passed away. According to reports, Na Chul died from “exacerbated health issues.” He was admitted to the hospital after his health “suddenly deteriorated.”

Making his theatrical debut in 2010, Na Chul held a role in Anne’s Diary before shifting to film and K-Drama supporting roles. He held roles in Vincenzo, Weak Hero Class 1, Touch Your Heart, Little Women, Once Upon a Small Town, Happiness, A Superior Day, and Stranger 2. He was also set to appear Concrete Utopia, which will be released later in 2023.

“Actor Na Chul, thank you for showing us what good acting is. I wanted to see more of your work. RIP,” actress and Little Women co-star Uhm Ji-won said.

Kim Go-eun, who was also Na Chul’s co-star in Little Women, called him “the best actor ever” as well as “the most amazing man, dad, husband, son, friend.”

 

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Na Chul’s official cause of death has not been determined. His funeral is set for January 23 at Soonchunhyang University Hospital Funeral Home in Seoul.

 

 

We send our condolences to Yoon and Na Chul’s families.

 

—-Olivia Murray

 

 

#NaChulpassesaway #NaChulcondolences #kcrushnews #Vincenzo #WeakHeroClass1 #TouchYourHeart #LittleWomen #OnceUponaSmallTown #Happiness #ASuperiorDay #Stranger2 #ConcreteUtopia2023 #kdrama #YoonJeongHeepassedaway #YoonJeongHeecondolences #kcrushamerica #Mist #WomenoftheYiDynasty #AShamansStory #NightJourney #Poetry #Koreanactress #twokoreanactorspass

2022 has ended, so it’s that time of the year where we (and everyone else) do their “year-in-review” segments.

Kcrush kicks off our year-in-review segments by rating the debuts from 2022. It should be prefaced that many K-Pop songs in recent years have the same formulas and many of the songs don’t stand out like they used to do. However, it’s what you can do with the material you’ve been handed.

2022’s girl group class is, with all things considered, one of the strongest debut classes in recent years. This year had several monster rookie debuts including NEWJEANS, who became the fastest girl group to earn a daesang (Asia Artist Awards, “Performance of the Year”), and Le Sserafim. There are even groups from smaller companies that caught our attention, and we hope they caught your attention too!

Using an A-F scale, we ranked this year’s reviews. Of course, we welcome you to discuss your rankings and who you liked this year!

 

A

 

CSR | Debut: July 27, 2022 | A2Z Entertainment

While the Girl Crush concept continues to be one of the dominating concepts in K-Pop, CSR’s innocent concept is a breath of fresh air!

For fans of early GFRIEND, Lovelyz, and April, CSR fills the void these groups left behind. The group does an innocent concept with power behind the vocals and performance. “Pop? Pop!” and “♡TiCON” are such lovely songs that ooze with nostalgia of previous K-Pop generations. At the same time, their tracks have an early 2000s J-Pop vibe to create a unique feel that speaks to fans of both K-Pop and J-Pop.

If CSR can continue to capitalize on their nostalgia-carving path, they can carve their own niche that will help them standout in this year’s K-Pop class.

 

Fifty-Fifty | Debut: November 18, 2022 | ATTRAKT

Fifty-Fifty’s debut featured three different tracks that reflect their talents and vocal diversity. With each of the tracks released as singles from their The Fifty EP, the ATTRAKT quartet knew how to impress from the word “go.”

“Higher” and its mid-tempo beat shows off Fifty-Fifty’s vocals beautifully. Each member has an opportunity to share their smooth, velvety vocals that set them apart. The deeper tones make their vocals stand out more than other groups. Meanwhile, “Lovin’ Me” is a solid track that has clear harmonies while reflecting Fifty-Fifty’s soft side. Finally, “Log-In” reflects their power while allowing Fifty-Fifty to compete with a standard K-Pop dance track.

Because Fifty-Fifty debuted with a variety of songs that reflect their capabilities vocally and talent-wise, it’s clear they’re going to be a powerhouse in 2023 if they have adequate promotions and support. We see these girls as potential rookie-of-the-year contenders!

 

Le Sserafim | Debut: May 22, 2022 | Source Music

Despite the bullying controversy that caused Kim Garam’s ousting from the group, Le Sserafim maintained their Monster Rookie status since their “Fearless” debut back in May.

Le Sserafim’s strengths lie in how diverse their lead singles have been. With tracks spanning the dance-pop (“Fearless,” “Antifragile”) and R&B (“Impurities”) genres, Le Sserafim offers something refreshing. Their vocals aren’t as over-processed as other groups, which adds to their uniqueness. The songs have repetition, which normally would be an annoying trait, but for Le Sserafim, it’s a signature that works given their vocal color and overall presentation.

If Source continues to give Le Sserafim unique tracks, they have the potential to remain a top-tier group beyond their rookie year.

 

Mamadol | Debut: January 28, 2022 | Disbanded: February 4, 2022 | Mama the Idol

While Mamadol (M.M.D) was a project group born from Mama the Idol, they were an A-class group made up of former idols Kahi, Jungah, Sunye, Yang Eunji, and singers/actresses Byul and Hyun Jyuni.

While “WooAh Hip” is a fierce track, it isn’t much different from what many idol groups release today. However, since it’s a song from first- and second-generation singers showing they could still compete with today’s young stars, “WooAh Hip” showed that parenthood and time can’t stop talent and the will to perform. This alone earns Mamadol an A!

 

NEWJEANS | Debut: July 22, 2022 | ADOR

With the large number of K-Pop groups debuting every year, so many groups get lost unless they have an “it” factor. NEWJEANS is one of those groups that has “it.” Since their debut, NEWJEANS earned the love of Korean and foreign fans while racking up honors along the way including music show wins and becoming the fastest girl group to earn a Daesang at an awards show.

Like ATTRAKT and Fifty-Fifty above, ADOR was smart to release a variety of tracks for NEWJEANS’ debut.  Between July 22 and August 4, NEWJEANS released the singles “Attention,” “Hype Boy,” “Hurt,” and “Cookie” that show off their versatility in the pop and R&B realm. Their songs are interesting in how they sound right for 2022 while recalling the 1990s and early 2000s American and Korean music scenes. Fusing the different eras together is one of the many reasons why NEWJEANS is at the top of 2022’s debut class. Beyond the sound variety and fusion, solid vocals, visuals, and quality help them stand out.

If NEWJEANS keeps on the path they’re on, they will continue to be the group to watch as the carve their niche in K-Pop history as a fourth-generation powerhouse.

 

VIVIZ | Debut: February 9, 2022 | BPM Entertainment

We love that GFRIEND still lives via VIVIZ. Made up of former GFRIEND members SinB, Umji, and Eunha, VIVIZ gave us the debut we anticipated: The classic GFRIEND sound (“Bop Bop”) but with a more grown-up (“Rum Pum Pum”) and invigorating feel (“Loveade”).

VIVIZ earns their A-grade because of the members’ history in the K-Pop industry. Being already established and knowing what fans want helps VIVIZ have a leg up on this year’s debut class, which some may consider an unfair advantage. However, in a cut-throat industry, every little advantage helps.

 

A/B

 

CLASS:y | Debut: May 5, 2022 |

Formed via the survival show My Teenage Girl, seven-member group CLASS:y was one of the busiest groups in the industry this year with three mini albums, one digital single, and one Japanese single under their belt. The M25 and Universal Music Japan girl group proved to be a workhorse in the industry with their intense schedule worrying fans.

While their debut song “Classy” isn’t much of a standout due to its formulaic structure and basic “look at me” lyrics, “Shut Down,” “Zealous,” and “Tick Tick BOOM” are substantively better songs, though they still maintain a formulaic sound K-Pop fans have grown accustomed to over the years. The group’s accessibility is one of their endearing qualities along with solid vocals. Each of the tracks have well done compositions, though it would be great to hear some variety from the group. In the coming year, it will be nice to hear a ballad or a non-dance track released as a lead single in order to really hear their potential, but CLASS:y is definitely one of the top class debuts this year!

 

Kep1er | Debut: January 3, 2022 |

Kep1er is a project group, so they’re considered “short-term,” but their debut left a mark. Kep1er has been busy with their promotions via concerts and their appearances on Queendom 2, which helped the group gain traction.

Born from Girls Planet 999, the multi-national group is a strong team. “Wa Da Da” is a fun, catchy debut song that is a massive earworm, and their subsequent releases, “Up,” “Sugar Rush” and the Japanese single “Wing Wing” also reflect the group’s potential to be a memorable standout group thanks to their catchy, bubblegum pop flair.

While Kep1er has the potential to be an A-group, they are part of the A/B ranking due to their singles not having enough variety to truly reflect their abilities. While dance pop tracks are the standard, it would be great to hear a main single from Kep1er that is slowed down or in a different genre to truly hear how great they could be.

 

Lapillus | Debut: June 20, 2022 | MLD Entertainment

Lapillus debuted with a powerful concept that is suitable for the girls’ vocals and visuals. “Hit Ya!” has a great vibe with a catchy bass. Their subsequent single, “Gratata” follows suit by showcasing the same powerful vibe with catchy instrumentals paired with an appealing hook and chorus. Unfortunately, given the similarity in the songs’ powerful personalities, Lapillus could run into the problem of appearing one-note if MLD Entertainment doesn’t give them a solid variety. For now, the powerful concept does work, though MLD needs to work on making sure Lapillus isn’t pigeon-holed.

Lapillus had a lot of hype prior to their debut since they are Momoland’s junior. Given how MLD Entertainment has seemingly abandoned Momoland to where they’re not as prominent as they were during the era of the mega-popular hits “Bboom Bboom” and “Baam” and tumultuous departures of Daisy, Taeha, and Yeonwoo, it’ll be interesting to see how MLD manages Lapillus and if they get the Momoland treatment later on.

 

ILY:1 | Debut: April 4, 2022 | FC ENM

ILY:1’s debut was under-the-radar, shameful considering “Love in Bloom” is a delightful song.

ILY:1 is another innocent concept group with some power behind them. The multi-national group, with members that appeared on Girls Planet 999 and Nizi Project, has a perpetual spring and summer vibe about them that makes them a refreshing vitamin group. Between “Love in Bloom” and “Que Sera Sera,” ILY:1 leaves behind good feelings.

For being from a newly established company, their MVs have a pleasant production quality that doesn’t scream “small company group,” which works to ILY:1’s advantage. However, ILY:1 didn’t have a significant amount of advertising or promotion, which could be a disadvantage moving forward. If promoted right, ILY:1 can be a memorable group.

 

IRRIS | Debut: July 6, 2022 |Justice Records & Mellow Entertainment

IRRIS is a rebranding of the former group REDSQUARE. The rebrand turned out to be a great decision because IRRIS is fresh group with charisma and sweetness. While IRRIS’ debut track “Wanna Know” shows off their sultry side and range, their second track “Stay With Me” reflects their personalities and dance abilities. However, “Bye Bye” might be my favorite of their three releases because the vocals hit deep. “Bye Bye” has a little extra something I can’t put my finger on that made IRRIS one of best female rookie groups this year. Justice Records and Mellow Entertainment have something amazing in IRRIS, and they really need to promote them because they are a group we shouldn’t lose. Their criminally low YouTube views need boosted, so please check IRRIS out!

 

Queenz Eye | Debut: October 24, 2022 | Big Mountain Entertainment

Queenz Eye provided an under-the-radar debut. Visually and vocally, Queenz Eye stands out. Their song “Yummy Yummy” is a unique banger that shows off the six-member group’s vocals and rap abilities well. The song might not catch a lot of people at first, but it gets better with each listen to where it’s a perfect song for any playlist. “Yummy Yummy” is a solid debut song, and it’s one that probably would have taken off if given to a group from a more well-known company.

Their small-group-from-a-small-company marking unfortunately works against them. There wasn’t a lot of advertising for Queenz Eye, so their debut may have been missed if not for some music show performances, on which they performed well.

Honestly, they should have more attention because Queenz Eyes has great potential and should be a group to watch.

 

WSG Wannabe | Debut: July 9, 2022 | Disbanded: August 6, 2022 | Hangout with Yoo

As a project group formed on Hangout with Yoo, WSG Wannabe was a temporary group consisting of Navi, HYNN, Kwon Jin Ah, Jung Ji So, Uhm Ji Yoon, Soyeon, SOLE, Jo Hyun Ah, Park Jin Joo, Kota, Lee Bo Ram, and Yoon Eun Hye.

Under the ballad and R&B umbrella, WSG Wannabe released five digital singles including “Our Season” and “When I Close My Eyes.” The released songs were well-arranged and utilized the members’ voices beautifully. Each member is a powerhouse vocal, but they maintained a softness that made each release appealing.

The only issue with WSG Wannabe is international audiences don’t give ballad tracks as much attention as they should. While Korean audiences showed love to the group and songs, the tracks didn’t catch on internationally. Plus, the songs weren’t promoted enough. WSG Wannabe should have had a longer promotion period so the women had a chance to shine more, but it wasn’t meant to be.

 

B

 

Daisy | Debut: July 8, 2022 | Rainbow E&M

Daisy is the 15^th group to debut under Rainbow E&M’s Future Idol Asia project. Their debut track “Tropical Love” is a feel-good summer tune that’s cheerful and fresh. The vocals are clear and solid for this group, and the song fit them perfectly. While Rainbow E&M’s video quality isn’t the best, the filters, setting, and dance work for the song and group. What is particularly enjoyable about “Tropical Love” is that it sounds like a song a more established group or a group from a larger company might perform and have success with, which is also part of the issue: This song is actually too enjoyable to be as underrated as it is.

Daisy is one of the better groups from Rainbow E&M. They sound more polished compared to some of the other groups, so it’ll be great to see where they go moving forward!

 

Fresh | Debut: March 31, 2022 | Rainbow E&M

In 2022, Rainbow E&M debuted several groups under the Future Idol Asia project. Fresh is one of those groups. Their debut single, “Party,” is cute and bouncy with some moments that do get stuck in the listener’s head.

Another vitalizing element about Fresh is how the group features singers of different body shapes. In an industry where everyone has to be a specific weight, it’s invigorating to see different bodies represented, so this may help fans get into the group if they can connect with a member that looks like them.

However, the editing for the MV is awkward and could have been better to reflect the members’ personalities. The song’s beat and chorus suggest a happy, sunny MV with charm and charisma, but filming in different rooms with a dance that looks like everyone is just going through the motions doesn’t help a viewer connect to the group. Rainbow E&M appears they may be biting off more than they can chew by debuting so many Future Idol Asia groups, and this will be more evident as we go continue through this list.

 

Me:Us | Debut: April 12, 2022 | A Flat Entertainment

9MUSES’ Hyuna and Hyemi decided to bless us by making a comeback as a duo. With their debut song “Memories,” Me:Us shows off their soft side with smooth, carefree vocals. Being seasoned professionals in the business, it’s great to hear members from groups older generations grew up with or started their K-Pop journey with still find success in the industry.

Now under A Flat Entertainment, Hyuna and Hyemi’s reemergence as Me:Us is mostly positive. “Memories” is a safe choice for a debut as it is a ballad, but it highlights their sweet vocals beautifully, especially at the beginning of the song. Toward the end, though, the song starts to rely on flat, off-key notes and lines that are yelled instead of sung, taking away from the listening enjoyment.

Their subsequent 2022 singles “Wind” and “Nothing’s Changed” do a better job at highlighting their vocal colors, especially “Wind,” which, while on the thinner side vocally, has a nostalgia-filled sound that provides a sweet feel to a summer day. “Wind” and “Nothing’s Changed” help Me:Us in ranking, especially since the arrangement and vocal collapse in “Memories” takes away from the joy of a mini-9MUSES reunion.

 

Mimirose | Debut: September 16, 2022 |YES IN Entertainment & Totalset Entertainment

The five-member group debuted in September 2022 with “Rose” and the single album “Awesome.”

“Rose” is a cool, catchy song that combines the K-Pop sound with a fusion of South Asian beats. The song does a nice job showing off the girls’ abilities while reflecting a fun, powerful side. The MV does well highlighting the girls’ personalities, too. The whole package suggests Mimiirose can be a long-haul group if their management handles them well.

However, their companies did flub their debut, so the management aspect is going to be a wildcard for Mimiirose moving forward. When the group debuted, the companies didn’t load the group’s full MV at first, then they deleted the short version and replaced it with a long version, hurting the girls’ YouTube count. Hopefully the companies will get it together to help Mimiirose be successful.

 

P.O.A | Debut: September 21, 2022| HANDMADE & Korea Music Group

The project group P.O.A was formed by Anatainer World Korea – 2022 Pageant as part of their People On Air media campaign. Originally meant to be a six-member group, P.O.A debuted with five members with “On Air.”

“On Air” is a stand-out debut because of its bright personality, but it does lack a clear identity as the composition is messy. At the beginning of the song, Yubeen’s rap has hints of HyunA and 4Minute coming through before the song shifts to a modern K-Pop track before pivoting again at the chorus to have an early 2010s K-Pop sound. The style blending does give “On Air” a unique sound, but since it does combine too many elements, it comes across as sloppy. However, these awkward elements are less noticeable the more you listen to the song.

 

UiU |Debut: July 11, 2022 | Untact Idol Unit by Hanyang University

Despite the low budget appearance, UiU’s visuals, style, and debut song “Starlit” are strong. “Starlit” is a song that doesn’t particularly stand out in this K-Pop era, but it feels like something that would have been mildly successful between 2011-2013. The song just feels so right in ways that can’t be explained, and that’s probably due to the nostalgia-factor. This song feels so vintage in a way that tugs at my K-Pop-loving heart.

However, UiU is a project group and isn’t really promoted, which is why they are further down on the list. They should be, because “Starlit” is a debut track that should have more attention.

 

We;Na | Debut: September 5, 2022 |Shine E&M

We;Na’s debut track “Like Psycho” is another song that takes the listener back to the early 2010s. The song is so bright and cheery, and We;Na perform it with adorable flair. Since its release, “Like Psycho” earned a lot of play time on my personal Spotify. The concept and the joy We;Na exudes works for them.

What worked against We;Na is their company not teasing or promoting them enough. This is a group that should have more attention, but the minimal advertising for the group didn’t help them at all. Hopefully, 2023 will mean they will get more traction!

 

B/C

 

1CHU |Debut: July 12, 2022 | Moai Entertainment

The duo 1CHU is Hey Girls’ first sub-unit made up of Chaerin and Sulhee.

Moai Entertainment was smart to debut 1CHU with the summer song “Oasis.” Summer tracks perform well both domestically and internationally because fans love having tracks with a nostalgic, fun vibe. “Oasis” has both elements as it is an enjoyable, throwback song. The catchy beat and chorus tickle the imagination and draw listeners to beaches, sunsets, and hanging out with friends. 1CHU a nice summer mood booster with this song thanks to their lively vocals and effervescence.

What holds 1CHU back is the minimal promotions they received for the song.

Another hang-up is the pronunciation of “oasis,” which seems to be a nitpicky thing considering how this is an English word instead of a Korean one. However, the pronunciation of “oasis” as “oh-ah-sis” over “oh-ay-sis” feels off even though it fits the song. However, the bubbly nature of the track saves the song.

 

Acid Angel from Asia | Debut: October 22, 2022 | Disbanded: November 16, 2022 (disputed) | MODHAUS

The sub-unit of rookie girl group TripleS, Acid Angel from Asia (TripleS AAA), is the first of two sub-units from the group, the other being +(KR)ystal Eyes. The sub-units’ members were voted on by Cosmo App users.

Acid Angel from Asia is an unfortunate name for the group (where I’m from, colloquially, “Acid Angel” refers to LSD or a meth/acid/PCP mix), but it is memorable. Unfortunately, their single “Generation”—while a solid debut that features solid vocals, rich tones, and cool since it doesn’t have a rap break—wasn’t memorable. While it was different from the usual dance tracks many groups have, the song is too one-note and, albeit, quiet to where it’s more of a background tune instead of one that’s easy to recall. It’s just there, existing as simple wallpaper in the K-Pop sphere. If the song was a bit livelier instead of one-note, this could have been a much better debut track.

However, the criticisms about the song and group name aren’t against the group themselves. They earn a B/C rating because TripleS AAA has consistent vocalists that should be utilized. Hopefully, their vocals, whether in TripleS or if TripleS AAA make a comeback, will be utilized better.

 

Apink CHOBOM | Debut: July 12, 2022 | IST Entertainment

Apink CHOBOM is Apink’s second subunit made up of Chorong and Bomi. Their debut song “Copycat” isn’t a memorable song, but it is cute with some Doja Cat hints mixed in to make it both K-Pop and Western-sounding. “Copycat” highlights their sweet vocals nicely, but the song is a bit boring. It’s a nice background song, but it doesn’t reach out and grab the listener. It maintains the same beat pretty much throughout the song until it gets to the bridge where there is a bit of a change vocally and beat-wise.

The MV is what makes this debut better than it is. The visuals are fun and pay homage to TWICE, Crayon Pop/Strawberry Milk, and Orange Caramel among other groups, so it’s fun to watch just to see the different Easter eggs planted throughout the video. Overall, though, Bomi and Chorong deserved something better for their debut.

 

EUNOAI | Debut: October 8, 2022 | G1 Creative

EUNOAI is a seven-member kids group formed by Shine Kids Dance & Vocal Academy. Their debut track “You Know I” has its ups and downs, but it gets credit for its early-2000s J-Pop vibe infused with some GFRIEND flavor. Since the group is made up of kids, the vocals aren’t perfect, but the mix of older and younger children is what gives “You Know I” the J-Pop-meets-innocent-concept-K-Pop fusion that is utterly enjoyable.

It’ll be great to see how this group comes along. Seeing as they are a project group, they may not be a long-term group. As with any kids group, there is a worry they may be exploited in some way. Hopefully, this won’t be the case.

 

Girls’ World | Debut: June 20, 2022 | Liz Entertainment

What do you get when you throw early SNSD, APINK, M.I.L.K, and GFRIEND in a blender? Apparently, you get Girls’ World. From the opening notes of their debut track “Rapunzel,” you can hear a little bit of “Into the New World,” which will either make SONES feel nostalgic or miffed depending on their mood.

Throwback, bright-vibe K-Pop is always a win in my book, especially if it’s a group that can recall the early and late 2000s and early 2010s all at the same time. The feel-good vibes are everywhere with “Rapunzel,” and the Girls’ World members are adorable. While they have everything that feels right about K-Pop, it’s also what holds them back slightly. “Rapunzel” does feel like it samples a lot from past K-Pop girl groups including SNSD, so there might be too much familiarity here. However, given a chance to grow and come into their own, they could be a breath of fresh air.

 

H1-Key | Debut: January 5, 2022 | GLG & Sony Music

H1-Key debuted in January 2022 with “Athletic Girl.”

The Grandline Entertainment quartet has a decent debut song in “Athletic Girl,” but it isn’t memorable. Former member Sitala has some solid rap lines, so this is a positive attribute to the song. Overall, the track is one-note without anything really “catching” that would cause a listener to take notice. With a title like “Athletic Girl,” the initial impression is that the song would go harder than it does. The track lacked energy and power, which is why H1-Key is on the B/C cusp.

H1-Key does have some great visuals, and the vocals are stable, which puts them on the B-side of the grading cusp. They have room to grow, and their recent 2023 comeback, “Rose Blossom” does show off their vocals better, though Sitala’s voice is missing (she left due to “personal reasons”). The group will find their power and voice overtime if they’re given material that will capitalize on their vocals.

 

PCDM | Debut: August 13, 2022 |KEM Entertainment

PCDM is made up of former I.C.E members Kimmi and Da Hye. The KEM Entertainment duo debuted August 2022 with “Oh My God,” a song that is upbeat with a rhythm that may encourage the listener to get up to dance. Technically, this song was released in 2021 when PCDM was still I.C.E, but since Kimmi wrote, composed, and arranged the song, PCDM was able to use it when I.C.E’s contracts ended. “That’s It,” PCDM’s second single, is also fairly catchy, though “Oh My God” has the edge in terms of it being more memorable and powerful.  The production quality is there for both songs, but they definitely deserve MVs that reflect their vibes. That aside, if Kimmi continues to produce music, PCDM may be able to develop a solid fanbase.

 

Rush | Debut: May 31, 2022 | Rainbow E&M

Rush has ten talented members that are not shaped like your typical idols! It’ll be mentioned a few times on this list, but Rainbow E&M really should be commended for having artists of different shapes and sizes. It’s so great to see artists that are not all the same size, so I hope Rainbow E&M starts a trend where groups will have members of varying body types instead of embracing diet culture and making sure all of their artists are all on the smaller side.

Rush’s “Hate You” is another solid debut that recalls the early 2010s. Vocals are on-point and the song is pretty enjoyable. The girls do a great job showing personality in the MV, so it’s clear they enjoy the song and the MV process. This makes a difference! Compared to some other Rainbow E&M groups, Rush has a spark that will carry them far.

The video quality needs some work though. There are scenes where the camera person can be seen reflected in the glass. There are also moments where Rush members do look at each other to prevent bumping into each other during the dance, so there is polishing that needs to take place. However, this is a great start!

 

Winny | Debut: October 14, 2022 | Rainbow E&M

Winny is the 21^st debut under the Future Idol Asia project. While I’m not of fan of Rainbow E&M’s video format overall, it actually works for Winny’s “Like a Star.” The soft filters and use of pink helps to make this song extra sweet, light, and fresh. For an October release, “Like a Star” feels like a gentle spring breeze.

Winny is promising group from Rainbow E&M. This group stands out because they seem a bit more lively than some other Rainbow E&M groups, and they have some charm and charisma. Their vocals carry “Like a Star” well and make the song enjoyable. The song is youthful without feeling overly childlike. There are points where the tune could use some oomph, especially in the chorus, but it’s an easy listen either way.

 

 

C

 

ARTBEAT | Debut: November 16, 2022 | AB Creative

ARTBEAT has plenty of potential thanks to their pleasing vocals and visuals. While the song has an upbeat tone, ARTBEAT’s vocals are calming, fitting for a debut track called “Magic” since “upbeat” and “calming” don’t usually pair well.

Unfortunately, the song’s composition is sloppy. There are three tempo and mood changes in the song, so “Magic” has a bit of an identity crisis. The composition shifts feel awkward while also feeling appropriate, so it’s a strange song. If the beat changes weren’t included, “Magic” would feel dull and flat. This song uses a bit of sorcery to make it work!

 

CocoaNButter | Debut: October 6, 2022 | MLD Entertainment

Initially formed as a dance team in 2018, CocoaNButter made their musical debut in 2022 with “Mi Deh Yah.” Vocally, CocoaNButter are powerful and intimidating in a good way. The track has a great beat, though some have called out the group for appropriation for using African, Caribbean, Jamaican styling and music. Even the rapper featured in the track, KOONTA, faced criticism since his name, if spelled differently, is a derogatory term.

Speaking of KOONTA, his addition ruins the song. His rap wasn’t necessary and didn’t fit with a track that has intensity. Without his rap, “Mi Deh Yah” would have been a better debut.

 

D.S.tar | Debut: February 10, 2022 | S.T.S Entertainment

D.S.tar is a four-member project group. The children’s group is made up of cast members from Smile Kids TV.

Their debut track “Dancing Shoes” is enjoyable, which is weird considering how I’m an adult, but the song is an earworm. Seriously, the song is cute and has a J-Pop vibe to it that made me feel nostalgic. “Dancing Shoes” has an unexplainable energy that just makes me happy. For D.S.tar being made up of young kids, there is a lot of potential in their vocals, so we might be seeing Lee Sooyeon, Lee Jin, Kim Harin, and Lee Jiyoung in the future if the industry doesn’t treat them poorly, but I already see issues in the way they’re handled.

The video for “Dancing Shoes” has some cute, magical elements, but the kids wear outfits suitable for creepy child pageants à la Toddlers in Tiaras, and the dancing is a bit mature for children. For their second single, “Kitten,” the concept is more age-appropriate. The “Dancing Shoes” video did receive backlash prior to the YouTube comments being removed, so perhaps S.T.S Entertainment took the feedback and shifted their strategy.

Overall, D.S.tar has enjoyable songs, and for an adult to find enjoyment in them, that’s saying a lot.

 

FAINIT | Debut: June 13, 2022 | Disbanded: July 8, 2022 | Fainit Company

What a shame FAINIT was so short-lived! “Killing Me” is a pretty solid debut, though it wasn’t flawless. The song is really catchy, and FAINIT had unique vocals, though the “killing me, killing me” refrain got a little grating after a while. While the line didn’t detract from the song’s enjoyment, depending on the listener’s mood, it does stick out and feels awkward at times.

FAINIT disbanded less than a month after they debuted. Jinseo opted to train as an actress, while Liha, Meanu, Seoa, and Idam became trainees at Chrome Entertainment.

 

GOT the Beat | Debut: January 2, 2022 | SM Entertainment

Got the Beat is absolutely STACKED. Comprised of BoA, Taeyeon, Hyoyeon, Seulgi, Wendy, Karina, and Winter, the lineup of capable vocalists from different eras is hard to beat. It’s too bad “Step Back” doesn’t utilize their vocals abilities. “Step Back” is over-processed and messes with the members’ vocals to where they all sound too much alike and singing out of their ranges. The song could have been much better if SM Entertainment kept the members’ vocals more natural to reflect more tone and color. At points, the vocals sound almost screechy. The opening of the song is fire, but it makes the song seem like it’s going to be better than it is. The visuals and dance are on-point.

 

Lalagirls | Debut: January 1, 2022 | Soonsu Dance Company

Lalagirls is an interesting group! This three-member trot group has the Soonsu Dance Company CEO as a member, so Lalagirls is definitely unique in that manner!

Trot is a fun genre, so having a trot group debut with this year’s debut class is a pleasant surprise. Their vibe also fulfills a niche left behind by Orange Caramel, so this another positive trait Lalagirls have.

Their debut track “Dimwit” is fun and one that can easily be listened to repeat. It’s hard to not dance along with the beat. The women have wonderful voices that have a delightful lower tone that mixes well with the song. Musically, the debut track is on-point!

Given the beat and subject matter of the song, it would have been better to have an MV that is brighter and bursting with color. The muted shades took away from the overall package, but the song is still a bop nonetheless!

 

Peach A! | Debut: October 8, 2022: Better Company & KNJ Music

Originally know as PEACHDAY, Peach A! debuted as a four-member group with “Rebreath” back in October. “Rebreath” is a cool dance track that has some disco elements, making it an easily likeable song. Peach A! has deeper, huskier vocals, which is invigorating! The more mature vocals give Peach A! a memorable edge.

Like a few other groups listed, lacking promotions keeps Peach A! down on the list. The group has low views which could negatively impact them in the long run. It’ll be great to see how their vocals are utilized moving forward if their companies continue to build on their skills.

 

Pretty | Debut: April 20, 2022 | Rainbow E&M

“Dear U,” Pretty’s debut track, is another throwback-style track. While Pretty is made up of young teens, they do a nice job with this song that fulfills an early 2000s K-Pop/J-Pop vibe. The track has refreshing accents of spring that make it a track worth hearing.

Pretty does a good job with the song. The vocals do need some refining, but they are kids, so it is great to not hear over-processed vocals in this case. Even so, some minor refinements could have made this song really pop!

 

Red Balm | Debut: July 15, 2022 | Rainbow E&M

Red Balm’s debut single “Swipe” features some pleasing rap parts, catchy music, and is mildly addicting. The song is composed well for the most part, so it does feel like a track a more established group might have. However, it’s not the most memorable of songs, so when it goes off, a listener doesn’t really notice it ended.

Red Balm does have plenty of positives in their favor. While nitpicky, one of the criticisms present is how “Swipe” is pronounced “swy,” thus changing the meaning of the song (“swy” is a gambling game, which doesn’t seem to be the song’s theme).

 

Stars | Debut: November 18, 2022 | Rainbow E&M

Stars is a teen group part of the Future Idol Asia project from Rainbow E&M. They debuted with the song “With You,” which is a decent song if it weren’t for the awkward dance break. The girls can really sing! They have a bright vocal energy that has a bit of a veteran tone, so that’s a pleasant surprise.

While the song and vocals check out, the girls do lack charisma. The song is an upbeat one, but the MV doesn’t reflect the bubbliness the song presents. The song features a dance that matches the beat’s energy, but the facial expressions and overall actions featured in the MV feel lackluster. If Stars turn up the energy, the potential is there to continually improve.

 

C/D

 

Amber | Debut: December 23, 2022 | Rainbow E&M

Amber is another Future Idol Asia group from Rainbow E&M. This teen group’s debut song is “Baby Baby,” a song that tries to be likeable but the nasally vocals are a distraction. Unfortunately, “Baby Baby” doesn’t have a lot to it to make it stand out, so it just fades into the background. It’s not a bad song, but there’s nothing there to keep a listener engaged.

Amber at least got a different set to perform in, and it matched the song well. Dance and acting-wise, Amber comes across as genuine. Their smiles and interactions feel more authentic, so their ability to connect with viewers helps them in the ranking.

 

Black Rose | Debut: August 26, 2022 | Rainbow E&M

Black Rose is an 11-member teen group from… you guessed it! Rainbow E&M.

Black Rose isn’t bad, and the direction with this group seems promising. Black Rose is a bit edgier, and that zing hides some of the vocal flaws that may exist. Like other Rainbow E&M groups on this list, production quality is what takes Black Rose down a few notches with their “Tear It Out” debut. The rap parts and overall vocals are pretty good, though the lacking chorus does impact the overall song.

Black Rose is the 18^th group from Rainbow E&M. At this point, someone should tell Rainbow E&M that just because they can debut a high number of groups it doesn’t mean they should. Having fewer groups they can actually train and develop may be better in the long run.

 

BLAZE | Debut: January 28, 2022 | Space Music Entertainment

BLAZE’s debut already starts in a hole since they don’t have an MV for their track “Funny Game” and the official audio has been removed from YouTube. All they have available is a dance practice video that lacks finesse. The dance is essentially phoned in as it features minimal effort. What are you thinking here, Space Music Entertainment? Given the amount of effort, it’s doubtful BLAZE will last long in the industry.

That’s not saying it’s all bad because the song itself saves BLAZE from being ranked lower. The song is adequate and sounds more fitting for 2010-2013. BLAZE have good vocals, so for their company to basically screw them over is a travesty.

 

ENVIDIA | Debut: August 5, 2022 | BlueMoon Entertainment

ENVIDIA is MAKAMAKA’s first sub-unit. Their debut song, “Who Am I?”, is classified as Hip-Hop, but it’s the light side of Hip-Hop. The catchy chorus is cute, and it’s hard to avoid moving along to the beat. The MV is also a lower-budget one, but it suits the song. “Who Am I?” doesn’t have a lot of interesting elements, though. It stays on the same beat and tempo pretty much throughout the song. If it had some layers, tempo changes, and perhaps a bridge that added depth to the song, “Who Am I?” and ENVIDIA could have been graded slightly higher.

 

Flush | Debut: August 22, 2022 | Luminant Entertainment

Flush is such an unfortunate name for a group! How many people are going to think of colors or “flushed cheeks” versus the “flush” related to toilets?

Flush’s debut “TNG” (There’s No God) isn’t a bad song, but it isn’t great. The song starts off strong with some solid vocals. However, as the song moves toward the end, it falls apart. In the last minute or so, the vocals lose refinement and the “there’s no God” portion that closes the song ruins the overall decency of the track. This element combined with the chorus could have had more spark to it knocks the song rating down.

The fact the song focuses on the lines “there’s no God,” there is an expectation for it to be a rock or metal song. It’s disappointment this isn’t the case because it would have been much cooler.

 

NMIXX | Debut: February 22, 2022 | JYP Entertainment

For a talented group of girls from a Big Three company, NMIXX’s music is… something else.

“O.O,” NMIXX’s debut track, is a mess. This song is like several songs that were left on the cutting room floor, spliced together, and JYP released it hoping it would work. The pros are that NMIXX has some good vocalists and visuals, but they couldn’t save “O.O” from being a junk song. Along with nonsense utterances, the vocals are drowned out by the music, product placement (Coke Zero), and a sloppy composition. This track is not a positive introduction to this group even though a lot of fans of the group have said the song grew on them overtime.

NMIXX’s subsequent release “Dice” still has a sloppy composition and doesn’t reflect NMIXX’s vocal abilities as well as “O.O” surprisingly did. Like “O.O,” the music overpowers the vocals, so a balance between music and singing needs to be improved. While the music makes NMIXX to stand out, right now, the messy songs aren’t helping them stand out in a positive way.

 

Shadow | Debut: March 4, 2022 | Rainbow E&M

Shadow’s debut song “Dream” had a lot of potential to be a catchy mid-ranked song. The issue with the song is that it features a chorus and bridge that lack power due to thin, reedy vocals and an “oh ah oh” lyric that loses energy as the song progresses.

Shadow does do an alright job with the material. They have some charisma that can carry them. The Shadow team does have sparks of joy and look like they are having fun, helping them overcome lacking production.

 

D

 

Bubble | Debut: August 12, 2022 | Rainbow E&M

Bubble’s debut track “Baby Dream” is a nice, sweet song, so fans of a more innocent should get enjoyment out of this track. The seven-member group has cute vocals, which is expected from a child group.

What dings Bubble is the song’s production quality. Some of the lines are too muted to be heard while the louder parts need some smoothing out. The chorus is catchy though. If the song had higher production quality, this song really could have stood out.

 

D-Art | Debut: January 10, 2022 | DIMA K-Pop Season 1, Dong-ah Institute of Media and Arts

D-Art is a four-member group from DIMA K-Pop Season 1. In January 2022, they released their debut single “Cinderella.”

“Cinderella” starts off strong with a solid rap and individual vocals that show the group has talent. However, the chorus and bridge are a mess. The singing is off-key and pitchy with unequal volume that makes the song jarring and hard on the ears. The overall composition is also untidy without clear direction. At times, the song sounds like a banger, but mostly, it feels like something suitable for Halloween. The song takes away from any skill D-Art may have, which is a shame.

 

Daystar | Debut: September 30, 2022 | Rainbow E&M

“Viva La Vida” isn’t a great song, but Daystar does somehow manage to save it at some points. The earn some bonus points for making the song somehow work.

At this point, it should be mentioned Rainbow E&M is mostly known for managing children, so this could be why their music produced for artists in their teens and older feels so off. “Viva La Vida” feels like the wrong song for Daystar. While the group looks like they could have energy, the song didn’t allow them to show it off. With a name like “Viva La Vida,” energy and a party atmosphere should have been expected, but we didn’t get that. Instead, the group is gifted a flat song and a basic video that featured awkward dancing, uncomfortable facial expressions, and a set that made it look like Daystar had to dance for their lives in order to escape captivity.

 

Memoria | Debut: October 28, 2022 | Rainbow E&M

Usually, a song titled “Bling Bling” has a lot of sparkle and cheeriness, but Memoria’s debut track was neither sparkly nor cheery. Paired with the MV, there’s something a bit unsettling about the whole package here.

The R&B tempo paired with the poppy chorus could have worked, but the composition was lackluster and amateurish. Combined with an MV that featured Memoria seemingly just going through the motions and barely showing emotion, there was nothing that made the song stand out. “Bling Bling” is one of those songs where you listen to it but it doesn’t penetrate that you listened to it and it’s just done without any fanfare. The whole vibe was just weird.

 

NTORE | Debut: March 27, 2022 | To Hermitage

NTORE is a live group from To Hermitage. They are a Korean group patterned after Japanese girl groups and perform exclusively at live events. This is an endearing quality, especially for those of us who do love K-Pop and J-Pop.

NTORE gets a ton of credit for performing live. Their songs are also catchy and feel like they should be anime themes. Without that in mind, NTORE’s vocals aren’t the strongest. At times they’re too flat or too nasally, and that gets distracting. But, they are a live group and not a product of the K-Pop Machine, so that makes what they’re doing all the more impressive.

 

D/F

 

Silhouette | Debut: January 11, 2022 | Rainbow E&M

This is another Rainbow E&M group released thanks to the Future Idol Asia project. Their single, “Siren,” has some interesting moments where it sounds like the potential is there, but the song and overall production just doesn’t quite reach a star-worthy level.

An unrefined style can be endearing at times, and that is the case here when “Siren” is listened to once or twice. However, with multiple listens, the style makes this a sad musical representation that almost comes across as a mockery of the group’s dreams. Throw in the awkward video featuring the girls staring into the camera and awkwardly posing, the overall product just doesn’t reflect the group’s abilities.

 

Spirit | Debut: September 16, 2022 | Rainbow E&M

Rainbow E&M’s production quality with each of their Future Idol Asia groups is so wildly inconsistent. There are a few groups that show potential, and there are others that don’t quite have “it,” but this is not the fault of the members they debuted. This is the fault of a company trying too hard to force artists into the K-Pop pipeline without enough training and refinement, so their choices reflect badly on a group.

With the above considered, “Broom Broom,” Spirit’s debut song, is an ear-bleeder. There are hints that suggest the song could have been okay. Unfortunately, the vocals are so off-key and pitchy the song couldn’t be saved. Perhaps this is all down to arrangement, but it seems no one at the company listened to the song post-recording to hear it provide Spirit a disservice to their potential careers. It was like the guy who wrote and produced Rebecca Black’s “Friday” hijacked the studio and told these girls the song was gold. Hopefully that means Spirit can bounce back like Rebecca Black did to have good songs released that can reflect any talent they may have.

“Broom Broom” aside, Spirit is a group that has visual potential. Like Fresh and other Rainbow E&M groups, Spirit also features singers of various body types, so there is a relatability factor that many young girls will like. Let’s just hope Rainbow E&M pulls it together to give these girls a chance at reaching their idol dreams.

 

With Me | Debut: February 11, 2022 | Rainbow E&M

With Me debuted with “천천히 다가와 줄래.” While listening to the track, it feels necessary to channel the old Verizon “can you hear me now?” catchphrase. The arrangement and sound mixing are so quiet! Even with the volume turned up to max levels, the song is too soft. Perhaps this is for the best because the vocals here aren’t the best. Like Spirit, the vocals are pitchy and scratchy at times, so they quash any enjoyment that may exist with the track. Even with the aforementioned elements considered, this song has potential to be sweet and good, so it’s really angering that it has such poor production quality.

For the MV, With Me, like other Rainbow E&M groups, performs in a room. In their case, the MV, lighting, and visuals do work for the song and group, so that was a positive.

 

What 2022 debuts were your favorite? Let us know in the comments! You can also check out each of the artists’ debut songs through our YouTube playlist, or you can play the songs via Spotify!

 

—-Olivia Murray

 

#KCrushReviewItRateIt #2022debutsgirlgroups #girlgroupdebut2022 #kcrush #NewJeans #CSR #LeSserafim #WithMe #Spirit #FiftyFifty #Mamadol #H1Key #VIVIZ #Mimirose #WAGWannabe #UiU #POA #AcidAngelFromAsia #1CHU #Daisy #QueenzEye #Dart #Daystar #Rush #Silhouette #NTORE #FAINIT #DStar #Flush #Bubble #Memoria #Pretty #RedBalm #PCDM #Lalagirls #Shadow #NMIXX #ENVIDIA #GOTTheBeat #CocoaNButter #ArtBeat #APinkCHOBOM #BlackRose #GirlsWorld #EUNOAI #Ili1 #IRRIS #WeNa #MeUs #Lapillus #Classy #BLAZE #Amber #Stars #kpopgirlgroups #Kcrushreview #Winny #Kep1er #A2ZEntertainment #RainbowEM #ToHermitage #BPMEntertainment #KEMEntertainment #SourceMusic #ATTRAKT #AFlatEntertainment #ADOR #ShineEM #HandmadeandKoreaMusicCompany #JYPEntertainment #GLGandSonyMusicCompany #STSEntertainment #BigMountainEntertainment #SMEntertainment #LuminantEntertainment #G1Creative #LizEntertainment #HanyangUniversity

 

Givenchy is pleased to announce the appointment of Taeyang as 2023 global ambassador.

Taeyang a music pioneer and the star of the record-breaking South Korean mega boy band Big Bang, has joined the house’s family as its newest brand ambassador, becoming the first male South Korean star to take on that role.

“Taeyang is an inspiring artist – a music pioneer with an authentic, barrier-breaking way of expressing his own personal style, which fits perfectly with today’s Givenchy aesthetic,” said Matthew M. Williams, Creative Director of Givenchy.

Taeyang, a stage name meaning “Sun” in Korean, is a household name in his home country and a global superstar. Big Bang, dubbed the “Kings of K-Pop”, was one of the first groups to breakout globally becoming one of the best-selling boy bands of all time, winning over 100 awards, being on the New York Times “Best Concerts list”, and winning “Best Worldwide Act”at the MTV Europe Awards.

Following the success of Big Bang’s single “Still Life” in 2022, Taeyang  now is ushering in a new chapter through his collaboration with Givenchy and the release of his latest single, VIBE, and upbeat love song featuring Jimin of BTS. The music video garnered over 20 million views on the first day of release and chartered around the world topping iTunes charts in over 60 countries.

Taeyang stated on his new ambassadorship “I am grateful to be able to start this new chapter of my life with Givenchy. It holds a special meaning to me, as givenchy is a brand that has inspired me in many ways over the years. Matthew has also been a leader in both fashion and culture for many years. I look forward to the exciting ways to collaborate with Givenchy through this partnership”.

Taeyang’s role as International brand ambassador at Givenchy is effective immediately.

 

 

#TAEYANG #BIGBANG #BLACKLABEL #kcrushnews #kcrushamerica #GIVENCHY #TAEYANGGIVENCHYGLOBALAMBASSADOR #Kpop #VIBETAEYANG #GIVENCHYFIRSTMALESOUTHKOREANAMBASSADOR #MTVEuropeanAwards #MatthewEWilliamsGIVENCHYCreativeDirector #kcrushmedia #congratulationsTAEYANG #GIVENCHYFashionHouse

 

According to an industry source, on the 18th, an official from Song Kang’s agency hinted, “Song Kang is planning to work with Kim Yoo-jung in ‘My Demon’, an action thrill romantic comedy genre.”  An official from Kim Yoo-jung’s agency said, “‘My Demon’ is under review.”

‘My Demon’ is a work that depicts the romance between Do-hee Do, the heiress of a conglomerate who is encompassed by enemies from all sides, and the Gu-won Jung, a demon who lost his ability overnight. He can be described as a warm iced coffee-like man who is superior to humans in every way, but after losing his ability, he plans to work with Kim Yoo-jung (Do Do-hee) to regain his lost ability. In the process, the romance between the two is expected to cause excitement in viewers. Considering the visual chemistry of the unusual combination, expectations are already rising.

It is known that Song Kang and Kim Yu-jung were offered the roles of Jeong Gu-won and Do Do-hee, respectively.

The air schedule of ‘My Demon’ is undecided. The script is written by writer Choi A-il, who co-wrote the drama ‘Mister Queen’.

Meanwhile, Song Kang spent a busy time filming season 2 and season 3 of Netflix’s original ‘Sweet Home’. Following this, in February, he holds his first Asian fan meeting to meet his fans. Kim Yoo-jung will be on the stage of the play ‘Shakespeare in Love’, which premieres on the 28th.

 

—-Jiyoung Lee

 

#actorSongKang #MyDemonKDrama #KimYoojung #KimYujung #ChoiAil #ChoiAilwriter #kcrushnews #MisterQueen #SongKangSweetHome #firstAsianfanmeetingSongKang #ShakespeareinLoveKimYoojung #kcrushamerica #kdrama #korean #actors #SongKangMomentFanMeeting2023