G-DRAGON Concludes World Tour with a Grand Finale in Seoul, Cementing His Status as a Living Legend

Completing the epic “Übermensch” journey with 825,000 fans worldwide through 39 performances in 17 cities across 12 countries, redefining the global standard for solo world tours

Courtesy of ⓒ GALAXY CORPORATION

Global music icon and cultural trailblazer, G-DRAGON, has concluded the monumental journey of his 2025 world tour with a triumphant finale in Seoul, once again proving himself as a “living legend” by setting new records and benchmarks for solo artists worldwide. The epic journey titled, “Übermensch”, completed with 825,000 fans worldwide — redefining the standard for solo world tours with 39 shows across 17 cities in 12 countries. A tour where music, direction, and fashion converged into one — spanning Asia, Oceania, North America, and Europe at an unprecedented dome-and-arena-level scale.

From December 12 to 14, G-DRAGON successfully wrapped up “G-DRAGON 2025 WORLD TOUR [Übermensch] IN SEOUL : ENCORE, presented by Coupang Play” at Gocheok Sky Dome. During the Seoul encore, the artist distilled the essence of the world tour by performing a powerful sequence of signature tracks including “PO￦ER,” “MichiGO (GO),” “Crayon,” and “Crooked.” The carefully crafted progression leading into the finale song “Untitled, 2014” heightened emotional intensity and pacing, drawing the audience into a deeply immersive experience.

G-DRAGON: “I truly worked hard this year. Next year marks BIGBANG’s 20th anniversary — warming up begins in April.”

A standout moment came during “HOME SWEET HOME (feat. TAEYANG, DAESUNG)”, when TAEYANG and DAESUNG made a surprise appearance, showcasing BIGBANG’s unmistakable chemistry. The encore continued with “WE LIKE 2 PARTY” and “A Fool of Tears,” delivering the group’s long-standing teamwork and synergy, and pushing the crowd’s energy to its peak. Shared across generations, the music and on-stage energy transformed the Seoul encore into more than a finale — it became a symbolic moment in K-pop history. The surprises didn’t end there. During “TAKE ME,” the superstar was joined by choreographer Bada for a surprise “Smoke (Prod. Dynamicduo, Padi)” challenge, igniting thunderous cheers from fans throughout the venue.

Reflecting on the encore concert, G-DRAGON shared, “I returned to Korea for an encore concert after eight months. Beyond the performance itself, I wanted a show filled with real back-and-forth energy with the fans.” He continued, “Looking back on this year, I truly worked hard — and so did all of you. Next year marks BIGBANG’s 20th anniversary. We’ll start warming up from April.”

Adding to the emotional weight of the night, a special video conveying the deeper meaning of the world tour was unveiled, drawing focused attention from fans in attendance. The world tour began in March with shows in Goyang, Korea, and continued through Tokyo, Bulacan, Osaka, Macau, Sydney, Melbourne, Taipei, Kuala Lumpur, Jakarta, Hong Kong, Newark, Las Vegas, Los Angeles, Paris, Hanoi, and finally concluded with the Seoul encore. Completing a large-scale global tour as a solo artist after years of hiatus stands as an unprecedented achievement within the Korean music industry. Through this tour, the icon reaffirmed his irreplaceable global influence and commanding stage presence.

The “Übermensch” tour was widely praised for reinterpreting the concept through G-DRAGON’s unique artistic language, presenting a clear narrative and cohesive flow throughout the entire tour. Rather than simply performing hit songs, the show expanded the message of “transcending existence” step by step through music, performance, and visuals, delivering a deeply immersive artistic experience. Production scale also reached new heights for a K-pop solo artist. Each city featured newly reconfigured multidimensional stage designs, dragon bike performances, and massive LED walls that combined into a powerful visual narrative. Constantly evolving costumes and styling further completed a performance experience where music, direction, and fashion seamlessly converged.

Audience response across cities was equally remarkable. Tokyo and Osaka sold out completely — including limited-view seats — despite being G-DRAGON’s first visit in eight years. In Macau, more than 680,000 fans flooded ticketing queues, demonstrating extraordinary demand. Encores followed in Taipei and Osaka, while Hanoi achieved full pre-sales purely from performance announcements, dominating local media and social platforms. Major Vietnamese corporations — from IT and telecom companies to street brands and restaurants — joined city-wide “GD shout-out” campaigns using daisy motifs, transforming the entire city into a cultural festival. In the U.S., the tour received extensive coverage from major outlets including Forbes, alongside nationwide outdoor advertising, reaffirming G-DRAGON’s global presence.

More than a concert series, this tour proved how far the world of “G-DRAGON” can expand. Through record-breaking achievements, artistic completeness, and global influence, G-DRAGON once again established himself as an unparalleled icon representing K-pop on the world stage. The “G-DRAGON 2025 WORLD TOUR [Übermensch]” has officially come to a close — setting a new standard for solo artist performances. G-DRAGON’s global influence remains very much present tense.

Courtesy of  ⓒ GALAXY CORPORATION

About G-DRAGON

G-DRAGON, born Kwon Ji-Yong, has been a prominent figure in global music and K-Pop since the age of 13. His solo career highlights include the albums Heartbreaker, One of a Kind, and COUP D’ETAT, which all topped Korea’s Gaon Chart. As a member of BIGBANG, achieving similar success with the album Remember, and many of the group’s releases in Japan were certified Gold. Amassing over 2 billion career streams and collaborated with artists like Diplo, Baauer, Missy Elliott, Boys Noize, Sky Ferreira, Taeyang, and Skrillex. He won World’s Best Album at the 2014 World Music Awards and has been featured in Elle Korea, Harper’s Bazaar Korea, Vogue Korea, Hypebeast, and more. G-DRAGON also made a name for himself in the fashion world with his brand PEACEMINUSONE, collaborations with Chanel, Nike, and BMW, and recognition as a top art collector. Recently, he launched a perfume in collaboration with Frédéric Malle and the charity foundation JUSPEACE to combat drug abuse.

Follow G-DRAGON on social media:

Instagram: @xxxibgdrgn

YouTube: @xxxibgdrgn

Twitter/X: @IBGDRGN

Facebook: @gdragon

Official Tour Website: https://g-dragontour.com/

Official Fan Community: https://gdragon.ai/

 

#GDRAGON #GDRAGONCompletes2025WorldTour #GDRAGONBIGBANG #BIGBANG #KwonJiYong #kcrush #kpop #koreanpop #KoreanCulture #KoreanEntertainment #kcrushmagazine #kcrushameria #GDRAGONWorldTour #GDRAGONCOUPDETAT #Koreanmusic #Übermensch #GDShoutOuts #kpopsoloartist #daisymotifs #BIGBANG20thAnniversary2026 #KingOfKPop #ÜbermenschWorldTour #GDRAGONOnStage #kfashionista #GALAXYCORPORATION #KoreanIdol #Kfashion #GDRAGONGALAXYCORPORATION #GlobalmusiciconGDRAGON #culturaltrailblazerGDRAGON #KingOfKPop

A New Key Visual has been Revealed! Episode 1 is Now Available for Early Streaming!

Beloved kitten illustrator Juno, known for their viral SNS artwork, brings you Shark Meow, a fluffy cat in a shark costume, along with a cast of whimsical little kitties! A short anime adaptation has been officially confirmed!

Starting Wednesday, January 7, 2026, new episodes will be released weekly at 8:00 AM JST on the QTORY YouTube channel and other streaming platforms!

To celebrate the anime adaptation, we have also unveiled the official key visual.

Anime Key Visual

Beloved kitten illustrator Juno, known for their viral SNS artwork, brings you Shark Meow, a fluffy cat in a shark costume, along with a cast of whimsical little kitties! A short anime adaptation has been officially confirmed!

Starting Wednesday, January 7, 2026, new episodes will be released weekly at 8:00 AM JST on the QTORY YouTube channel and other streaming platforms!

To celebrate the anime adaptation, we have also unveiled the official key visual.

Anime ”mofusand” Episode 1 “Hungry Outburst”：

https://www.youtube.com/watch?v=Svh_xgdMWlU

Special Illustration from “mofusand” Creator Juno Arrives!

To celebrate the anime adaptation, a newly drawn illustration from creator Juno has arrived!

Anime “mofusand” Information

【HP】https://www.mofusand-anime.jp/

【X】@mofusand_anime (https://x.com/mofusand_anime)

【Streaming Information】

New episodes will be streaming every Wednesday at 8:00 AM JST starting January 7, 2026 on the QTORY YouTube channel and other streaming platforms.

【Introduction】

Shark Meow is an orange tabby kitty who wears a shark suit.

A little clumsy and always taking things at their own cozy pace,

but every day with their best kitty friends — and the rescued baby kitty, Little Meow —

is filled with unexpected little mishaps and sweet adventures.

A sunny warm spot in the park, the sparkle of the sea,

steam rising from freshly roasted sweet potatoes,

the fluttery feeling of the first snowfall…

These small everyday moments fill their world with warmth and delight.

You can’t help but smile and think, “So true!”

A soft and snuggly kitty anime that brings joy to everyday moments.

【Staff】

Original Story：Juno ”mofusand”

Director：Hazumu Sakuta

Screenplay：Sei Yoshitsuki

CG Director：Yoshinari Irikawa

Modeling Director：Aya Ishibashi

Lead Animator：Yuka Iwasaki

Conceptual Art：Haruka

Sound Director：Takeshi Takadera

Music：Shota Kowashi

Sound Effects Editor：Yoko Sakurai

Sound Production：Bit grooove promotion Inc.

Animation Producer：Tomoya Naraoka

Project Producer：QTORY inc.

Animation Production：Monster’s Egg

【Cast】

Shark Meow：Yurika Kubo

Orca Meow：Satomi Akesaka

Little Meow：Maria Sashide

Strawberry Meow：Kaori Maeda

Rabbit Meow：Yuko Goto

©mofusand

 

#mofusaand #kittenillustratorJuno #SharkMeow #orangetabbycat #Anime #kcrush #Japanese #QTORY #adaptation #AnimeAdaptation #sharksuit #SNSartworkJuno #HungryOutburstEpisode1 #kcrushamerica #kcrushmagazine

KPOP CLUB NIGHT Announces: We are coming up on our last shows of the year and they are going to be big ones! Don’t miss out, we can’t wait to dance the night away with you!

KPOP CLUB NIGHT UPCOMING DATES DEC 2025 —> MAR 2026 

Dec 19 – Houston (18+) – NOTO – DJ Angie
Tickets: https://kpop-htx.eventbee.com/ DISCOUNT CODE: STAY

Dec 19 – Orlando (18+) – Celine – DJ Chen
Tickets: https://www.eventbrite.com/e/kpop-club-night-w-dj-chen-fri-121925-tickets-1867301863139 

Dec 20 – New York (18+) –  Irving Plaza – DJ Chen & Angie
Tickets: https://www.ticketmaster.com/kpop-club-night-18-new-york-new-york-12-20-2025/event/0000633C49E85DA9

 

Dec 27 –  Chicago – House of Blues Chicago (18+) – DJ Chen & Angie
Tickets: https://www.ticketmaster.com/kpop-club-night-xmas-party-chicago-illinois-12-27-2025/event/04006328D9701B96

Dec 31 – KPOP NYE in Detroit (18+) – DJ Chen
Tickets: https://nye-detroit.eventbee.com/ DISCOUNT CODE: STAY

Jan 23 – Nashville (18+) – The Vinyl Lounge – DJ Chen
Tickets:  https://www.eventbee.com/v/kpop-nashville#/tickets  DISCOUNT CODE: STAY

Jan 24 – Birmingham AL (18+) – Saturn – DJ Chen
Tickets: https://wl.eventim.us/event/kpop-club-night-with-dj-chen/663746?afflky=SaturnBirmingham

Jan 30 – Gulfport MS (18+) – Club IV – DJ Chen
Tickets: https://www.tickeri.com/events/d4kichdng0gg/k-pop-club-night

Jan 31- Austin (18+) – Vulcan Gas Co – DJ Chen
Tickets: https://www.etix.com/ticket/p/65946738/kpop-night-in-austin-austin-vulcan-gas-co-sd-presents

Feb 7 – Honolulu – HB Social  (18+)  DJ Chen & Angie
Tickets: https://wl.eventim.us/event/kpop-night-at-hb-social-club/671887?afflky=WeAreMetta

Feb 12 – Salt Lake City (18+) Soundwell (18+) – DJ Chen
Tickets: https://tixr.com/e/165732

Feb 13 – Washington DC (18+) – Howard Theatre (18+) – DJ Chen
Tickets: https://www.ticketweb.com/event/k-pop-club-night-howard-theatre-tickets/14699643 

Feb 14 – Miami (18+)  – Mad Live – DJ Chen
Tickets:  https://kpop-miami.eventbee.com/ DISCOUNT CODE: STAY

Feb 20 – Montreal (18+) – Ausgang Plaza – DJ Angie
Tickets: https://lepointdevente.com/billets/xd0260220001 DISCOUNT CODE: STAY

Feb 21 – Ottawa (19+) – Sky Lounge – DJ Angie
Tickets: https://kpop-ottawa.eventbrite.ca/  DISCOUNT CODE: STAY

Feb 21 – Boston (21+) – Royale Boston – DJ Chen
Tickets: https://kpop-boston.eventbrite.ca/ DISCOUNT CODE: STAY

Feb 27 Fresno – Club Encore (21+)
Tickets: https://fresno-kpop.eventbee.com/ DISCOUNT CODE: STAY

Mar 14 – Kansas City MO (18+) – Warehouse on Broadway- DJ Chen
Ticekts: https://warehouseonbroadway.com/event/kpop-club-night-2/warehouse-on-broadway/kansas-city-missouri/

Mar 14 – Seattle (21+) – Ora – DJ Angie
Tickets: https://tickets.oraseattle.com/e/kpop-club-night-ft-dj-angie-at-ora-5/tickets

Mar 27 – San Jose (21+) – Pure – DJ Chen & Angie
Tickets: https://kpop-sj.eventbrite.ca/  DISCOUNT CODE: STAY

See you on the dance-floor!

Look at our updated pics&videos! We’ve uploaded hundreds more photos & videos from the last few months of parties, find yours and download them now at https://www.facebook.com/kpopclubnights/photos_albums

FOLLOW AND TAG
Make sure to follow and tag us in your posts and stories!
Kpop Club Night http://instagram.com/kpopclubnight 
Make requests a week before the show at http://tiktok.com/@kpopclubnight 
For complete, accurate and up-to-date schedules check http://kpopclubnight.com –
The only official Kpop Club Night events produced by us are listed here.    

 

#KPOPClubNight #December2025ToMarch2026 #danceparty #listofkopclubnight #kcrush #dancewithDJ #Pure #DJChen #Angie #kpopsongs #kpopdancemusic #danceparty #kcrushamerica #kcrushmagazine #Houston, #Orlando #NewYork #Chicago #SanJose #Honolulu #Montreal #Washington #Boston #KPopClubNightDates #DJAngie

Imprint Debuts with Lineup: 22Bullets and DJ Lizzy Wang

Lizzy Wang’s new single “Glow” Out Now

Hong Kong — Pacific Music Group (PMG), the newly launched global entertainment company founded by NE-YO, Sonu Nigam, MC Jin, and veteran music executive Jonathan Serbin, has announced the debut of its new electronic and dance music imprint, Ghostone Records. The imprint will serve as PMG’s home for cutting-edge electronic artists across Asia and around the world, with a mission to elevate Asian electronic talent onto the global stage while serving as a cultural bridge between East and West within the rapidly growing global dance market.

Internationally acclaimed Thai DJ/producer 22Bullets has been appointed President of Ghostone Records, where he will guide A&R, creative direction, and the label’s long-term vision. Widely known for his genre-blending productions and global collaborations, 22Bullets will also release music on the imprint as part of its founding roster. As one of Southeast Asia’s most successful electronic artists, he has collaborated with major names including Timmy Trumpet, KSHMR, and Hardwell, performed at leading festivals such as Tomorrowland, Ultra, and EDC, and became the first Thai artist ever to enter the DJ Mag Top 100 DJs list.

Ghostone Records launches with inaugural artists 22Bullets (Thailand) and Lizzy Wang (China).

“Ghostone Records represents exactly what Pacific Music Group was built to champion: world-class talent, global collaboration, and the future of music,” said Jonathan Serbin, Co-Founder of Pacific Music Group. “22Bullets is one of the most visionary and dynamic producers in the electronic space, and his leadership will set the tone for a new era of creativity across Asia and beyond.”

“I am incredibly honored to lead Ghostone Records and help shape a platform that elevates electronic artists from Asia onto the world stage,” said 22Bullets. “This imprint is focused on innovation, culture, and breaking boundaries.”

To mark the launch, Chinese DJ/producer Lizzy Wang, the first official signing to Ghostone Records, has released her new single “Glow”, accompanied by an official lyric video. The release precedes her highly anticipated performance at EDC Thailand this January. See more here.

Lizzy, recently ranked in the DJ Mag Top 100 DJs, continues to rise as one of Asia’s most globally recognized electronic artists. Her recent live highlights include shows in Kuala Lumpur, Hong Kong, and Singapore, with upcoming performances including her EDC Thailand debut on January 17.

“I am thrilled to join Ghostone Records as its first signing and to release ‘Glow’ as the imprint’s debut,” said Lizzy Wang. “This moment represents a new chapter for me creatively.”

The launch of Ghostone Records marks the next step in PMG’s multi-genre imprint strategy, spanning pop, hip-hop, R&B, and electronic/dance music. Read more about the company launch in Variety and Billboard.

About Ghostone Records

Ghostone Records is the electronic and dance music imprint of Pacific Music Group, dedicated to discovering, developing, and elevating the next generation of Pan-Asian electronic talent for the global stage.

About Pacific Music Group

Pacific Music Group is a next-generation music company founded in 2025 by NE-YO, Sonu Nigam, MC Jin, and Jonathan Serbin. Headquartered in Hong Kong with a Pan-Asian presence.

About 22Bullets

22Bullets is one of Asia’s most influential electronic music producers and a leading force in Thailand’s global music scene. He was the first Thai artist ever to enter the DJ Mag Top 100 DJs list and has performed at Tomorrowland, Ultra, EDC, and Creamfields.

About Lizzy Wang

Lizzy Wang is China’s top female DJ and producer and the first Chinese woman to perform at Ultra. She entered the global DJ Mag Top 100 DJs at #96 in 2023 and has performed at EDC, Ultra, Singapore F1 Grand Prix, and more.

 

#PacificMusicGroup #Ghostone #DanceMusicImprint #LizzyWang #22Bullets #NEYO #SonuNigam #MCJin #JonathanSerbin #HongKong #China #Thailand #PanAsian #ElectronicMusic #GlowLizzyWang

Tickets On Sale January 2026

Right Angle Entertainment and Maple Tree Entertainment today announced the ultimate K-Pop fan night out with a brand-new concert experience set to burst onto stages around North America beginning in March 2026. Inspired by the worldwide K-Pop phenomenon and recent smash-hit film KPop Demon Hunters, Forever K-Pop – A Celebration Concert (www.ForeverKpopLive.com) brings a next-level, fan-forward tribute experience and high-octane production featuring today’s biggest K-Pop hits to life on stage in a cinematic spectacle unlike anything audiences have seen in a tribute concert before. A tour schedule including scores of North American and international cities will be announced in the coming weeks with a presale waitlist now open, and tickets going on-sale to the general public in January 2026.

“K-pop’s worldwide popularity is truly staggering. Its creativity, its passion, its community — all of that energy has inspired us to craft a concert event that captures the joy and spectacle fans crave,” says Justin Sudds, executive producer at Right Angle Entertainment. “We’ve built this show for the fans who live for K-pop, dance practice videos, fancams, music video premieres, and the electrifying sensation of seeing their favorite songs performed onstage.”

From the creators and producers of Ninja Kids Infinite Possibilities: Live!, Jay Shetty: Love Rules, The Life and Music of George Michael, and The Simon & Garfunkel Story, Forever K-Pop – A Celebration Concert promises a euphoric night powered by breathtaking vocals, razor-sharp choreography, and the unmistakable pulse of the global K-pop wave. Every musical number becomes a sensory event — a whirlwind of light, movement, and sound that transports audiences straight to a stadium in Seoul. Fan experiences elevate the night even further, with lobby dance takeovers, selfie zones, and branded backdrops, exclusive photocards, and jumbo-screen shoutouts. “The result is a massive dance-powered party for tweens, teens, families, and superfans alike,” says Dean Elliott, Executive Creative Director at Maple Tree Entertainment.

K-pop’s global momentum shows no signs of slowing. According to Forbes, in just six months K-pop acts generated $228 million in ticket sales across 1.6 million fans. Now, with Forever K-Pop – A Celebration Concert, audiences everywhere can feel the rush of the genre’s signature sound and spectacle — live, loud, and up close.

For more information and special offers, visit www.ForeverKpopLive.com and follow

@ForeverKpopLive on Instagram and TikTok; #foreverkpoplive.

ABOUT RIGHT ANGLE ENTERTAINMENT (Producers)

Right Angle Entertainment (RAE) specializes in the production, marketing, management and distribution of live theatrical, digital, and concert events. RAE’s proud roster includes: “Wheel of Fortune Live!,” Hasbro’s “Clue: A Walking Mystery” immersive experience, “The Price is Right LIVE!,” “The Masked Singer National Tour Live!,”  “Jay Shetty Love Rules – World Tour,” “The Simon & Garfunkel Story,” “The Psychology of Serial Killers,”  “Rudolph the Red-Nosed Reindeer: The Musical,” and London’s close-up magic show “The Magician’s Table”  among many others. www.rightangleentertainment.com

ABOUT MAPLE TREE ENTERTAINMENT (Producers)

Operating in both the U.S. and the UK, Maple Tree Entertainment specializes in putting together unique live shows, primarily in theatres/concert halls worldwide. These include the multi-award winning The Simon & Garfunkel Story, Neighbours – The Celebration Tour, Hollyoaks – The 30th Anniversary Tour, Buddy – The Musical, The Psychology of Serial Killers, The Young Ones – Live In Conversation, The Life & Music of George Michael, An Evening with Richard Dreyfuss and Johnny Cash – The Official Concert Experience. https://www.mapletreeentertainment.com

 

#ForeverkPop #RightAngleEntertainment #MapleTreeEntertainment #kcrush #celebrationconcert #ultimatefannightout #kpop #forfans #foreverkpoplive #northamericantourMarch2026 #kcrushamerica #kcrushmagazine #globalkpopwave #NinjaKidsInfinitePossibilities #dancepracticevideos #fancams #musicvideopremieres #kpopfans #kpopconcert #NorthAmericanTour #InternationalTour

WATCH HERE | LISTEN HERE

Photo Courtesy of:  THEBLACKLABEL

THEBLACKLABEL‘s breakout co-ed group, ALLDAY PROJECT, has released their highly anticipated first-ever EP, “ALLDAY PROJECT”, marking a defining milestone in their young career as they close out a successful debut year. The release arrives alongside the bright and unrestrained title track “LOOK AT ME”, and features a total of three group tracks and three unit/solo performances that showcase a wide range of styles, further reinforcing the group’s reputation as artists who refuse to be defined by boundaries. Listen HERE and watch the accompanying music video HERE.

After debuting last June with “FAMOUS,” which became a runaway smash and entered the Billboard Global 200 at #43, the group returned just three weeks ago with “ONE MORE TIME,” unveiling a bold new direction that quickly climbed to #1 on YouTube’s Trending Music Videos worldwide – and a preview of what was still to come.

Now enters their debut self-titled EP, “ALLDAY PROJECT”, placing the group’s name front and center – a bold statement of who they are and an assertion of their identity. Their refusal to set limits, whether on themselves or on what they pursue, radiates with confidence, and that mindset is evident from the album’s title alone. Where each member’s world collides, something new takes shape. Across six tracks, the project unveils the multidimensional spectrum of ALLDAY PROJECT’s sound – combining fluid genre shifts, emotional depth, and the dynamic synergy that defines them both as individuals and as a collective. The album is anchored by three core group tracks: “ONE MORE TIME,” “LOOK AT ME,” and the atmospheric “YOU AND I.”

“LOOK AT ME” explodes with bright, bold energy, pairing jersey club rhythms with melodic vocals and sharp rap verses to capture the group’s confident, magnetizing presence. In contrast, “YOU AND I” trades intensity for emotion, blending soft atmospheric tones with an Afrobeat pulse to reveal a more delicate side, highlighted by YOUNGSEO’s standout vocal performance.

The EP’s unit and solo tracks spotlight the members’ individuality while expanding the group’s sonic spectrum. ANNIE and WOOCHAN deliver the playful hip-hop track “WHERE YOU AT”, trading sharp verses over a stripped-back beat that builds into an electrifying dance finale. “HOT” showcases TARZZAN and BAILEY’s effortless chemistry through a rhythm-shifting, early-2000s-inspired hip-hop groove, balancing carefree confidence with melodic swagger. The project culminates with TARZZAN’s solo performance on “MEDUSA,” a rage-inspired anthem driven by gritty distortion, sharp synths, and a commanding hook that acts as a fierce self-portrait.

ALLDAY PROJECT continues to redefine what a group act can be – uniting multi-talented artists celebrated for their artistry in rap, vocals, choreography, and fashion. As one of the few co-ed groups in modern music and the first under THEBLACKLABEL, they embody the label’s forward-thinking spirit and creative freedom.

Founded by Teddy Park (a.k.a. TEDDY), THEBLACKLABEL is home to artists including MEOVV, JEON SOMI, Vince, BIGBANG’s TAEYANG, and BLACKPINK’s ROSÉ.

(From left: TARZZAN, BAILEY, YOUNGSEO, WOOCHAN, ANNIE)

Photo Courtesy of: THEBLACKLABEL

FOLLOW ALLDAY PROJECT

TikTok | Instagram | X | Threads | YouTube | Facebook 

About ALLDAY PROJECT:

ALLDAY PROJECT — comprised of ANNIE, TARZZAN, BAILEY, WOOCHAN, and YOUNGSEO — unites five artists, each with a distinct origin story. From dance prodigy to rap phenom to fashion trailblazer, they were among the most talked-about pre-debut talents of their generation, and now stand at the forefront of a new era. Together, they push the boundaries of creative expression, challenge convention, and deliver something entirely new and unprecedented. With sophisticated music, daring visuals, and powerful performances – much of which they write and choreograph themselves – ALLDAY PROJECT transcends labels and defies expectations. They don’t fit into a box – because no title can define what’s never been experienced before. Welcome to ALLDAY PROJECT.

About THEBLACKLABEL:

THEBLACKLABEL is a South Korean entertainment company, record label, and creative agency founded by TEDDY in 2016 and home to acts such as TAEYANG, JEON SOMI, ROSÉ, MEOVV and Vince.

 

#ALLDAYPROJECT #THEBLACKLABEL #ANNIE #TARZZAN #BAILEY #WOOCHAN #YOUNGSEO #kcrush #kpop #newkpopgroup #awardwinningkpopgroup #TEDDY #kcrushamerica #kcrushmagazine #TEDDYPark #SouthKorea #koreanidol #Multidementional #SELFTITLEDDEBUTEP #LookAtMe #newEP #ALLDAYPROJECTNewEP #TEDDYFounderofTHEBLACKLABEL

For his award-winning debut feature film Fragment (Pa-pyeon), which had its North American premiere at the 2025 Fantasia International Film Festival, writer and director Kim Sung-yoon (Kim Ji-young: Born 1982) took on the challenge of examining the weight of guilt and grief children are expected to bear in atonement for the actions of adults in South Korean society, when the lives of three children are woven together through the most traumatic of circumstances.

When middle school senior Jun-gang’s (Oh Ja-hun, Racket Boys) father is convicted of the violent murder of the parents of his classmate Gi-sun (Moon Seong-hyun, Alchemy of Souls), Jun-gang knows that his life, and that of his little sister Jun-hui (Kim Kyu-na) have instantly changed for the worst. Being raised solely by their father who struggles to stay on the straight-and-narrow, the children face heavy stigma from their peers at school and community.

And then the murders happen.

In South Korea, there’s a disturbing practice where police take those suspected of committing violent acts such as murders to the scene of the crime. There, with their hands bound with rope, and their faces exposed, the suspect is forced to reenact the crime they allegedly committed in front of dozens of reporters, police officers and investigators, prosecutors, and civilians, some family of the victims, many curious onlookers, but all clamouring to witness this barbaric act, shouting insults and condemnation on the suspect.

What makes this sequence in Fragment uniquely significant, is that in this scenario where Jun-gang’s father is the suspect, Kim Sung-yoon shows how traumatic it is for a child, the child of the victim and believed perpetrator (for at this point, there is still no legal conviction, and in real life situations many people who’ve been proven innocent have had to go through this ‘perp walk’), and the child of the victim to witness this reenactment – which in itself is violent and sensationalizes the violence of the crime committed.

In Fragment, Kim centers the emotional and social fallout children are made to go through when society fails them in every way conceivable.

From adults, Jun-gang and Jun-hui receive pitying comments and even recriminations whispered behind their backs but within ear-shot about the shame they should bear on behalf of their father. At school, Jun-gang is attacked with persistent jeering and physical bullying by the classmates he thought were his friends, as teachers–with the exception of one who helps him in secret until he too, gives in to peer pressure to step back from associating with Jun-gang–willfully turning a blind eye to the violence being committed in their very presence. And for Jun-hui, this little girl with no adult to turn to, is shunned by children she once happily played with, when their parents warn them against interacting with her to preserve their families’ reputations because even children are considered guilty by association.

As Jun-gang and Jun-hui try to figure out what becomes of their lives now that they’ve been abandoned, and he struggles under the staggering weight of trying to protect himself and create a sense of stability for his sister, Gi-sun is experiencing his own chaos. Just as Kim Sung-yoon does a terrific job of delving into various ways, the children of those who commit crimes suffer detrimental consequences for their parent’s actions, he does the same with Gi-sun as a child of the victims.

For Gi-sun, the sudden loss of his parents due to such violent circumstances have plunged the teen into an intense state of depression. Though he has an Aunt and Uncle trying their best to help by providing meals and even taking him for therapy, he vehemently rejects every overture they make towards him, convinced that his pain is the only emotional attachment he has left of his parents. His house is in complete disarray with clothes and discarded containers strewn everywhere with the residue of leftover food rotting and festering in them. The atmosphere created through the cinematography of Jung Seok-chae, score by Kwang Sun-wang, and set decoration is overtly oppressive giving the space the feeling that instead of being a home for the living, has become a tomb for a child trapped in his grief.

When he overhears some of the boys at school speaking about Jun-gang, Gi-sun’s grief turns to rage, and he makes his classmate the target of his emotional outlet, wanting Jun-gang to impossibly take responsibility for his father’s actions. Through many gut-wrenchingly heartbreaking interactions performed with incredible poignancy and maturity by Oh Ja-hun, Moon Seong-hyun, and Kim Kyu-na, each child has to figure out that the pain they carry isn’t unique to them, but is shared and perhaps having this excruciatingly painful bond is the only way they can survive their shattered world through forgiveness, compassion, and empathy for themselves and each other.

In this, Fragment, becomes a very layered and distinct portrayal of how trauma can become a coping mechanism and how society easily turns its back on children when they need reassurance and guidance at the most pivotal points in their lives, resulting in the most vulnerable members being left to work their way battered and bruised through of the broken fragments of their lives.

In my interview with Kim Sung-yoon via Zoom, during Fantasia, he spoke about why he chose Fragment to be his debut feature after working years as an assistant director, the importance of having a character like Jun-gang having the unexpected responsibility of dealing with Jun-hui having her period for the first time, and how the two homes of the characters act as physical representations of their mental state.

Fragment premiered at the 2024 Busan International Film Festival where it won the Vision Award, and Chorokbaem Media Award amongst others, and was an official selection at the 2024 Asian Film Festival in Rome.

Interpretation for the interview conducted by Shelly Bang. Images courtesy of Finecut Co., Ltd.

 

Carolyn Hinds
Freelance Film Critic, Journalist, Podcaster & YouTuber
African American Film Critics Association Member, Tomatometer-Approved Critic
Host & Producer Carolyn Talks…, and So Here’s What Happened! Podcast
Bylines at Authory.com/CarolynHinds
Twitter & Instagram: @CarrieCnh12

 

#Fragmet #KimSungYoon #KimSungYoonFilmmaker #FantasiaIFF2025 #kcrush #filmfestival #2024BusanInternationalFilmFestival #kcrushamerica #kcrushmagazine #kcrushinterview #crime #childrenofaccussedcriminals #aboutthechildren #koreanperpwalk #trama #internationalfilms

Why Rain? Why Now?

As a longtime K-pop fan, Rain has always been my gold standard for performance and charisma. Since his debut in 2003, he’s set the bar for what it means to be a “power idol”—and at 41, he’s still redefining what’s possible on stage. I couldn’t pass up the chance to see this legend live in the U.S.

The Journey Begins: Brooklyn Bound

This wasn’t just another concert—it was a pilgrimage. I hopped on a flight to Brooklyn for one night, squeezed in some sightseeing, and spent the day buzzing with anticipation. By the time I met up with my friends, we were already debating which Rain classics would make the setlist. The energy at Barclays Center was electric, with fans of all ages and backgrounds ready for something special.

The Show: Rain in His Element

Rain didn’t just walk on stage—he exploded onto it, sprinting shirtless on a treadmill while his abs lit up the jumbotrons. The crowd’s reaction? Pure awe and delight. From the sharp choreography of “Gang” to the dramatic lighting of “I’m Coming,” every moment was a masterclass in showmanship. Rain’s connection with the audience was palpable—he reached out, we responded with light stick bracelets (provided to us, I might add!) as the energy bounced back and forth from stage to audience all night.

Highlights & Hilarious Moments

• Iconic Moves: Rain’s rapid-fire hip gyrations had us roaring with nostalgia and admiration.
• Personal Touches: His banter about visa delays was genuinely funny—he almost missed the concert, and his storytelling had the whole venue laughing.
• Surprise Covers: Bruno Mars’ “24k Magic” and “Leave the Door Open” brought a fresh twist, complete with Rain’s own choreography and DJ skills.
• Setlist Surprises: Yes, “Love Song” made the cut, but he skipped the infamous “shirt over the head body roll.” I’m still a little bummed, but honestly, the rest of the show more than made up for it.

The Finale: Rain’s Lasting Impact

As the night wrapped up, it was clear Rain’s star power hasn’t faded—it’s grown. The Still Raining: Encore tour wasn’t just a concert; it was a celebration of K-pop’s global influence and the deep bond between artist and fans. Whether you’re new to Rain or a lifelong fan, this show was a perfect introduction to the genre’s passion and spectacle. For me, it was a dream come true, and I left feeling inspired, connected, and ready for the next encore.

If you’re ever on the fence about seeing Rain live—don’t hesitate. He’s a phenomenal performer, and his enduring appeal proves why he’s a K-pop legend.

 

—- CoolHappyTash

 

#RAIN #RAINSTILLRAININGENCORE #kpop #koreanconcert #kpoptour #kcrush #RAIN2025Tour #kcrushamerica #kcrushmagazine #RAINFans #kpopglobalinfluence #YesLove #RAINsReturn #RAINPerformsinBrooklyn #kpopidol

New Hong Kong–based global music label aims to discover and develop top Pan-Asian talent for the global stage and serve as a gateway for international artists entering Asia

Three-time, Grammy Award-winning superstar NE-YO, Indian music legend Sonu Nigam, and pioneering Chinese American rapper MC Jin have joined forces with veteran music executive Jonathan Serbin to launch Pacific Music Group, a visionary new entertainment company headquartered in Hong Kong poised to reshape the global music industry.

Pacific Music Group aims to build world-class music careers from the heart of Asia, with a focus on discovering, mentoring, developing, and promoting the region’s most promising talent. The company also offers international artists a powerful entry point into Asia’s rapidly expanding music landscape.

Launching with multiple genre-spanning imprints, including pop, R&B, Hip-Hop, electronic, and regional Asian styles, Pacific Music Group will develop a dynamic roster of artists across borders. Its reach spans Asia, stretching east to west from Japan to India and north to south from China and Korea to Southeast Asia. The company is committed to delivering impactful releases, original music, and culturally resonant collaborations.

“Asia has emerged as one of the most dynamic forces in the global music industry. With half the world’s population and three of the top ten music markets, the region is primed to lead on the world stage. At the same time, rapidly growing markets like India, Indonesia, Vietnam, and the Philippines offer immense potential. We believe the time is right for a music company born in Asia, but built with a global perspective from day one,” said Jonathan Serbin, former Co-President of Warner Music Asia. “NE-YO, Sonu and MC Jin have all achieved long-standing global success, and they know exactly what it takes to build international music careers. I’m honored to partner with these legends. Pacific Music Group artists will gain invaluable insight from their experience and vision.”

“Launching Pacific Music Group isn’t just a business move, it’s a personal mission,” NE-YO said. “As an individual of Chinese descent, I’m proud to use my resources to help discover and elevate the next generation of talented Pan-Asian superstars. I’ve toured across Asia several times and witnessed the evolution of the music scene, so I’m really excited to make history and bring the region’s rich culture to the forefront of the global stage.”

MC Jin, who will head up Pacific Music Group’s Hip-Hop imprint, stated, “The influence of Hip Hop on a global scale is undeniable. For me, it provided a way to find my voice as an artist, explore my identity as a Chinese American and share my truth as a storyteller. As a fan of the music and a student of the craft, I’m looking forward to connecting with artists who are also on that journey. Asia is full of talent with unique stories, fresh styles and authentic messages waiting to be shared with the world. With Pacific Music Group, these individuals will now have a chance to share their art rooted in creativity and culture in an impactful way.”

Sonu Nigam, one of India’s most celebrated performers, added, “India alone has 1.6 billion people, but Indian artists want to connect well beyond our borders. The same is true across Asia. There is a hunger to grow globally and the potential to bring the richness of our cultures to the world. With Pacific Music Group, we’re not just exporting talent, we’re helping artists thrive both at home and abroad.”

NE-YO, Sonu Nigam, and MC Jin will provide A&R guidance and mentorship to the label’s artists, drawing on decades of success as globally renowned performers and hitmakers. Jonathan Serbin, who helped drive Warner Music’s expansion across Asia and launched its first dedicated K-Pop label, brings extensive regional expertise and a proven track record in artist development and strategic investment.

Pacific Music Group’s debut artists will be unveiled in the coming months, with initial music releases scheduled for Fall 2025. The company will operate with offices and talent hubs across Asia, creating a vibrant, cross-cultural ecosystem for artist development, collaboration, and growth.

A New Model for a Global Music Future

Pacific Music Group also reflects a broader shift in the industry. Eighty years ago, when Atlantic Records was founded, the Atlantic Ocean symbolized the dominant music axis, linking the U.S. and U.K. Today, that axis has shifted. Three of the world’s largest music markets (Japan, China, and Korea) are in Asia, alongside some of the fastest-growing new markets, including India, Indonesia, Vietnam, and the Philippines.

The name Pacific Music Group reflects this new reality. Asia is now the epicenter of creative energy, musical innovation, and fan engagement. Just as Atlantic Records once captured the spirit of its time, Pacific Music Group speaks to a future where influence flows across the Pacific Ocean from Pan-Asia to the world.

About Pacific Music Group

Pacific Music Group is a next-generation music company founded in 2025 by NE-YO, Sonu Nigam, MC Jin, and Jonathan Serbin. Headquartered in Hong Kong with a Pan-Asian presence, the company is committed to developing global careers from Asia and fostering cultural exchange between East and West. The label supports emerging and established artists through world-class production, strategic promotion, and mentorship from industry icons.

Jonathan Serbin

Jonathan Serbin brings over 25 years of leadership experience in the music and media industries across Asia and the U.S. He has served as Co-President of Warner Music Asia, overseeing 11 countries/territories, regional growth, and launching the label’s first dedicated K-Pop imprint. Serbin has signed and developed a diverse roster of emerging artists and superstars across genres such as pop, Hip-Hop, rap, and electronic music, including Lay Zhang, Elva Hsaio, Coco Lee, G.E.M., Eric Chou, Vava, Jam Hsiao, Jolin Tsai, and Fish Long. He previously led Billboard’s expansion into China and Southeast Asia and played a key role in strategic investments in the region. Jonathan has also partnered with U.S.-based media company iHeartMedia to develop celebrity-driven content for Asia. A former music attorney and media-sector investment banker, Serbin’s deep industry expertise spans business development, artist management, and international partnerships.

NE-YO

NE-YO is a three-time GRAMMY® award-winning hitmaker, songwriter, actor, entrepreneur, and philanthropist. His debut single, “So Sick,” hit No. 1 on the Billboard Hot 100 and was certified quadruple-platinum. Since then, the Compound Entertainment recording artist has racked up a collection of global hits including “Sexy Love,” “Closer,” “Because of You,” and “Miss Independent,” among others. Additionally, NE-YO has proven to be as powerful with his pen as he is in the recording studio and on stage, penning bangers like Rihanna’s “Unfaithful,” “Russian Roulette,” and “Take a Bow,” along with Beyoncé’s 2006 breakup anthem “Irreplaceable” and songs for artists including Jennifer Hudson, Usher, Carrie Underwood, Celine Dion and Mario.

MC Jin

MC Jin is a pioneering Chinese American rapper, actor, and cultural figure widely recognized for breaking barriers and expanding Asian representation in global music and entertainment. He rose to national prominence on BET’s 106 & Park Freestyle Fridays, becoming the first Asian American solo Hip Hop artist to sign with a major U.S. label. Over his career, Jin has released music in both English and Chinese, toured internationally, and appeared across film and television in the United States and Asia. His work bridges cultures, languages, and audiences, shaping a path for the next generation of artists.

Sonu Nigam

Sonu Nigam is one of the most iconic voices in India and a longtime mainstay of the music industry. For nearly two decades, he has written and performed dozens of songs for many of India’s most beloved films. As a live performer, he has captivated audiences in over 50 countries with his one-of-a-kind voice, vocal versatility, and magnetic stage presence. With a global fan base in the millions, he remains one of the most-streamed artists in India.

 

#Neyo #GrammyAwardWinner #MCJin #SonuNigam #JonathanSerbin #PacificMusicGroup #kcrush #GlobalMusicPowerhouses #kcrushamerica #kcrushmagazine #Japan #China #Korea #India #newmusic #AnRGuidance #HongKong #newartists #AsianCulture #AsianAmerican #workwithnewAsianartists

Listen To “FLAMES” HERE

Watch “Sweet Tooth” Music Video HERE

Philippines’ history-making girl group, BINI, releases their new album titled, “FLAMES,” as a follow up from their hit single “First Luv,” now available on all digital streaming platforms via ABS-CBN. The body of work follows a breakthrough year with hits such as “Shagidi,” “First Luv” and “Blink Twice” for the group as they racked up over one billion global audio/video streams, further solidifying their place as pioneers of the rapidly rising “Asian pop” genre.  Now, after their continued success, the octet is set to make history as the first Filipino group at the world-renowned Coachella Valley Music & Arts Festival in 2026. The inclusion of performing at their first-ever U.S. music festival marks a major step towards worldwide recognition alongside headliners Sabrina Carpenter, Justin Bieber, and Karol G.

Fresh off their winning streak from the 38th annual Awit Awards in the Philippines and BreakTudo Awards in Brazil, the award-winning collective continues to deliver fans across the world riveting melodies and heartfelt lyrics across seven tracks that radiate confidence, energy, and unity. Known for their dynamic blend of pop hooks and empowering messages, the group leans fully into themes of girl power, self-expression, and resilience. Drawing inspiration from the nostalgic Filipino game “F.L.A.M.E.S.,” which playfully predicts love and compatibility, the album carries a sense of youthful excitement and discovery.  Starting with the previously released playful and upbeat “First Luv,” BINI radiates pure sunshine through a vibrant sound that blends infectious pop energy with breezy island rhythms. Switching seamlessly between Tagalog and English, the lyrics paint a vivid picture of youthful romance, the exhilarating moments, and the thrill of wondering if someone special feels the same way. Much like the unpredictability of the game flames, each song offers a new twist that is always filled with heart. Each letter in “FLAMES” stands for different meanings and each has a corresponding song in the album: Friendship (Infinity), Longing (Katabi), Affection (Sweet Tooth), Motivation (Bikini), Endearment (First Luv), and Self-discovery (Paruparo). With polished production, infectious choruses, and lyrics that celebrate individuality and togetherness, the album positions the record-breaking group not just as rising stars, but as role models for a new generation of fans across the globe.

The focus track being “Sweet Tooth” is a shimmering, slow-burn pop song with a deceptively soft exterior. Equal parts tender and addictive, desire turns into a metaphor for sugar, with lines that confess a compulsive need for more. Just like candy, there can be too much of a good thing, especially when you know it’s not good for you. But unlike this song, this guilty-free pleasure will keep you listening over and over again.

The global touring act has added several major milestones to their growing international profile. In February 2025, they launched the “BINIverse World Tour” with a historic sold-out concert at the Philippines Arena in Bulacan, becoming the first Filipino act to achieve a solo sell-out in the world’s largest indoor venue with 50,000 capacity. The tour spanned Asia, Europe, and North America, with stops in Dubai, London, and multiple U.S. and Canadian cities. BINIverse, which released this past February, marked a milestone that expanded their reach and cemented their standing on the global stage. The group is set to perform again on November 29 for their BINIfied concert at the prestigious Philippines Arena making them the only Filipino act to perform multiple concerts at this venue.

Their recognition has grown steadily from Forbes Asia 30 Under 30 2025 to being named one of Spotify’s Breakout Artists of 2024 as the only Filipino act on the list, and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know.” The group also collaborated with Spanish-Mexican singer BELINDA (11.2 million monthly Spotify listeners) on Blink Twice (Dos Veces Remix), marking the first collaboration between a Mexican artist and a Filipino group. Most recently,  they earned three nominations at Brazil’s 2025 BreakTudo Awards and won “Female Group of the Year” at the 2025 Jupiter Music Awards, further solidifying their growing global presence.

Alongside these significant milestones, BINI became the first Filipino pop group to perform at KCON Los Angeles, the world’s largest Korean culture and music festival, captivating global audiences. They have also earned major accolades including MTV EMA’s Best Asia Act and continue to live up to their title as the Philippines’ ‘Nation’s Girl Group.’ As they enter their new era of music, the group stands at the forefront of Filipino pop music’s international breakthrough, bringing Filipino music to bigger stages and broader audiences worldwide.

Tracklist:

1. First Luv
2. Sweet Tooth
3. Bikini
4. Katabi
5. Paruparo
6. Infinity
7. Shagidi

(Photo credit: ABS-CBN Music) 

About BINI

BINI is an eight-member Filipino girl group (Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena) redefining global pop with their radiant sound and powerhouse performances. Crowned the Philippines’ “Nation’s Girl Group,” they have achieved a string of historic milestones, from becoming the first Filipino act to sell out the 50,000-seat Philippine Arena with their BINIverse World Tour, to making history as the first Filipino group confirmed on the lineup of Coachella 2026 alongside international stars Sabrina Carpenter, Justin Bieber, and Karol G. With over 1 billion global streams, BINI has delivered viral hits like Shagidi, which trended #1 in the Philippines and sparked a dance craze across TikTok and YouTube, as well as fan favorites Blink Twice and Cherry On Top. Their collaboration with Spanish-Mexican star Belinda on Blink Twice (Dos Veces Remix) marked the first-ever partnership between a Mexican and Filipino pop act. Recognized as one of Spotify’s Breakout Artists of 2024 and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know,” the group has also earned major accolades including three nominations at Brazil’s 2025 BreakTudo Awards and winning “Female Group of the Year” at the 2025 Jupiter Music Awards. From stages across Dubai, London, the U.S., and Canada, to appearances at KCON Los Angeles, BINI continues to captivate audiences worldwide. With honors including MTV EMA’s Best Asia Act and growing recognition in Billboard and GRAMMY features, they are at the forefront of the global rise of Filipino pop, bringing their music to bigger stages and broader audiences than ever before. 

CONNECT WITH BINI: OFFICIAL WEBSITE | FACEBOOK | X | INSTAGRAM | TIKTOK | YOUTUBE

 

#BINI #FLAMES #GirlPower #kcrush #Filipino #FilipinoGirlGroup #ABSCBNMusic #Aiah #Colet #Maloi #Gwen #Stacey #Mikha #Jhoanna #Sheena #kcrushamerica #kcrushmagazine #Awardwinninggirlgroup #CherryOnTop #FirstLuv #newBINImusic #AsianPop #pop #filipinopop #BlinkTwice MTVEMAsBestAsiaAct #Grammy14PinoyPopActsYouShouldKnow

LISTEN HERE | WATCH THE MV HERE

Courtesy of Fantagio

Global artist, actor, and ASTRO member CHA EUN-WOO has released his highly anticipated 2nd mini album ELSE, marking his first music project in a year and nine months. ELSE is out now via Fantagio and Kakao Entertainment — listen HERE and watch the music video for “SATURDAY PREACHER” HERE. The new body of work captures CHA EUN-WOO’s evolution as a vocalist and performer, revealing a side of him fans have yet to see.

ELSE — meaning “other” or “different” — explores what emerges when CHA EUN-WOO steps outside expectations and breaks free from the familiar frameworks that once defined him. If his first solo album ENTITY served as a reflective search for his inner essence, ELSE pushes past those boundaries, offering a dynamic, unfiltered chapter rooted in instinct, emotion, and artistic freedom.

Structured around two contrasting emotional directions, ELSE balances raw, instinctive energy with delicate, sharpened sensitivity, presenting a compelling tension that draws listeners into his expanded world. Through genre-spanning production, intimate vocal delivery, and cohesive storytelling, the mini album showcases CHA EUN-WOO’s musical depth and his willingness to reveal more of his true self.

“Sweet Papaya” opens the album with a burst of pop-funk energy, blending funky guitar riffs and a laid-back groove with playful, tropical imagery that channels his youthful, effortless charm. Anchoring the album is the infectious focus track “SATURDAY PREACHER”, a retro-inspired disco anthem blending nostalgic synth textures with a groovy, pulsing bassline. With its addictive hook and CHA EUN-WOO’s captivating falsetto, the track embodies the electric energy of a Saturday night — portraying an irresistible presence capable of awakening the passion hidden inside everyone. “Selfish” shifts into a more cinematic pop sound, fusing trap beats with soft rock textures as it tenderly explores the innocent desire to be a little selfish in love. The mini album closes with “Thinkin’ Bout U”, a warm and emotive pop ballad that captures the quiet ache of longing. Across all four tracks, CHA EUN-WOO’s distinctive tone and versatility shine through, weaving a narrative that is both personal and sonically diverse.

Up next, the music video for “Sweet Papaya” is slated for release Nov 28, 3:30pm KST / Nov 27, 10:30pm PST. CHA EUN-WOO is currently completing his mandatory military service, with his discharge scheduled for January 2027.

Courtesy of Fantagio

CHA EUN-WOO 2ND MINI ALBUM – ELSE Tracklisting:

1. Sweet Papaya
2. SATURDAY PREACHER *focus track
3. Selfish
4. Thinkin’ Bout U

ABOUT CHA EUN-WOO

CHA EUN-WOO is a globally recognized South Korean singer, actor, and member of the boy group ASTRO. Since debuting in 2016, he has become one of Asia’s most prominent multi-hyphenate entertainers, active across music, television, film, and major global brand campaigns.

Renowned for his expressive vocals and charismatic presence, CHA EUN-WOO has starred in a series of hit productions, including “My ID Is Gangnam Beauty,” “True Beauty,” “Island,” “A Good Day to Be a Dog,” and “Wonderful World”. His artistry and popularity have earned him numerous accolades, such as the Rising Star Award, Best New Actor, Excellence Acting Award, AAA Emotive Award, MTV VMAJ Global Icon Award, and Korea’s Minister of Culture, Sports and Tourism Award for Popular Culture & Arts.

With a social reach of over 60.9 million and a growing global fanbase, CHA EUN-WOO continues to expand his influence as one of Korea’s leading cultural figures.

CONNECT WITH CHA EUN-WOO

Official IG | Personal IG | TikTok | X | YouTube | Spotify

 

#ChaEunWoo #ASTRO #CHAEUNWOO2ndMiniAlbum #kcrush #koreansinger #actor #kpop #koreanpop #wndMiniAlbum #KoreasMinisterofCultureAward #SweetPapaya #kcrushamerica #kcrushmagazine #ThinkinBoutU #globalbrand #Fantagio #KakaoEntertainment #mandatorymilitaryservice #globalfanbase #SaturdayPreacherfocustrack #Selfish #listennow

WATCH HERE | LISTEN HERE

Courtesy of:  THEBLACKLABEL

THEBLACKLABEL‘s breakout co-ed group, ALLDAY PROJECT, make their highly anticipated return with “ONE MORE TIME,” unveiling a bold new direction and taking their sonic spectrum to unprecedented heights. Listen HERE and watch the accompanying music video HERE.

Following their explosive debut last June with “FAMOUS,” ALLDAY PROJECT immediately captivated the world – rising to #1 on YouTube’s Trending Music Videos worldwide, topping all major real-time charts in Korea, and debuting at #43 on the Billboard Global 200. These achievements firmly positioned the group as one of the most exciting new forces in music, with the “FAMOUS” music video surpassing 48 million views on YouTube to date.

Now, with the announcement of their first EP, ALLDAY PROJECT returns with “ONE MORE TIME” – a track that radiates energy and passion, marking the beginning of a new chapter in their artistic evolution. Building upon the foundation they set with their debut, the group pushes forward with renewed confidence and creativity. Through lyrics that reflect life’s meaningful moments, the song emphasizes a single message: “Let’s enjoy the present together.”

Musically, “ONE MORE TIME” blends a liquid drum & bass foundation with a smooth bassline and progressive beats, interwoven with elements of trap, jersey club, and hyperpop – a testament to the group’s genre-fluid versatility. The track was written by ALLDAY PROJECT members TARZZAN and BAILEY, alongside Vince, Jesse Bluu, and KUSH, and produced by TEDDY, KUSH, Dominsuk, and VVN of THEBLACKLABEL.

ALLDAY PROJECT continues to redefine what a group act can be – uniting multi-talented artists celebrated for their artistry in rap, vocals, choreography, and fashion. As one of the few co-ed groups in modern music and the first under THEBLACKLABEL, they embody the label’s forward-thinking spirit and creative freedom.

Founded by Teddy Park (a.k.a. TEDDY), THEBLACKLABEL is home to artists including MEOVV, JEON SOMI, Vince, BIGBANG’s TAEYANG, and BLACKPINK’s ROSÉ.

(Clockwise from left: TARZZAN, BAILEY, WOOCHAN, ANNIE, YOUNGSEO)

Courtesy of: THEBLACKLABEL

FOLLOW ALLDAY PROJECT

TikTok | Instagram | X | Threads | YouTube | Facebook

About ALLDAY PROJECT:

ALLDAY PROJECT — comprised of ANNIE, TARZZAN, BAILEY, WOOCHAN, and YOUNGSEO — unites five artists, each with a distinct origin story. From dance prodigy to rap phenom to fashion trailblazer, they were among the most talked-about pre-debut talents of their generation, and now stand at the forefront of a new era. Together, they push the boundaries of creative expression, challenge convention, and deliver something entirely new and unprecedented. With sophisticated music, daring visuals, and powerful performances – much of which they write and choreograph themselves – ALLDAY PROJECT transcends labels and defies expectations. They don’t fit into a box – because no title can define what’s never been experienced before. Welcome to ALLDAY PROJECT.

About THEBLACKLABEL:

THEBLACKLABEL is a South Korean entertainment company, record label, and creative agency founded by TEDDY in 2016 and home to acts such as TAEYANG, JEON SOMI, ROSÉ, MEOVV and Vince.

 

#ALLDAYPROJECT #THEBLACKLABEL #ONEMORETIME #kcrush #kpop #koreangroup #ANNIE #TARZZAN #BAILEY #WOOCHAN #YOUNGSEO #kcrushamerica #kcrushmagazine #TEDDY #ALLDAYPROJECTReturns #koreanpop #LetsEnjoyThePresentTogether

Photo Credit – Warner Music Thailand

Award winning Thai artist, Jeff Satur, is wrapping up his huge “Year of Red Giant” era with the release of his Red Giant EP on November 17th. The EP serves as the perfect finale to a massive year, reaffirming his place as a major global force. The Red Giant concept represents the intense, transformative state of a star right before it bursts into a brand-new beginning.

The “Year of Red Giant” kicked off on January 10th with the fan-favorite track, “Ride or Die.” The campaign quickly became a global phenomenon, featuring a huge Red Giant Tour that wowed fans across five South American cities (Sao Paolo, Chile, Peru, and two cities in Mexico) and seven cities in Asia. Things peaked in May with two sold-out nights for the incredible Red Giant Concert at Bangkok’s Impact Arena. That’s where Jeff first played “Tell Me The Name,” which was officially released on June 19th.

The Red Giant EP completes the “Year of Red Giant” musical journey with three exciting new tracks that highlight Jeff Satur’s amazing vocal range and signature mix of genres. The first new single, “ของขวัญปีใหม่ (Golden Night)” (Thai version), dropped on November 13th. This track comes with a gorgeous music video featuring actress and influencer Janistar. The song and video are all about how, if you truly believe, miracles can actually happen twice.

The full Red Giant EP is officially out on November 17th, led by the English Version of “Golden Night.” You’ll also get two other brand new tracks: “Passion Fruit” and “Call It Over.” All three songs will have exclusive visualizers designed to creatively and emotionally capture the vibe of each track. The “Red Giant” EP is both a final statement and a big celebration, capturing all the intense energy and creative growth from this era. Fans should pre-save the EP now and get ready for the final, huge chapter of this campaign.

Tracklist:

1. Ride or Die
2. Tell Me the Name
3. Golden Night (English Version) (New Track)
4. Passion Fruit (New Track)
5. Call It Over (New Track)
6. ของขวัญปีใหม่(Golden Night) (New Track)

Credit: Warner Music Thailand

About Jeff Satur

Jeff Satur is a highly versatile Thai singer-songwriter and producer known for his unique artistic identity and powerful musical storytelling. With strong abilities in both vocal performance and music production, he continues to expand his creative footprint across various genres, earning recognition as one of Thailand’s most dynamic rising artists. Beyond music, Jeff has delivered notable acting performances that highlight his emotional range and on-screen presence, further solidifying his reputation as a multi-disciplinary talent. His influence extends into the brand and creative industries, where he has been selected as a global brand ambassador and brand presenter for leading brands, reflecting his growing impact and international appeal.

 

#JeffSatur #TPop #Thailand #risingartist #kcrush #newmusic #musicalstorytelling #TheRedGiant #newEP #WarnerMusicThailand #GoldenNightEnglish #JeffSaturActor #songwriter #producer #kcrushamerica #RideOrDie #TellMeTheNamebyJeffSatur #kcrushmagazine #ThaiPop

Disclaimer: Some of the topics discussed would be mature and provocative in theme – the topics discussed are mature in nature.

 

Award winning production designer, writer and director Whammy Alcazaren (Bold Eagle, Whether the Weather is Fine) is a creative not afraid to push boundaries in his visual and narrative storytelling, and his 2025 short film Water Sports, which screened at Minikino Film Week 11 in Denpasar, Bali, is no exception.

In this visually unique and provocative film, two highschoolers, Ipe played by Elijah Canlas (Sunshine, Gameboys) and his boyfriend Jelson played by John Renz Javier (The Gospel of the Beast) are faced with the existential thought of what finding and holding onto love means at the end of the world. Though this is a narrative that has been explored countless times in other films, shows, and books, Whammy takes things a step further than most by focusing the story on two queer young men and their friends bravely facing their imminent doom in a Philippines washed in shocking shades of orange, yellow, and reds from the blazing sun beating down on an earth with no protective layers of atmosphere to provide a barrier from the scorching irradiated heat, and the irony that the very thing they and the earth are in desperate need of the most, water, will be their very destruction in the form of a tsunami.

Stranded in an isolated, crumbling school with no running water, an empty pool, and a teacher (Ricky Davao) showing no interest in his students, Ipe and Jelson both have deep conversations with each other, their few remaining classmates, and themselves about what’s the purpose of romantic and platonic love and relationships when the end to everything has already been determined and is fast approaching.

Water Sports is a short film that effectively uses what seem to be absurd visual tricks, vignettes, a score that can’t quite be followed, and unpredictable editing styles and scene transitions by filmmaker Carlos Francisco Manatad–or whose 2021 disaster feature film Whether the Weather is Fine, Whammy won multiple awards for his production design–to convey the chaotic reality being lived by these characters.

I use the word “seem”, because at first the editing and production design of the school and environment seem sort of haphazard, but with time it fairly obvious to anyone who spends a significant amount of time on social media, that all of the elements, perfectly capture the current state of the internet as it is now. So much of what we consume visually and audibly consists of fast moving images, reels, thoughts and sped up streams on consciousness, that over time it all just melds into an almost overwhelming and crashing down on you in cacophony of noise, emotions, and colours, much like the world ending tsunami forecasted to soon arrive.

Whammy being able to interpret all of this so concisely and correlate it to the film’s overarching theme of climate change, environmental conservation, queer identity, and teen angst is quite brilliant. Oh, and I can’t forget the religious context which is presented in many overt and subliminal ways. With Catholicism being the main religion in the Philippines since the arrival of the Spanish to the islands and their subsequent colonization, there’s no avoiding…or perhaps escaping might be a more apt term, the discussion of queer love in the context of religious conservatism and the guilt that stems from being taught that who you are and who you love is seen as a mortal sin that could cause you eternal damnation.

But as Jelson and Ipe ponder, if they’re existing in a world that’s been damned through the negligence of those who had the power to avert environmental destruction, what’s the point is denying oneself comfort and love in a world already literally on fire?

Whammy’s years as a production designer with a fine eye to getting every small detail right, come through very clearly in every scene of Water Sports. Every set piece serves a purpose and tells us what he’s thinking of and trying to convey to audiences. For the casting he wanted all of the young male actors to look alike and have similar body structures and makeup to encourage audiences to think about what facades teenage boys and young men are expected to project even as they’re facing mental and existential challenges.

In My KCrush interview with producer Alemberg M. Ang (Bold Eagle) at Minikino, we discussed a variety of topics including Alemberg’s process of give and take working with a filmmaker who has a very specific vision in and working to supporting that vision for a film like Water Sports, what makes the casting choices unique, and how audiences could perceive and interpret the provocative themes in the film that could be uncomfortable for some.

*All images courtesy of Dalyuyong Studios.

One interesting tidbit is that the name of Alemberg’s production company is Dalyuyong which means “large tidal waves that can be as massive as a tsunami” in Tagalog.

Credits for the video: Music – “Evening Melodies” by MsBlink
“Carmina Burana – O Fortuna” by Carl Orff (The song is permitted for non-commercial use under license Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)

 

On Friday, November 7, 2025, the Asia Society Texas Center in Houston’s Museum District hosted its annual “Night Market” celebration. The festival brings the vibrant energy of street markets in East and Southeast Asia to the Gulf Coast, all while centering greater Houston’s diverse Asian and Asian American communities.

Credit: Asia Society Texas Center

 

From 6 p.m. to 10 p.m., the event transformed the Center’s outdoor parking lot and interior spaces into a lively village of flavors, artistry and connection. Guests of all ages could explore dozens of food and artisan vendors, enjoy dance performances, and some games for free. Inside the Center and for a small fee, there were anime screenings, more games, sumo-wrestling demonstrations! For those who have never experienced the beautiful museum, the Center offered after-hours art access.

Credit: “Pilot,” who’s been great behind the camera!

I was excited to experience this event through the eyes of my husband, Pilot, who continues to dive into these adventures with an open heart and mind. Being the foodies that we are, we were especially excited to try the cuisines! Although overall positive, it was a disappointment that two hours into the festival, several food options weren’t available. For the options that were available, such as Filipino and some Japanese and Korean fusion bites, the lines were painfully long. We opted instead for exploring more of the festival booths.

It’s been at least 10 years since I last enjoyed the festival and my understanding of the various communities and cultures represented have come a long way. This impact is the goal of the festival, actually. The Night Market supports the mission of the Asia Society Texas Center to elevate Asian and Asian American voices in Houston’s cultural landscape. There’s intentionality about placing a positive spotlight on cultural celebration, community entrepreneurship and cross-cultural exchange. The result? A festive, inclusive evening offering something for all ages.

 

Ashley Borjon, Host & Historian

Ashley is a content creator, educator, and public speaker. As an authority on the Hallyu phenomenon, she has collaborated on projects and events with various domestic and international companies and brands as a music historian. As the host of An Album a Day, she leads an English-language podcast promoting commentary on South Korean pop music. Learn more about her at https://www.a3daypodcast.com

#NightMarket #Houston2025NightMarket #Fillipino #Korean #Japanese NightMarketFoods #kcrush #foodies #festival #HoustonMuseumDistrict #EastandSouthEastAsia #kcrushmagazine #kcrushamerica #HoustonAsianFestival

“Cursed Bunny” by Korean author Bora Chung is a bold and unsettling short-story collection that blends horror, fantasy, and dark satire to expose the hidden anxieties of modern life. Longlisted for the International Booker Prize, this collection has captivated global readers with its imaginative plots and sharp social commentary.

The book contains several surreal and thought-provoking stories, all connected by themes of fear, power, and the unexpected cruelty embedded in ordinary situations. Among the most memorable is the title story, “Cursed Bunny,” where a family of curse-makers creates a vengeful object to fight back against a ruthless corporation. Through this tale, Chung cleverly reveals how injustice can twist generations and how revenge often comes at a heavy cost.

Other stories in the collection explore the burdens of social expectations, the pressures placed on women, and the blurred lines between the human and the monstrous. In “The Head,” a woman is stalked by a speaking, severed head emerging from her toilet — a bizarre yet powerful symbol of guilt and responsibility that refuses to be ignored. While each story is unique, they collectively paint a vivid picture of how people navigate fear, trauma, and societal pressure in unexpected ways. Translated into English by Anton Hur, the collection retains all the eeriness, humor, and cultural nuance of the original Korean text. “Cursed Bunny” is not just a horror collection; it is a daring reflection on the systems that shape our lives and the strange, often haunting ways people cope with them.

 

—-Karen Mwenda

 

#CursedBunnybyBoraChung #BoraChung #CursedBunny #AntonHurtranslated #koreanauthor #kcrush #horror #injustice #kcrushamerica #kcrushmagazine #koreanculture #koreanwriter #socialexpectations #burdens #humanversusmonstrous #shortstorycollection #InternationalBookerPrize #sharpsocialcommentary #fear #power #unexpectedcruelty #revenge

Fastest-rising, record-breaking, fifth-generation idol group fresh off MAMA Award Nomination for “Best New Artist”

(Courtesy of:  Uncore Entertainment)

LISTEN TO ALBUM “BLACKOUT” HERE

WATCH MUSIC VIDEO “X” HERE

The dynamic, rising K-Pop powerhouse CLOSE YOUR EYES is ushering in a bold new chapter with the release of their highly anticipated third mini album, “blackout.” Following breakout hits, “All My Poetry” and “Snowy Summer,” the seven-member group deliver a musically rich project that blends R&B and house-inspired. This release redefines the boundaries of modern K-Pop while showcasing growth and artistry that have propelled them to global recognition. The latest release fresh off the heels from their nomination for “Best New Artist” at the prestigious upcoming MAMA Awards. The recognition is just one of many this year alone across multiple accolades, such as The Fact Music Awards – Hottest Award, Brand of the Year Awards – Rookie Male Idol, K-WORLD DREAM AWARDS – New Vision Award, and TikTok Music Awards – New Wave Artist Award.

Expanding the group’s artistic evolution, the album delivers an emotionally charged landscape that reflects vulnerability and strength. Centered on themes of one’s journey of growth, the project braves the power of transformation beyond past limitations.

Opening the album is “X,” a dynamic yet powerful R&B infused dance track characterized by its restrained bassline and diverse synth layers. The lyrics, written by member Jeon Min-wook, express a determined mindset to break through personal limits and move forward. The first collaboration track, “SOB,”  features Grammy-Award winning producer, Imanbek, on a heavy bass with house-style drums. Built on a house-inspired dance-pop foundation, “CHIC” features striking synthesizer arpeggios and a catchy hook that highlight the group’s distinctive charm and playful individuality. Continuing with R&B influences on blended textures and keyboards is “2.0” – a transition between halftime and double-time rhythms in the chorus to create an engaging, pulsating contrast. “Who’s Day? (Jane Doe)” sensually portrays the allure and mystery of an unidentified figure from a dreamscape, closing the album with an air of intriguing falsettos. Closing the album is the English version of “X.”

The rising rookie septet has quickly established themselves as one of the most exciting new acts in the global music scene. Formed through JTBC’s survival show “Project 7,” CLOSE YOUR EYES, officially debuted on April 2, 2025 with their first mini album, “ETERNALT”, which sold 316k units in the first week of release. They continued to stack achievements with their second mini album “Snowy Summer”, which was released in July, selling over 200k albums on its first day of release. They also won first place on SBS M’s The Show and MBC M’s Show Champion concurrently, then later won a trophy on KBS’s Music Bank with the title track “Snowy Summer.’ Their speed to success made history, accomplishing a Music Bank win just nine days after their official debut, solidifying their place as the fastest fifth-generation group to win on the show and second fastest group in all-time history.

blackout Tracklist:

1. X
2. SOB
3. CHIC
4. 0
5. Who’s Dat (Jane Doe)
6. X (English Ver.)

(Courtesy of:  Uncore Entertainment)

About CLOSE YOUR EYES

CLOSE YOUR EYES (CYE) is a 7-member multinational K-pop boy group is comprised of Jeon Min-wook, Ma Jingxian, Jang Yeo-jun, Kim Sung-min, Song Seung-ho, Kenshin, and Seo Kyoung-bae. The group formed through the global audition show PROJECT7, produced by SLL and YGP. Chosen by over 17M global fan vote, including 91% from overseas, CYE debuted in 2025 with their new album ETERNALT, which sold 316K copies. The title track “All My Poetry” earned them their first music show win just 9 days after their debut, making them the one of the fastest groups to achieve this milestone in K-Pop history. Their followup release, “Snowy Summer”, continued to build on this momentum with multiple music show wins including “The Show”, “Show Champion”, and “Music Bank.” Known for their powerful performances, CYE quickly rose to become one of the most talked-about rookie groups. With stunning visuals, creative energy, and a commanding stage presence, they are leading the new wave of global K-pop.

Follow CLOSE YOUR EYES: Facebook | Instagram | Spotify | TikTok | X

 

#CLOSEYOUREYES #UnicoreEntertainment #JeonMinwook #MaJingxian #JangYeojun #KimSungmin #SongSeungho #Kenshin #SeoKyoungbae #PROJECT& #kcrush #kcrushmagazine #kcrushamerica #kpop #koreanpop #koreanentertainment #MAMAAwards #nomination #SLL #YGP #CYE #ETERNALT #MusicBank #kpopmusic #ShowChampion #blackoutbyCloseYourEyes #kpopnewboygroup #musicvideoblackout

“GO OFF” ARTWORK Courtesy of RIOT GAMES

Riot Games today unveiled the VALORANT Game Changers Championship 2025 music video “GO OFF,” featuring a reimagined version of the hit track “M.I.A” by global pop group, KATSEYE. “M.I.A (VALORANT Game Changers Version),” accompanied by a cinematic music video, is available now across all streaming platforms. Watch the cinematic music video HERE.

Music continues to play a vital role in shaping the VALORANT experience, and this year’s VALORANT Game Changers Championship anthem is a reflection of that dedication. The collaboration with KATSEYE celebrates the competitive spirit and energy that define VALORANT Game Changers.

“When Riot asked us to reimagine M.I.A for Game Changers, as a gamer I was like YES!” says Megan of KATSEYE. “That song has always been about confidence and showing up as your best self, and that message aligns so much with what Game Changers stands for. We wanted this version to celebrate every player who’s out there pushing limits and owning their power.”

“GO OFF” tells the story of determination and perseverance, told through the experiences of women in and around VALORANT. The video celebrates connections formed around Game Changers, reflecting a community that stands together and lifts each other up when it matters most.

“Working with KATSEYE to give “M.I.A” a Game Changers twist has been an incredible experience. Their energy and artistry perfectly match the spirit of VALORANT, and Megan’s connection as a player made the collaboration feel that much more authentic,” shares Jonny Altepeter, Lead Music Supervisor at Riot Games. “It’s inspiring to see artists who genuinely connect with our game come together to celebrate Game Changers, a program that continues to empower and elevate our community.”  

The VALORANT Game Changers Championship 2025 finals will take place from November 28-30 at Riot’s very own LoL Park in Seoul. Since the program’s inception in 2021, VCT Game Changers has created new opportunities and exposure for women within VALORANT esports. Previous events were held in Berlin and São Paulo, with past anthems including “All Eyes On Me” featuring Jean Deaux and Whipped Cream, “VALORANT, LOUDER” with an original score by Karel Psota and “THE DRIVE” featuring PREDATOR by YONAKA.

ABOUT RIOT GAMES

Riot Games was founded in 2006 to develop, publish, and support the most player-focused games in the world. In 2009, Riot released its debut title, League of Legends, which has gone on to be one of the most-played PC games in the world. In the years that followed, Riot released VALORANT, Teamfight Tactics, Legends of Runeterra, and League of Legends: Wild Rift. Riot’s titles have led to the creation of some of the most-watched and widely recognized esports in the world, culminating in events like the League of Legends World Championship and VALORANT Champions Tour (VCT), which are watched by millions of fans each year. Riot has also expanded its IP through multimedia projects across music, comic books, board games, and Arcane, its Emmy-winning animated series.

About VALORANT

VALORANT is a competitive 5v5 character-based first-person tactical shooter developed and published by Riot Games for PC, Xbox Series X|S and PlayStation®5. VALORANT is a precise and lethal multiplayer game with high-fidelity gunplay, a diverse arsenal of guns, agents with unique abilities, and competitively tuned maps for unlimited hours of play. In VALORANT, players lock in their agent for the entire duration of the match and then attempt to win a round-based, attackers vs. defenders, best-of-24-rounds fight.

VALORANT is a free-to-play game and optimized to perform on a wide variety of PC and console platforms, allowing for a global audience to compete. Demonstrated by the game’s best-in-class game server quality, global infrastructure, and proprietary anti-cheat technology, Riot Games is committed to preserving the core tenets of the tactical shooter genre and upholding the competitive integrity of the gameplay experience across all available platforms.

Visit PlayVALORANT.com for more information and follow @VALORANT on social media.

About the VALORANT Champions Tour

VALORANT is the highly competitive, 5v5 character-based tactical shooter attracting millions of players around the world. To foster and support global competition, Riot Games operates the VALORANT Champions Tour (VCT), a year-long, global circuit composed of leagues and global events spanning EMEA, Asia, and the Americas. Teams compete through four international leagues and global Masters events with the goal to qualify for Champions, a two-week long tournament where a single team is crowned the VALORANT Global Champion.

About VALORANT Game Changers

Game Changers is an initiative created by Riot Games with the goal of creating new opportunities and exposure for women seeking to participate in VALORANT esports, through a combination of community events and top-tier competition. The program, which launched in February of 2021, created a space for players of diverse genders to compete at the highest level without fear of judgment while showcasing the diversity of the VALORANT community. Our goal is for Game Changers to become the stepping stone that pushes more women to compete within the International and Challenger Leagues.

About KATSEYE

KATSEYE – the first-ever global girl group formed using KPOP artist development methodologies – is “out to change the look and sound of modern pop as we know it,” as Vogue recently noted. Ranging in age from 16 to 22 and coming from immensely different cultures, the six members of KATSEYE are: DANIELA (Atlanta, GA USA); LARA (Los Angeles, CA USA); MANON (Zurich, Switzerland); MEGAN (Honolulu, HI USA); SOPHIA (Manila, Philippines); and YOONCHAE (Seoul, South Korea). Now based in Los Angeles, KATSEYE’s members emerged from 120,000 submissions that were narrowed down to a field of 20 contestants who participated in The Dream Academy, an intensive program developed jointly by HYBE and GEFFEN. Fans got to know the young women over the course of the 2023 audition program, which was seen on YouTube, Weverse and ABEMA (Japan).

The years-long process of creating this one-of-a-kind international girl group became the subject of Netflix documentary series KATSEYE: Pop Star Academy, directed by Nadia Hallgren (Becoming) and produced by HYBE, Interscope Films and Boardwalk Pictures.

KATSEYE released their first single “Debut” in June 2024 and released their debut EP, SIS (Soft is Strong), in August 2024. Their second EP, BEAUTIFUL CHAOS, released in June 2025 earned the group their first top 10 on the Billboard 200 chart at #4 and was preceded by a pair of singles “Gnarly” and “Gabriela” earlier in the year.

 

#KATSEYE #DANIELA #LARA #MANON #MEGAN #SOPHIA #YOONCHAE #VALORANT #GameChangers #kpop #videogame #MIAVALORANTGAMECHANGERS #kcruh #kcrushmagazine #kcrushamerica #gaming #GoOff #RIOTGAMES #kpopgirlsgroup #JonnyAltepeterLeadMusicSupervisoratRiotGames #BeautihfulChaos #GameChangersCommunity

(Courtesy of: Attrakt Entertainment)

K-pop sensation, FIFTY FIFTY, makes a bold return with their latest album, “Too Much Part 1,” now available on all streaming platforms. The project marks a new chapter in the group’s musical journey, capturing the modern sentiment of embracing love’s beginnings with fearless yet playful curiosity.

The new body of work brings to life the flutter, tension, and unpredictable energy that comes with overwhelming emotions. Inspired by motifs such as “a psychological game of confessing love as a playful challenge” and “the moment emotions burst into color,” the single perfectly balances raw intensity with FIFTY FIFTY’s signature vibrancy and playful charm. This release continues to pioneer “Fifty Pop,” a genre defined by honesty, energetic expression, and emotional nuance. “Too Much Part 1” invites fans to experience the excitement of love’s early moments, transforming vulnerability into a lively, colorful musical journey.

The main track being “Eeny meeny miny moe” is a thrill of a first crush turned into pop perfection. With a chanty hook, fluttering “Ba ba ba Badam” beats, and bright synths, the quintet makes the nervous excitement of young love irresistibly catchy. Skittlez makes emotions explode like a rainbow of candy in this playful, sensual track. Minimalist hip-hop vibes meet glossy vocals, making every lyric pop with color and energy. “Eeny meeny miny moe (Eng. ver)” is a global version of the hit that retains its cute, lively charm while adding a confident, universal pop flair.  FIFTY FIFTY proves once again they’re masters of turning love, playfulness, and emotion into infectious music. The beloved girl group has been making significant strides in the global music scene. Their breakout hit, “Cupid”, not only became the longest-charting K-pop song in Billboard Hot 100 history at 25 consecutive weeks but also made them the first female K-pop act to reach the top 10 on the UK Singles Chart, peaking at number eight. The group further solidified their rising star status by winning the K-Pop Song of the Year for “Cupid (Twin Version)” at the 2024 iHeartRadio Music Awards. Further solidifying their position as a global force in the music industry, they captivated audiences with shows during their U.S. tour last year and an album release earlier this year.

LISTEN HERE

Watch “Eeny Meeny Miny Moe” Music Video HERE

The five-piece collective continues to expand their artistic horizons while staying true to the heartfelt storytelling that defines their music. With a variety of on-going music projects in the upcoming months, the group aspires to demonstrate their versatility as artists and work hard to build upon their growing success.

(Courtesy of: Attrakt Entertainment)

FOLLOW FIFTY FIFTY: Instagram | Spotify | TikTok

About FIFTY FIFTY

FIFTY FIFTY debuted in Nov 2022 and experienced a commercial breakthrough with their song “Cupid”, which became the longest-charting K-pop song in Billboard Hot 100 history at 25 consecutive weeks (peaking #17) and reached #2 on the Billboard Global 200. The song became popular on TikTok due to a dance trend launched by the group, with over 2 million video creations on the ‘twin’ version and more on sped-up audios. Rather than most K-pop groups which focus initially on the local market and Korean-language repertoire, FIFTY FIFTY’s songs leaned more heavily into Western pop sounds and English-language hooks, as seen in other tracks like “SOS” and “Gravity.” Just last year, they inked a U.S. record deal with Arista Records and released their comeback EP Love Tune. So far, the group has released two EPs – The FIFTY and Love Tune – along with one LP, The Beginning. They also contributed a song to the soundtrack of the blockbuster Barbie movie.

 

#FIFTYFIFTY #AttraktEntertainment #TooMuchPart1 #kcrush #Gravity #TheBeginningLP #kpop #SOS #kcrushamerica #kcrushmagazine #Koreanlanguagerepertoire #Skittlez #koreanmusic #newmusic #kpopidol #EenyMeenyMinyMoe #FIFTYFIFTYNewSong #FiftysPop #CUPIDbyFIFTYFIFTY

Late last week, BTS leader RM (Kim Namjoon) delivered a historic keynote speech at the APEC CEO Summit in Gyeongju, South Korea, becoming the first K-pop artist to address the global economic forum. His remarks centered on culture, creativity, and Korea’s growing soft power. RM said that K-pop’s success came from respecting diversity and embracing world cultures while maintaining Korea’s unique identity. Comparing Korean pop culture to bibimbap, he explained that K-pop blends “Korea’s unique aesthetics and emotions with global elements like hip-hop, R&B, and EDM,” showing that collaboration without borders creates harmony.

He described BTS’s own journey as an “experiment” — testing whether music sung in Korean could succeed globally. Facing early skepticism, the group overcame barriers through “borderless solidarity” through the power of their global fandom, ARMY, who communicated beyond language and nationality. RM emphasized that BTS’s story represents how art can unify people. He said that “ARMY was the power that broke down those barriers” and added that culture flows like a river — changing form but staying true to its source. His message of “no borders, no limitations” resonated at a summit largely focused on trade and cooperation, reminding leaders that creativity and cultural openness can also drive progress. RM’s APEC appearance was both a proud moment for South Korea and a powerful statement of K-pop’s influence on global dialogue, positioning culture as a bridge between nations.

 

— Karen Mwenda

 

#RM #BIGHITEntertainment #APEC #RMAPECSpeech #RMOctober2025APECSpeech #ARMY #kcrush #kpop #kidol #koreanculture #koreanpride ##BTS #kpopgloballanguage #RMsHistoricAPECSpeechPopCultureMeetsDiplomacy #Kim Namjoon #ComparingKoreanpopculturetobibimbap #APECCEOSUMMITKOREA2025 #tradeandcooperation #kcrushamerica #kcrushmagazine #AmericanandKoreanCultures #kpophasnoborders #koreanmusic #ARMYforBTS #koreanlanguage #GDRAGONAPECAmbassader #Koreanpopculture #KoreanKPopinfluence #GyeongjuSouth Korea

Before K-pop became a worldwide phenomenon, a few Korean-American artists were already helping bridge the gap between Korea and the United States. Their fluency in English, Western influences, and cross-cultural appeal helped shape the early sound and image of K-pop, paving the way for future generations of global idols.

1. Brian Joo – Fly to the Sky

Born and raised in New Jersey, Brian Joo debuted under SM Entertainment in 1999 as one half of the R&B duo Fly to the Sky. Known for emotional ballads like “Sea of Love” and “Missing You,” he became one of the first American-born singers to influence K-pop’s early R&B sound. He later continued as a solo artist and TV personality in Korea.

2. Danny Ahn – g.o.d

Danny Ahn, who grew up in Seattle, made his mark as the main rapper of g.o.d under JYP Entertainment in 1999. The group became one of Korea’s most beloved acts with hits such as “Lies” and “One Candle.” Danny’s smooth rap delivery and bilingual skills added a Western edge to g.o.d’s heartfelt music. Today, he is active as an actor, radio host, and variety show personality.

3. Jay Park – 2PM

Seattle-born Jay Park first debuted with 2PM under JYP Entertainment in 2008. 2PM is known for songs like “10 Out of 10” and “Again & Again”. His stage presence and B-boy background brought a new swagger to idol performance. After leaving 2PM, Jay built his own path as a solo artist and CEO of AOMG and H1GHR MUSIC, becoming one of the most influential figures in Korean hip-hop.

4. Amber Liu – f(x)

Amber Liu, who grew up in Los Angeles, debuted with f(x) group in 2009 under SM Entertainment and quickly gained attention for her unique tomboy style and laid-back confidence. With hits like “Electric Shock” and “Red Light,” Amber broke stereotypes in the K-pop scene and became a role model for individuality. She now continues to make music as a solo artist active in both Korea and the U.S.

5. Tiffany Young – Girls’ Generation

Raised in San Francisco, Tiffany Young debuted as a member of Girls’ Generation under SM Entertainment in 2007. Her powerful vocals and confident presence stood out in tracks like “Gee” and “I Got A Boy.” After years of success in Korea, Tiffany returned to the U.S. as a solo singer and actress, continuing to connect K-pop with Western audiences.

6. Jessica Jung – Girls’ Generation

Also from San Francisco, Jessica Jung also debuted with Girls’ Generation alongside Tiffany Young. She contributed to many of the group’s signature songs, including “Into the New World” and “Run Devil Run.” After leaving SM Entertainment, Jessica launched her own fashion brand, Blanc & Eclare, and continues to work as a singer, author, and designer.

7. Eli Kim – U-KISS

Eli Kim, who grew up in Washington D.C., joined U-KISS in 2008 under NH Media and helped the group gain international recognition with songs like “Man Man Ha Ni” and “0330.” His fluent English and multicultural background helped U-KISS build one of K-pop’s earliest global fanbases. He is now active as a television personality.

These early Korean-American idols were more than performers—they were cultural bridges who helped K-pop find its global voice long before it became a worldwide trend.

 

—-Karen Mwenda

 

#FirstAmericanFacesofKPop #KoreanAmericanIdols #kcrush #EliKim #UKiss #JessicaJung #GirlsGeneration #kpop #Korean #TiffanyYoung #GirlsGeneration #AmberLiu #fx #DannyAhn #god #JayPark #2PM #ElectricShock #NHMedia #JYP #kidol #SMEntertainment #HIGHERMUSIC #AOMG #ManManHaNi #BrianYoo #FlyToTheSky #SeaOfLove #MissingYou