SXSW 2024 ‘Seven Sisters’ Interview with Artist Rainbow Chan and Director Anne Berry

 

In the thematic music video for her song ‘Seven Sisters’, singer, lyricist, composer, and producer Chun Yun Rainbow Chan looks into her ancestry to the ways of the Weitou people and the ‘bridal lament’ of the women yearning to be free of marriages they can’t escape.

 

 

Directed by Anne Berry, Creative Director and Lead Editor at the Hong Kong based boutique marketing and media production company Capsule48, ‘Seven Sisters’ combines the traditional with the modern and contemporary as the ‘Bride’ played by Rainbow (her stage name), sings her own version of a modern-day bridal lament.

The music video is based on the stage play The Bridal Lament (哭嫁歌) where Rainbow demonstrates the various practices young brides took on their way to marriage; putting on the traditional red Qun Kwa, veiling themselves, and eventually being lifted into the carriage that would ultimately take them away from their families and homes for good. The Weitou who are documented as the indigenous people of Hong Kong, was a traditionally patriarchal society, and as with every ancient (and modern) society, young girls and women had very little to no say in determining their destinies. Marriages were arranged for daughters to men not of their choosing or even knowledge, and for the Weitou women, the only way they had to speak out in objection was through their ‘Bridal Laments’; songs in a dialect of the Weitou language completely their own, passed down from mother to daughter, aunt to niece. Not understood by the men.

 

 

Born in Hong Kong before her family emigrated to Australia, Rainbow feels a special calling to honor these women of whom she is a descendant of through her mother. She spent five years researching and learning the language from elders still alive in the city – some of whom can be seen at the end of the music video – preparing the play and eventually the music video which screened as part of the 2024 SXSW Music Festival.

In my interview with Rainbow and Anne we discussed creating the visual identity of the film that borders between the old dark passageway of traditional Hong Kong homes and the new of Hong Kong famous city streets lit up with their trademark halogen signs. We spoke of Anne being inspired by the music and lyrics of ‘Seven Sisters’, and Rainbow’s journey learning about the Weitou, paying homage to her elders, and what the Bridal Lament means to her and her mother.

Rainbow is a multi-disciplinary performer and filmmaker who’s won multiple awards for her work. She’s performed at world renowned venues such as the Sydney Opera House, composed scores for film and TV, and her documentary Songs from a Walled Village was a finalist in the 2021 Asia Pacific Broadcasting Union Prizes.

 

Carolyn Hinds

Freelance Critic, Journalist & Podcaster
African American Film Critics Association Member, Tomatometer-Approved Critic
Co-Host & Producer So Here’s What Happened! Podcast
Bylines at http://Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

 

#SevenSisters #RainbowChan #AnneBerryDirector #SXSW2024 #kcrushinterview #kcrushfilminterview #SongsFromAWalledVillage #Weitou #traditionalredQunKwa #BridalLaments #WeitouWomen #HongKong #kcrushamericamagazine #kcrushtopasianentertainmentmagazine #HongKongculture #Capsule48 #music #arrangedmarriage #musiccomposer #musicvideo #kcrushnews #kcrushinterviewSXSW #SXSWinterview

 

Famous for its historical buildings, Korean traditional cuisine, and sporting activities, Jeonju is a one-of-a-kind beehive of activities city. Jeonju City, Jeollabuk province’s largest city, is a blend of urban and rural life intertwined with historical and modern vibes. Jeonju joined UNESCO’s Creative Cities Network after being named a Creative City for Gastronomy in May 2012 for the preservation of archaic traditional cuisine.  The good and gastronomy industry has also credited Jeonju with the “Taste City” nickname amplified by the city’s active involvement in food research and innovative local and international food festivals.

 

 

Jeonju belonged to the Baekju Kingdom before the takeover by Silla Kingdom in 660 AD. In the Goryeo dynasty, Jeonju City became the Confucianism and education center. The city flourished into a cultural and administrative center during the Joseon Dynasty heavily influenced by the Yi family. Despite destruction during the Japanese rule,  Jeonju city’s cultural heritage, traditional cuisine (especially bibimbap), and historical sites were salvaged making the city an international tourist hub.

 

 

Nick-named the “Taste City” and credited the title Creative City for Gastronomy, Jeonju is famous for its rich food culture, especially its traditional Korean cuisine. Jeonju is famous for its Bibimpap version, a Korean traditional signature dish of rice topped up with vegetables, fried egg, and spicy red pepper paste among other ingredients. The savoring deep taste, further facilitated by the high-quality locally-sourced ingredients, and colorful presentation completes the dish. Other famous regional specialties include beansprouts broth and Jeonju Hanjeongsik (traditional full-course meal). Jeonju’s makgeolli (traditional Korean rice wine) and the delicious street foods are a must-try as well.

 

 

Jeonju Hanok Heritage Village is a must-visit destination. Lined with well-preserved traditional Korean houses with narrow alleyways, this traditional village oozes a deep sense of Korea’s cultural heritage. Visitors can try on a hanbok or explore the art galleries, traditional tea houses, and craft workshops. Other must-visit places include Jeonju Hanji Museum (showcases the traditional Korean handmade paper culture and craftsmanship), Hyanggyo Confucian School (a Joseon Dynasty treasure), and Omokdae and Imokdae (historic sites offering panoramic views of Jeonju Hanok Village) among others. Jeonju City also offers plenty of outdoor activities to enjoy while catering to various interests. Some of them include hiking in the Jangtaesan recreational forest, bike riding, and boat riding among others.

 

 

Jeonju City is indeed a testament to Korea’s rich cultural heritage, traditional architectural wealth, historical landmarks, and culinary delights. The city is the perfect destination for those seeking an authentic and thrilling Korean experience.

 

—-Karen Mwenda

 

 

#JeonjuCity #Korea #KoreanCulture #traditionalarchitectural #traditionalkorea #kcrush #historicallandmarks #kpop #JeonjuHanjiMuseum #TheTasteCityJeonJuCity #kcrushcontent #visitkorea #traveltokorea #tourkorea #funkoreanactivities #topasianentertainmentmagazine #kcrushamericamagazine #magazine #americanasianmagazine #koreanfoods #khistory #culinaryinkorea #JeonjuHanokHeritageVillage #Koreanhandmadepapercultureandcraftsmanship #HyanggyoConfucianSchool #JoseonDynasty #Omokdae #Imokdae #Jeollabukprovince

The phrase “Girls will be girls”, shouldn’t seem like a revelation, but if you pause and think about it…it is. Award-winning writer and director Suchi Talati takes the well-known adage “Boys will be boys”, and recontextualizes it to describe the at times strained relationship between a young mother Anila (Kani Kusruti) and her teen daughter Mira (Preeti Panigrahi), in her debut feature film Girls Will be Girls.

Set in a boarding school in the Himalayas of northern India, Girls Will be Girls, takes the typical coming-of age story and positions it to the coming of age for Mira who, having gained the status of Head Prefect at her school, thinks she’s mature enough to take another step, sexual discovery. Sri (Kesav Binoy Kiron), a new student recently moved from Hong Kong, offers Mira the perfect opportunity to explore her burgeoning emotions as she believes his worldliness and maturity which are vastly different to the other male students, makes him the best choice for her.

As Mira and Sri enjoy their quiet discussions in secluded areas of the school, surreptitious glances across the classrooms, and whispered conversations over the phone, her mother Anila takes note of the changes in her daughter. As Mira becomes more confident in her budding sexuality, her emotions towards her mother become ever more abrasive and dismissive. What Mira sees as jealousy and selfishness in Anila’s interventions in her and Sri’s interactions when he comes to their house, Anila, sees as her duty as a mother looking out for her daughter because she has the foresight to see where wrong move could spell social disaster for Mira in a patriarchal society where image, social status, and female decorum are paramount.

Following the films screening at the 2024 SXSW Film Festival, Shuchi and I had a terrific conversation where we spoke about Girls Will be Girls being a coming of age story for Anila, whose loneliness caused her to cling to the attentions of Sri, as a substitute for what she doesn’t receive from Mira and her husband who’s barely a presence in their home and lives.

We also spoke about the pressure to always think about what boys and men think of the way we look, and behave from girlhood to adulthood creates self-consciousness and insecurities that are hard to get over.

Girls Will be Girls had its world premiere at the 2024 Sundance Film Festival, where it won the Special Jury Award and an Audience Award. For the film, Shuchi has also received Aide Aux Cinémas du Monde and Sørfond grants, and the ArteKINO and VFF Talent Award at the Berlinale Co-Production Market.

 

Carolyn Hinds

Freelance Critic, Journalist & Podcaster
African American Film Critics Association Member, Tomatometer-Approved Critic
Co-Host & Producer So Here’s What Happened! Podcast
Bylines at http://Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

 

 

#GirlsWillBeGirls #SundanceFilmFestival2024 #SuchiTalati #BoysWillBeBoys #kcrush #filmdirector #filmwriter #SundanceFilms #AideAuxCinémasduMondegrant #film #kcrushamerica #Sørfondgrants #kcrushfilminterview #2024SXSWFilmFestival #kcrushinterciew #interview #kcrushamericamagazine

NU’EST was a five-member South Korean boy band that debuted on March 15, 2012, under Pledis Entertainment. This pop, R&B, and electronic music band gathered a massive following, especially with its “Face” debut single whose message on self-acceptance and resilience resonated with many. NU’EST band’s fame further skyrocketed when they participated in Produce 101 Season 2 survival reality show. NU’EST was further promoted by Minhyun, one of its members, whilst a member of the Wonna One group project.  Minhyun’s return solidified the identity of NU’EST in its new journey of evolution and growth. The group’s rebirth showcased their musical diversity and maturity through subsequent albums like the renowned The Nocturne album. NU’EST band’s dedication propelled them to gain accolades both in Korea and across the world.  However, the NU’EST officially announced its disbandment on March 15, 2022, after a decade of impacting the world through its deeply introspective lyrical pieces and captivating performances. Despite their disbandment, the members are still close and even reunited in 2023 to thank their fans for their beautiful journey together. Upon their disbandment, all members went on to undertake solo projects.

 

1. JR

JR was and will always be known as the face and leader of NU’EST as well as the band’s main rapper, main dancer, and vocalist. After NU’EST band disbanded in March 2022, JR signed under Evermore Entertainment in May 2022 to undertake his solo artist and acting career under the brand name Kim Jong Hyeon (his birth name). Afterward, JR, now Kim Jong Hyeon, made a cameo in Yung Sung (Wonna One member)’s “Summer Drive” single in April 2022. In July 2022, JR held his first-ever fan meeting as a solo artist labeled Hi. JR’s first solo debut Meridiem album was released in November 2022. His second album, Brilliant Seasons, was recently released early this year. In addition to making an appearance in Sound Candy K-drama OST in 2023, JR recently released his latest “Motto” single early this year. JR has also been creating waves in the acting arena as he was cast in several noteworthy dramas and web series including  My Friend’s Graduation Ceremony (2023), Sound Candy (2023), and Kiss is the Start (2023).

 

 

2. Baekho

Baekho is known as NU’EST band’s main vocalist. After the group disbanded, Baekho decided to renew his contract with Pledis Entertainment. In March 2022, Baekho released the “Bite!” song for the Crazy Love K-drama. In July 2022, he held his first fan meeting as a solo artist titled, “Baekation”. In October 2022, Baekho released his first solo EP Absolute Zero before embarking on the “BAEKHoney Day” mini-Asia tour in January 2023. Baekho has MCed in various shows including Idol Departure Dream Team season 2 and is currently one of the judges in the Build Up: Vocal Boy Group survival show that started airing early in January 2024.

 

 

3. Aron

Aron is and will always be NU’EST group’s lead rapper, lead dancer, and sub-vocalist. After NU’EST disbanded, Aron renewed his contract with Pledis Entertainment. In March 2022. Aron became a co-host of the Korean Cowboys podcast alongside the television personality Joel Lane. In May 2022, Aron hosted Real Korea 5 season 2 before holding his first fan meeting as a solo artist the same month. In July 2022, Aron became a co-host for the After School Club television show and later opened his private messaging service in November 2022 through Wonderwall’s “Fromm”.

 

 

4. Minhyun

Minhyun is still considered NU’EST band’s visual and lead vocalist. After NU’EST disbanded, Minhyun also renewed his contract with Pledis Entertainment. In September 2022, Minhyun released the “Again” single for the Votiz vol.3 album. In February 2023, Minhyun released his first mini-album, Truth or Lie, with the captivating “Hidden Side” hit single. In September 2022, Minhyun hosted the KCON 2022 JAPAN. Minhyun solidified his acting career and appeared in notable dramas including Alchemy of Souls (2022-23) and My Lovely Liar (2023). He was recognized for his acting skills by winning the New Wave Award (Actor) and Best Acting Performance awards in 2022 for his role in Alchemy of Souls drama.

 

 

5. Ren

Ren will remain NU’EST band’s maknae and sub-vocalist. Upon NU’EST group’s disbandment, Ren signed up with BPM Entertainment in May 2022. Ren was cast in the Longing for You mystery-thriller drama in November 2022 and in The Three Musketeers musical theatre in September 2022. Ren held his first solo fan concert titled “The Day After” in Korea, Japan, and Hong Kong from November 2022 to February 2023. In June 2023, Ren officially debuted as a solo artist with the EP Ren’dezvous which was followed by a mini-Asia tour. In November 2023, Ren was cast as the male lead in the Winter Wanderer musical. Ren then ventured into acting after landing a role in the Shadow Confession drama that saw him earn his first award nomination at the 2023 KBS Drama Awards.

We want to wish all members great success in their solo careers.

 

—-Karen Mwenda

 

#NUEST #wherearetheynow #kcrushwherearetheynow #RenofNuest #ShadowConfessionRen #NUESTdisbandmentnews #kpop #MinhyunNuest #MyLovelyLiarMinhyunofNuest #AronofNuest #AfterSchoolClubAronNuest #BaekhoofNuest #kdramawithidol #BuildUpVocalBoyGroup #SoundCandyJRofNuest #JRofNuest #KissinthestartJF #kdramawithNuestmembers #kcrusharticle #kcrushTopamericanasianentertainmentmagazine #kcrushamericamagazine #disbandedkpopboygroup #kpopboyband

 

Due to unforeseen production challenges, we have made the difficult decision to not return this April 2024 for WE BRIDGE. Our team is dedicated to providing a high standard for all the wonderful fans who travel far and wide to see their favorite artists in person.

If you’ve bought tickets, please look out for an email coming shortly with more information regarding a full refund. We are looking forward to coming back next year to see all of you and thank you for your continued support!

 

Japanese group GENIC have released their third album, ‘N_G’, on March 6, 2024.

 

GENIC third album ‘N_G’

Released March 6, 2024

Download and streaming links: https://genic.lnk.to/N_G

GENIC / ‘N_G’ official music video:

https://www.youtube.com/watch?v=R_z0ETA8pP8

GENIC / ‘N_G’ YouTube playlist:

https://www.youtube.com/playlist?list=PLJThXH8HWXOjrKApLtfjUAlejlhlrUnk0

The album’s title ‘N_G’ comes from the “SeveN_Gifts” of its seven talented members,

and is also a reference to the Japanese phrase “Negai_Goto”, which means a wish from the heart.

With songs based on these themes, the album is filled with the type of vocal harmony that is unique to this seven-member co-ed dance and vocal group, and all the excitement and playfulness that J-pop brings.

The album includes 15 songs. Seven of these were created through a combination of the seven members’ individual talents, from composition to lyric writing to choreography, and others were produced by artists including Taiki Kudo from boyband Da-iCE, 2023’s Best Global Music Album Grammy Award winner Masanori Takumi, and Jazzin’park hitmaker Shingo Kubota.

From the deep meanings underpinning the album’s title to the worldbuilding of its songs, ‘N_G’ is the perfect introduction to GENIC and their music.

 

 

About GENIC

GENIC are a new-generation seven-member co-ed dance and vocal group, who formed in Japan in 2020.

The group’s seven members are ATSUKI MASHIKO, JOE NISHIZAWA, KAKERU AMEMIYA, MAIKI NISHIMOTO, MARIA KANEYA, RYUKI KOIKE and YURARI UI.

Recently, MASHIKO has also been pursuing a career as an actor, attracting attention from fans around Asia after starring in the hit drama series ‘My Personal Weatherman’;

and since March, he has appeared as Haku in the stage adaptation of ‘Spirited Away’, taking his popularity to new heights.

 

Further information

Website | bio | Instagram | X (Twitter) | YouTube

 

 

#GENIC #ATSUKIMASHIKO #JOENISHIZAWA #kcrush #KAKERUAMEMIYA #MAIKINNISHIMOTO #MARIAKANEYA #RYUKIKOIKE #YURARIUI #MyPersonalWeatherman #Asia #Japanese #JPOP #co-ed #HakuinSpiritedAway #MashikoinSpiritedAway #GENICNG #kcrushaboutGENIC #kcrushamerica #Japan #GENICThirdAlbum #SevenGifts #NegaiGoto

The Himalayas are majestic mountains known around the world for their awe-inspiring beauty. You can find Himachal Pradesh nestled away in Northeast India among the Himalayas. It’s filled with peaceful valleys, breathtaking views, and a colorful culture. There’s a timeless mix of tranquility, spirituality, and adventure. Below are some of the best sites and experiences to take in from this beautiful part of the world!

 

 

Shimla Kalka Toy Train

If you visit Northeastern India, a wonderful experience is riding the iconic toy train from Kalka to Shimla, which is a UNESCO World Heritage Site. This train journeys through Himachal Pradesh, taking you on a ride with picturesque views. The railway runs about 96 kilometers, traveling through plains, mountains, and villages nestled in the hills. The route also has many tunnels and bridges, making for an interesting passage.

The vintage cars call back to the 19th century when the railway was constructed during the British era. For visitors who want to see the landscape in a leisurely way, this train is the perfect opportunity. With serene views and an experience calling back to times past, the Shimla Kalka Toy Train is a must!

 

 

Solang Valley

If you’re ready to go on a thrill-seeking adventure, Solang Valley is the place to be! Located near Manali, this valley has plenty of adrenaline-pumping activities, as well as breathtaking views and a serene ambiance.

If you travel here in winter, you’ll see snow-capped mountains, and plenty of snow activities like skiing, snow tubing, and snowboarding. During other months, you’ll be able to enjoy paragliding. Flying above the valley is an amazing way to see the stunning landscape with green meadows and thick forests.

If you aren’t about the high thrills, you’ll likely enjoy hiking here. Many stunning trails will allow you to take in waterfalls and lakes. With plenty of serenity waiting for you, the Solang Valley is truly a Himalayan treasure.

 

 

Dharamshala

If you enjoy a spiritual getaway, Dharamshala is the place to be. McLeod Ganj is located here, which is the residence of His Holiness the Dalai Lama as well as Tibetan refugees and monks. Visitors will be surrounded by monks in maroon robes going about their daily rituals and prayers. You can attend teachings and meditation sessions from Buddhist masters, sharing Tibetan Buddhism.

An iconic landmark, the Tsuglagkhang Complex, is a custard-colored monastic village. You can go inside a temple here and pray. The area is beautiful, with colorful prayer flags hanging around the village. There is a palpable tranquility, perfect for finding a sense of inner peace. And don’t forget to hike the Triund Hill for amazing panoramic views.

 

 

Palampur Tea Gardens

Located in the Kangra Valley, the town of Palampur has several lush tea gardens amongst the picturesque mountain range. Dating back to the British colonial era, the Palampur Tea Gardens have become a staple in the community. For those who want to learn about tea cultivation, there are plenty of guided tours in the area to show you everything from tea production to processing. You can also experience a tea-tasting session, allowing you to enjoy the brews that make the area famous and distinct.

If you enjoy tea, you’ll need to bring your wallet. There are plenty of varieties to try and take home. This is a wonderful experience for anyone who enjoys a relaxing, yet educational, trip.

 

 

Madras

Himachal Pradesh has some amazing food options. One of the staples here is madras, a creamy curry. The main ingredients are chickpea flour, aromatic spices, and yogurt. The chickpea flour is first roasted and then mixed with the yogurt to form a paste. This is then heated until it forms a creamy consistency, when the spices are mixed in. Madras can feature vegetables, paneer (Indian cottage cheese), chicken, or lotus stems. Served with naan or rice, it’s a dish you can’t miss.

Himachal Pradesh is a destination that is sure to impact any traveler. From the stunning mountain views, to the adrenaline rushes, spiritual centers, and incredible food, there’s something for everyone in this part of India!

 

—-Ellie Boyd

 

#Himachal #HimachalPradesh #kcrush #travel #traveltoHimachal #Madras #PalampurTeaGardens #KangraValley  #Palampur #Dharamshala #kcrush #kcrushamerica #vacationinHimachalPradesh #vacation #sightsee #foods #Himachalfoods #Himalayan #mountains #trainrides #travelthroughmountains #peacefulvacations #wintervacation

 

As one of Cocone’s most ambitious projects yet, AlterEgo City seeks to redefine digital social interaction with deep levels of player choice and customization

Cocone, a leading Japanese immersive entertainment studio at the forefront of avatar and digital fashion creation, today announced the launch of AlterEgo City (formerly known as Centennial and AlterEgo City), a unique digital experience at the intersection of art, fashion, and music, now available on iOS and Android devices via the Apple App Store and Google Play. The launch of AlterEgo City represents the first major games release from Cocone in the US market, and stands as a testament to the company’s work in digital avatar creation.

AlterEgo City transports players to the visually stunning and bustling world of Centennial, an immersive experience that offers them the chance to customize and design their own unique digital avatar. This customization is present through all aspects of the game, with unique designer digital fashion items to collect and their own personalized living space to decorate within the city.

Players will also have the chance to choose their own unique companion in the form of an Alter Ego, which can then evolve into different forms based on player choices in-game. AlterEgo City also offers players the chance to produce their own music, with the ability to develop custom tracks that can be heard through the player’s AlterEgo. Each of these customization options are able to be shared with friends online, creating a user-driven social environment.

“Starting today, players can experience the incredibly vibrant and densely packed world of AlterEgo City and have the freedom to express themselves however they see fit, through art, music and fashion that they choose,” said Mari Kim, CEO of Cocone Xenon (formerly known as Cocone NY) and lead creative visionary for AlterEgo City. “With virtually endless customization options, we can’t wait to see what the player base creates within our world, where they can be the version of themselves they have always envisioned.”

Cocone has grown to be one of the most popular digital entertainment developers in Japan, with over 15 years of experience crafting genre-defining experiences throughout their many services. With the launch of AlterEgo City, Cocone looks to bring their trademark digital avatar customization and social interaction experience to players in the US, the first major step for the company as it expands into the global games market.

For more information about AlterEgo City, including how to download the game for iOS and Android devices, please visit https://www.alter-ego.city/

 

 

About Cocone

Cocone is a Japanese immersive entertainment studio at the forefront of the avatar and digital fashion creation space. Founded in 2008, Cocone is a global company with offices in Japan, Korea, Estonia, and the United States. Cocone is committed to creating innovative and engaging avatar social experiences that connect people across the world. To date, the company boasts over 140 million downloads of its games, over one million unique digital items created, and over 17 billion digital items sold across 15 services, headlined by Livly Island and Pokecolo.

For additional information, please visit: https://cocone-one.com/.

 

—- Jiyoung Lee

 

#AlterEgoCity #MariKim #kcrushinterviewwithMariKim #kcrush #IOSgame #appleIOSgame #MariKimdeveloper #Cocone #CoconeNY #MariKimCEOofCoconeXenon #Androidusers #CentennialandAlterEgoCity #applestore #kcrushannouncement #kcrushmedia #videogame #kpopvideogame #fansofkpop #kcrushamerica #digitalavatar #designavatar

The 2024 Autumn/Winter Seoul Fashion Week, hosted by the Seoul Metropolitan Government, unfolded from the 1st to the 5th at Dongdaemun Design Plaza (DDP) and E-Factory. This event, under the banner of “Change, Expansion, and Diversity,” captured significant attention by introducing a novel format of shows and sales across Seoul, marking a transformative approach in engaging audiences and participants.

Innovative Exhibition Formats and Expanded Participation

The Seoul Metropolitan Government enhanced the “Off-Show” system, allowing individual designers to freely conduct their shows at external locations. This initiative successfully reduced overall event congestion, offering designers more freedom and creativity.

Indeed, this initiative subtly optimized crowd distribution across venues. This innovative approach to show planning not only alleviated congestion but also enriched the attendee experience. Coupled with expanded exhibition formats and a broader geographical spread from Dongdaemun to Seongsu-dong, these strategic elements significantly contributed to the event’s success. Despite the more distributed audience, the event witnessed a notable increase in participation, with attendance rising by approximately 3,000 from the previous year, reaching a total of 37,650.

 

 

Diverse Designers and Collections

This year’s Seoul Fashion Week saw the integration of established designers’ “Seoul Collection” with the emerging designers’ “Generation Next,” showcasing a total of 21 designers. The event kicked off with designer Park So-young’s Julycolumn opening show, followed by positive receptions for collections from KwakHyunJoo, Sunwoo, AjobyAjo, WhySoCerealz, BLR, Greedilous, Demoo Parkchoonmoo, Doucan, Lie, Ulkin, and wrapped up with Hannah Shin.

 

Highlights of the 2024 F/W Seoul Fashion Week by Brand

AjobyAjo (아조바이아조)

AjobyAjo’s 2024 F/W collection garnered significant attention at Seoul Fashion Week with its theme, “The Chain”. This concept, inspired by the work of Taiwanese photographer Chien-Chi Chang from the Magnum Photos collective, explores the complex relationship between individuality and social connections through the imagery of people linked by chains. The collection is designed to appear as a unified image from afar but reveals individual uniqueness and stories through distinct poses and face tattoos up close.

 

 

Designer Kim Se-hyung reinterpreted elements of contemporary street fashion such as varsity jackets, loose-fit shirts, layering, cargo pants, and wide pants to highlight AjobyAjo’s unique color. Additionally, by selecting non-professional models from diverse social backgrounds, including drag queens, transgender individuals, people with disabilities, and the elderly, this collection powerfully conveyed messages of social diversity and inclusivity. This approach further solidified AjobyAjo’s position as a brand that transcends mere fashion to narrate personal and societal stories.

SUNWOO (선우)

Gaining attention for managing stage costumes for the LaChica team in “Street Woman Fighter”, SUNWOO, launched by designer Jang Sun-woo, draws inspiration from one-touch tents to represent “a movable temporary safe space”. This concept underpins the ‘fun-to-wear’ collection, focusing on expressing the attributes of clothing in a challenging and sophisticated manner. The 2024 F/W Seoul Fashion Week collection explored the space between the human body and clothing, emphasizing structural and experimental silhouettes under the themes of “Variation of Planes and Solids” and “Visualization of Mathematics”.

 

 

The stage showcased SUNWOO’s humor and wit through geometrically shaped looks and a particularly creative yellow geometric dress, all presented by models who stood barefoot, enhancing the brand’s unique ambiance.

 

KWAKHYUNJOO COLLECTION (곽현주 컬렉션)

The theme of KwakHyunJoo’s 2024 F/W collection was “Alice in Search of the Future”, presenting a collection filled with dreams and explorations of the future. This collection offered futuristic yet mystical girlish romantic looks, reminiscent of a journey to a future wonderland. Utilizing paper folding details and sculptural beauty, the designs showcased KwakHyunJoo’s creativity and signature style, while a collaboration with vegan cosmetic brand “WISMIN” conveyed a message of sustainable fashion.

KwakHyunJoo emphasized the journey of individuals seeking their own paths amidst an uncertain future through the collection. Incorporating recycled denim, check patterns, and signature dresses, the collection created a futuristic yet romantic atmosphere, proposing garments that allow wearers to encapsulate their stories. This approach highlights personal expression through fashion, encouraging everyone to harbor dreams and hopes for their future.

 

 

WhySoCerealz (와이쏘시리얼즈)

WhySoCerealz caught the eye at the 2024 F/W Seoul Fashion Week with a collection themed around “Friendship”. This show, blending various performance arts into a musical-like format, broke traditional fashion show molds. Drawing inspiration from the biblical friendship of Jonathan and David, it explored the true meaning of friendship through fashion. Designer Lee Sung-bin enriched the show by reflecting each model’s individuality and style in the garment designs, making each a muse, thereby enriching the fashion show’s depth.

 

 

WhySoCerealz focuses on conveying personal stories and social messages through fashion. This collection prompted a reevaluation of relationships and connectivity beyond mere clothing, introducing a novel reinterpretation of fashion show formats that left a lasting impression on the audience. Each design emphasized the wearer’s personality and freedom of expression, reaffirming the importance of self-expression through fashion.

 

BLR (Bluer Lives in the Rough)

BLR presented its collection under the theme “Quiet Riot: Capitalism” at the 2024 F/W Seoul Fashion Week, showcasing a deep philosophical and aesthetic approach centered around denim. This collection, which was held at S-Factory in Seongsu-dong, deeply explored the essence of denim, combining traditional allure with modern interpretations to offer a new aesthetic experience. BLR reimagined the denim archive with a rough and opaque mood, strengthening its identity as a denim-based brand.

 

 

The collection utilized various materials like cotton, leather, nylon, and wool to create heavy silhouettes, offering a sense of comfort and coziness as if covered by something, reflecting the brand’s contemplation on quiet rebellion and capitalism. Notably, a collaboration with sports brand Reebok showcased new endeavors, elevating the brand’s uniqueness and completeness. Through this collection, BLR delved into the beauty of denim and the responsibility of sustainable enterprises in the fashion industry, voicing a unique stance at the intersection of fashion, art, and commerce.

 

 

—-Jiyoung Lee

 

#SeoulFashionWeek2024 #FallWinterSeoulFashionWeek #kcrushcoverage #kcrush #BLR #designerBLR #BluerLivesInTheRough #WhySoCerealz #friendship #KwakHyunJooCollection #WISMIN #vegancosmetics #kcrushamerica #SUNWOO #TheLaChicaTeam #SeoulMetropolitinGovernment #change #expansion #diversity #DongdaemunDesignPlaza #DDP #Efactory #kcrushtopamericanasianentertainmentmagazine #Reebok #kpop #kfashion #koreanfashion #fashion #asianfashion #kpopfashion #kcrushfashioncontent #denim #Seongsudong

 

Japanese boyband LIL LEAGUE have released their first full album, ‘TRICKSTER’, with all tracks available on download and streaming services now.

The album ‘TRICKSTER’ includes the song ‘Lollipop’, which began advance streaming on February 5, and whose music video is fast approaching 4 million views, as well as the up-tempo song ‘FeiLong’, which became a fan favorite at concerts and a much-requested release.

The album also includes ’15 Minutes’ and ‘Okay’, both of which were unveiled during the group’s LIL LEAGUE LIVE TOUR 2023 ‘LIL GATEWAY’ hall tour held in Japan last summer, as well as new bonus tracks ‘Tungsten’ and ‘I don’t care’.

‘Tungsten’ was performed by the group’s senior vocalists Sena Iwaki and Tatsuhiro Nakamura as a duo.

The song’s title refers to tungsten metal, which is so hard it can only be cut by diamonds. In a world where it can be so difficult to show individuality, the song expresses how we can overcome the barriers in society if we have determination and bonds as tough as tungsten.

‘I don’t care’ was sung by group members Kodai Yamada, Matora Okao, Haima Momoda and Sora Namba.

Over a piano and cowbell accompaniment, the members recount a time when they were forced to overcome feelings of hopelessness and apathy, creating a vibe that is different from LIL LEAGUE’s previous poppier, more upbeat songs.

The song was written by Yusuke Saeki, who has provided songs for many different artists, and British hitmaker Kevin Charge.

The ‘LIVE’ version of the album includes a Blu-ray packed with footage from the Tokyo performance of LIL LEAGUE LIVE TOUR 2023 ‘LIL GATEWAY’, as well as a behind-the-scenes movie from the tour, while the ‘MV’ edition includes the music video for ‘Lollipop’ and behind-the-scenes footage from the video shoot, along with music videos for other LIL LEAGUE singles to date.

LIL LEAGUE made their debut in January last year and won the Best New Artist Award at the 65th Japan Record Awards, while their debut single ‘Hunter’ ranked No.1 on the Oricon Chart and No.2 on the Billboard Japan Hot 100 chart.

LIL LEAGUE were also selected by respondents in the Next Trend Prediction poll for the second half of 2023, based on the choices of 120,000 Generation Z voters.

The results of the poll can be seen here (in Japanese): https://prtimes.jp/main/html/rd/p/000000090.000020799.html

After a whirlwind debut year that included holding a headline hall tour of Japan just six months after their debut, LIL LEAGUE are moving into a new phase – and anticipation for their upcoming first full-length album is reaching fever pitch.

 

LIL LEAGUE

🎬 ‘Lollipop’ music video:

https://youtu.be/cCP1vluMi1Y

 

‘TRICKSTER’ download and streaming links:

https://lilleague.lnk.to/TRICKSTER

 

❏ LIL LEAGUE MEMBERS

Sena Iwaki (19)

Tatsuhiro Nakamura (19)

Kodai Yamada (18)

Matora Okao (15)

Haima Momoda (15)

Sora Nanba (15)

 

 

❏ RELEASE INFORMATION

‘TRICKSTER’

First album released February 28, 2024

 

List of formats (10 formats in total)

▼ General distribution editions

① Limited edition first pressing CD: RZCD-77898; 3,500 yen (including tax)

② LIVE version CD + Blu-ray: RZCD-77899/B; 7,700 yen (including tax)

③ MV version CD + Blu-ray: RZCD-77900/B; 5,500 yen (including tax)

④ CD only: RZCD-77901; 2,500 yen (including tax)

 

★ CD purchase links ★

https://lilleague.lnk.to/0228_1stAL

 

Tracklist:

Visit the link below for full details (Japanese):

https://lilleague.jp/news/detail.php?id=1112972

 

❏ LIL LEAGUE official links:

https://linktr.ee/lilleague

 

LIL LEAGUE is a dance, vocal, and rap group that has shown its worth in less than 2 years after its official debut. This Japanese six member boy band is indeed lining up to its name and causing ripples in the entertainment world with internationally acclaimed hit singles and killer dance moves. Despite their young age LIL LEAGUE is becoming the pace-setter worth watching out for. K-Crush America magazine had a one-on-one talk with this rising star band to get to know them more.

 

How would you describe LIL LEAGUE?

Yamada

LIL LEAGUE is a six-member group with an average age of 16, formed through the audition show, iCON Z. All members dance, sing, rap, and have released songs that utilize the strengths of each member.

 

 

You were birthed from the iCON Z ~Dreams For Children~ audition with over 48,000 applicants and a 2% acceptance rate in the 1st stage alone. How was the experience and how has it shaped you? 

Okao

Our experience during the audition has become the standard for our current activities. Even now, we still refer to the rehearsal format we used during the audition, remembering what our seniors and trainers said to us at that time. We gained a lot of confidence from overcoming the huge obstacle that was the audition, and so in reconsidering our aspirations, we have been able to break through the obstacles we have encountered since our debut.

 

 

Having won the audition, out of the 48,000 accepted applications, do you ever feel the pressure of being the best?

Nanba

We feel it is our mission to show what we should be as artists, so there is a lot of pressure on us. There were a wide range of ages that participated in the audition–from seventh grade all the way up to 25 years old–and since we were chosen as teenagers, we feel a need to be recognized as artists without using our age as an excuse.

 

 

Which artist inspires you the most?

Iwaki

As LIL LEAGUE, our ideal is One Direction. Each one of them has their own aura and artistic quality, and when they come together, they radiate a brilliance that no other artists have, so we hope to be like them someday.

 

 

You have been praised for your unique unity despite having different strong personalities. How do you manage this blend?

Nakamura

I think the fact that we can express our opinions to each other regardless of age leads to our unity. I feel that each member values their own intuition and works while respecting the others, which has a positive effect on the group. The oldest member, Sena Iwaki, is a unique leader, and serves as the axis of the group. It was his suggestion to remove the age barrier.

 

 

Your debut song “Hunter” is said to be a mood lifter, especially by your ever-growing dedicated fanbase. How would you describe this song?

Iwaki

This song compares the big event of our debut to a voyage on the ocean and expresses our desire to overcome any hardships and sorrows that await us in the future alongside LIL Friends (fan name), like an adventure.

 

Talking about your fans, am sure they would very much love to know more about you. What’s your favorite hobby besides music and favorite food?

Iwaki

Watching movies. I do like the atmosphere of movie theaters, but I mostly watch movies on my phone. I take notes as I watch, often using movies as a way to learn how to express myself. Watching movies is relaxing.

Nakamura

Reading manga and watching anime. I was born in Japan, an anime powerhouse, and have been exposed to them often since I was a child. Manga and anime can depict unrealistic things, and I enjoy immersing myself in that world.

Yamada

Touring cafes. I go to cafes to read novels or watch movies to get inspiration for lyrics and such. I cherish this time because I can immerse myself in my work alone.

Okao

Window shopping. Since I can’t buy everything I like, I enjoy just looking at various products.

Momoda

Cooking. Recently, I made candied strawberries. I often cook because Iwaki, a member of the group, enjoys eating.

Nanba

Online shopping. I rarely buy anything, but when I look at the products I get inspired.

 

 

All the members have explicitly killer dancing skills, especially in the “Roller Coaster” single, which has over 2 million views on YouTube and counting. How can all of you be this good in not only vocals but in choreography as well?

Iwaki

Many of the dances were created by choreographers, but we are conscious of not just letting them do all the work. Each song has its own setting and story, so we follow those, unifying the detailed nuances of the dance while solidifying the thoughts we want to convey as a group. I believe that it is because we have done this without compromise that we have been able to showcase our dances so well.

 

“Fei Long”, the official theme song for SoftBank Winter Cup 2023, was a thrilling and creative piece. What inspired this hit single and what does it reflect?

Momoda

I take inspiration from dragons. Many of the lyrics, such as “gate of success (登竜門)” and “let’s exceed expectations (期待も超えていこう)” are inspired by the idea of aiming for the top, overlayed with the image of soaring like a dragon and a world of competition. This is a song that we would like people to listen to when faced with victory or defeat.

 

 

This group is made up of young yet highly skilled individuals. Is this a weakness or strength for LIL LEAGUE in the Japanese entertainment world?

Nakamura

Since we have been working in this industry from a young age, we consider it a strength to have had such a variety of experiences already. Another of our strengths is that we can express music that resonates with our generation based on those experiences. Also, because we are still teenagers, I believe that we will change a lot as time goes by, so I think it is unique that this group will be able to present a new LIL LEAGUE each time.

On the other hand, our youth may give us the impression of being childish, which may be a weakness. I think we need to keep in mind what we will express when we become adults. We are carefully considering the timing so that we can make the transition from child to adult well.

 

You held your first-ever live tour, LIL GATEWAY tour, early last year. How was the stage experience compared to working behind the mic in the studio?

Nanba

We were deeply moved by the fact that the time we shared with the 2,000 fans who came to see our performance was a part of their lives. We felt grateful to the fans who came to the venue for us. During the two hours we spent with our fans, we tried to give them something that would become energy for tomorrow, even if it was just a little bit of fun or a dream to work towards.

Iwaki

The rehearsal in the studio was like just the framework, with the performance on stage filling that framework with our experiences and memories. By adding the time spent on stage with the fans to the framework created in the rehearsals, I consider the package to be finally complete.

 

Would you please tell us about the release of your first album?

Yamada

Our first album “TRICKSTER”, released in February, is a work that expresses our multifaceted nature. The lead track, “Lollipop,” is a song that fully expresses this, and the album is filled with all the faces of LIL LEAGUE. With a bonus track also included, I believe this will be an album that many people can enjoy.

 

What’s the future like for LIL LEAGUE?

Okao

Our main goal is to do a solo dome tour. We believe that all of our experiences, including the concert hall tour we did last year, will lead to the dome tour. We would like to continue to solidify our ideal image based on our daily experiences and gradually make the dome tour a reality. We would like to continue to push forward with our music so that each individual member has established their own artistic identity by the time we stand on the dome stage.

 

Despite being young, you have already set a high success standard of success, in music and other life areas. What would you advise those who look up to you?

Iwaki

I think it is important to have confidence that there is something that only you can express. With the spread of socials, you tend to see everything going on around you, and it becomes easy to compare yourself with others. If you don’t feel that there is something that only you can express, you are being disrespectful to those who are watching you. I have never compared myself to others, and I think it is important to perform as myself.

 

As we close out our interview, would you like to say a few words to our K-Crush readers as well as more to your fans?

Thank you for all your love and support. We will continue to deliver happiness and smiles to everyone, and we hope you will continue to support us!

We graciously thank all the members of LIL LEAGUE and their agency for such an insightful interview and we wish them much continued success.

 

 

—-Karen Mwenda

 

#LILLEAGUE #TRICKSTER #JPOP #kcrushinterviewwithLILLEAGUE #kcrush #Nakamura #Yamada #Okao #Momoda #Nanba #Iwaki #JapanesePop #kcrushamerica #newalbum #newmusicreleaseLILLEAGUE #pop #kcrushtopasianamericanentertainmentmagazine #SEO #googleindex #LILLEAGUETRICKSTER

 

“Brave New Sound,” band Silica Gel The band ‘Silica Gel’ is comprised of four members: Kim Hanjoo (keyboard/vocal), Kim Chunchu (guitar/vocal), Kim Geonjay (drums), and Choi Woonghee (bass). Their unique blend of psychedelia, built on a colorful spectrum, alongside their explosive live performances, have positioned them as the newest, most courageous sound-producing band, ‘Silica Gel’.

If you’re curious about the potential of Silica Gel, the answer lies in their music. It’s unheard of because no one has attempted it before; thus, it’s new and unfamiliar. As the saying goes, the weirder the better, for it brings novelty the more you delve into it.

Members:

• Kim Hanjoo (keyboard/vocal)
• Kim Chunchu (guitar/vocal)
• Kim Geonjay (drums)
• Choi Woonghee (bass)

 

Could you please introduce the members of the band?

Chunchu: Hi, I’m Chunchu.

Hanjoo: Greetings to the readers of K-Crush. I’m Kim Hanjoo from Silica Gel.

Woonghee: Hello, I’m Choi Woonghee, the one with the beard.

Geonjay: Greetings! I’m Geonjay from Silica Gel.

 

Can you explain the music style and vision that Silica Gel pursues?

Chunchu: We focus intently on creating interesting music and sounds. We have stories to share and sounds we’re eager to play for you. When we gather, we contemplate how to craft music that embodies these concepts. Our goal is to continue sharing such music with you.

 

Could you introduce your recent album “POWER ANDRE 99”?

Hanjoo: “POWER ANDRE 99” is an album by Silica Gel, released on December 20, 2023. It encapsulates the various textures we’ve explored and concludes stories that have emerged in our world.

 

You have received high praise, such as “genius” and “a unique band from Korea”. Do you acknowledge this recognition?

Woonghee: Personally, I find Silica Gel to be the most fun band in Korea. However, I wouldn’t consider us geniuses. We’ve invested a lot of effort into doing things that others wouldn’t, but that doesn’t necessarily elevate our music to better or genius status. It’s simply what we enjoy, according to our tastes.

 

Each song and music video has its own meaning, yet you often leave them open to interpretation. Have you considered hosting a session to explain your music?

Chunchu: While I understand people’s curiosity about the meanings, I somehow don’t want to dispel it too quickly by explaining in detail. Words aren’t always the best medium for explanation. I encourage you to keep listening and imagine for yourself, as there are no definitive answers.

Hanjoo: Even among us, there are varying interpretations of the meaning, which adds to the excitement of Silica Gel. This diversity inspired us to launch an open webpage. While hosting explanation sessions itself could be quite fun, we’d prefer to attend as listeners, eager to hear others’ interpretations than as musicians.

Woonghee: I enjoy sharing some of the explanation about our videos when possible. It’s fascinating to hear how people interpret our work, so I’d rather not diminish that by providing explanations upfront.

Geonjay: It’s not that our work does not have a basis or origin. We believe we’ve adequately expressed it through visual language. The core message expands as it passes through each member and contributor. I love hosting explanation sessions, if fans want. It could be insightful, but it might end up like exploring different parts of an elephant blindfolded… each person perceives a different aspect, but it’s all the same elephant. (Laughs)

 

Who is responsible for your music videos? Do you always work with the same director?

Woonghee: For our music videos, we’ve collaborated closely with director MELTMIRROR, who has a unique ability to visualize our music, starting with the title track ‘9’ from our debut album. He has a visionary eye. Occasionally, other directors add our stories as well. Recently, Director Choi Woonghee has been producing some intriguing videos as well.

 

What are the band members’ favorite movie genres?

Chunchu: I haven’t had much time for movies lately, but I’ve always been drawn to occult and thriller genres. I enjoy the eerie atmospheres they create.

Hanjoo: I’m not sure about a favorite genre, but I admire directors like Andrei Tarkovsky and Leos Carax. Lately, I’ve been exploring Agnès Varda’s films.

Woonghee: “End of Evangelion” was recently released in theaters in Korea. I’m a fan of animated movies.

Geonjay: I enjoy documentaries, thrillers, horror, and science fiction films. My tastes are quite broad, including admiration for directors like Clint Eastwood, Ridley Scott, and Martin Scorsese. I also like the works of Stephen Chow’s gang since the 1990s, and I also like the works of former killers, former special forces, and former mafia.

 

What are your thoughts on the impact of lyrics in popular music and on listeners?

Geonjay: Lyrics hold a unique power through their visual representation. They are an essential tool that can convey messages effectively, beyond mere phonetics, rhythm, and melody. For instance, “In the late hours after midnight, the sound of weary shoes approaches, clicking a couple of times in the shoe rack, the rustling of a bag, and then, without even going to the bathroom, the footsteps halt at the bed.” You can picture it just from this sentence, right? However, it could also be condensed into “The father came home after working late.” Before defining it as “the father’s situation,” it could be about a lover, or a sibling. That’s why I believe lyrics are such an important tool. They deliver messages directly.

Thus, with a 200% personal preference, I hope that lyrics can become a medium that has a more positive impact on people. When writing creates an image, it inevitably infiltrates into people’s lives. It’s not that I’m saying we should only talk about good things all the time; I just always hope that it’s not written thoughtlessly.

 

What do you hope listeners feel through Silica Gel’s music? What impact do you wish to have?

Chunchu: There’s no specific expectation. It would be great if listeners find our music enjoyable, even if they don’t fully understand it. As you know, we all have different thoughts. The aim is to provoke thought or emotion, symbolized by question marks or exclamation points, when people hear our music.

Hanjoo: Rather than expecting a specific sensation, I hope for resonance at any point. I don’t think we are people who express things in a flat manner. When something happens within the person receiving it, if it even slightly touches upon a specific point of the harmonics we are outputting, wouldn’t that be considered a success?

Woonghee: As I mentioned briefly in the music video, it seems that our music evokes a wide range of emotions in listeners. Therefore, we’d like the impact to be determined by the listeners themselves.

Geonjay: Lately, I don’t carry around any grand lessons or profound impressions. I just hope that the time spent listening to our music or watching our performances doesn’t feel like a waste to our audience and lives up to their expectations. The routine of waking up, showering, changing clothes, and so on, becomes a day, and these days turn into the concept of time. I just guess that the act of appreciating something is just one of those small things existing between routines. Becoming one of those small entities and adding a subtle color to the monotony would be quite nice.

 

 

Apart from rock, what are your favorite music genres?

Chunchu: Classical, folk, hypnagogic pop.

Hanjoo: I like all kinds of music (though I’m not sure what defines music). It might be clearer to approach this through a process of elimination. I’m interested in exploring traditional music from around the world and religious music, as I don’t know much about them yet. Recently, I’ve been listening a lot to Forrest Fang, who integrates Eastern sounds with avant-garde and ambient music, and has participated in several records as a violinist.

Woonghee: While I primarily enjoy rock, I also listen to folk music. Kim Mok-in is an artist I admire.

Geonjay: My music taste is quite eclectic. Lately, I’ve been into French touch and house music genres in general. I’ve listened a lot to Dead Can Dance and the Japanese musician Official髭男dism. Last year, I think I listened to a lot of folk.

 

How did you decide to combine hard rock and VJing in your concept?

Hanjoo: While I’m not sure if it’s appropriate to call it hard rock, but the initial idea came about because drummer Kim Geonnjay was taking a media art course in college, which naturally led to forming such an organization. Geonnjay organized a performance set based on guys he found interesting, and that experience led to the formation of Silica Gel, including members responsible for video. Performing music live, the conditions of the venue greatly influence us, and it was nice to create ‘our own space’ in harmony with VJs, from the interior to the arrangement of furniture.

 

As musicians, how do you manage your work-life balance?

Chunchu: 100(work):0(life). I’m currently striving for a better balance, as it’s heavily skewed towards work at the moment.

Hanjoo: 0(work):0(life). For me, there’s no distinction between work and life at all.

Woonghee: 10(work):0(life)The balance fluctuates daily; sometimes, work feels like relaxation, and other times, it’s just like all-work.

Geonjay: I don’t like to quantify life in numbers. Still, I try to go out in the morning and come back in the evening to eat. Deep down, I always hope to maintain a 5:5 balance. After working, I want to rest, and after resting, I naturally want to work again. We all feel like that, don’t we? (laughs)

 

Did you always know you wanted to be musicians? How did you prepare from a young age?

Chunchu: I didn’t prepare to become a musician; it just happened that music became my main occupation. Since childhood, I’ve been learning instruments, and suddenly, I wanted to try the guitar, which led me to want to attend a music high school, and naturally, I decided to pursue music.

Hanjoo: My path as a musician was decided quite early, but rather than attaching any particular story, music has been an uninterrupted part of my life. It’s not just about daily life; all my thoughts are connected to music circuits, and continuous imagination has been nourishing not only my childhood but also my continuous ‘preparation process’ up to now.

Woonghee: Listening to a wide variety of music and engaging with interesting people are key. Seeking enjoyable experiences is also crucial.

Geonjay: I dreamed and fantasized music in my childhood, but unlike other performing arts prodigies, I wasn’t in an environment that prepared me from a young age. Listening to various kinds of music was a great experience. Discovering different music and exploring the information that comes with it (like recorded labels, places, performers, directors, cover art, etc.) made me thrilled and happy. Honestly, I don’t consider myself significant enough to say, ‘I am a musician.’ I’m still dreaming of becoming a great musician and studying.

 

If you weren’t musicians, what would you be doing?

Chunchu: It’s hard to imagine, but I’ve admired people who cook for a living, so maybe that would have been cool.

Hanjoo: Without music, I might have ended up unemployed and despondent.

Woonghee: I could see myself working with cameras or aspiring to be a soccer player, but I’m terrible at soccer.

Geonjay: Given my intense curiosity and my tendency to get annoyed by the effort required to finish tasks once they pass a certain efficiency-cost threshold, I might have ended up as a messy and self-employed person or a jack-of-all-trades.

 

What do you consider the unique features or charms of Korean culture?

Chunchu: This is the first time I’ve received such a question, so it’s challenging, but I think the concept of ‘us’ is relatively significant. It might be good or bad. The language and communication aspects are also unique among East Asian languages, which makes me feel that there’s a greater interest in foreign languages. That’s what I think! (laughs)

Hanjoo: From an insider’s perspective, it’s challenging to pinpoint the positives of Korean culture. It’s not a cynical answer about society, but it’s hard to view Korea omnisciently from within. Still, with K-POP leading the way, Korea seems to be a promising hub for Asian culture. The continuous development of a unique culture exported from Korea is charming, and I admire the drive to keep generating such dynamics.

Woonghee: Korea boasts an array of delicious dining options and fascinating cafes. If you come to Seoul, there are many restaurants I’d like to recommend.

Geonjay: I’d say all the characteristics of Korea are concentrated in Seoul. With all infrastructure focused in Seoul, it’s somewhat chaotic but allows for almost all experiences. Other regions are relatively uncrowded and quiet but have depth. It’s charming that you can lightly taste the allure of all Korean regions in Seoul before heading to the local areas of other regions. Did that appeal as a charm?

 

 

For international visitors to Korea, what are some must-see places or experiences?

Chunchu: Visiting a rock festival in Korea could be fun. While there’s no traditional Korean food at festivals, you might feel the energy from the easy-going food and good atmosphere of the people. You might also get to listen to domestic live music and possibly see Silica Gel!

Hanjoo: I’ve seen visitors to Korea trying challenging foods like Pyongyang cold noodles and fermented skate. It may seem cliché, but it’s undeniably fun. Personally, I’d recommend ‘Eulmildae’ for Pyongyang cold noodles, ‘Hongeohanmari’ in Seogyo-dong for fermented skate, my favorite vegan restaurant ‘Ferments’ in Yongsan and many more!

Woonghee: I recommend ‘Pildong Myeonok,’ a place I currently want to visit the most. I’d like to introduce cold noodles, and it’s my favorite cold noodle restaurant. Just thinking about it makes me hungry.

Geonjay: I’d like to recommend Seochon, where stylish people actively move around, and Bukchon Hanok Village, where the past and present mysteriously blend. Additionally, I love ‘Soulville,’ a listening bar near Gyeongbokgung Station, and ‘Lazy Burger Club’ in Buam-dong.

We would like to thank Silica Gel for their interview and much continued success.

 

—-Jiyoung Lee

 

 

#SilicaGel #GeonjaySilicaGel #BukchonSilicaGel #kcrushinterviewwithSilicaGel #KimHanjooSilicaGel #keyboardandvocal #KimChunchu #guitarandvocal #KimGeonjaySilicaGel #drums #newmusic #kindie #ChoiWoongheeSilicaGel #bass #SEO #koreanmusic #SilicaGelband

 

Written by Kim Ji-eun (Lie After Lie, Enemies from the Past), and directed by Lee Seung-young (Tracer, Voice 2), Wonderful World is the newest MBC produced Korean drama starring Cha Eun-woo, Kim Nam-joo, Kim Kang-woo, and Lim Si-mi. Premiering March 1st in South Korea, the show follows former psychology professor and author Eun Soo-hyun (Kim Nam-joo) as she helps others to seek justice and truth after traumatic events when the justice system fails them.

During a press conference hosted by MBC, the cast and director Lee spoke briefly about the characters and show prior to the televised premiere.

 

 

As the lead, Kim Nam-joo’s performance is the backbone of the entire show as it’s the journey Soo-hyun goes on from having the perfect almost idyllic life of having a successful career, a loving and supportive husband in Soo-ho (Kim Kang-woo), and her son, six year old Geon-woo, to a waking nightmare when he’s killed in a hit and run and the driver is allowed to walk free after trial.

Unable to handle the immense grief of this traumatic loss, and the callous reaction of the killer, and overcome with grief and rage, So-hyun kills him and is sentenced to ten years in prison. After serving her sentence, she’s released and finds a new purpose in her life helping others to uncover the hidden truth behind their own life changing experiences.

“My character Eun Soo-hyun has a strong motherly love for her son, and her life turns upside down in just one day. She has that big scar inside of her and we tried to heal that scar in the show, and we have a very tightly knit storyline and narrative. So you can look out for the motherly bond, the scar and healing process of that scar.”

This sentiment of the show being ultimately about healing for the characters is echoed by director Lee who sees the darker elements of the narrative and visuals being a backdrop that allows the brightness within the characters to shine and goes in line with the drama’s title of, Wonderful World.

“The backdrop of our story is indeed a tragedy, but I think it’s like this…you know how when the sky is very dark and sometimes when the backdrop is very dark you will see the character shine through. I feel like when the backdrop of a story…the darker it is, the more beautiful the people you see within that backdrop become. So in that way when you you know watch the entire drama, rather than the tragedy of it all, I think that you will get a sense that it’s a beautiful story.”

 

 

Kim Nam-joo shared a bit about her six years away from the industry was important to her, and how being a mother influenced her decision to be in the drama.

“In the past six years I actually distanced myself from work honestly. I spent high quality time with my children as a mother and during that time rather than thinking about what I want to do next with my next work, and rather than thinking about the genre of my works I choose what I decide to work on depending on if I’m drawn to it or not.”  “When I read a script and I feel like it speaks to me, and I feel like I can do this well”

She went on to say with a bit of humor that another contributing factor to her decision to be in a Wonderful World was that her children are older now and don’t need her as much as when she took her break following her last drama Misty in 2018.

 

 

When asked what audiences could expect from his character Kwan Sun-yool, Cha Eun-woo responded that Sun-yool, whom he described as being mysterious and born with a “silver spoon in his mouth”, “goes on an emotional rollercoaster ride” and encouraged audiences to pay attention to Sun-yeol’s emotional evolution because as time goes by the truth behind his emotional scars and his mysterious nature would be revealed. He also added that it would be fun for audiences “to look out for the different emotions that he goes through.”

 

 

In speaking about her impressions of the show and her character Han Yoo-ri, Lim Si-mi spoke about Yoo-ri being an example of how the projection of beauty and perfection can be a facade hiding an international struggle.

“Our show is really about the humanistic sides of people. So if you look at beauty as a person…she might look positive. She might look bubbly, but that’s just one facet of her. But if you look closely into her you can see that she has gone through a lot of different things.” She continued by saying that like everyone in life who goes through different experiences, Yoo-ri is a multi-faceted and three dimensional character.

 

 

For Soo-ho, director Lee described Kim Kang-woo as being perfect for the role because he saw he believed him capable of portraying the “pure love for his family” and having the perfect on-screen chemistry with Kim Nam-joo. On his own impression and interpretation of Soo-ho, Kim Kang-woo, who’s known for using animals as inspirations for his characters, there wasn’t a specific animal he referenced. Instead his performance came more from wanting Soo-ho to have a duality to him depending on where he was and whom he’s around.

He explained this by saying “at home he’s very peaceful, like a bunny or something. But later becomes an eagle, sort of”. These two descriptions fit Soo-ho perfectly to describe his soft and gentle nature with his wife and son, and the persona he puts on for his work as an investigative reporter.

In speaking about working with Kam Nam-joo the cast all had nothing but praise for her because of her work ethic and consideration on set for them and fans, as Chan Eun-woo shared in a story about an interaction they had during filming outdoors.

 

 

After admitting that he had some doubts with his decision in casting her because of his own expectations of her, director Lee also had nothing but positive things to say as he was impressed with her performance of Soo-hyun.

“She amazed me with her performance every single moment. So the depth that she went into in terms of analyzing her character and she pulled it off with such an effortless way. I was in production for seven months and I was just amazed every single day, and I truly mean that.

I said to her that I want to see her more in shows and in movies because the viewers…people have not seen all sides of Nam-joo. She has so many different talents inside of her and we want to see all of that.”

Episodes of Wonderful World will show every Friday and Saturday on MBC in South Korea, and will be streaming on Hulu in the US, and Disney+ internationally.

*All images are courtesy of MBC. The press conference was held in South Korea with interpretation services provided for international press observing virtually.

 

Carolyn Hinds

Freelance Critic, Journalist & Podcaster
African American Film Critics Association Member, Tomatometer-Approved Critic
Co-Host & Producer So Here’s What Happened! Podcast
Bylines at http://Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

 

 

#WonderfulWorld #WonderfulWorldKdrama #WonderfulWorldKdramaMBCPressConference #koreankdrama #newkdrama #DisneyandHulustreaming #DisneyKdramaWonderfulWorld #HuluWonderfulWorld #kcrush #MBC #SouthKorea #KimJieunkoreanwriter #KimJieunkdramawriter #LeeSeungyoungkoreandirector #LeeSeungyoung #ChaEunwoo #KimNamjoo #KimKangwoo #LimSimi #kcrushtopamericanasianentertainmentmagazine #kcrush #SEO #google #kdramapressconferenceforWonderfulWorld #kcrushcontent #koreandrama #kcrushmedia #kcrushyoutubechanel #WonderfulWorldKoreanKdrama #newkdramaonMBC #newkdramaonDisney #kactor #kfashion #kwriter #kproducer #newkdramaonHulu #March1newkdramaonMBC #March12024newkdrama

 

“All the Shows are Memorable for Me!” Kcrush America Interview with TravellingWill

Have you ever dreamed of being a DJ and traveling the world sharing your musical creations with fans? Enter TravellingWill, a DJ and Ph.D candidate (yes, you read that right!) who does just this. We were lucky enough to interview Will recently, and he shares what inspired him to become an international DJ, why he chose K-pop as his focus, as well as future plans!

 

Kcrush America (KC): To begin, could you please introduce yourself to our readers?

TravellingWill (TW): I’m Will, my stage name is DJ TravellingWill. I’m an international K-pop DJ and I DJ at K-pop parties around the world. I focus on blending K-pop with various international genres, particularly Latin music and Bollywood.

 

KC: What inspired you to become an “international DJ”?

TW: I’ve always loved travel and learning about different cultures. My goal is to bring people together on the dance floor, transcending cultural boundaries, gender, and other characteristics. By mixing K-pop with Latin, Bollywood and other international beats, I can unite K-pop enthusiasts (who often dance to the distinctive choreography of K-pop songs) with Latin and other international dancers, fostering a sense of unity on the dance floor.

 

KC: Besides the wide appeal of Bollywood and Latin sound in attracting audiences, why did you select these two genres to mix with your K-pop sets?

TW: I chose these genres because as far as I know no other DJs mix K-pop with these two genres. My motto is “cultural transcendence through K-pop” so mixing in these diverse genres will also bring people of different backgrounds and musical tastes onto the same dance floor. I also want to prepare something special for my fans in Latin America and India.

 

 

KC: Given how you focus on K-pop, what made you want to focus on the genre? Furthermore, what was the song and/or group that got you hooked?

TW: Every K-pop song has a unique choreography which transcends cultural boundaries, gender, and other characteristics, fostering a sense of unity on the dance floor. I would have to say “Shine” by Pentagon got me hooked as it’s such an uplifting song with positive energy.

 

KC: Many DJs often share that music is an important part of their identities. Do you find this is the case for you? What does music mean to you and who you are?

TW: Yes, my identity as a DJ is mixing K-pop with diverse international genres such as Latin music and Bollywood, while the norm is to mix K-pop solely with EDM or stick to playing pure K-pop without mixing in any other genres.

 

KC: I see on your profile that you studied at UC Berkeley and you’re a Ph.D student at Cambridge University. How do you balance your studies, traveling, and DJing?

TW: My Ph.D is in math. I’ve always been fascinated by how complex real world patterns can be modelled in a logical and systematic way through mathematics, which ultimately drove me to pursue a mathematics major and Ph.D at university. I’m currently exploring automated transitioning and mixing using Python and AI, aiming for seamless transitions where the songs harmonize naturally. Just as in mathematics, where we strive for optimal matches, DJing shares a similar philosophy. A Ph.D in mathematics is entirely theoretical so I don’t have any classes, which allows me to travel while completing my Ph.D. I also DJ while I travel so the two go hand-in-hand.

 

 

KC: What is a typical day like for you when prepping for a show?

TW: In the days leading up to a show I would do some research about what songs are currently “in” and sometimes produce some remixes for the show. I would also usually spend some time learning the choreographies of new songs as I love to dance along with the crowd when I DJ.

 

KC: When you do a show, do you have a planned setlist in mind or do you typically follow the vibe of attendees? What’s your process here?

TW: I always try to read the crowd. Some may only be into boy groups or girl groups, some only into first generation groups and some only into fourth generation groups. I try to play a diverse set every time and keep the energy throughout the night.

 

KC: Checking out your Instagram, it seems you have fun performing and that you have a lot of passion! When you think back about past shows, is there any specific place or show that was particularly memorable and why?

TW: All the shows are memorable for me!

 

KC: During your travels, which country was your favorite to visit? Which countries do you hope to visit?

TW: I don’t have a favorite but so far Venice in Italy has been the most breathtaking. It is surreal. It really is like walking on a giant piece of art. I am currently touring Australia and I have plans to tour Latin America, India, Turkey and Poland very soon!

 

 

KC: As a traveling DJ, I’m sure you’ve met some interesting people along the way. Have you had any celebrity encounters you’d like to share?

TW: Yes I’ve had the chance to work with many celebrities in the K-pop industry, I won’t name anyone in particular.

 

KC: What do you consider the most interesting aspect of your job?

TW: Bringing joy to people and witnessing the smiles and excitement on their faces when their favorite song is played, while also fostering cultural unity on the dance floor. My career highlight so far has been securing acceptance from the largest party venue in Brazil to host the world’s biggest K-pop party in 2024.

 

KC: Is there anyone you would like to work with in the future? Who would you love working with and why?

TW: Zico. Dancing alongside him to the choreography of his hit track “any song” has always been a dream of mine. Zico’s (Woo Ji-ho) music serves as a source of inspiration for me. As a largely self-made artist and a prominent figure on social media, Zico gained widespread recognition through viral TikTok videos featuring his hit track “Any Song.”

 

KC: Speaking of the future, what are your goals with DJing and post-DJ life?

TW: Soon I’ll be moving onto the next leg of my world tour in Latin America, including stops in Brazil, Mexico, Argentina, and more! Additionally, I’m thrilled to announce plans for hosting the world’s largest K-pop party in Brazil. Stay tuned for updates by following me on Instagram (ID: travellingwill).

 

 

KC: What are your plans for 2024, and where can we expect to see you next?

TW: Touring Australia, Latin America, India and more! Possibly the US near the end of the year!

 

KC: Do you plan on experimenting with any other music genres in the future? Could we expect a country music-K-pop mashup somewhere as weird and different as that sounds?

TW: Yes certainly! Lil Nas was hugely successful when blending country and trap music for his hit old town road so I don’t see why it won’t work with K-pop! It is something that has definitely been on my mind!

 

KC: For anyone who aspires to do what you do, what advice could you share to help them get started?

TW: Always be open to experimentation and trying new approaches to find what resonates with you. Don’t feel compelled to conform to the norms. To my knowledge, my specialization in mixing K-pop with diverse international genres such as Latin music and Bollywood is quite niche, while the norm is to mix K-pop solely with EDM or stick to playing pure K-pop without mixing in any other genres.

 

KC: Finally, is there anything else you would like to say to readers?

TW: Please perform an act of kindness for a stranger today 🙂

 

 

We hope you enjoyed our recent interview! We extend our thanks to TravellingWill for his time. Please check out his Instagram and SoundCloud!

 

 

Image Cr. Images provided by DJ TravellingWill

 

—-Olivia Murray

 

#kcrushinterviewwithtravellingWill #TravellingWill #DJ #travellingDJ #kcrush #interview #dancemusic #kpopdancemusic #kpop #dancealong #DJtour #kcrushspecialinterview #kcrushamericamagazine #kcrushmagazine #kcrushyoutubbe #news #topasiancontent #EDM #trapmusic #kpopmusicmix #LatinAmericanTour #Zico #Zicocollaboration #Zicotiktokmix #Bollywood #BollywoodmixedwithKpop #internationalDJ #DJTravellingWill #TravellingWillInstagram #kcrushnewinterview #kpopsongs #choreographyofkpopsongs #dancetokpopsongs #kpopdanceparties #mixingkpop #SEO #google #kcrushnews #kpopinterview #DJing

 
WE BRIDGE Music Festival & Expo Inspires DEAN Back to the U.S. Stage for an Exclusive Performance for His Devoted American Fans

Event Lineup Features CRAVITY, DYNAMICDUO, HWASA, JESSI, NMIXX and More!

Tickets for events at Mandalay Bay Convention Center and Michelob ULTRA Arena on sale now at webridgeexpo.com

WE BRIDGE, the three-day convention and two-day music festival celebrating Asian entertainment and culture, surprises fans with a special artist announcement for its Las Vegas event taking place April 26-28 at the Mandalay Bay Convention Center (expo) and Michelob ULTRA Arena (festival). Inspired by the event’s mission to empower and celebrate the vibrancy of Asian culture, renowned Korean singer-songwriter DEAN joins the already stacked festival lineup to make his long-awaited U.S. return on the WE BRIDGE stage. While the superstar last toured the U.S. in 2019, his upcoming performance marks a historic return to the American music festival scene after an impressive 8-year hiatus.

DEAN stands as one of the foremost and versatile figures in the realm of Korean music, showcasing his prowess as an alternative R&B singer-songwriter, rapper, and record producer. The trajectory of his illustrious career is defined by groundbreaking releases, such as the critically acclaimed EP ‘130 mood: TRBL’, which have solidified his status as a musical visionary. Continually pushing artistic boundaries, DEAN has captivated global audiences with award-winning tracks, such as ‘instagram’ and ‘D (Half Moon) ft. Gaeko’, and his 2023 single ‘DIE 4 YOU’ marked a triumphant return after 4 years since his last released single ‘Howlin’ 404′. A trailblazer for Korean R&B on the international stage, DEAN’s collaborations with global artists and producers, including Eric Bellinger, Anderson.Paak, Daniel Caesar, Syd of The Internet, Gaeko of DYNAMICDUO, IU, Zico, and more, underscore his influence in shaping the genre’s landscape. With an enduring resonance that transcends borders, DEAN continues to earn his esteemed place among Korea’s musical elite.

As excitement builds for the WE BRIDGE Music Festival and Expo, the current lineup is nothing short of spectacular, featuring the iconic DYNAMICDUO, HWASA, and JESSI, alongside chart-topping idol groups CRAVITY, NMIXX, and KARD. Adding to the excitement are rising stars ALL(H)OURS, AMPERS&ONE, KISS OF LIFE, and TEAM BEBE who are set to make their highly anticipated U.S. debut. Beyond the concert stage, these artists will extend their presence to the expo, engaging with fans through GRAMMY Museum® artist Q&A panels, hi-touch events, and various other exciting fan interactions. The recent surprise announcement of DEAN joining the lineup has only heightened the anticipation, leaving fans eager to discover the additional surprises that WE BRIDGE has in store for this extraordinary event.

Building off of 2023’s wildly successful inaugural event with ENHYPEN, MONSTA X, JESSI, BamBam, KANGDANIEL, Dreamcatcher, CIX, ONEUS, VIVIZ, and BE’O, the 2024 iteration is set to return with an even wider variety of entertainment. Furthermore, the event strives to build a space for all fandoms to unite and connect with their online friends in real life for a community and experience unlike any other.

WE BRIDGE is presented by premier global entertainment company Infinite Prospects Entertainment (IPE) with the support of MGM Resorts International. IPE is best recognized as the team who turned the Las Vegas Strip purple in April 2022 for ‘The City’ project with megastar group BTS who performed four sold-out nights of their ‘Permission To Dance On Stage’ tour at Allegiant Stadium. The company also recently worked with K-pop living legend THE RAIN for the U.S. leg of his highly anticipated comeback world tour. With the explosion of Asian influence on mainstream pop culture around the world and its tremendous impacts across music, film, art, and fashion, WE BRIDGE’s mission is to connect these various creative expressions and the artists and cultures that are fueling them within one epic experience. The result is a multi-sensory, live event that immerses attendees into a curated world that bridges what is now, new, and next in all aspects of Asian pop culture.

Projected to be one of the biggest West x East Asian-centric events of the year, get up-to-date news by following @webridgeexpo on Twitter, Instagram, TikTok, Facebook, and YouTube, and join the conversation using #webridge2024 and #nownewnext. For all information on WE BRIDGE Music Festival and Expo, please visit webridgeexpo.com.

 

ABOUT INFINITE PROSPECTS ENTERTAINMENT

INFINITE PROSPECTS ENTERTAINMENT (IPE) is a Las Vegas-based entertainment & events company devoted to bridging Asian and Western pop culture. IPE is the team that brought the megastar K-Pop group BTS to Las Vegas for ‘THE CITY’ project, transforming the city into a BTS-themed playground and famously turning the Las Vegas Strip ‘borahae’ purple for two weekends of four sold-out ‘PERMISSION TO DANCE ON STAGE’ concert shows. Most recently, the company worked with K-pop legend The RAIN on the U.S. leg of his highly anticipated comeback world tour.

 

ABOUT MANDALAY BAY

Mandalay Bay Resort and Casino is set on 120 lush acres featuring Mandalay Bay Beach, a tropical pool paradise with real sand. The Michelob ULTRA Arena, award-winning restaurants, exhilarating entertainment, unique shopping, Shark Reef Aquarium and the 2-million-square-foot convention center combine to make Mandalay Bay a captivating Las Vegas resort destination. The resort offers three distinct hotel experiences: Mandalay Bay with 3,211 luxurious rooms and suites reflecting a modern tropical ambiance; Four Seasons Hotel, a AAA Five Diamond hotel offering 424 rooms and suites; and the luxury all-suite Delano Las Vegas. Mandalay Bay is operated by MGM Resorts International (NYSE: MGM). For more information and reservations, visit mandalaybay.com, call toll-free at (877) 632-7800, or find us on Instagram, Facebook, and Twitter.

 

ABOUT MGM RESORTS INTERNATIONAL

MGM Resorts International (NYSE: MGM) is an S&P 500® global entertainment company with national and international locations featuring best-in-class hotels and casinos, state-of-the-art meetings and conference spaces, incredible live and theatrical entertainment experiences, and an extensive array of restaurant, nightlife and retail offerings. MGM Resorts creates immersive, iconic experiences through its suite of Las Vegas-inspired brands. The MGM Resorts portfolio encompasses 32 unique hotel and gaming destinations globally, including some of the most recognizable resort brands in the industry. The Company’s 50/50 venture, BetMGM, LLC, offers U.S. sports betting and online gaming through market-leading brands, including BetMGM and partypoker, and the Company’s subsidiary LeoVegas AB offers sports betting and online gaming through market-leading brands in several jurisdictions throughout Europe. The Company is currently pursuing targeted expansion in Asia through the integrated resort opportunity in Japan. Through its “Focused on What Matters: Embracing Humanity and Protecting the Planet” philosophy, MGM Resorts commits to creating a more sustainable future, while striving to make a bigger difference in the lives of its employees, guests, and in the communities where it operates. The global employees of MGM Resorts are proud of their company for being recognized as one of FORTUNE® Magazine’s World’s Most Admired Companies®. For more information, please visit us at www.mgmresorts.com. Please also connect with us @MGMResortsIntl on Twitter as well as Facebook and Instagram.

 

ABOUT THE GRAMMY MUSEUM

The GRAMMY Museum, currently celebrating its 15th anniversary, is a nonprofit organization dedicated to celebrating and exploring music from yesterday and today to inspire the music of tomorrow through exhibits, education, grants, preservation initiatives, and public programming. Paying tribute to our collective musical heritage, the Museum values and celebrates the dynamic connection in people’s diverse backgrounds and music’s many genres, telling stories that inspire us, and creative expression that leads change in our industry.

For more information, visit www.grammymuseum.org, “like” the GRAMMY Museum on Facebook, and follow @GRAMMYMuseum on Twitter, Instagram and TikTok.

 

 

#DEAN #DEANatWeBridgeinLasVegas #DEANkpopidol #kcrushnews #GRAMMYMuseum #kpopmusic #kpopmusicfestival #koreanculture #kartists #kconcerts #kpopindustry #kcrushamericamagazine #MGM #MGMResort #CRAVITY #DYNAMICDUO #HWASA #JESSI #NMIXX #MandalayBay #InfiniteProspectsEntertainment #IPE #DEANRnB #RnB #Pop #indie #kpopmusic #WeBridgeExpo #MandalayBayConventionCenterandMichelobULTRAArena #SEO #google #kcrushnewsupdate #kcrush

 

BTS has become a big international artist beyond the framework of K-POP. It has been announced that they will release their analog album worldwide on June 19, 2024, exactly 10 years after their debut in Japan in June 2014.

The title is “FOR YOU,” the first original Japanese song released as a single in 2015 and the first to reach No. 1 on the Japanese Oricon singles chart (*).

The song is the A-side, and the B-side is “Let Me Know (Japanese Ver.),” which was also included on the single CD at the time of its release.

The song was released as a 12cm CD at the time, but this time it will be released as a larger 30cm (I2inch) single, making it a must-have item for ARMY (fans).

The disc will not be the usual black, but a “pure” color, which is the color before the disc is colored in the analog disc manufacturing process, which will also be a big attraction.

Since all the members are currently enlisted in the military, we hope you will take the time to listen to the feelings they put into “FOR YOU,” a love song about a lover far away.

(*) The Oricon Singles Chart is the Japanese music industry-standard singles popularity chart issued daily, weekly, monthly and yearly by Oricon.

 

 

– Product Information

12-inch analog record

FOR YOU

12-inch/45 rpm analog vinyl version of the latest digitally remastered sound source.

Release date: June 19, 2024

Item number: PCJA 00136

Specifications: Color VINYL specification: Pure (original color, transparent vinyl)

Purchase URL: https://shop.ponycan.com/products/list?name=BTSFORYOUVinyl
Link of stores: https://inn.lnk.to/btsforyou12lp

 

– Included contents

SIDE：A

1. FOR YOU

SIDE：B

2. Let Me Know (Japanese Ver.)

 

– Music Streaming

https://pony-canyon.lnk.to/BTS_foryou

 

– YouTube

‘FOR YOU’ Official Music Video

https://www.youtube.com/watch?v=TTG6nxwdhyA

 

 

#BTS #BTSFORYOU #10thAnniversaryJapanrelease #BTS10AnniversaryFORYOURelease #kcrushnews #kpopnews #kpopindustry #kpopinJapan #12inchanalogsingle #June192024BTSreleaseinJapan #kpopidols #BTSreleaseForYou2024 #BTSoriginalJapanesesongFORYOU #worldwidereleaseJune14 #30cmForYou #SEO #google #JapaneseoriginalBTSsong #newBTSannouncement #kcrushamericamagazine #BTSnews #LetMeKnowASide #LetMeKnowBSide

 

K-pop lost a successful producer and songwriter on February 23, 2024.

Shinsadong Tiger (Lee Ho-yang) was found dead in his studio. Initial reports said an acquaintance found the 41-year-old in his home.

“It is correct that Shinsadong Tiger was found dead, but we are unable to provide further details, including time and place of death,” an officer at Gangnam Police Station said in a statement.

Known for producing the hit songs “Now” (Troublemaker), “Up & Down” (EXID), “Bboom Bboom” (Momoland), “No No No” (APINK), “Bubble Pop!” (HyunA), and “Roly-Poly” (T-ara), among others, Shinsadong Tiger was also behind the groups EXID through his former company, AB Entertainment, and Tri.be, who formed under TR Entertainment.

Tri.be, who just had their long-awaited comeback with “Diamond,” canceled two promotional events following Shinsadong Tiger’s death news. The girl group will continue activities next week.

“Although we are devastated by the sudden sad news, we ask for your support and encouragement to the Tri.be members who will continue their Diamond activities under the support of Shinsadong Tiger,” their label said.

While known as a hitmaker, Shinsadong Tiger did have his share of struggles. In 2017, Shinsadong Tiger experienced financial difficulties following a failed business venture, leading him to file for bankruptcy and debt relief.

In 2018, Russian group Serebro accused Shinsadong Tiger of plagiarism, claiming Momoland’s “Bboom Bboom” sounded like their song “Mi Mi Mi.”

In response to the accusation, Shinsadong Tiger and Beomi Nagi said, “The intro portion of the song can sound familiar due to the similarities in genre and guitar riffs, but the melody and chord progression are completely different [from ‘Mi Mi Mi’]. It seems that the misunderstanding arose from the fact that the bass line and 4-measure chord progression [used in the song] are common characteristics of the retro house and swing electronic genre.”

Despite the brief period of bad luck, Shinsadong Tiger was known for his kindness, generosity, and musical talents.

Before becoming a well-known songwriter, composer, and producer, Shinsadong Tiger dabbled in singing, having auditioned for JYP Entertainment in his younger days.

Shinsadong Tiger’s untimely death will leave a void in the K-pop industry. We send our condolences to his family and friends.

 

 

 

—-Olivia Murray

 

#ShinsadongTiger #LeeHoyang #kcrushnews #songwriter #composer #producer #JYPEntertainment #kpop #Tribe #kpopindustry #Shinsadong #Troublemaker #UpandDownEXID #NoNoNoAPink #Diamond #TREntertainment #kcrush #kcrushamerica #kpopnews #koreanentertainmentnews #kpopdeaths #condolences #kpopidols #newsaboutShinsadongTiger #SEO #google #ShinsadongTigerwillbemissed

 

Come and stay a while!

Korea is such a wonderful, dynamic, and exciting country. From K-pop and K-beauty to traditional palaces and Confucian academies. Wouldn’t it be great to come to Korea for a long-term stay? Luckily, Korea offers a few different visa types for those who would like to come to the Land of Morning Calm to work, study, or have fun. Keep reading to learn more about immigration in Korea and about some of the available visas that Korea offers!

Why Korea?

For those interested in studying, working, or living abroad then South Korea is an exceptional place for all of the above. Korea’s universities are popular destinations for study abroad and international students. Hongdae in Seoul is the place to be when you are a student in Korea. For those who are interested in teaching English or doing IT work, Korea offers visas for both to foreign citizens. And if you would just like to see what Korea has to offer then visa-free travel up to 90 days is also possible for certain countries with strong political ties to South Korea. Here are just a few examples of reasons to come to Korea for a long-term stay.

What kind of visas does Korea offer?

Obtaining a visa in Korea, just like with any country, is dependent on a few different variables. Things like one’s nationality, education, income level, and even criminal history (or lack thereof) all play a role in what type of visa one can obtain in South Korea.

But the main factor when it comes to visas in Korea would be regarding what one wants to and is eligible to do here. The Korean government offers a large catalog of different visas, most of which depend on a specific aspect of one’s job or what one intends to do in Korea.

The first major breakdown of categories are the Single and Multiple entry visas. As their names suggest, a Single entry visa only allows one to enter Korea and then one will have to get an additional visa if one were to leave and try to return. Multiple entry visas allow for an individual to leave and re-enter Korea multiple times without the need to obtain a new visa. Then, the visa categories get far more complex with different types starting from A and going all the way down to T. Let’s find out more!

A Visa

This category is mainly for diplomatic purposes. Diplomats, government officials, and American armed service members can apply for an A-1, A-2, or A-3 visa respectively.

B Visa

This category allows travelers from the People’s Republic of China to travel visa-free for 30 days as long as they use Incheon as a stopover.

C Visa

This is a short-term visa category that includes visiting Korea for news coverage, short-term business and employment like for a business trip, medical assistance, medical tourism, and other short-term business visits.

D Visa

This category is ideal for students. It mainly focuses on those seeking training, education, and/or short-term periods when they are between jobs and, thus, in theory between visa types. Artists, students, trainees, religious personnel, and others are eligible for this visa type.

E Visa

As opposed to the D visa category, the E visa category includes individuals who are coming to Korea to work. The distinction is D category visa holders are here to train and study, not work jobs and get paid or are actively looking for a job in which they will then change visa types. But E visa types can work jobs and get paid. This visa type includes professors, foreign language instructors, athletes, construction workers, agricultural workers, and others. A special note for those seeking to teach English in Korea. Those interested in teaching should apply for the E-2 visa in particular, which is the foreign language instructor visa.

F visa

This category is “F” for family! Or at least that is a handy way to think about this visa type. This one includes spouses of Korean citizens, family visiting from overseas, accompanying children, and others who are seeking long-term residence in Korea.

G Visa

This visa type is wide-ranging and can include those seeking long-term medical treatment, refugees, those involved in lawsuits, and those who have been victims of human trafficking. This visa type focuses on humanitarian aid and related situations.

H Visa

This type focuses on working holiday and working visit visa seekers. Family members visiting students under another visa type and those invited to Korea for short-term visits fall under this category.

M Visa

This visa is for military personnel. A-3 visas are also available for military personnel.

T Visa

This is a tourist landing visa. Ideally one will seek another visa type after landing in Korea if they wish to stay for an extended period.

Hallryu visa

This new visa also known as the “K-Culture Training Visa” is geared specifically at K-pop and Hallryu fans who wish to visit and stay in Korea for up to 2 years. This visa differs from some of the other aforementioned visa types like the E-6 because it requires applicants to register with cultural and other related arts centers like the Ministry of Culture, Sports, and Tourism. The E-6 on the other hand requires applicants to be contacted by Korean entertainment firms.

Digital Nomad Visa

With universal wifi and one of the fastest internet connections in the world, South Korea makes an exceptional place for digital nomads. Ironically, this visa which is another recent addition to the Korean Visa catalog, failed to attract many visa holders. However, those who would like to experience digital nomadism in Korea can stay for up to two years with this visa type while they work for a foreign company or as a freelancer. This visa is also known as the Workcation visa and is classed under F-1-D.

The immigration and visa process

Depending on one’s desired or applicable visa type the immigration process will differ. Korean immigration is very strict so it is advised to obtain all of your documents and have them ready 2-3 months in advance of any sort of scheduled appointments or immigration visits.

When visiting immigration, original documents will be required and your original documents will also generally require apostilles and authentications from the government or other official organizations in order to be accepted.

Always keep copies of your documents, because sometimes when renewing a visa, a copy will suffice and this will save you a great deal of work and stress. To be certain of what visa you are eligible for and what is required be sure to contact the Korean consulate or embassy in your country of origin. Some rules and documents are different depending on one’s nationality and thus the specifics should be sought out by oneself.

A visa for everyone!

South Korea, wanting to shake the old image of the Hermit Kingdom, has been trying to open itself up to the world. One way has been through offering a wide and diverse array of visas to choose from or be eligible for. If you are interested in spending extended time in the Land of Morning Calm, please visit your nearest Korean consulate or embassy or visit their website and see how and where your immigration and visa journey can begin. You will be saying anneyanghaseyo in no time!

 

Photos: Ministry of Justice, KOICA

arete@korea.kr

 

Incheon Airport Immigration Office / Korea Times photo by Shim Hyun-chul

 

—-Kevin H.

 

Works Cited

“Digital Nomads Korea.” Www.digitalnomadskorea.com, www.digitalnomadskorea.com/post/everything-you-need-to-know-about-koreas-digital-nomad-visa. Accessed 15 Feb. 2024.

Kelleher, Suzanne Rowan. “South Korea Is Launching a Visa Just for K-Pop Fans.” Forbes, www.forbes.com/sites/suzannerowankelleher/2024/01/02/south-korea-is-launching-a-visa-just-for-k-pop-fans/?sh=60dc651e39d3. Accessed 15 Feb. 2024.

“List of South Korean Visas.” Wikipedia, 15 Aug. 2023, en.wikipedia.org/wiki/List_of_South_Korean_visas.

“Online Booking for Immigration Office “Takes Too Long.”” Koreatimes, 25 May 2018, www.koreatimes.co.kr/www/nation/2023/12/113_249610.html. Accessed 15 Feb. 2024.

Service (KOCIS), Korean Culture and Information. “🎧 2023 to See New Visa for Korean Culture Training, Revamped Expat Card : Korea.net : The Official Website of the Republic of Korea.” Www.korea.net, www.korea.net/NewsFocus/Society/view?articleId=226754.

—. “Sharing with the World, Part 3: Korea’s Immigration Screening System : Korea.net : The Official Website of the Republic of Korea.” Www.korea.net, www.korea.net/NewsFocus/policies/view?articleId=141183. Accessed 15 Feb. 202

 

 

 

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Starring Kim Tae-ri, Ryu Joon-yeol, Kim Woo-bin, and Lee Ha-nee, Alienoid: Return to the Future is the continuation of writer and director Choi Dong-hoon’s hit time jumping Sci-Fi adventure film Alienoid released in 2022.

For information on where to watch Alienoid: Return to the Future, visit the official Well Go USA site.

Carolyn Hinds

Freelance Critic, Journalist & Podcaster
African American Film Critics Association Member, Tomatometer-Approved Critic
Co-Host & Producer So Here’s What Happened! Podcast
Bylines at http://Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

 

In her latest documentary short film 14 Paintings, which premiered in the Documentary Short Films Program at the 2024 Sundance Film Festival, award-winning director Dongnan Chen (The Trail From Xinjian 2013, Singing in the Wilderness 2022), invites her audience to not only look at the 14 paintings highlighted, but to think about the artists of the famed Dafen Village, who dedicated hours of painstaking effort to create them.

“Art is subjective” and “Beauty is in the eye of the beholder” are two very old sayings used to describe situations where the creation of art in all its infinite variations and forms are either found wanting or complete.

Located in China’s Guangdong province is the suburb of Shenzen, and located within it is Dafen Oil Painting Village. Formed in 1989 by a businessman with a love for painting who wanted to create a collective for young artists to work, Dafen became home for thousands of painters from all across China.

Though you may have never heard of Dafen, you’ve more than likely seen at least one of the famous reproductions of oil painters like Van Gough, Rembrandt and many others of different eras and styles because at one point in time Dafen artists were responsible for producing up to 60% of all oil paintings sold globally. That’s over 6 million oil paintings sold to private entities such hotels, and major corporations like Walmart in the U.S.

In 14 Paintings, Chen touches on the history of Dafen, its’ artists – some of whom despite exhaustive research efforts remain anonymous – their impressions on their own work and how it’s perceived, and the ways in which their industry is changing with the involvement of the Chinese government, which seeks to rebrand this unique industry hub into a tourist attraction – which of course has benefits for the community, but also as an avenue of public messaging.

Following the film’s screening at Sundance, I spoke with Chen about her creative influences and style as a documentary filmmaker, how she was inspired to delve into the history of Dafen Village, and the importance of letting the art and artists speak for themselves amidst the hustle of busy city streets, or the unsettling quiet of an MRI lab. In our discussion we also touched on the pros and cons of commercialisation from the perspective of artist and consumer.

 

Carolyn Hinds

Freelance Critic, Journalist & Podcaster
African American Film Critics Association Member, Tomatometer-Approved Critic
Co-Host & Producer So Here’s What Happened! Podcast
Bylines at http://Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

 

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Bhutan has been ranked as one of the happiest countries in Asia and the world.  Despite being less corporate and industrialized, Bhutan has proven that happiness comes from a mindset, not belongings. This Himalayan kingdom, which was once alienated from the rest of the world until 1974, is a tourist hotspot despite the expensive daily tax for foreigners. Bhutan is one of the fewest countries with the youngest democracy in the world after their monarch willingly abducted the throne to promote the country’s happiness. Bhutan’s panoramic views of mountain vistas and ancient lakes as well as cultural and historic treasures fused with the warm and welcoming smiles of the locals credit the country the “Switzerland of Asia” title. Moreover, Bhutan is the first carbon-negative country whose resultant fresh air accentuates the breathtaking sceneries.

 

 

Bhutan stands out from the rest of the world since it measures its economic status by evaluating its citizen’s level of happiness. Through the Gross National Happiness (GNH)/Gross Domestic Happiness (GDH) ministry, this young democracy measures its service to its people which translates to its level of economic wealth. The root of Bhutan’s infectious happiness can be traced to their strong Buddhist religious beliefs which prioritize happiness over amassing assets. Buddhism cherishes minimalism and forgoing unnecessary desires for individuals and the common good. Minimalism translates to better health since people are not forced to push themselves beyond the norm like in industrialized. Buddhism’s minimalist culture also relieves the pressure of the stress that comes with competing to acquire more. Moreover, the country’s century-old primitive cultures are backed up by generational support and wise guidance from consecutive monarchs.

 

 

Bhutan’s intricate preservative nature embedded in their beliefs and culture has managed to shell them from the influential Western glamour over the decades. Even after opening its doors to the world in 1974, having lived detached from the world despite gaining its independence in 1943, Bhutan has maintained its culture and values over the decades. There is no need for traffic lights in Bhutan as the citizens patiently and strictly obey directions from police officers, which goes a long way to show just how contented the Bhutanese people are. In a bid to ensure that all people are treated equally, the state government offers free education to the level of skill attainment. The government also offers free health services to its citizens as physical, mental, and emotional health are all related to an individual’s overall happiness. In a bid to cultivate an environment that promotes happiness, Bhutan people do not traditionally celebrate individual birthdays. To them, a happy life is more important than the number of years lived. Therefore, all Bhutanese people celebrate all their birthdays as one only on the first of January. This further promotes oneness and shuns individuality, which could foster the need for unnecessary self-desires. The overwhelming number of tourists flocking Bhutan amid heartwarming reviews, despite the expensive daily charges, testifies that this young democracy’s perspective on happiness measuring economic wealth is worth taking a shot at.

 

—-Karen Mwenda

 

#Bhutan #ButanWorldsHappiestCountry #kcrush #birthdaycelebrationsinBhutan #BhutanFreeEducation #Bhutanindependence1943 #BhutanFreeHealth #AgentOfHappinessBhutanFilmInterviewatkcrush #BhutanFilmProduction #BhutanFilminterviewsonkcrushmagazine #GrossNationalHappiness #GrossDomesticHappiness #BhutanPeiple #BhutanBuddhistbeliefs #kcrushresearchedarticle #kcrushasianculture #kcrushoriginal #kcrushoriginalcontent #asiantravel #kcrushtravelcontent #happyBhutanpeople #Bhutanisahappyplace #Bhutanesepeople #touristflockingtoBhutan